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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC2297 it is the complementary color #33DD68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC2297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC2297 shade: #D12292, #E234A5, #F346B8, #FF58CB and #FF6ADE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC2297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC2297 shade: #CC2297, #BB1084, #AA0071, #99005E and #88004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC2297 shade: #CC2297, #CC2269, #CC223C and #CC2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC2297 shade: #CC2297, #CC22C5, #A622CC, #7822CC and #4A22CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC2297 shade matches the following richer shades: #CC2297 and #E00F9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC2297 shade: #CC2297, #B93690, #A64989, #925C81 and #7F707A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC2297 shade: #A522CC, #CC22C7, #CC2299, #CC226C and #CC223F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC2297 shade: #861663, #A91C7D, #CC2297, #DD3BAB and #E35EBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC2297 shade: #CC2297, #CC7722 and #22CCBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC2297 shade: #CC2297, #99CC22 and #2299CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC2297 shade: #CC2297, #CC7722, #22CC55 and #2277CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC2297 shade: #CC2297, #CCAA22, #22CC55 and #2244CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

Complementary color

CMYK 77 / 0 / 53 / 13

HEX #33DD68

RGB 51 221 104

HSL 138.71, 0.71%, 0.53%

LAB 78.12, -66.32, 45.2

 

CMYK 0 / 84 / 30 / 18

HEX #D12292

RGB 209 34 146

HSL 321.6, 0.72%, 0.48%

LAB 47.97, 72.28, -18

 

CMYK 0 / 77 / 27 / 11

HEX #E234A5

RGB 226 52 165

HSL 321.03, 0.75%, 0.55%

LAB 53.32, 73.96, -20.85

 

CMYK 0 / 71 / 24 / 5

HEX #F346B8

RGB 243 70 184

HSL 320.46, 0.88%, 0.61%

LAB 58.88, 74.88, -23.14

 

CMYK 0 / 65 / 20 / 0

HEX #FF58CB

RGB 255 88 203

HSL 318.68, 1%, 0.67%

LAB 63.8, 73.99, -26.26

 

CMYK 0 / 58 / 13 / 0

HEX #FF6ADE

RGB 255 106 222

HSL 313.29, 1%, 0.71%

LAB 67.16, 69.47, -31.73

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 91 / 29 / 27

HEX #BB1084

RGB 187 16 132

HSL 319.3, 0.84%, 0.4%

LAB 42.16, 69.02, -18.76

 

CMYK 0 / 100 / 34 / 33

HEX #AA0071

RGB 170 0 113

HSL 320.12, 1%, 0.33%

LAB 37.37, 65.15, -14.55

 

CMYK 0 / 100 / 39 / 40

HEX #99005E

RGB 153 0 94

HSL 323.14, 1%, 0.3%

LAB 33.09, 59.53, -9.22

 

CMYK 0 / 100 / 45 / 47

HEX #88004B

RGB 136 0 75

HSL 326.91, 1%, 0.27%

LAB 28.75, 53.85, -3.58

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 83 / 49 / 20

HEX #CC2269

RGB 204 34 105

HSL 334.94, 0.71%, 0.47%

LAB 45.64, 67.11, 3.48

 

CMYK 0 / 83 / 71 / 20

HEX #CC223C

RGB 204 34 60

HSL 350.82, 0.71%, 0.47%

LAB 44.67, 64.26, 30

 

CMYK 0 / 83 / 83 / 20

HEX #CC2222

RGB 204 34 34

HSL 0, 0.71%, 0.47%

LAB 44.37, 63.36, 44.52

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 83 / 3 / 20

HEX #CC22C5

RGB 204 34 197

HSL 302.47, 0.71%, 0.47%

LAB 49.51, 77.88, -45.77

 

CMYK 19 / 83 / 0 / 20

HEX #A622CC

RGB 166 34 204

HSL 286.59, 0.71%, 0.47%

LAB 43.67, 72.29, -59.55

 

CMYK 41 / 83 / 0 / 20

HEX #7822CC

RGB 120 34 204

HSL 270.35, 0.71%, 0.47%

LAB 36.92, 65.34, -70.83

 

CMYK 64 / 83 / 0 / 20

HEX #4A22CC

RGB 74 34 204

HSL 254.12, 0.71%, 0.47%

LAB 31.71, 60.23, -79.59

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 93 / 29 / 12

HEX #E00F9F

RGB 224 15 159

HSL 318.66, 0.87%, 0.47%

LAB 50.33, 79.75, -21.93

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 71 / 22 / 27

HEX #B93690

RGB 185 54 144

HSL 318.78, 0.55%, 0.47%

LAB 45.59, 60.6, -20.82

 

CMYK 0 / 56 / 17 / 35

HEX #A64989

RGB 166 73 137

HSL 318.71, 0.39%, 0.47%

LAB 45.19, 46.12, -17.47

 

CMYK 0 / 37 / 12 / 43

HEX #925C81

RGB 146 92 129

HSL 318.89, 0.23%, 0.47%

LAB 46.11, 27.9, -11.5

 

CMYK 0 / 12 / 4 / 50

HEX #7F707A

RGB 127 112 122

HSL 320, 0.06%, 0.47%

LAB 48.89, 7.75, -3.38

 

CMYK 19 / 83 / 0 / 20

HEX #A522CC

RGB 165 34 204

HSL 286.24, 0.71%, 0.47%

LAB 43.51, 72.12, -59.81

 

CMYK 0 / 83 / 2 / 20

HEX #CC22C7

RGB 204 34 199

HSL 301.76, 0.71%, 0.47%

LAB 49.62, 78.18, -46.75

 

CMYK 0 / 83 / 25 / 20

HEX #CC2299

RGB 204 34 153

HSL 318, 0.71%, 0.47%

LAB 47.34, 71.98, -23.25

 

CMYK 0 / 83 / 47 / 20

HEX #CC226C

RGB 204 34 108

HSL 333.88, 0.71%, 0.47%

LAB 45.72, 67.36, 1.74

 

CMYK 0 / 83 / 69 / 20

HEX #CC223F

RGB 204 34 63

HSL 349.76, 0.71%, 0.47%

LAB 44.72, 64.4, 28.24

 

CMYK 0 / 84 / 26 / 47

HEX #861663

RGB 134 22 99

HSL 318.75, 0.72%, 0.31%

LAB 30.74, 51.91, -16.39

 

CMYK 0 / 83 / 26 / 34

HEX #A91C7D

RGB 169 28 125

HSL 318.72, 0.72%, 0.39%

LAB 39.15, 62.04, -19.35

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 73 / 23 / 13

HEX #DD3BAB

RGB 221 59 171

HSL 318.52, 0.7%, 0.55%

LAB 53.43, 71.44, -24.28

 

CMYK 0 / 59 / 18 / 11

HEX #E35EBA

RGB 227 94 186

HSL 318.5, 0.7%, 0.63%

LAB 59.78, 61.73, -23.11

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 42 / 83 / 20

HEX #CC7722

RGB 204 119 34

HSL 30, 0.71%, 0.47%

LAB 58.18, 27.34, 56.82

 

CMYK 83 / 0 / 8 / 20

HEX #22CCBB

RGB 34 204 187

HSL 174, 0.71%, 0.47%

LAB 74.26, -44.07, -3.14

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 25 / 0 / 83 / 20

HEX #99CC22

RGB 153 204 34

HSL 78, 0.71%, 0.47%

LAB 76.11, -38.6, 70.64

 

CMYK 83 / 25 / 0 / 20

HEX #2299CC

RGB 34 153 204

HSL 198, 0.71%, 0.47%

LAB 59.42, -13.73, -35.04

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 42 / 83 / 20

HEX #CC7722

RGB 204 119 34

HSL 30, 0.71%, 0.47%

LAB 58.18, 27.34, 56.82

 

CMYK 83 / 0 / 58 / 20

HEX #22CC55

RGB 34 204 85

HSL 138, 0.71%, 0.47%

LAB 72.35, -65.26, 47.09

 

CMYK 83 / 42 / 0 / 20

HEX #2277CC

RGB 34 119 204

HSL 210, 0.71%, 0.47%

LAB 49.37, 6.2, -50.92

 

CMYK 0 / 83 / 26 / 20

HEX #CC2297

RGB 204 34 151

HSL 318.71, 0.71%, 0.47%

LAB 47.26, 71.74, -22.18

 

CMYK 0 / 17 / 83 / 20

HEX #CCAA22

RGB 204 170 34

HSL 48, 0.71%, 0.47%

LAB 70.67, -0.22, 67.52

 

CMYK 83 / 0 / 58 / 20

HEX #22CC55

RGB 34 204 85

HSL 138, 0.71%, 0.47%

LAB 72.35, -65.26, 47.09

 

CMYK 83 / 67 / 0 / 20

HEX #2244CC

RGB 34 68 204

HSL 228, 0.71%, 0.47%

LAB 35.66, 39, -73.16

 

Description

Color code: HEX #CC2297 | qconv.com Color code: HEX #CC2297 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 34 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 34 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 26 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 26% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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