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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC33C6 it is the complementary color #33CC39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC33C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC33C6 shade: #D133C1, #E245D4, #F357E7, #FF69FA and #FF7BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC33C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC33C6 shade: #CC33C6, #BB21B3, #AA0FA0, #99008D and #88007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC33C6 shade: #CC33C6, #CC339C, #CC3373, #CC334A and #CC3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC33C6 shade: #CC33C6, #A833CC, #7F33CC, #5633CC and #3333CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC33C6 shade matches the following richer shades: #CC33C6, #E01ED9 and #F509EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC33C6 shade: #CC33C6, #B747B2, #A25C9F, #8E708C and #798579

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC33C6 shade: #7F33CC, #A833CC, #CC33C6, #CC339E and #CC3375

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC33C6 shade: #892285, #AA2AA5, #CC33C6, #D454CF and #DC75D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC33C6 shade: #CC33C6, #CC5633 and #33CC93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC33C6 shade: #CC33C6, #C6CC33 and #33C6CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC33C6 shade: #CC33C6, #CC5633, #33CC38 and #33A8CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC33C6 shade: #CC33C6, #CC8433, #33CC38 and #337ACC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

Complementary color

CMYK 75 / 0 / 72 / 20

HEX #33CC39

RGB 51 204 57

HSL 122.35, 0.6%, 0.5%

LAB 72.35, -66.14, 58.76

 

CMYK 0 / 76 / 8 / 18

HEX #D133C1

RGB 209 51 193

HSL 306.08, 0.63%, 0.51%

LAB 51.58, 74.13, -40.13

 

CMYK 0 / 69 / 6 / 11

HEX #E245D4

RGB 226 69 212

HSL 305.35, 0.73%, 0.58%

LAB 57.25, 75.05, -41.9

 

CMYK 0 / 64 / 5 / 5

HEX #F357E7

RGB 243 87 231

HSL 304.62, 0.87%, 0.65%

LAB 63.04, 75.43, -43.3

 

CMYK 0 / 59 / 2 / 0

HEX #FF69FA

RGB 255 105 250

HSL 302, 1%, 0.71%

LAB 68.22, 74.21, -45.56

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 82 / 4 / 27

HEX #BB21B3

RGB 187 33 179

HSL 303.12, 0.7%, 0.43%

LAB 45.51, 72.16, -41.8

 

CMYK 0 / 91 / 6 / 33

HEX #AA0FA0

RGB 170 15 160

HSL 303.87, 0.84%, 0.36%

LAB 40.29, 69.38, -38.96

 

CMYK 0 / 100 / 8 / 40

HEX #99008D

RGB 153 0 141

HSL 304.71, 1%, 0.3%

LAB 35.39, 65.32, -35.37

 

CMYK 0 / 100 / 10 / 47

HEX #88007A

RGB 136 0 122

HSL 306.18, 1%, 0.27%

LAB 30.97, 59.48, -30.73

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 75 / 24 / 20

HEX #CC339C

RGB 204 51 156

HSL 318.82, 0.6%, 0.5%

LAB 49.01, 67.92, -22.47

 

CMYK 0 / 75 / 44 / 20

HEX #CC3373

RGB 204 51 115

HSL 334.9, 0.6%, 0.5%

LAB 47.55, 63.38, 0.1

 

CMYK 0 / 75 / 64 / 20

HEX #CC334A

RGB 204 51 74

HSL 350.98, 0.6%, 0.5%

LAB 46.58, 60.25, 23.89

 

CMYK 0 / 75 / 75 / 20

HEX #CC3333

RGB 204 51 51

HSL 0, 0.6%, 0.5%

LAB 46.24, 59.13, 37.11

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 18 / 75 / 0 / 20

HEX #A833CC

RGB 168 51 204

HSL 285.88, 0.6%, 0.5%

LAB 45.71, 67.63, -56.24

 

CMYK 38 / 75 / 0 / 20

HEX #7F33CC

RGB 127 51 204

HSL 269.8, 0.6%, 0.5%

LAB 39.98, 60.18, -65.79

 

CMYK 58 / 75 / 0 / 20

HEX #5633CC

RGB 86 51 204

HSL 253.73, 0.6%, 0.5%

LAB 35.41, 54.02, -73.46

 

CMYK 75 / 75 / 0 / 20

HEX #3333CC

RGB 51 51 204

HSL 240, 0.6%, 0.5%

LAB 32.77, 50.33, -77.9

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 87 / 3 / 12

HEX #E01ED9

RGB 224 30 217

HSL 302.16, 0.76%, 0.5%

LAB 53.8, 85.14, -50.23

 

CMYK 0 / 96 / 4 / 4

HEX #F509EC

RGB 245 9 236

HSL 302.29, 0.93%, 0.5%

LAB 57.72, 93.53, -54.51

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 61 / 3 / 28

HEX #B747B2

RGB 183 71 178

HSL 302.68, 0.44%, 0.5%

LAB 49.24, 58.54, -35.36

 

CMYK 0 / 43 / 2 / 36

HEX #A25C9F

RGB 162 92 159

HSL 302.57, 0.28%, 0.5%

LAB 49.3, 38.83, -24.32

 

CMYK 0 / 21 / 1 / 44

HEX #8E708C

RGB 142 112 140

HSL 304, 0.12%, 0.5%

LAB 50.96, 16.9, -10.79

 

CMYK 9 / 0 / 9 / 48

HEX #798579

RGB 121 133 121

HSL 120, 0.05%, 0.5%

LAB 54.26, -6.83, 4.97

 

CMYK 38 / 75 / 0 / 20

HEX #7F33CC

RGB 127 51 204

HSL 269.8, 0.6%, 0.5%

LAB 39.98, 60.18, -65.79

 

CMYK 18 / 75 / 0 / 20

HEX #A833CC

RGB 168 51 204

HSL 285.88, 0.6%, 0.5%

LAB 45.71, 67.63, -56.24

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 75 / 23 / 20

HEX #CC339E

RGB 204 51 158

HSL 318.04, 0.6%, 0.5%

LAB 49.1, 68.17, -23.53

 

CMYK 0 / 75 / 43 / 20

HEX #CC3375

RGB 204 51 117

HSL 334.12, 0.6%, 0.5%

LAB 47.61, 63.57, -1.04

 

CMYK 0 / 75 / 3 / 46

HEX #892285

RGB 137 34 133

HSL 302.33, 0.6%, 0.34%

LAB 34.31, 54.1, -32.32

 

CMYK 0 / 75 / 3 / 33

HEX #AA2AA5

RGB 170 42 165

HSL 302.34, 0.6%, 0.42%

LAB 42.64, 64.13, -38.23

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 60 / 2 / 17

HEX #D454CF

RGB 212 84 207

HSL 302.34, 0.6%, 0.58%

LAB 56.92, 65.26, -39.72

 

CMYK 0 / 47 / 2 / 14

HEX #DC75D8

RGB 220 117 216

HSL 302.33, 0.6%, 0.66%

LAB 64.08, 53.76, -33.53

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 58 / 75 / 20

HEX #CC5633

RGB 204 86 51

HSL 13.73, 0.6%, 0.5%

LAB 51.53, 44.85, 42.86

 

CMYK 75 / 0 / 28 / 20

HEX #33CC93

RGB 51 204 147

HSL 157.65, 0.6%, 0.5%

LAB 73.54, -52.38, 17.39

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 3 / 0 / 75 / 20

HEX #C6CC33

RGB 198 204 51

HSL 62.35, 0.6%, 0.5%

LAB 79.29, -19.65, 69.93

 

CMYK 75 / 3 / 0 / 20

HEX #33C6CC

RGB 51 198 204

HSL 182.35, 0.6%, 0.5%

LAB 73.19, -34.94, -13.93

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 58 / 75 / 20

HEX #CC5633

RGB 204 86 51

HSL 13.73, 0.6%, 0.5%

LAB 51.53, 44.85, 42.86

 

CMYK 75 / 0 / 73 / 20

HEX #33CC38

RGB 51 204 56

HSL 121.96, 0.6%, 0.5%

LAB 72.35, -66.22, 59.11

 

CMYK 75 / 18 / 0 / 20

HEX #33A8CC

RGB 51 168 204

HSL 194.12, 0.6%, 0.5%

LAB 64.22, -20.08, -27.58

 

CMYK 0 / 75 / 3 / 20

HEX #CC33C6

RGB 204 51 198

HSL 302.35, 0.6%, 0.5%

LAB 51.02, 73.83, -43.96

 

CMYK 0 / 35 / 75 / 20

HEX #CC8433

RGB 204 132 51

HSL 31.76, 0.6%, 0.5%

LAB 61.29, 20.92, 52.9

 

CMYK 75 / 0 / 73 / 20

HEX #33CC38

RGB 51 204 56

HSL 121.96, 0.6%, 0.5%

LAB 72.35, -66.22, 59.11

 

CMYK 75 / 40 / 0 / 20

HEX #337ACC

RGB 51 122 204

HSL 212.16, 0.6%, 0.5%

LAB 50.67, 6.14, -48.82

 

Description

Color code: HEX #CC33C6 | qconv.com Color code: HEX #CC33C6 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 51 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 51 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 3 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 3% 20% C M Y K

Verification of their color palette as a manufacturer!

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