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Color name
HEX #CC486D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC486D it is the complementary color #33B792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC486D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC486D shade: #D14868, #E25A7B, #F36C8E, #FF7EA1 and #FF90B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC486D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC486D shade: #CC486D, #BB365A, #AA2447, #991234 and #880021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC486D shade: #CB486C, #CB4849 and #CB4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC486D shade: #CB486C, #CB4890, #CB48B3, #BF48CB and #9C48CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC486D shade matches the following richer shades: #CB486C, #DE3564 and #F1225C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC486D shade: #CB486C, #B85A75, #A56D7D, #928085 and #7F938E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC486D shade: #CB48B3, #CB4890, #CB486D, #CB484A and #CB6848

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC486D shade: #962A48, #B63358, #CB486C, #D46886 and #DD88A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC486D shade: #CC486D, #CBC048 and #48A1CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC486D shade: #CC486D, #6DCB48 and #486DCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC486D shade: #CC486D, #CBC048, #48CBA6 and #4852CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC486D shade: #CC486D, #AECB48, #48CBA6 and #6448CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 47 / 20

HEX #CC486D

RGB 204 72 109

HSL 343.18, 0.56%, 0.54%

LAB 50.19, 55.06, 7.55

 

Complementary color

CMYK 72 / 0 / 20 / 28

HEX #33B792

RGB 51 183 146

HSL 163.18, 0.56%, 0.46%

LAB 67.01, -44.04, 8.74

 

CMYK 0 / 66 / 50 / 18

HEX #D14868

RGB 209 72 104

HSL 345.99, 0.6%, 0.55%

LAB 50.91, 56.19, 11.7

 

CMYK 0 / 60 / 46 / 11

HEX #E25A7B

RGB 226 90 123

HSL 345.44, 0.7%, 0.62%

LAB 56.99, 55.65, 9.36

 

CMYK 0 / 56 / 42 / 5

HEX #F36C8E

RGB 243 108 142

HSL 344.89, 0.85%, 0.69%

LAB 63.12, 54.93, 7.4

 

CMYK 0 / 51 / 37 / 0

HEX #FF7EA1

RGB 255 126 161

HSL 343.72, 1%, 0.75%

LAB 68.57, 52.45, 4.64

 

CMYK 0 / 44 / 29 / 0

HEX #FF90B4

RGB 255 144 180

HSL 340.54, 1%, 0.78%

LAB 72.56, 45.87, -0.19

 

CMYK 0 / 65 / 47 / 20

HEX #CC486D

RGB 204 72 109

HSL 343.18, 0.56%, 0.54%

LAB 50.19, 55.06, 7.55

 

CMYK 0 / 71 / 52 / 27

HEX #BB365A

RGB 187 54 90

HSL 343.76, 0.55%, 0.47%

LAB 44.15, 55.26, 10.23

 

CMYK 0 / 79 / 58 / 33

HEX #AA2447

RGB 170 36 71

HSL 344.33, 0.65%, 0.4%

LAB 38.31, 54.86, 13.61

 

CMYK 0 / 88 / 66 / 40

HEX #991234

RGB 153 18 52

HSL 344.89, 0.79%, 0.34%

LAB 32.82, 53.47, 17.95

 

CMYK 0 / 100 / 76 / 47

HEX #880021

RGB 136 0 33

HSL 345.44, 1%, 0.27%

LAB 27.69, 51.03, 23.27

 

CMYK 0 / 65 / 47 / 20

HEX #CB486C

RGB 203 72 108

HSL 343.51, 0.56%, 0.54%

LAB 49.99, 54.66, 7.85

 

CMYK 0 / 65 / 64 / 20

HEX #CB4849

RGB 203 72 73

HSL 359.54, 0.56%, 0.54%

LAB 49.27, 51.95, 27.87

 

CMYK 0 / 65 / 65 / 20

HEX #CB4848

RGB 203 72 72

HSL 0, 0.56%, 0.54%

LAB 49.25, 51.89, 28.44

 

CMYK 0 / 65 / 47 / 20

HEX #CB486C

RGB 203 72 108

HSL 343.51, 0.56%, 0.54%

LAB 49.99, 54.66, 7.85

 

CMYK 0 / 65 / 29 / 20

HEX #CB4890

RGB 203 72 144

HSL 327.02, 0.56%, 0.54%

LAB 51.09, 58.59, -12.17

 

CMYK 0 / 65 / 12 / 20

HEX #CB48B3

RGB 203 72 179

HSL 310.99, 0.56%, 0.54%

LAB 52.49, 63.43, -30.63

 

CMYK 6 / 65 / 0 / 20

HEX #BF48CB

RGB 191 72 203

HSL 294.5, 0.56%, 0.54%

LAB 51.86, 64.44, -45.62

 

CMYK 23 / 65 / 0 / 20

HEX #9C48CB

RGB 156 72 203

HSL 278.47, 0.56%, 0.54%

LAB 46.99, 56.38, -53.68

 

CMYK 0 / 65 / 47 / 20

HEX #CB486C

RGB 203 72 108

HSL 343.51, 0.56%, 0.54%

LAB 49.99, 54.66, 7.85

 

CMYK 0 / 76 / 55 / 13

HEX #DE3564

RGB 222 53 100

HSL 343.31, 0.72%, 0.54%

LAB 50.68, 66.46, 14.15

 

CMYK 0 / 86 / 62 / 5

HEX #F1225C

RGB 241 34 92

HSL 343.19, 0.88%, 0.54%

LAB 52.53, 75.46, 22.1

 

CMYK 0 / 65 / 47 / 20

HEX #CB486C

RGB 203 72 108

HSL 343.51, 0.56%, 0.54%

LAB 49.99, 54.66, 7.85

 

CMYK 0 / 51 / 36 / 28

HEX #B85A75

RGB 184 90 117

HSL 342.77, 0.4%, 0.54%

LAB 50.44, 40.83, 2.68

 

CMYK 0 / 34 / 24 / 35

HEX #A56D7D

RGB 165 109 125

HSL 342.86, 0.24%, 0.54%

LAB 52.31, 24.6, 0.33

 

CMYK 0 / 12 / 9 / 43

HEX #928085

RGB 146 128 133

HSL 343.33, 0.08%, 0.54%

LAB 55.32, 7.76, -0.19

 

CMYK 14 / 0 / 3 / 42

HEX #7F938E

RGB 127 147 142

HSL 165, 0.08%, 0.54%

LAB 59.28, -8.16, 0.24

 

CMYK 0 / 65 / 12 / 20

HEX #CB48B3

RGB 203 72 179

HSL 310.99, 0.56%, 0.54%

LAB 52.49, 63.43, -30.63

 

CMYK 0 / 65 / 29 / 20

HEX #CB4890

RGB 203 72 144

HSL 327.02, 0.56%, 0.54%

LAB 51.09, 58.59, -12.17

 

CMYK 0 / 65 / 46 / 20

HEX #CB486D

RGB 203 72 109

HSL 343.05, 0.56%, 0.54%

LAB 50.02, 54.75, 7.28

 

CMYK 0 / 65 / 64 / 20

HEX #CB484A

RGB 203 72 74

HSL 359.08, 0.56%, 0.54%

LAB 49.28, 52.02, 27.3

 

CMYK 0 / 49 / 65 / 20

HEX #CB6848

RGB 203 104 72

HSL 14.66, 0.56%, 0.54%

LAB 55.14, 36.61, 35.65

 

CMYK 0 / 72 / 52 / 41

HEX #962A48

RGB 150 42 72

HSL 343.33, 0.56%, 0.38%

LAB 35.22, 46.86, 8.09

 

CMYK 0 / 72 / 52 / 29

HEX #B63358

RGB 182 51 88

HSL 343.05, 0.56%, 0.46%

LAB 42.79, 54.69, 9.43

 

CMYK 0 / 65 / 47 / 20

HEX #CB486C

RGB 203 72 108

HSL 343.51, 0.56%, 0.54%

LAB 49.99, 54.66, 7.85

 

CMYK 0 / 51 / 37 / 17

HEX #D46886

RGB 212 104 134

HSL 343.33, 0.56%, 0.62%

LAB 57.67, 45.56, 3.61

 

CMYK 0 / 38 / 28 / 13

HEX #DD88A0

RGB 221 136 160

HSL 343.06, 0.56%, 0.7%

LAB 66.15, 35.51, 1.14

 

CMYK 0 / 65 / 47 / 20

HEX #CC486D

RGB 204 72 109

HSL 343.18, 0.56%, 0.54%

LAB 50.19, 55.06, 7.55

 

CMYK 0 / 5 / 65 / 20

HEX #CBC048

RGB 203 192 72

HSL 54.96, 0.56%, 0.54%

LAB 76.6, -10.44, 59.69

 

CMYK 65 / 21 / 0 / 20

HEX #48A1CB

RGB 72 161 203

HSL 199.24, 0.56%, 0.54%

LAB 62.66, -13.65, -29.38

 

CMYK 0 / 65 / 47 / 20

HEX #CC486D

RGB 204 72 109

HSL 343.18, 0.56%, 0.54%

LAB 50.19, 55.06, 7.55

 

CMYK 46 / 0 / 65 / 20

HEX #6DCB48

RGB 109 203 72

HSL 103.05, 0.56%, 0.54%

LAB 73.82, -51.22, 54.96

 

CMYK 65 / 46 / 0 / 20

HEX #486DCB

RGB 72 109 203

HSL 223.05, 0.56%, 0.54%

LAB 47.79, 17, -52.81

 

CMYK 0 / 65 / 47 / 20

HEX #CC486D

RGB 204 72 109

HSL 343.18, 0.56%, 0.54%

LAB 50.19, 55.06, 7.55

 

CMYK 0 / 5 / 65 / 20

HEX #CBC048

RGB 203 192 72

HSL 54.96, 0.56%, 0.54%

LAB 76.6, -10.44, 59.69

 

CMYK 65 / 0 / 18 / 20

HEX #48CBA6

RGB 72 203 166

HSL 163.05, 0.56%, 0.54%

LAB 74.09, -44.47, 8.04

 

CMYK 65 / 60 / 0 / 20

HEX #4852CB

RGB 72 82 203

HSL 235.42, 0.56%, 0.54%

LAB 40.77, 34.03, -64.14

 

CMYK 0 / 65 / 47 / 20

HEX #CC486D

RGB 204 72 109

HSL 343.18, 0.56%, 0.54%

LAB 50.19, 55.06, 7.55

 

CMYK 14 / 0 / 65 / 20

HEX #AECB48

RGB 174 203 72

HSL 73.28, 0.56%, 0.54%

LAB 77.39, -27.9, 59.84

 

CMYK 65 / 0 / 18 / 20

HEX #48CBA6

RGB 72 203 166

HSL 163.05, 0.56%, 0.54%

LAB 74.09, -44.47, 8.04

 

CMYK 51 / 65 / 0 / 20

HEX #6448CB

RGB 100 72 203

HSL 252.82, 0.56%, 0.54%

LAB 40.66, 44.75, -64.23

 

Description

Color code: HEX #CC486D | qconv.com Color code: HEX #CC486D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 72 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 72 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 47% 20% C M Y K

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Provide designers and agencies with accurate color values.

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