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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6092 it is the complementary color #339F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6092 shade: #D1608D, #E272A0, #F384B3, #FF96C6 and #FFA8D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6092 shade: #CC6092, #BB4E7F, #AA3C6C, #992A59 and #881846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6092 shade: #CB6192, #CB6175 and #CB6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6092 shade: #CB6192, #CB61AF, #CB61CB, #AE61CB and #9261CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6092 shade matches the following richer shades: #CB6192, #DC5091, #ED3F90 and #FE2E8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6092 shade: #CB6192, #BA7293, #A98295, #999396 and #88A497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6092 shade: #CB61CB, #CB61AF, #CB6192, #CB6176 and #CB6861

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6092 shade: #A43569, #C1417D, #CB6192, #D580A7 and #DF9FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6092 shade: #CC6092, #CBAF61 and #61BDCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6092 shade: #CC6092, #92CB61 and #6192CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6092 shade: #CC6092, #CBAF61, #61CB9A and #617DCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6092 shade: #CC6092, #C8CB61, #61CB9A and #6461CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 28 / 20

HEX #CC6092

RGB 204 96 146

HSL 332.22, 0.51%, 0.59%

LAB 55.36, 48.31, -6.94

 

Complementary color

CMYK 68 / 0 / 31 / 38

HEX #339F6D

RGB 51 159 109

HSL 152.22, 0.51%, 0.41%

LAB 58.61, -42.52, 17.4

 

CMYK 0 / 54 / 33 / 18

HEX #D1608D

RGB 209 96 141

HSL 336.11, 0.55%, 0.6%

LAB 55.93, 49.3, -3.08

 

CMYK 0 / 50 / 29 / 11

HEX #E272A0

RGB 226 114 160

HSL 335.36, 0.66%, 0.67%

LAB 62.29, 48.53, -4.44

 

CMYK 0 / 46 / 26 / 5

HEX #F384B3

RGB 243 132 179

HSL 334.59, 0.82%, 0.74%

LAB 68.61, 47.73, -5.61

 

CMYK 0 / 41 / 22 / 0

HEX #FF96C6

RGB 255 150 198

HSL 332.57, 1%, 0.79%

LAB 74.29, 45.26, -7.61

 

CMYK 0 / 34 / 15 / 0

HEX #FFA8D9

RGB 255 168 217

HSL 326.21, 1%, 0.83%

LAB 78.62, 38.83, -11.54

 

CMYK 0 / 53 / 28 / 20

HEX #CC6092

RGB 204 96 146

HSL 332.22, 0.51%, 0.59%

LAB 55.36, 48.31, -6.94

 

CMYK 0 / 58 / 32 / 27

HEX #BB4E7F

RGB 187 78 127

HSL 333.03, 0.44%, 0.52%

LAB 48.94, 48.96, -5.46

 

CMYK 0 / 65 / 36 / 33

HEX #AA3C6C

RGB 170 60 108

HSL 333.82, 0.48%, 0.45%

LAB 42.55, 49.41, -3.63

 

CMYK 0 / 73 / 42 / 40

HEX #992A59

RGB 153 42 89

HSL 334.59, 0.57%, 0.38%

LAB 36.27, 49.43, -1.26

 

CMYK 0 / 82 / 49 / 47

HEX #881846

RGB 136 24 70

HSL 335.36, 0.7%, 0.31%

LAB 30.23, 48.65, 1.92

 

CMYK 0 / 52 / 28 / 20

HEX #CB6192

RGB 203 97 146

HSL 332.26, 0.5%, 0.59%

LAB 55.4, 47.49, -6.89

 

CMYK 0 / 52 / 42 / 20

HEX #CB6175

RGB 203 97 117

HSL 348.68, 0.5%, 0.59%

LAB 54.59, 44, 8.99

 

CMYK 0 / 52 / 52 / 20

HEX #CB6161

RGB 203 97 97

HSL 0, 0.5%, 0.59%

LAB 54.14, 42.06, 20.14

 

CMYK 0 / 52 / 28 / 20

HEX #CB6192

RGB 203 97 146

HSL 332.26, 0.5%, 0.59%

LAB 55.4, 47.49, -6.89

 

CMYK 0 / 52 / 14 / 20

HEX #CB61AF

RGB 203 97 175

HSL 315.85, 0.5%, 0.59%

LAB 56.43, 51.71, -22.23

 

CMYK 0 / 52 / 0 / 20

HEX #CB61CB

RGB 203 97 203

HSL 300, 0.5%, 0.59%

LAB 57.61, 56.4, -36.44

 

CMYK 14 / 52 / 0 / 20

HEX #AE61CB

RGB 174 97 203

HSL 283.58, 0.5%, 0.59%

LAB 53.88, 48.47, -42.58

 

CMYK 28 / 52 / 0 / 20

HEX #9261CB

RGB 146 97 203

HSL 267.74, 0.5%, 0.59%

LAB 50.65, 41.01, -47.89

 

CMYK 0 / 52 / 28 / 20

HEX #CB6192

RGB 203 97 146

HSL 332.26, 0.5%, 0.59%

LAB 55.4, 47.49, -6.89

 

CMYK 0 / 64 / 34 / 14

HEX #DC5091

RGB 220 80 145

HSL 332.14, 0.67%, 0.59%

LAB 55.07, 60.37, -6.52

 

CMYK 0 / 73 / 39 / 7

HEX #ED3F90

RGB 237 63 144

HSL 332.07, 0.83%, 0.59%

LAB 55.66, 71.17, -4.74

 

CMYK 0 / 82 / 44 / 0

HEX #FE2E8E

RGB 254 46 142

HSL 332.31, 0.99%, 0.59%

LAB 57.05, 79.75, -1.15

 

CMYK 0 / 52 / 28 / 20

HEX #CB6192

RGB 203 97 146

HSL 332.26, 0.5%, 0.59%

LAB 55.4, 47.49, -6.89

 

CMYK 0 / 39 / 21 / 27

HEX #BA7293

RGB 186 114 147

HSL 332.5, 0.34%, 0.59%

LAB 56.66, 32.93, -5.84

 

CMYK 0 / 23 / 12 / 34

HEX #A98295

RGB 169 130 149

HSL 330.77, 0.18%, 0.59%

LAB 58.57, 18.12, -4.39

 

CMYK 0 / 4 / 2 / 40

HEX #999396

RGB 153 147 150

HSL 330, 0.03%, 0.59%

LAB 61.52, 2.77, -0.8

 

CMYK 17 / 0 / 8 / 36

HEX #88A497

RGB 136 164 151

HSL 152.14, 0.13%, 0.59%

LAB 64.98, -12.38, 3.51

 

CMYK 0 / 52 / 0 / 20

HEX #CB61CB

RGB 203 97 203

HSL 300, 0.5%, 0.59%

LAB 57.61, 56.4, -36.44

 

CMYK 0 / 52 / 14 / 20

HEX #CB61AF

RGB 203 97 175

HSL 315.85, 0.5%, 0.59%

LAB 56.43, 51.71, -22.23

 

CMYK 0 / 52 / 28 / 20

HEX #CB6192

RGB 203 97 146

HSL 332.26, 0.5%, 0.59%

LAB 55.4, 47.49, -6.89

 

CMYK 0 / 52 / 42 / 20

HEX #CB6176

RGB 203 97 118

HSL 348.11, 0.5%, 0.59%

LAB 54.61, 44.11, 8.44

 

CMYK 0 / 49 / 52 / 20

HEX #CB6861

RGB 203 104 97

HSL 3.96, 0.5%, 0.59%

LAB 55.54, 38.5, 22.01

 

CMYK 0 / 68 / 36 / 36

HEX #A43569

RGB 164 53 105

HSL 331.89, 0.51%, 0.43%

LAB 40.34, 50.18, -5.15

 

CMYK 0 / 66 / 35 / 24

HEX #C1417D

RGB 193 65 125

HSL 331.88, 0.51%, 0.51%

LAB 47.75, 56.25, -5.92

 

CMYK 0 / 52 / 28 / 20

HEX #CB6192

RGB 203 97 146

HSL 332.26, 0.5%, 0.59%

LAB 55.4, 47.49, -6.89

 

CMYK 0 / 40 / 22 / 16

HEX #D580A7

RGB 213 128 167

HSL 332.47, 0.5%, 0.67%

LAB 63.65, 37.92, -6.61

 

CMYK 0 / 29 / 15 / 13

HEX #DF9FBD

RGB 223 159 189

HSL 331.88, 0.5%, 0.75%

LAB 72.33, 28.23, -5.94

 

CMYK 0 / 53 / 28 / 20

HEX #CC6092

RGB 204 96 146

HSL 332.22, 0.51%, 0.59%

LAB 55.36, 48.31, -6.94

 

CMYK 0 / 14 / 52 / 20

HEX #CBAF61

RGB 203 175 97

HSL 44.15, 0.5%, 0.59%

LAB 72.37, 0.26, 43.37

 

CMYK 52 / 7 / 0 / 20

HEX #61BDCB

RGB 97 189 203

HSL 187.92, 0.5%, 0.59%

LAB 71.72, -23.51, -15.46

 

CMYK 0 / 53 / 28 / 20

HEX #CC6092

RGB 204 96 146

HSL 332.22, 0.51%, 0.59%

LAB 55.36, 48.31, -6.94

 

CMYK 28 / 0 / 52 / 20

HEX #92CB61

RGB 146 203 97

HSL 92.26, 0.5%, 0.59%

LAB 75.88, -36.38, 46.58

 

CMYK 52 / 28 / 0 / 20

HEX #6192CB

RGB 97 146 203

HSL 212.26, 0.5%, 0.59%

LAB 59.35, -0.27, -34.43

 

CMYK 0 / 53 / 28 / 20

HEX #CC6092

RGB 204 96 146

HSL 332.22, 0.51%, 0.59%

LAB 55.36, 48.31, -6.94

 

CMYK 0 / 14 / 52 / 20

HEX #CBAF61

RGB 203 175 97

HSL 44.15, 0.5%, 0.59%

LAB 72.37, 0.26, 43.37

 

CMYK 52 / 0 / 24 / 20

HEX #61CB9A

RGB 97 203 154

HSL 152.26, 0.5%, 0.59%

LAB 74.56, -42.09, 15.25

 

CMYK 52 / 38 / 0 / 20

HEX #617DCB

RGB 97 125 203

HSL 224.15, 0.5%, 0.59%

LAB 53.51, 12.14, -43.6

 

CMYK 0 / 53 / 28 / 20

HEX #CC6092

RGB 204 96 146

HSL 332.22, 0.51%, 0.59%

LAB 55.36, 48.31, -6.94

 

CMYK 1 / 0 / 52 / 20

HEX #C8CB61

RGB 200 203 97

HSL 61.7, 0.5%, 0.59%

LAB 79.53, -15.45, 51.79

 

CMYK 52 / 0 / 24 / 20

HEX #61CB9A

RGB 97 203 154

HSL 152.26, 0.5%, 0.59%

LAB 74.56, -42.09, 15.25

 

CMYK 51 / 52 / 0 / 20

HEX #6461CB

RGB 100 97 203

HSL 241.7, 0.5%, 0.59%

LAB 46.41, 29.93, -54.93

 

Description

Color code: HEX #CC6092 | qconv.com Color code: HEX #CC6092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 96 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 96 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 28 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 28% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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