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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC04F4 it is the complementary color #33FB0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC04F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC04F4 shade: #D104EF, #E216FF, #F328FF, #FF3AFF and #FF4CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC04F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC04F4 shade: #CC04F4, #BB00E1, #AA00CE, #9900BB and #8800A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC04F4 shade: #CD03F6, #F603DD, #F6039B, #F6035A and #F60319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC04F4 shade: #CD03F6, #8C03F6, #4B03F6, #0903F6 and #0303F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC04F4 shade matches the following richer shades: #CD03F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC04F4 shade: #CD03F6, #C017E1, #B22CCD, #A540B9 and #9754A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC04F4 shade: #4C03F6, #8D03F6, #CD03F6, #F603DD and #F6039D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC04F4 shade: #8902A4, #AB03CD, #CD03F6, #D827FB and #DF50FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC04F4 shade: #CC04F4, #F60B03 and #03F66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC04F4 shade: #CC04F4, #F6CD03 and #03F6CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC04F4 shade: #CC04F4, #F60B03, #2CF603 and #03EEF6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC04F4 shade: #CC04F4, #F65403, #2CF603 and #03A5F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 98 / 0 / 4

HEX #CC04F4

RGB 204 4 244

HSL 290, 0.97%, 0.49%

LAB 51.22, 88.91, -69.82

 

Complementary color

CMYK 80 / 0 / 96 / 2

HEX #33FB0B

RGB 51 251 11

HSL 110, 0.97%, 0.51%

LAB 86.86, -81.86, 81.77

 

CMYK 13 / 98 / 0 / 6

HEX #D104EF

RGB 209 4 239

HSL 292.34, 0.97%, 0.48%

LAB 51.69, 88.8, -66.2

 

CMYK 11 / 91 / 0 / 0

HEX #E216FF

RGB 226 22 255

HSL 292.53, 1%, 0.54%

LAB 56.05, 92.26, -67.96

 

CMYK 5 / 84 / 0 / 0

HEX #F328FF

RGB 243 40 255

HSL 296.65, 1%, 0.58%

LAB 59.7, 92.3, -61.95

 

CMYK 0 / 77 / 0 / 0

HEX #FF3AFF

RGB 255 58 255

HSL 300, 1%, 0.61%

LAB 62.93, 90.6, -56.67

 

CMYK 0 / 70 / 0 / 0

HEX #FF4CFF

RGB 255 76 255

HSL 300, 1%, 0.65%

LAB 64.68, 85.57, -53.89

 

CMYK 16 / 98 / 0 / 4

HEX #CC04F4

RGB 204 4 244

HSL 290, 0.97%, 0.49%

LAB 51.22, 88.91, -69.82

 

CMYK 17 / 100 / 0 / 12

HEX #BB00E1

RGB 187 0 225

HSL 289.87, 1%, 0.44%

LAB 46.98, 83.78, -66.09

 

CMYK 17 / 100 / 0 / 19

HEX #AA00CE

RGB 170 0 206

HSL 289.51, 1%, 0.4%

LAB 42.77, 78.27, -62.14

 

CMYK 18 / 100 / 0 / 27

HEX #9900BB

RGB 153 0 187

HSL 289.09, 1%, 0.37%

LAB 38.48, 72.66, -58.12

 

CMYK 19 / 100 / 0 / 34

HEX #8800A8

RGB 136 0 168

HSL 288.57, 1%, 0.33%

LAB 34.11, 66.94, -54.04

 

CMYK 17 / 99 / 0 / 4

HEX #CD03F6

RGB 205 3 246

HSL 289.88, 0.98%, 0.49%

LAB 51.49, 89.44, -70.48

 

CMYK 0 / 99 / 10 / 4

HEX #F603DD

RGB 246 3 221

HSL 306.17, 0.98%, 0.49%

LAB 56.96, 92.07, -47.25

 

CMYK 0 / 99 / 37 / 4

HEX #F6039B

RGB 246 3 155

HSL 322.47, 0.98%, 0.49%

LAB 54.05, 84.71, -13.49

 

CMYK 0 / 99 / 63 / 4

HEX #F6035A

RGB 246 3 90

HSL 338.52, 0.98%, 0.49%

LAB 52.28, 80.01, 23.17

 

CMYK 0 / 99 / 90 / 4

HEX #F60319

RGB 246 3 25

HSL 354.57, 0.98%, 0.49%

LAB 51.53, 77.96, 58.01

 

CMYK 17 / 99 / 0 / 4

HEX #CD03F6

RGB 205 3 246

HSL 289.88, 0.98%, 0.49%

LAB 51.49, 89.44, -70.48

 

CMYK 43 / 99 / 0 / 4

HEX #8C03F6

RGB 140 3 246

HSL 273.83, 0.98%, 0.49%

LAB 41.68, 82.01, -86.93

 

CMYK 70 / 99 / 0 / 4

HEX #4B03F6

RGB 75 3 246

HSL 257.78, 0.98%, 0.49%

LAB 34.43, 77.89, -99.17

 

CMYK 96 / 99 / 0 / 4

HEX #0903F6

RGB 9 3 246

HSL 241.48, 0.98%, 0.49%

LAB 31.29, 76.64, -104.48

 

CMYK 99 / 99 / 0 / 4

HEX #0303F6

RGB 3 3 246

HSL 240, 0.98%, 0.49%

LAB 31.2, 76.61, -104.63

 

CMYK 17 / 99 / 0 / 4

HEX #CD03F6

RGB 205 3 246

HSL 289.88, 0.98%, 0.49%

LAB 51.49, 89.44, -70.48

 

CMYK 17 / 99 / 0 / 4

HEX #CD03F6

RGB 205 3 246

HSL 289.88, 0.98%, 0.49%

LAB 51.49, 89.44, -70.48

 

CMYK 15 / 90 / 0 / 12

HEX #C017E1

RGB 192 23 225

HSL 290.2, 0.81%, 0.49%

LAB 48.58, 82.17, -63.45

 

CMYK 13 / 79 / 0 / 20

HEX #B22CCD

RGB 178 44 205

HSL 289.94, 0.65%, 0.49%

LAB 46.54, 71.9, -55.39

 

CMYK 11 / 65 / 0 / 27

HEX #A540B9

RGB 165 64 185

HSL 290.08, 0.49%, 0.49%

LAB 45.86, 58.36, -44.97

 

CMYK 8 / 49 / 0 / 35

HEX #9754A5

RGB 151 84 165

HSL 289.63, 0.33%, 0.49%

LAB 46.49, 40.96, -32.34

 

CMYK 69 / 99 / 0 / 4

HEX #4C03F6

RGB 76 3 246

HSL 258.02, 0.98%, 0.49%

LAB 34.51, 77.93, -99.03

 

CMYK 43 / 99 / 0 / 4

HEX #8D03F6

RGB 141 3 246

HSL 274.07, 0.98%, 0.49%

LAB 41.82, 82.1, -86.7

 

CMYK 17 / 99 / 0 / 4

HEX #CD03F6

RGB 205 3 246

HSL 289.88, 0.98%, 0.49%

LAB 51.49, 89.44, -70.48

 

CMYK 0 / 99 / 10 / 4

HEX #F603DD

RGB 246 3 221

HSL 306.17, 0.98%, 0.49%

LAB 56.96, 92.07, -47.25

 

CMYK 0 / 99 / 36 / 4

HEX #F6039D

RGB 246 3 157

HSL 321.98, 0.98%, 0.49%

LAB 54.12, 84.89, -14.56

 

CMYK 16 / 99 / 0 / 36

HEX #8902A4

RGB 137 2 164

HSL 290, 0.98%, 0.33%

LAB 34.07, 66.11, -51.68

 

CMYK 17 / 99 / 0 / 20

HEX #AB03CD

RGB 171 3 205

HSL 289.9, 0.97%, 0.41%

LAB 42.96, 77.95, -61.24

 

CMYK 17 / 99 / 0 / 4

HEX #CD03F6

RGB 205 3 246

HSL 289.88, 0.98%, 0.49%

LAB 51.49, 89.44, -70.48

 

CMYK 14 / 84 / 0 / 2

HEX #D827FB

RGB 216 39 251

HSL 290.09, 0.96%, 0.57%

LAB 55.09, 87.45, -67.37

 

CMYK 12 / 68 / 0 / 1

HEX #DF50FC

RGB 223 80 252

HSL 289.88, 0.97%, 0.65%

LAB 60.3, 77.09, -59.5

 

CMYK 16 / 98 / 0 / 4

HEX #CC04F4

RGB 204 4 244

HSL 290, 0.97%, 0.49%

LAB 51.22, 88.91, -69.82

 

CMYK 0 / 96 / 99 / 4

HEX #F60B03

RGB 246 11 3

HSL 1.98, 0.98%, 0.49%

LAB 51.65, 77.19, 64.72

 

CMYK 99 / 0 / 56 / 4

HEX #03F66C

RGB 3 246 108

HSL 145.93, 0.98%, 0.49%

LAB 85.51, -76.79, 52.16

 

CMYK 16 / 98 / 0 / 4

HEX #CC04F4

RGB 204 4 244

HSL 290, 0.97%, 0.49%

LAB 51.22, 88.91, -69.82

 

CMYK 0 / 17 / 99 / 4

HEX #F6CD03

RGB 246 205 3

HSL 49.88, 0.98%, 0.49%

LAB 83.58, -0.66, 84.11

 

CMYK 99 / 0 / 17 / 4

HEX #03F6CD

RGB 3 246 205

HSL 169.88, 0.98%, 0.49%

LAB 87.16, -57.84, 6.07

 

CMYK 16 / 98 / 0 / 4

HEX #CC04F4

RGB 204 4 244

HSL 290, 0.97%, 0.49%

LAB 51.22, 88.91, -69.82

 

CMYK 0 / 96 / 99 / 4

HEX #F60B03

RGB 246 11 3

HSL 1.98, 0.98%, 0.49%

LAB 51.65, 77.19, 64.72

 

CMYK 82 / 0 / 99 / 4

HEX #2CF603

RGB 44 246 3

HSL 109.88, 0.98%, 0.49%

LAB 85.23, -81.35, 81.04

 

CMYK 99 / 3 / 0 / 4

HEX #03EEF6

RGB 3 238 246

HSL 181.98, 0.98%, 0.49%

LAB 85.92, -43.22, -17.24

 

CMYK 16 / 98 / 0 / 4

HEX #CC04F4

RGB 204 4 244

HSL 290, 0.97%, 0.49%

LAB 51.22, 88.91, -69.82

 

CMYK 0 / 66 / 99 / 4

HEX #F65403

RGB 246 84 3

HSL 20, 0.98%, 0.49%

LAB 57.98, 59.5, 67.67

 

CMYK 82 / 0 / 99 / 4

HEX #2CF603

RGB 44 246 3

HSL 109.88, 0.98%, 0.49%

LAB 85.23, -81.35, 81.04

 

CMYK 99 / 33 / 0 / 4

HEX #03A5F6

RGB 3 165 246

HSL 200, 0.98%, 0.49%

LAB 64.63, -6.63, -50.12

 

Description

Color code: HEX #CC04F4 | qconv.com Color code: HEX #CC04F4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 4 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 4 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 98 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 98% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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