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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBF740 it is the complementary color #3408BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBF740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBF740 shade: #D0F73B, #E1FF4E, #F2FF61, #FFFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBF740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBF740 shade: #CBF740, #BAE52D, #A9D31A, #98C107 and #87AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBF740 shade: #CBF740, #F7F140, #F7C040, #F78F40 and #F75D40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBF740 shade: #CBF740, #99F740, #68F740, #40F749 and #40F77A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBF740 shade matches the following richer shades: #CBF740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBF740 shade: #CBF740, #C2E650, #BAD660, #B1C670 and #A9B680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBF740 shade: #F7C040, #F7F040, #CCF740, #9BF740 and #6AF740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBF740 shade: #A8DB09, #C0F518, #CBF740, #D5F867 and #E0FA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBF740 shade: #CBF740, #40F78F and #D840F7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBF740 shade: #CBF740, #40CCF7 and #F740CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBF740 shade: #CBF740, #40F78F, #6A40F7 and #F740A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBF740 shade: #CBF740, #40F7C6, #6A40F7 and #F74070

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

Complementary color

CMYK 73 / 96 / 0 / 25

HEX #3408BF

RGB 52 8 191

HSL 254.43, 0.92%, 0.39%

LAB 25.76, 62.98, -81.91

 

CMYK 16 / 0 / 76 / 3

HEX #D0F73B

RGB 208 247 59

HSL 72.45, 0.92%, 0.6%

LAB 91.8, -35.57, 79.31

 

CMYK 12 / 0 / 69 / 0

HEX #E1FF4E

RGB 225 255 78

HSL 70.17, 1%, 0.65%

LAB 95.19, -31.68, 76.87

 

CMYK 5 / 0 / 62 / 0

HEX #F2FF61

RGB 242 255 97

HSL 64.94, 1%, 0.69%

LAB 96.52, -23.91, 71.53

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 19 / 0 / 80 / 10

HEX #BAE52D

RGB 186 229 45

HSL 74.02, 0.78%, 0.54%

LAB 85.34, -36.58, 76.79

 

CMYK 20 / 0 / 88 / 17

HEX #A9D31A

RGB 169 211 26

HSL 73.62, 0.78%, 0.46%

LAB 79.1, -35.7, 75.22

 

CMYK 21 / 0 / 96 / 24

HEX #98C107

RGB 152 193 7

HSL 73.23, 0.93%, 0.39%

LAB 72.78, -34.63, 72.33

 

CMYK 23 / 0 / 100 / 31

HEX #87AF00

RGB 135 175 0

HSL 73.71, 1%, 0.34%

LAB 66.38, -33.34, 67.75

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 0 / 2 / 74 / 3

HEX #F7F140

RGB 247 241 64

HSL 58.03, 0.92%, 0.61%

LAB 93.04, -16.88, 79.98

 

CMYK 0 / 22 / 74 / 3

HEX #F7C040

RGB 247 192 64

HSL 41.97, 0.92%, 0.61%

LAB 80.65, 7.82, 68.28

 

CMYK 0 / 42 / 74 / 3

HEX #F78F40

RGB 247 143 64

HSL 25.9, 0.92%, 0.61%

LAB 69.32, 33.45, 57.04

 

CMYK 0 / 62 / 74 / 3

HEX #F75D40

RGB 247 93 64

HSL 9.51, 0.92%, 0.61%

LAB 59.86, 57.42, 47.13

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 38 / 0 / 74 / 3

HEX #99F740

RGB 153 247 64

HSL 90.82, 0.92%, 0.61%

LAB 88.76, -55.28, 73.84

 

CMYK 58 / 0 / 74 / 3

HEX #68F740

RGB 104 247 64

HSL 106.89, 0.92%, 0.61%

LAB 86.92, -69.24, 71.4

 

CMYK 74 / 0 / 70 / 3

HEX #40F749

RGB 64 247 73

HSL 122.95, 0.92%, 0.61%

LAB 86.05, -76.19, 67.17

 

CMYK 74 / 0 / 51 / 3

HEX #40F77A

RGB 64 247 122

HSL 139.02, 0.92%, 0.61%

LAB 86.51, -70.67, 47.06

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 16 / 0 / 65 / 10

HEX #C2E650

RGB 194 230 80

HSL 74.4, 0.75%, 0.61%

LAB 86.33, -32.14, 66.46

 

CMYK 13 / 0 / 55 / 16

HEX #BAD660

RGB 186 214 96

HSL 74.24, 0.59%, 0.61%

LAB 81.5, -26.53, 54.26

 

CMYK 11 / 0 / 43 / 22

HEX #B1C670

RGB 177 198 112

HSL 74.65, 0.43%, 0.61%

LAB 76.62, -20.67, 40.61

 

CMYK 7 / 0 / 30 / 29

HEX #A9B680

RGB 169 182 128

HSL 74.44, 0.27%, 0.61%

LAB 71.86, -13.66, 26.05

 

CMYK 0 / 22 / 74 / 3

HEX #F7C040

RGB 247 192 64

HSL 41.97, 0.92%, 0.61%

LAB 80.65, 7.82, 68.28

 

CMYK 0 / 3 / 74 / 3

HEX #F7F040

RGB 247 240 64

HSL 57.7, 0.92%, 0.61%

LAB 92.78, -16.39, 79.74

 

CMYK 17 / 0 / 74 / 3

HEX #CCF740

RGB 204 247 64

HSL 74.1, 0.92%, 0.61%

LAB 91.56, -36.9, 77.5

 

CMYK 37 / 0 / 74 / 3

HEX #9BF740

RGB 155 247 64

HSL 90.16, 0.92%, 0.61%

LAB 88.86, -54.62, 73.96

 

CMYK 57 / 0 / 74 / 3

HEX #6AF740

RGB 106 247 64

HSL 106.23, 0.92%, 0.61%

LAB 86.98, -68.76, 71.48

 

CMYK 23 / 0 / 96 / 14

HEX #A8DB09

RGB 168 219 9

HSL 74.57, 0.92%, 0.45%

LAB 81.3, -39.97, 79.17

 

CMYK 22 / 0 / 90 / 4

HEX #C0F518

RGB 192 245 24

HSL 74.39, 0.92%, 0.53%

LAB 90.13, -41.91, 85.08

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 14 / 0 / 58 / 3

HEX #D5F867

RGB 213 248 103

HSL 74.48, 0.91%, 0.69%

LAB 92.69, -31.49, 64.33

 

CMYK 10 / 0 / 43 / 2

HEX #E0FA8F

RGB 224 250 143

HSL 74.58, 0.91%, 0.77%

LAB 94.4, -24.57, 48.38

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 74 / 0 / 42 / 3

HEX #40F78F

RGB 64 247 143

HSL 145.9, 0.92%, 0.61%

LAB 86.8, -67.36, 37.3

 

CMYK 13 / 74 / 0 / 3

HEX #D840F7

RGB 216 64 247

HSL 289.84, 0.92%, 0.61%

LAB 57.06, 80.32, -61.98

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 74 / 17 / 0 / 3

HEX #40CCF7

RGB 64 204 247

HSL 194.1, 0.92%, 0.61%

LAB 76.67, -23.22, -31.8

 

CMYK 0 / 74 / 17 / 3

HEX #F740CC

RGB 247 64 204

HSL 314.1, 0.92%, 0.61%

LAB 59.71, 80.21, -33.25

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 74 / 0 / 42 / 3

HEX #40F78F

RGB 64 247 143

HSL 145.9, 0.92%, 0.61%

LAB 86.8, -67.36, 37.3

 

CMYK 57 / 74 / 0 / 3

HEX #6A40F7

RGB 106 64 247

HSL 253.77, 0.92%, 0.61%

LAB 43.43, 62.34, -84.74

 

CMYK 0 / 74 / 32 / 3

HEX #F740A7

RGB 247 64 167

HSL 326.23, 0.92%, 0.61%

LAB 58.26, 75.79, -14.17

 

CMYK 18 / 0 / 74 / 3

HEX #CBF740

RGB 203 247 64

HSL 74.43, 0.92%, 0.61%

LAB 91.5, -37.29, 77.41

 

CMYK 74 / 0 / 20 / 3

HEX #40F7C6

RGB 64 247 198

HSL 163.93, 0.92%, 0.61%

LAB 87.82, -56.16, 10.71

 

CMYK 57 / 74 / 0 / 3

HEX #6A40F7

RGB 106 64 247

HSL 253.77, 0.92%, 0.61%

LAB 43.43, 62.34, -84.74

 

CMYK 0 / 74 / 55 / 3

HEX #F74070

RGB 247 64 112

HSL 344.26, 0.92%, 0.61%

LAB 56.69, 70.84, 15.96

 

Description

Color code: HEX #CBF740 | qconv.com Color code: HEX #CBF740 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 247 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 247 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 74 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 74% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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