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Color name
HEX #CC65B2

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC65B2 it is the complementary color #339A4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC65B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC65B2 shade: #D165AD, #E277C0, #F389D3, #FF9BE6 and #FFADF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC65B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC65B2 shade: #CC65B2, #BB539F, #AA418C, #992F79 and #881D66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC65B2 shade: #CC65B2, #CC6596, #CC657B and #CC6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC65B2 shade: #CC65B2, #CA65CC, #AE65CC, #9365CC and #7765CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC65B2 shade matches the following richer shades: #CC65B2, #DC55BA, #ED44C2 and #FD34CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC65B2 shade: #CC65B2, #BB76AA, #AA87A1, #9A9799 and #89A891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC65B2 shade: #AF65CC, #CA65CC, #CC65B2, #CC6597 and #CC657C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC65B2 shade: #A7378B, #C147A2, #CC65B2, #D684C1 and #E0A3D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC65B2 shade: #CC65B2, #CC9365 and #65CCBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC65B2 shade: #CC65B2, #B2CC65 and #65B2CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC65B2 shade: #CC65B2, #CC9365, #65CC7F and #659ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC65B2 shade: #CC65B2, #CCB265, #65CC7F and #657FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

Complementary color

CMYK 67 / 0 / 50 / 40

HEX #339A4D

RGB 51 154 77

HSL 135.15, 0.5%, 0.4%

LAB 56.44, -46.54, 31.83

 

CMYK 0 / 52 / 17 / 18

HEX #D165AD

RGB 209 101 173

HSL 320, 0.54%, 0.61%

LAB 57.92, 51.29, -18.71

 

CMYK 0 / 47 / 15 / 11

HEX #E277C0

RGB 226 119 192

HSL 319.07, 0.65%, 0.68%

LAB 64.3, 50.61, -19.64

 

CMYK 0 / 44 / 13 / 5

HEX #F389D3

RGB 243 137 211

HSL 318.11, 0.82%, 0.75%

LAB 70.63, 49.88, -20.44

 

CMYK 0 / 39 / 10 / 0

HEX #FF9BE6

RGB 255 155 230

HSL 315, 1%, 0.8%

LAB 76.32, 47.58, -22.08

 

CMYK 0 / 32 / 2 / 0

HEX #FFADF9

RGB 255 173 249

HSL 304.39, 1%, 0.84%

LAB 80.73, 41.54, -25.63

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 56 / 15 / 27

HEX #BB539F

RGB 187 83 159

HSL 316.15, 0.43%, 0.53%

LAB 50.98, 51.12, -21.44

 

CMYK 0 / 62 / 18 / 33

HEX #AA418C

RGB 170 65 140

HSL 317.14, 0.45%, 0.46%

LAB 44.55, 51.51, -20.22

 

CMYK 0 / 69 / 21 / 40

HEX #992F79

RGB 153 47 121

HSL 318.11, 0.53%, 0.39%

LAB 38.17, 51.51, -18.61

 

CMYK 0 / 79 / 25 / 47

HEX #881D66

RGB 136 29 102

HSL 319.07, 0.65%, 0.32%

LAB 31.97, 50.78, -16.4

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 50 / 26 / 20

HEX #CC6596

RGB 204 101 150

HSL 331.46, 0.5%, 0.6%

LAB 56.43, 46.38, -7.68

 

CMYK 0 / 50 / 40 / 20

HEX #CC657B

RGB 204 101 123

HSL 347.18, 0.5%, 0.6%

LAB 55.66, 43.01, 7.01

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 1 / 50 / 0 / 20

HEX #CA65CC

RGB 202 101 204

HSL 298.83, 0.5%, 0.6%

LAB 58.25, 54.38, -36.03

 

CMYK 15 / 50 / 0 / 20

HEX #AE65CC

RGB 174 101 204

HSL 282.52, 0.5%, 0.6%

LAB 54.73, 46.6, -41.81

 

CMYK 28 / 50 / 0 / 20

HEX #9365CC

RGB 147 101 204

HSL 266.8, 0.5%, 0.6%

LAB 51.69, 39.28, -46.81

 

CMYK 42 / 50 / 0 / 20

HEX #7765CC

RGB 119 101 204

HSL 250.49, 0.5%, 0.6%

LAB 48.99, 32.16, -51.27

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 61 / 15 / 14

HEX #DC55BA

RGB 220 85 186

HSL 315.11, 0.66%, 0.6%

LAB 57.33, 63.65, -26.98

 

CMYK 0 / 71 / 18 / 7

HEX #ED44C2

RGB 237 68 194

HSL 315.27, 0.82%, 0.6%

LAB 58.07, 75.37, -30.21

 

CMYK 0 / 79 / 20 / 1

HEX #FD34CA

RGB 253 52 202

HSL 315.22, 0.98%, 0.6%

LAB 59.53, 84.42, -32.32

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 37 / 9 / 27

HEX #BB76AA

RGB 187 118 170

HSL 314.78, 0.34%, 0.6%

LAB 58.44, 34.88, -16.47

 

CMYK 0 / 21 / 5 / 33

HEX #AA87A1

RGB 170 135 161

HSL 315.43, 0.17%, 0.6%

LAB 60.29, 17.81, -8.7

 

CMYK 0 / 2 / 1 / 40

HEX #9A9799

RGB 154 151 153

HSL 320, 0.01%, 0.6%

LAB 62.76, 1.48, -0.67

 

CMYK 18 / 0 / 14 / 34

HEX #89A891

RGB 137 168 145

HSL 135.48, 0.15%, 0.6%

LAB 66.03, -15.33, 8.38

 

CMYK 14 / 50 / 0 / 20

HEX #AF65CC

RGB 175 101 204

HSL 283.11, 0.5%, 0.6%

LAB 54.85, 46.87, -41.61

 

CMYK 1 / 50 / 0 / 20

HEX #CA65CC

RGB 202 101 204

HSL 298.83, 0.5%, 0.6%

LAB 58.25, 54.38, -36.03

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 50 / 26 / 20

HEX #CC6597

RGB 204 101 151

HSL 330.87, 0.5%, 0.6%

LAB 56.47, 46.51, -8.21

 

CMYK 0 / 50 / 39 / 20

HEX #CC657C

RGB 204 101 124

HSL 346.6, 0.5%, 0.6%

LAB 55.69, 43.12, 6.46

 

CMYK 0 / 67 / 17 / 35

HEX #A7378B

RGB 167 55 139

HSL 315, 0.5%, 0.44%

LAB 42.48, 54.76, -22.84

 

CMYK 0 / 63 / 16 / 24

HEX #C147A2

RGB 193 71 162

HSL 315.25, 0.5%, 0.52%

LAB 50.04, 58.65, -24.59

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 38 / 10 / 16

HEX #D684C1

RGB 214 132 193

HSL 315.37, 0.5%, 0.68%

LAB 65.47, 40.26, -18.55

 

CMYK 0 / 27 / 7 / 12

HEX #E0A3D1

RGB 224 163 209

HSL 314.75, 0.5%, 0.76%

LAB 73.96, 29.76, -14.5

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 28 / 50 / 20

HEX #CC9365

RGB 204 147 101

HSL 26.8, 0.5%, 0.6%

LAB 65.47, 16.15, 32.75

 

CMYK 50 / 0 / 8 / 20

HEX #65CCBC

RGB 101 204 188

HSL 170.68, 0.5%, 0.6%

LAB 75.81, -33.86, -1.22

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 13 / 0 / 50 / 20

HEX #B2CC65

RGB 178 204 101

HSL 75.15, 0.5%, 0.6%

LAB 78.22, -24.38, 47.96

 

CMYK 50 / 13 / 0 / 20

HEX #65B2CC

RGB 101 178 204

HSL 195.15, 0.5%, 0.6%

LAB 68.73, -16.7, -20.53

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 28 / 50 / 20

HEX #CC9365

RGB 204 147 101

HSL 26.8, 0.5%, 0.6%

LAB 65.47, 16.15, 32.75

 

CMYK 50 / 0 / 38 / 20

HEX #65CC7F

RGB 101 204 127

HSL 135.15, 0.5%, 0.6%

LAB 74.5, -46.68, 29.43

 

CMYK 50 / 23 / 0 / 20

HEX #659ECC

RGB 101 158 204

HSL 206.8, 0.5%, 0.6%

LAB 62.99, -5.86, -29.32

 

CMYK 0 / 50 / 13 / 20

HEX #CC65B2

RGB 204 101 178

HSL 315.15, 0.5%, 0.6%

LAB 57.42, 50.54, -22.42

 

CMYK 0 / 13 / 50 / 20

HEX #CCB265

RGB 204 178 101

HSL 44.85, 0.5%, 0.6%

LAB 73.3, -0.55, 42.51

 

CMYK 50 / 0 / 38 / 20

HEX #65CC7F

RGB 101 204 127

HSL 135.15, 0.5%, 0.6%

LAB 74.5, -46.68, 29.43

 

CMYK 50 / 38 / 0 / 20

HEX #657FCC

RGB 101 127 204

HSL 224.85, 0.5%, 0.6%

LAB 54.35, 12.16, -42.84

 

Description

Color code: HEX #CC65B2 | qconv.com Color code: HEX #CC65B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 101 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 101 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 13 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 13% 20% C M Y K

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Provide designers and agencies with accurate color values.

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