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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6570 it is the complementary color #339A8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6570. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6570 shade: #D1656B, #E2777E, #F38991, #FF9BA4 and #FFADB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6570. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6570 shade: #CC6570, #BB535D, #AA414A, #992F37 and #881D24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6570 shade: #CC6570 and #CC6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6570 shade: #CC6570, #CC658C, #CC65A7, #CC65C3 and #B965CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6570 shade matches the following richer shades: #CC6570, #DC5563, #ED4456 and #FD3449

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6570 shade: #CC6570, #BB767D, #AA878A, #9A9797 and #89A8A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6570 shade: #CC65A8, #CC658D, #CC6571, #CC7565 and #CC9065

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6570 shade: #A73743, #C14754, #CC6570, #D6848D and #E0A3AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6570 shade: #CC6570, #C3CC65 and #659ACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6570 shade: #CC6570, #71CC65 and #6571CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6570 shade: #CC6570, #C3CC65, #65CCC0 and #6E65CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6570 shade: #CC6570, #A4CC65, #65CCC0 and #8D65CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

Complementary color

CMYK 67 / 0 / 7 / 40

HEX #339A8F

RGB 51 154 143

HSL 173.59, 0.5%, 0.4%

LAB 57.84, -31.81, -2.86

 

CMYK 0 / 52 / 49 / 18

HEX #D1656B

RGB 209 101 107

HSL 356.67, 0.54%, 0.61%

LAB 56.01, 43.15, 16.98

 

CMYK 0 / 47 / 44 / 11

HEX #E2777E

RGB 226 119 126

HSL 356.07, 0.65%, 0.68%

LAB 62.4, 42.09, 15.2

 

CMYK 0 / 44 / 40 / 5

HEX #F38991

RGB 243 137 145

HSL 355.47, 0.82%, 0.75%

LAB 68.74, 41.07, 13.66

 

CMYK 0 / 39 / 36 / 0

HEX #FF9BA4

RGB 255 155 164

HSL 354.6, 1%, 0.8%

LAB 74.43, 38.31, 11.35

 

CMYK 0 / 32 / 28 / 0

HEX #FFADB7

RGB 255 173 183

HSL 352.68, 1%, 0.84%

LAB 78.79, 31.33, 7.18

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 0 / 56 / 50 / 27

HEX #BB535D

RGB 187 83 93

HSL 354.23, 0.43%, 0.53%

LAB 48.94, 42.85, 15.03

 

CMYK 0 / 62 / 56 / 33

HEX #AA414A

RGB 170 65 74

HSL 354.86, 0.45%, 0.46%

LAB 42.49, 43.8, 17.38

 

CMYK 0 / 69 / 64 / 40

HEX #992F37

RGB 153 47 55

HSL 355.47, 0.53%, 0.39%

LAB 36.14, 44.51, 20.32

 

CMYK 0 / 79 / 74 / 47

HEX #881D24

RGB 136 29 36

HSL 356.07, 0.65%, 0.32%

LAB 30.01, 44.68, 24.05

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 0 / 50 / 31 / 20

HEX #CC658C

RGB 204 101 140

HSL 337.28, 0.5%, 0.6%

LAB 56.13, 45.05, -2.29

 

CMYK 0 / 50 / 18 / 20

HEX #CC65A7

RGB 204 101 167

HSL 321.55, 0.5%, 0.6%

LAB 57.01, 48.83, -16.69

 

CMYK 0 / 50 / 4 / 20

HEX #CC65C3

RGB 204 101 195

HSL 305.24, 0.5%, 0.6%

LAB 58.12, 53.36, -31.09

 

CMYK 9 / 50 / 0 / 20

HEX #B965CC

RGB 185 101 204

HSL 288.93, 0.5%, 0.6%

LAB 56.07, 49.64, -39.6

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 0 / 61 / 55 / 14

HEX #DC5563

RGB 220 85 99

HSL 353.78, 0.66%, 0.6%

LAB 54.67, 53.82, 20.13

 

CMYK 0 / 71 / 64 / 7

HEX #ED4456

RGB 237 68 86

HSL 353.61, 0.82%, 0.6%

LAB 54.88, 65, 28.58

 

CMYK 0 / 79 / 71 / 1

HEX #FD3449

RGB 253 52 73

HSL 353.73, 0.98%, 0.6%

LAB 55.91, 73.71, 38.04

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 0 / 37 / 33 / 27

HEX #BB767D

RGB 187 118 125

HSL 353.91, 0.34%, 0.6%

LAB 57.08, 27.97, 7.56

 

CMYK 0 / 21 / 19 / 33

HEX #AA878A

RGB 170 135 138

HSL 354.86, 0.17%, 0.6%

LAB 59.62, 13.81, 3.48

 

CMYK 0 / 2 / 2 / 40

HEX #9A9797

RGB 154 151 151

HSL 0, 0.01%, 0.6%

LAB 62.71, 1.1, 0.38

 

CMYK 18 / 0 / 2 / 34

HEX #89A8A4

RGB 137 168 164

HSL 172.26, 0.15%, 0.6%

LAB 66.52, -11.45, -1.48

 

CMYK 0 / 50 / 18 / 20

HEX #CC65A8

RGB 204 101 168

HSL 320.97, 0.5%, 0.6%

LAB 57.05, 48.98, -17.22

 

CMYK 0 / 50 / 31 / 20

HEX #CC658D

RGB 204 101 141

HSL 336.7, 0.5%, 0.6%

LAB 56.16, 45.18, -2.83

 

CMYK 0 / 50 / 45 / 20

HEX #CC6571

RGB 204 101 113

HSL 353.01, 0.5%, 0.6%

LAB 55.42, 41.93, 12.54

 

CMYK 0 / 43 / 50 / 20

HEX #CC7565

RGB 204 117 101

HSL 9.32, 0.5%, 0.6%

LAB 58.51, 32.43, 23.69

 

CMYK 0 / 29 / 50 / 20

HEX #CC9065

RGB 204 144 101

HSL 25.05, 0.5%, 0.6%

LAB 64.74, 17.79, 31.81

 

CMYK 0 / 67 / 60 / 35

HEX #A73743

RGB 167 55 67

HSL 353.57, 0.5%, 0.44%

LAB 40.17, 46.69, 18.53

 

CMYK 0 / 63 / 56 / 24

HEX #C14754

RGB 193 71 84

HSL 353.61, 0.5%, 0.52%

LAB 47.6, 49.78, 18.81

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 0 / 38 / 34 / 16

HEX #D6848D

RGB 214 132 141

HSL 353.41, 0.5%, 0.68%

LAB 63.93, 32.6, 8.6

 

CMYK 0 / 27 / 24 / 12

HEX #E0A3AA

RGB 224 163 170

HSL 353.11, 0.5%, 0.76%

LAB 72.85, 23.55, 5.32

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 4 / 0 / 50 / 20

HEX #C3CC65

RGB 195 204 101

HSL 65.24, 0.5%, 0.6%

LAB 79.46, -17.63, 49.73

 

CMYK 50 / 25 / 0 / 20

HEX #659ACC

RGB 101 154 204

HSL 209.13, 0.5%, 0.6%

LAB 61.86, -3.61, -31.08

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 45 / 0 / 50 / 20

HEX #71CC65

RGB 113 204 101

HSL 113.01, 0.5%, 0.6%

LAB 74.59, -47.24, 42.73

 

CMYK 50 / 45 / 0 / 20

HEX #6571CC

RGB 101 113 204

HSL 233.01, 0.5%, 0.6%

LAB 50.61, 20.66, -48.77

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 4 / 0 / 50 / 20

HEX #C3CC65

RGB 195 204 101

HSL 65.24, 0.5%, 0.6%

LAB 79.46, -17.63, 49.73

 

CMYK 50 / 0 / 6 / 20

HEX #65CCC0

RGB 101 204 192

HSL 173.01, 0.5%, 0.6%

LAB 75.92, -32.86, -3.22

 

CMYK 46 / 50 / 0 / 20

HEX #6E65CC

RGB 110 101 204

HSL 245.24, 0.5%, 0.6%

LAB 48.24, 30.03, -52.52

 

CMYK 0 / 50 / 45 / 20

HEX #CC6570

RGB 204 101 112

HSL 353.59, 0.5%, 0.6%

LAB 55.39, 41.83, 13.09

 

CMYK 20 / 0 / 50 / 20

HEX #A4CC65

RGB 164 204 101

HSL 83.3, 0.5%, 0.6%

LAB 77.29, -29.78, 46.62

 

CMYK 50 / 0 / 6 / 20

HEX #65CCC0

RGB 101 204 192

HSL 173.01, 0.5%, 0.6%

LAB 75.92, -32.86, -3.22

 

CMYK 31 / 50 / 0 / 20

HEX #8D65CC

RGB 141 101 204

HSL 263.3, 0.5%, 0.6%

LAB 51.07, 37.7, -47.84

 

Description

Color code: HEX #CC6570 | qconv.com Color code: HEX #CC6570 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 101 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 101 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 45 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 45% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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