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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6328 it is the complementary color #339CD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6328. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6328 shade: #D16323, #E27536, #F38749, #FF995C and #FFAB6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6328. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6328 shade: #CC6328, #BB5115, #AA3F02, #992D00 and #881B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6328 shade: #CC6328, #CC3728 and #CC2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6328 shade: #CC6328, #CC8F28, #CCBB28, #B0CC28 and #84CC28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6328 shade matches the following richer shades: #CC6328, #E05D14 and #F45800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6328 shade: #CC6328, #B8683C, #A46E50, #907463 and #7D7977

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6328 shade: #CC2846, #CC3628, #CC6128, #CC8D28 and #CCB928

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6328 shade: #87411A, #A95221, #CC6328, #DA7944 and #E09266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6328 shade: #CC6328, #72CC28 and #2830CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6328 shade: #CC6328, #28CC61 and #6128CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6328 shade: #CC6328, #72CC28, #2893CC and #8228CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6328 shade: #CC6328, #40CC28, #2893CC and #B328CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

Complementary color

CMYK 76 / 27 / 0 / 16

HEX #339CD7

RGB 51 156 215

HSL 201.59, 0.67%, 0.52%

LAB 61.12, -9.86, -38.5

 

CMYK 0 / 53 / 83 / 18

HEX #D16323

RGB 209 99 35

HSL 22.07, 0.71%, 0.48%

LAB 54.66, 39.83, 53.64

 

CMYK 0 / 48 / 76 / 11

HEX #E27536

RGB 226 117 54

HSL 21.98, 0.75%, 0.55%

LAB 60.92, 38.05, 52.14

 

CMYK 0 / 44 / 70 / 5

HEX #F38749

RGB 243 135 73

HSL 21.88, 0.88%, 0.62%

LAB 67.17, 36.4, 50.4

 

CMYK 0 / 40 / 64 / 0

HEX #FF995C

RGB 255 153 92

HSL 22.45, 1%, 0.68%

LAB 72.77, 32.92, 47.73

 

CMYK 0 / 33 / 56 / 0

HEX #FFAB6F

RGB 255 171 111

HSL 25, 1%, 0.72%

LAB 77, 24.86, 43.18

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 0 / 57 / 89 / 27

HEX #BB5115

RGB 187 81 21

HSL 21.69, 0.8%, 0.41%

LAB 47.63, 39.88, 51.73

 

CMYK 0 / 63 / 99 / 33

HEX #AA3F02

RGB 170 63 2

HSL 21.79, 0.98%, 0.34%

LAB 41.38, 41.72, 51.79

 

CMYK 0 / 71 / 100 / 40

HEX #992D00

RGB 153 45 0

HSL 17.65, 1%, 0.3%

LAB 35.3, 43.41, 47.59

 

CMYK 0 / 80 / 100 / 47

HEX #881B00

RGB 136 27 0

HSL 11.91, 1%, 0.27%

LAB 29.46, 44.32, 42.12

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 0 / 73 / 80 / 20

HEX #CC3728

RGB 204 55 40

HSL 5.49, 0.67%, 0.48%

LAB 46.61, 57.4, 43.53

 

CMYK 0 / 80 / 80 / 20

HEX #CC2828

RGB 204 40 40

HSL 0, 0.67%, 0.48%

LAB 44.95, 62.03, 41.89

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 0 / 30 / 80 / 20

HEX #CC8F28

RGB 204 143 40

HSL 37.68, 0.67%, 0.48%

LAB 63.86, 14.5, 59.71

 

CMYK 0 / 8 / 80 / 20

HEX #CCBB28

RGB 204 187 40

HSL 53.78, 0.67%, 0.48%

LAB 75.16, -8.92, 69.71

 

CMYK 14 / 0 / 80 / 20

HEX #B0CC28

RGB 176 204 40

HSL 70.24, 0.67%, 0.48%

LAB 77.62, -29.21, 71.02

 

CMYK 35 / 0 / 80 / 20

HEX #84CC28

RGB 132 204 40

HSL 86.34, 0.67%, 0.48%

LAB 74.98, -46.17, 67.66

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 0 / 58 / 91 / 12

HEX #E05D14

RGB 224 93 20

HSL 21.47, 0.84%, 0.48%

LAB 55.81, 48.1, 60.78

 

CMYK 0 / 64 / 100 / 4

HEX #F45800

RGB 244 88 0

HSL 21.64, 1%, 0.48%

LAB 58.24, 57.18, 68.21

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 0 / 43 / 67 / 28

HEX #B8683C

RGB 184 104 60

HSL 21.29, 0.51%, 0.48%

LAB 52.31, 28.2, 38.15

 

CMYK 0 / 33 / 51 / 36

HEX #A46E50

RGB 164 110 80

HSL 21.43, 0.34%, 0.48%

LAB 51.41, 17.98, 25.39

 

CMYK 0 / 19 / 31 / 44

HEX #907463

RGB 144 116 99

HSL 22.67, 0.19%, 0.48%

LAB 51.06, 8.34, 13.54

 

CMYK 0 / 3 / 5 / 51

HEX #7D7977

RGB 125 121 119

HSL 20, 0.02%, 0.48%

LAB 51.11, 1.13, 1.63

 

CMYK 0 / 80 / 66 / 20

HEX #CC2846

RGB 204 40 70

HSL 349.02, 0.67%, 0.48%

LAB 45.36, 63.27, 24.76

 

CMYK 0 / 74 / 80 / 20

HEX #CC3628

RGB 204 54 40

HSL 5.12, 0.67%, 0.48%

LAB 46.48, 57.74, 43.41

 

CMYK 0 / 52 / 80 / 20

HEX #CC6128

RGB 204 97 40

HSL 20.85, 0.67%, 0.48%

LAB 53.54, 39.04, 50.2

 

CMYK 0 / 31 / 80 / 20

HEX #CC8D28

RGB 204 141 40

HSL 36.95, 0.67%, 0.48%

LAB 63.38, 15.59, 59.27

 

CMYK 0 / 9 / 80 / 20

HEX #CCB928

RGB 204 185 40

HSL 53.05, 0.67%, 0.48%

LAB 74.63, -7.89, 69.25

 

CMYK 0 / 52 / 81 / 47

HEX #87411A

RGB 135 65 26

HSL 21.47, 0.68%, 0.32%

LAB 36, 27.19, 36.19

 

CMYK 0 / 51 / 80 / 34

HEX #A95221

RGB 169 82 33

HSL 21.62, 0.67%, 0.4%

LAB 45.05, 32.51, 43.43

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 0 / 44 / 69 / 15

HEX #DA7944

RGB 218 121 68

HSL 21.2, 0.67%, 0.56%

LAB 60.78, 33.46, 44.85

 

CMYK 0 / 35 / 54 / 12

HEX #E09266

RGB 224 146 102

HSL 21.64, 0.66%, 0.64%

LAB 67.55, 24.95, 35.32

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 44 / 0 / 80 / 20

HEX #72CC28

RGB 114 204 40

HSL 92.93, 0.67%, 0.48%

LAB 74.14, -52.24, 66.58

 

CMYK 80 / 76 / 0 / 20

HEX #2830CC

RGB 40 48 204

HSL 237.07, 0.67%, 0.48%

LAB 31.63, 51.17, -79.8

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 80 / 0 / 52 / 20

HEX #28CC61

RGB 40 204 97

HSL 140.85, 0.67%, 0.48%

LAB 72.56, -62.98, 41.72

 

CMYK 52 / 80 / 0 / 20

HEX #6128CC

RGB 97 40 204

HSL 260.85, 0.67%, 0.48%

LAB 34.84, 60.28, -74.36

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 44 / 0 / 80 / 20

HEX #72CC28

RGB 114 204 40

HSL 92.93, 0.67%, 0.48%

LAB 74.14, -52.24, 66.58

 

CMYK 80 / 28 / 0 / 20

HEX #2893CC

RGB 40 147 204

HSL 200.85, 0.67%, 0.48%

LAB 57.73, -9.84, -37.67

 

CMYK 36 / 80 / 0 / 20

HEX #8228CC

RGB 130 40 204

HSL 272.93, 0.67%, 0.48%

LAB 38.94, 64.81, -67.48

 

CMYK 0 / 51 / 80 / 20

HEX #CC6328

RGB 204 99 40

HSL 21.59, 0.67%, 0.48%

LAB 53.94, 38.02, 50.57

 

CMYK 69 / 0 / 80 / 20

HEX #40CC28

RGB 64 204 40

HSL 111.22, 0.67%, 0.48%

LAB 72.51, -65.1, 64.49

 

CMYK 80 / 28 / 0 / 20

HEX #2893CC

RGB 40 147 204

HSL 200.85, 0.67%, 0.48%

LAB 57.73, -9.84, -37.67

 

CMYK 12 / 80 / 0 / 20

HEX #B328CC

RGB 179 40 204

HSL 290.85, 0.67%, 0.48%

LAB 46.26, 73.01, -55.26

 

Description

Color code: HEX #CC6328 | qconv.com Color code: HEX #CC6328 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 99 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 99 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 80 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 80% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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