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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CBF131 it is the complementary color #340ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CBF131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CBF131 shade: #D0F12C, #E1FF3F, #F2FF52, #FFFF65 and #FFFF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CBF131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CBF131 shade: #CBF131, #BADF1E, #A9CD0B, #98BB00 and #87A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CBF131 shade: #CAF031, #F0E331, #F0AF31, #F07C31 and #F04831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CBF131 shade: #CAF031, #97F031, #64F031, #31F033 and #31F066

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CBF131 shade matches the following richer shades: #CAF031

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CBF131 shade: #CAF031, #C0DF43, #B5CD55, #AABB67 and #A0A978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CBF131 shade: #F0AD31, #F0E031, #CDF031, #9AF031 and #68F031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CBF131 shade: #9EC20D, #BEE910, #CAF031, #D4F358 and #DEF67F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CBF131 shade: #CBF131, #31F07B and #C731F0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CBF131 shade: #CBF131, #31CDF0 and #F031CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CBF131 shade: #CBF131, #31F07B, #5431F0 and #F031A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CBF131 shade: #CBF131, #31F0B4, #5431F0 and #F0316E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 80 / 5

HEX #CBF131

RGB 203 241 49

HSL 71.88, 0.87%, 0.57%

LAB 89.78, -35.19, 80.11

 

Complementary color

CMYK 75 / 93 / 0 / 19

HEX #340ECE

RGB 52 14 206

HSL 251.88, 0.87%, 0.43%

LAB 28.12, 65.56, -86.79

 

CMYK 14 / 0 / 82 / 5

HEX #D0F12C

RGB 208 241 44

HSL 70.05, 0.88%, 0.56%

LAB 90.09, -33.38, 81.74

 

CMYK 12 / 0 / 75 / 0

HEX #E1FF3F

RGB 225 255 63

HSL 69.38, 1%, 0.62%

LAB 95.11, -32.38, 81.61

 

CMYK 5 / 0 / 68 / 0

HEX #F2FF52

RGB 242 255 82

HSL 64.51, 1%, 0.66%

LAB 96.41, -24.77, 77.07

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF65

RGB 255 255 101

HSL 60, 1%, 0.7%

LAB 97.52, -18.5, 71.29

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 16 / 0 / 80 / 5

HEX #CBF131

RGB 203 241 49

HSL 71.88, 0.87%, 0.57%

LAB 89.78, -35.19, 80.11

 

CMYK 17 / 0 / 87 / 13

HEX #BADF1E

RGB 186 223 30

HSL 71.5, 0.76%, 0.5%

LAB 83.6, -34.3, 78.65

 

CMYK 18 / 0 / 95 / 20

HEX #A9CD0B

RGB 169 205 11

HSL 71.13, 0.9%, 0.42%

LAB 77.35, -33.23, 75.95

 

CMYK 19 / 0 / 100 / 27

HEX #98BB00

RGB 152 187 0

HSL 71.23, 1%, 0.37%

LAB 71.02, -31.95, 71.75

 

CMYK 20 / 0 / 100 / 34

HEX #87A900

RGB 135 169 0

HSL 72.07, 1%, 0.33%

LAB 64.59, -30.53, 66.39

 

CMYK 16 / 0 / 80 / 6

HEX #CAF031

RGB 202 240 49

HSL 71.94, 0.86%, 0.57%

LAB 89.44, -35.13, 79.79

 

CMYK 0 / 5 / 80 / 6

HEX #F0E331

RGB 240 227 49

HSL 55.92, 0.86%, 0.57%

LAB 88.77, -13.46, 80.29

 

CMYK 0 / 27 / 80 / 6

HEX #F0AF31

RGB 240 175 49

HSL 39.58, 0.86%, 0.57%

LAB 75.7, 13.19, 68.75

 

CMYK 0 / 48 / 80 / 6

HEX #F07C31

RGB 240 124 49

HSL 23.56, 0.86%, 0.57%

LAB 64.29, 39.81, 58.3

 

CMYK 0 / 70 / 80 / 6

HEX #F04831

RGB 240 72 49

HSL 7.23, 0.86%, 0.57%

LAB 55.46, 62.9, 49.85

 

CMYK 16 / 0 / 80 / 6

HEX #CAF031

RGB 202 240 49

HSL 71.94, 0.86%, 0.57%

LAB 89.44, -35.13, 79.79

 

CMYK 37 / 0 / 80 / 6

HEX #97F031

RGB 151 240 49

HSL 87.96, 0.86%, 0.57%

LAB 86.56, -53.9, 76.12

 

CMYK 58 / 0 / 80 / 6

HEX #64F031

RGB 100 240 49

HSL 103.98, 0.86%, 0.57%

LAB 84.61, -68.69, 73.61

 

CMYK 80 / 0 / 79 / 6

HEX #31F033

RGB 49 240 51

HSL 120.63, 0.86%, 0.57%

LAB 83.55, -77.6, 71.69

 

CMYK 80 / 0 / 58 / 6

HEX #31F066

RGB 49 240 102

HSL 136.65, 0.86%, 0.57%

LAB 83.93, -72.95, 53.05

 

CMYK 16 / 0 / 80 / 6

HEX #CAF031

RGB 202 240 49

HSL 71.94, 0.86%, 0.57%

LAB 89.44, -35.13, 79.79

 

CMYK 16 / 0 / 80 / 6

HEX #CAF031

RGB 202 240 49

HSL 71.94, 0.86%, 0.57%

LAB 89.44, -35.13, 79.79

 

CMYK 14 / 0 / 70 / 13

HEX #C0DF43

RGB 192 223 67

HSL 71.92, 0.71%, 0.57%

LAB 84.17, -30.46, 69.07

 

CMYK 12 / 0 / 59 / 20

HEX #B5CD55

RGB 181 205 85

HSL 72, 0.55%, 0.57%

LAB 78.54, -25.1, 55.73

 

CMYK 9 / 0 / 45 / 27

HEX #AABB67

RGB 170 187 103

HSL 72.14, 0.38%, 0.57%

LAB 72.94, -18.93, 40.43

 

CMYK 5 / 0 / 29 / 34

HEX #A0A978

RGB 160 169 120

HSL 71.02, 0.22%, 0.57%

LAB 67.43, -11.51, 24.29

 

CMYK 0 / 28 / 80 / 6

HEX #F0AD31

RGB 240 173 49

HSL 38.95, 0.86%, 0.57%

LAB 75.22, 14.24, 68.32

 

CMYK 0 / 7 / 80 / 6

HEX #F0E031

RGB 240 224 49

HSL 54.97, 0.86%, 0.57%

LAB 88, -11.98, 79.61

 

CMYK 15 / 0 / 80 / 6

HEX #CDF031

RGB 205 240 49

HSL 70.99, 0.86%, 0.57%

LAB 89.64, -33.95, 80.04

 

CMYK 36 / 0 / 80 / 6

HEX #9AF031

RGB 154 240 49

HSL 87.02, 0.86%, 0.57%

LAB 86.71, -52.89, 76.31

 

CMYK 57 / 0 / 80 / 6

HEX #68F031

RGB 104 240 49

HSL 102.72, 0.86%, 0.57%

LAB 84.73, -67.72, 73.77

 

CMYK 19 / 0 / 93 / 24

HEX #9EC20D

RGB 158 194 13

HSL 71.93, 0.87%, 0.41%

LAB 73.47, -32.58, 72.37

 

CMYK 18 / 0 / 93 / 9

HEX #BEE910

RGB 190 233 16

HSL 71.89, 0.87%, 0.49%

LAB 86.63, -37.51, 83.25

 

CMYK 16 / 0 / 80 / 6

HEX #CAF031

RGB 202 240 49

HSL 71.94, 0.86%, 0.57%

LAB 89.44, -35.13, 79.79

 

CMYK 13 / 0 / 64 / 5

HEX #D4F358

RGB 212 243 88

HSL 72, 0.87%, 0.65%

LAB 91.14, -30.63, 68.76

 

CMYK 10 / 0 / 48 / 4

HEX #DEF67F

RGB 222 246 127

HSL 72.1, 0.87%, 0.73%

LAB 93, -25.05, 54.18

 

CMYK 16 / 0 / 80 / 5

HEX #CBF131

RGB 203 241 49

HSL 71.88, 0.87%, 0.57%

LAB 89.78, -35.19, 80.11

 

CMYK 80 / 0 / 49 / 6

HEX #31F07B

RGB 49 240 123

HSL 143.25, 0.86%, 0.57%

LAB 84.18, -70.02, 43.63

 

CMYK 17 / 80 / 0 / 6

HEX #C731F0

RGB 199 49 240

HSL 287.12, 0.86%, 0.57%

LAB 52.54, 80.44, -65.47

 

CMYK 16 / 0 / 80 / 5

HEX #CBF131

RGB 203 241 49

HSL 71.88, 0.87%, 0.57%

LAB 89.78, -35.19, 80.11

 

CMYK 80 / 15 / 0 / 6

HEX #31CDF0

RGB 49 205 240

HSL 190.99, 0.86%, 0.57%

LAB 76.44, -27.46, -28.43

 

CMYK 0 / 80 / 15 / 6

HEX #F031CD

RGB 240 49 205

HSL 310.99, 0.86%, 0.57%

LAB 57.2, 82.79, -37.83

 

CMYK 16 / 0 / 80 / 5

HEX #CBF131

RGB 203 241 49

HSL 71.88, 0.87%, 0.57%

LAB 89.78, -35.19, 80.11

 

CMYK 80 / 0 / 49 / 6

HEX #31F07B

RGB 49 240 123

HSL 143.25, 0.86%, 0.57%

LAB 84.18, -70.02, 43.63

 

CMYK 65 / 80 / 0 / 6

HEX #5431F0

RGB 84 49 240

HSL 250.99, 0.86%, 0.57%

LAB 38.5, 64.84, -88.99

 

CMYK 0 / 80 / 30 / 6

HEX #F031A7

RGB 240 49 167

HSL 322.93, 0.86%, 0.57%

LAB 55.6, 78.21, -18.32

 

CMYK 16 / 0 / 80 / 5

HEX #CBF131

RGB 203 241 49

HSL 71.88, 0.87%, 0.57%

LAB 89.78, -35.19, 80.11

 

CMYK 80 / 0 / 25 / 6

HEX #31F0B4

RGB 49 240 180

HSL 161.15, 0.86%, 0.57%

LAB 85.13, -59.16, 16.23

 

CMYK 65 / 80 / 0 / 6

HEX #5431F0

RGB 84 49 240

HSL 250.99, 0.86%, 0.57%

LAB 38.5, 64.84, -88.99

 

CMYK 0 / 80 / 54 / 6

HEX #F0316E

RGB 240 49 110

HSL 340.84, 0.86%, 0.57%

LAB 53.87, 73.08, 13.04

 

Description

Color code: HEX #CBF131 | qconv.com Color code: HEX #CBF131 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 241 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 241 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 80 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 80% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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