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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC3F7F it is the complementary color #33C080. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC3F7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC3F7F shade: #D13F7A, #E2518D, #F363A0, #FF75B3 and #FF87C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC3F7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC3F7F shade: #CC3F7F, #BB2D6C, #AA1B59, #990946 and #880033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC3F7F shade: #CB3D7E, #CB3D57 and #CB3D3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC3F7F shade: #CB3D7E, #CB3DA4, #CB3DCA, #A63DCB and #7F3DCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC3F7F shade matches the following richer shades: #CB3D7E, #DF297C and #F3157A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC3F7F shade: #CB3D7E, #B7517F, #A36581, #907983 and #7C8C85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC3F7F shade: #CB3DCB, #CB3DA5, #CB3D7F, #CB3D5A and #CB473D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC3F7F shade: #902656, #B02F69, #CB3D7E, #D45E93 and #DC7EA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC3F7F shade: #CC3F7F, #CBA53D and #3DB8CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC3F7F shade: #CC3F7F, #7FCB3D and #3D7FCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC3F7F shade: #CC3F7F, #CBA53D, #3DCB89 and #3D63CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC3F7F shade: #CC3F7F, #C6CB3D, #3DCB89 and #423DCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 38 / 20

HEX #CC3F7F

RGB 204 63 127

HSL 332.77, 0.58%, 0.52%

LAB 49.4, 60.43, -4.47

 

Complementary color

CMYK 73 / 0 / 33 / 25

HEX #33C080

RGB 51 192 128

HSL 152.77, 0.58%, 0.48%

LAB 69.44, -51.77, 21.87

 

CMYK 0 / 70 / 42 / 18

HEX #D13F7A

RGB 209 63 122

HSL 335.75, 0.61%, 0.53%

LAB 50.12, 61.34, -0.3

 

CMYK 0 / 64 / 38 / 11

HEX #E2518D

RGB 226 81 141

HSL 335.17, 0.71%, 0.6%

LAB 56.06, 61.29, -2.58

 

CMYK 0 / 59 / 34 / 5

HEX #F363A0

RGB 243 99 160

HSL 334.58, 0.86%, 0.67%

LAB 62.1, 60.91, -4.45

 

CMYK 0 / 54 / 30 / 0

HEX #FF75B3

RGB 255 117 179

HSL 333.04, 1%, 0.73%

LAB 67.45, 58.79, -7.15

 

CMYK 0 / 47 / 22 / 0

HEX #FF87C6

RGB 255 135 198

HSL 328.5, 1%, 0.76%

LAB 71.33, 52.74, -12.02

 

CMYK 0 / 69 / 38 / 20

HEX #CC3F7F

RGB 204 63 127

HSL 332.77, 0.58%, 0.52%

LAB 49.4, 60.43, -4.47

 

CMYK 0 / 76 / 42 / 27

HEX #BB2D6C

RGB 187 45 108

HSL 333.38, 0.61%, 0.45%

LAB 43.54, 59.99, -1.83

 

CMYK 0 / 84 / 48 / 33

HEX #AA1B59

RGB 170 27 89

HSL 333.99, 0.73%, 0.39%

LAB 37.93, 58.71, 1.56

 

CMYK 0 / 94 / 54 / 40

HEX #990946

RGB 153 9 70

HSL 334.58, 0.89%, 0.32%

LAB 32.72, 56.17, 5.96

 

CMYK 0 / 100 / 63 / 47

HEX #880033

RGB 136 0 51

HSL 337.5, 1%, 0.27%

LAB 28.04, 51.97, 11.61

 

CMYK 0 / 70 / 38 / 20

HEX #CB3D7E

RGB 203 61 126

HSL 332.54, 0.58%, 0.52%

LAB 48.93, 60.78, -4.58

 

CMYK 0 / 70 / 57 / 20

HEX #CB3D57

RGB 203 61 87

HSL 349.01, 0.58%, 0.52%

LAB 47.91, 57.3, 17.7

 

CMYK 0 / 70 / 70 / 20

HEX #CB3D3D

RGB 203 61 61

HSL 0, 0.58%, 0.52%

LAB 47.46, 55.73, 32.7

 

CMYK 0 / 70 / 38 / 20

HEX #CB3D7E

RGB 203 61 126

HSL 332.54, 0.58%, 0.52%

LAB 48.93, 60.78, -4.58

 

CMYK 0 / 70 / 19 / 20

HEX #CB3DA4

RGB 203 61 164

HSL 316.48, 0.58%, 0.52%

LAB 50.35, 65.42, -25.16

 

CMYK 0 / 70 / 0 / 20

HEX #CB3DCA

RGB 203 61 202

HSL 300.42, 0.58%, 0.52%

LAB 52.17, 71.1, -44.44

 

CMYK 18 / 70 / 0 / 20

HEX #A63DCB

RGB 166 61 203

HSL 284.37, 0.58%, 0.52%

LAB 46.65, 63.32, -54.16

 

CMYK 37 / 70 / 0 / 20

HEX #7F3DCB

RGB 127 61 203

HSL 267.89, 0.58%, 0.52%

LAB 41.47, 55.51, -62.79

 

CMYK 0 / 70 / 38 / 20

HEX #CB3D7E

RGB 203 61 126

HSL 332.54, 0.58%, 0.52%

LAB 48.93, 60.78, -4.58

 

CMYK 0 / 82 / 44 / 13

HEX #DF297C

RGB 223 41 124

HSL 332.64, 0.74%, 0.52%

LAB 50.37, 71.84, -0.84

 

CMYK 0 / 91 / 50 / 5

HEX #F3157A

RGB 243 21 122

HSL 332.7, 0.9%, 0.52%

LAB 52.95, 79.82, 4.58

 

CMYK 0 / 70 / 38 / 20

HEX #CB3D7E

RGB 203 61 126

HSL 332.54, 0.58%, 0.52%

LAB 48.93, 60.78, -4.58

 

CMYK 0 / 56 / 31 / 28

HEX #B7517F

RGB 183 81 127

HSL 332.94, 0.41%, 0.52%

LAB 48.86, 46.24, -5.64

 

CMYK 0 / 38 / 21 / 36

HEX #A36581

RGB 163 101 129

HSL 332.9, 0.25%, 0.52%

LAB 50.31, 28.98, -5

 

CMYK 0 / 16 / 9 / 44

HEX #907983

RGB 144 121 131

HSL 333.91, 0.09%, 0.52%

LAB 53.21, 10.67, -2.13

 

CMYK 11 / 0 / 5 / 45

HEX #7C8C85

RGB 124 140 133

HSL 153.75, 0.07%, 0.52%

LAB 56.82, -7.22, 1.77

 

CMYK 0 / 70 / 0 / 20

HEX #CB3DCB

RGB 203 61 203

HSL 300, 0.58%, 0.52%

LAB 52.23, 71.26, -44.93

 

CMYK 0 / 70 / 19 / 20

HEX #CB3DA5

RGB 203 61 165

HSL 316.06, 0.58%, 0.52%

LAB 50.39, 65.56, -25.68

 

CMYK 0 / 70 / 37 / 20

HEX #CB3D7F

RGB 203 61 127

HSL 332.11, 0.58%, 0.52%

LAB 48.97, 60.89, -5.14

 

CMYK 0 / 70 / 56 / 20

HEX #CB3D5A

RGB 203 61 90

HSL 347.75, 0.58%, 0.52%

LAB 47.97, 57.52, 15.96

 

CMYK 0 / 65 / 70 / 20

HEX #CB473D

RGB 203 71 61

HSL 4.23, 0.58%, 0.52%

LAB 48.93, 51.71, 34.44

 

CMYK 0 / 74 / 40 / 44

HEX #902656

RGB 144 38 86

HSL 332.83, 0.58%, 0.36%

LAB 33.96, 47.94, -2.93

 

CMYK 0 / 73 / 40 / 31

HEX #B02F69

RGB 176 47 105

HSL 333.02, 0.58%, 0.44%

LAB 41.66, 55.97, -2.96

 

CMYK 0 / 70 / 38 / 20

HEX #CB3D7E

RGB 203 61 126

HSL 332.54, 0.58%, 0.52%

LAB 48.93, 60.78, -4.58

 

CMYK 0 / 56 / 31 / 17

HEX #D45E93

RGB 212 94 147

HSL 333.05, 0.58%, 0.6%

LAB 56.2, 51.97, -6.15

 

CMYK 0 / 43 / 23 / 14

HEX #DC7EA9

RGB 220 126 169

HSL 332.55, 0.57%, 0.68%

LAB 64.16, 41.66, -6.89

 

CMYK 0 / 69 / 38 / 20

HEX #CC3F7F

RGB 204 63 127

HSL 332.77, 0.58%, 0.52%

LAB 49.4, 60.43, -4.47

 

CMYK 0 / 19 / 70 / 20

HEX #CBA53D

RGB 203 165 61

HSL 43.94, 0.58%, 0.52%

LAB 69.43, 3.08, 56.84

 

CMYK 70 / 9 / 0 / 20

HEX #3DB8CB

RGB 61 184 203

HSL 188.03, 0.58%, 0.52%

LAB 69.17, -27.28, -19.43

 

CMYK 0 / 69 / 38 / 20

HEX #CC3F7F

RGB 204 63 127

HSL 332.77, 0.58%, 0.52%

LAB 49.4, 60.43, -4.47

 

CMYK 37 / 0 / 70 / 20

HEX #7FCB3D

RGB 127 203 61

HSL 92.11, 0.58%, 0.52%

LAB 74.55, -46.3, 60.32

 

CMYK 70 / 37 / 0 / 20

HEX #3D7FCB

RGB 61 127 203

HSL 212.11, 0.58%, 0.52%

LAB 52.38, 4.11, -45.51

 

CMYK 0 / 69 / 38 / 20

HEX #CC3F7F

RGB 204 63 127

HSL 332.77, 0.58%, 0.52%

LAB 49.4, 60.43, -4.47

 

CMYK 0 / 19 / 70 / 20

HEX #CBA53D

RGB 203 165 61

HSL 43.94, 0.58%, 0.52%

LAB 69.43, 3.08, 56.84

 

CMYK 70 / 0 / 33 / 20

HEX #3DCB89

RGB 61 203 137

HSL 152.11, 0.58%, 0.52%

LAB 73.23, -52.72, 22.29

 

CMYK 70 / 51 / 0 / 20

HEX #3D63CB

RGB 61 99 203

HSL 223.94, 0.58%, 0.52%

LAB 44.56, 21.6, -58.03

 

CMYK 0 / 69 / 38 / 20

HEX #CC3F7F

RGB 204 63 127

HSL 332.77, 0.58%, 0.52%

LAB 49.4, 60.43, -4.47

 

CMYK 2 / 0 / 70 / 20

HEX #C6CB3D

RGB 198 203 61

HSL 62.11, 0.58%, 0.52%

LAB 79.07, -18.7, 66.34

 

CMYK 70 / 0 / 33 / 20

HEX #3DCB89

RGB 61 203 137

HSL 152.11, 0.58%, 0.52%

LAB 73.23, -52.72, 22.29

 

CMYK 67 / 70 / 0 / 20

HEX #423DCB

RGB 66 61 203

HSL 242.11, 0.58%, 0.52%

LAB 35.61, 45.9, -72.6

 

Description

Color code: HEX #CC3F7F | qconv.com Color code: HEX #CC3F7F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 63 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 63 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 38 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 38% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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