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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC2266 it is the complementary color #33DD99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC2266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC2266 shade: #D12261, #E23474, #F34687, #FF589A and #FF6AAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC2266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC2266 shade: #CC2266, #BB1053, #AA0040, #99002D and #88001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC2266 shade: #CC2266, #CC2238 and #CC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC2266 shade: #CC2266, #CC2294, #CC22C2, #A922CC and #7B22CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC2266 shade matches the following richer shades: #CC2266 and #E00F62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC2266 shade: #CC2266, #B9366A, #A6496E, #925C72 and #7F7076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC2266 shade: #CC22C1, #CC2294, #CC2266, #CC2239 and #CC3922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC2266 shade: #861643, #A91C55, #CC2266, #DD3B7C and #E35E93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC2266 shade: #CC2266, #CCAA22 and #22AACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC2266 shade: #CC2266, #66CC22 and #2266CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC2266 shade: #CC2266, #CCAA22, #22CC88 and #2244CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC2266 shade: #CC2266, #BBCC22, #22CC88 and #3322CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

Complementary color

CMYK 77 / 0 / 31 / 13

HEX #33DD99

RGB 51 221 153

HSL 156, 0.71%, 0.53%

LAB 78.88, -57.64, 21.59

 

CMYK 0 / 84 / 54 / 18

HEX #D12261

RGB 209 34 97

HSL 338.4, 0.72%, 0.48%

LAB 46.4, 67.76, 9.65

 

CMYK 0 / 77 / 49 / 11

HEX #E23474

RGB 226 52 116

HSL 337.93, 0.75%, 0.55%

LAB 51.71, 69.06, 6.01

 

CMYK 0 / 71 / 44 / 5

HEX #F34687

RGB 243 70 135

HSL 337.46, 0.88%, 0.61%

LAB 57.25, 69.64, 3.04

 

CMYK 0 / 65 / 40 / 0

HEX #FF589A

RGB 255 88 154

HSL 336.29, 1%, 0.67%

LAB 62.15, 68.3, -0.7

 

CMYK 0 / 58 / 32 / 0

HEX #FF6AAD

RGB 255 106 173

HSL 333.02, 1%, 0.71%

LAB 65.42, 62.99, -6.77

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 91 / 56 / 27

HEX #BB1053

RGB 187 16 83

HSL 336.49, 0.84%, 0.4%

LAB 40.51, 64.54, 9.53

 

CMYK 0 / 100 / 62 / 33

HEX #AA0040

RGB 170 0 64

HSL 337.41, 1%, 0.33%

LAB 35.82, 61.09, 14.76

 

CMYK 0 / 100 / 71 / 40

HEX #99002D

RGB 153 0 45

HSL 342.35, 1%, 0.3%

LAB 31.72, 55.9, 21.15

 

CMYK 0 / 100 / 81 / 47

HEX #88001A

RGB 136 0 26

HSL 348.53, 1%, 0.27%

LAB 27.6, 50.77, 27.69

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 83 / 73 / 20

HEX #CC2238

RGB 204 34 56

HSL 352.24, 0.71%, 0.47%

LAB 44.61, 64.09, 32.34

 

CMYK 0 / 83 / 83 / 20

HEX #CC2222

RGB 204 34 34

HSL 0, 0.71%, 0.47%

LAB 44.37, 63.36, 44.52

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 83 / 27 / 20

HEX #CC2294

RGB 204 34 148

HSL 319.76, 0.71%, 0.47%

LAB 47.13, 71.39, -20.57

 

CMYK 0 / 83 / 5 / 20

HEX #CC22C2

RGB 204 34 194

HSL 303.53, 0.71%, 0.47%

LAB 49.35, 77.44, -44.3

 

CMYK 17 / 83 / 0 / 20

HEX #A922CC

RGB 169 34 204

HSL 287.65, 0.71%, 0.47%

LAB 44.14, 72.79, -58.75

 

CMYK 40 / 83 / 0 / 20

HEX #7B22CC

RGB 123 34 204

HSL 271.41, 0.71%, 0.47%

LAB 37.33, 65.75, -70.15

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 93 / 56 / 12

HEX #E00F62

RGB 224 15 98

HSL 336.17, 0.87%, 0.47%

LAB 48.35, 74.47, 12.2

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 71 / 43 / 27

HEX #B9366A

RGB 185 54 106

HSL 336.18, 0.55%, 0.47%

LAB 44.22, 56.13, 0.37

 

CMYK 0 / 56 / 34 / 35

HEX #A6496E

RGB 166 73 110

HSL 336.13, 0.39%, 0.47%

LAB 44.23, 42.29, -2.46

 

CMYK 0 / 37 / 22 / 43

HEX #925C72

RGB 146 92 114

HSL 335.56, 0.23%, 0.47%

LAB 45.61, 25.35, -3.19

 

CMYK 0 / 12 / 7 / 50

HEX #7F7076

RGB 127 112 118

HSL 336, 0.06%, 0.47%

LAB 48.77, 6.97, -1.18

 

CMYK 0 / 83 / 5 / 20

HEX #CC22C1

RGB 204 34 193

HSL 303.88, 0.71%, 0.47%

LAB 49.29, 77.29, -43.8

 

CMYK 0 / 83 / 27 / 20

HEX #CC2294

RGB 204 34 148

HSL 319.76, 0.71%, 0.47%

LAB 47.13, 71.39, -20.57

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 83 / 72 / 20

HEX #CC2239

RGB 204 34 57

HSL 351.88, 0.71%, 0.47%

LAB 44.63, 64.13, 31.76

 

CMYK 0 / 72 / 83 / 20

HEX #CC3922

RGB 204 57 34

HSL 8.12, 0.71%, 0.47%

LAB 46.82, 56.52, 46.75

 

CMYK 0 / 84 / 50 / 47

HEX #861643

RGB 134 22 67

HSL 335.89, 0.72%, 0.31%

LAB 29.53, 48.37, 2.86

 

CMYK 0 / 83 / 50 / 34

HEX #A91C55

RGB 169 28 85

HSL 335.74, 0.72%, 0.39%

LAB 37.7, 57.86, 3.76

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 73 / 44 / 13

HEX #DD3B7C

RGB 221 59 124

HSL 335.93, 0.7%, 0.55%

LAB 51.79, 66.27, 1.18

 

CMYK 0 / 59 / 35 / 11

HEX #E35E93

RGB 227 94 147

HSL 336.09, 0.7%, 0.63%

LAB 58.46, 56.7, -2.56

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 17 / 83 / 20

HEX #CCAA22

RGB 204 170 34

HSL 48, 0.71%, 0.47%

LAB 70.67, -0.22, 67.52

 

CMYK 83 / 17 / 0 / 20

HEX #22AACC

RGB 34 170 204

HSL 192, 0.71%, 0.47%

LAB 64.52, -22.78, -27.13

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 50 / 0 / 83 / 20

HEX #66CC22

RGB 102 204 34

HSL 96, 0.71%, 0.47%

LAB 73.63, -56.18, 67.49

 

CMYK 83 / 50 / 0 / 20

HEX #2266CC

RGB 34 102 204

HSL 216, 0.71%, 0.47%

LAB 44.52, 16.98, -58.71

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 0 / 17 / 83 / 20

HEX #CCAA22

RGB 204 170 34

HSL 48, 0.71%, 0.47%

LAB 70.67, -0.22, 67.52

 

CMYK 83 / 0 / 33 / 20

HEX #22CC88

RGB 34 204 136

HSL 156, 0.71%, 0.47%

LAB 73.09, -56.57, 22.56

 

CMYK 83 / 67 / 0 / 20

HEX #2244CC

RGB 34 68 204

HSL 228, 0.71%, 0.47%

LAB 35.66, 39, -73.16

 

CMYK 0 / 83 / 50 / 20

HEX #CC2266

RGB 204 34 102

HSL 336, 0.71%, 0.47%

LAB 45.55, 66.87, 5.22

 

CMYK 8 / 0 / 83 / 20

HEX #BBCC22

RGB 187 204 34

HSL 66, 0.71%, 0.47%

LAB 78.38, -24.86, 73.48

 

CMYK 83 / 0 / 33 / 20

HEX #22CC88

RGB 34 204 136

HSL 156, 0.71%, 0.47%

LAB 73.09, -56.57, 22.56

 

CMYK 75 / 83 / 0 / 20

HEX #3322CC

RGB 51 34 204

HSL 246, 0.71%, 0.47%

LAB 29.93, 58.56, -82.61

 

Description

Color code: HEX #CC2266 | qconv.com Color code: HEX #CC2266 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 34 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 34 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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