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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6F7B it is the complementary color #339084. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6F7B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6F7B shade: #D16F76, #E28189, #F3939C, #FFA5AF and #FFB7C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6F7B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6F7B shade: #CC6F7B, #BB5D68, #AA4B55, #993942 and #88272F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6F7B shade: #CC6F7B and #CC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6F7B shade: #CC6F7B, #CC6F94, #CC6FAD, #CC6FC6 and #B96FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6F7B shade matches the following richer shades: #CC6F7B, #DC5F6F, #EB5064 and #FB4058

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6F7B shade: #CC6F7B, #BC7F87, #AD8E92, #9D9E9E and #8DAEAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6F7B shade: #CC6FAD, #CC6F94, #CC6F7B, #CC7B6F and #CC946F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6F7B shade: #AC3C4B, #C1515F, #CC6F7B, #D78E97 and #E2ACB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6F7B shade: #CC6F7B, #C6CC6F and #6FA1CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6F7B shade: #CC6F7B, #7BCC6F and #6F7BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6F7B shade: #CC6F7B, #C6CC6F, #6FCCC0 and #756FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6F7B shade: #CC6F7B, #AACC6F, #6FCCC0 and #916FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

Complementary color

CMYK 65 / 0 / 8 / 44

HEX #339084

RGB 51 144 132

HSL 172.26, 0.48%, 0.38%

LAB 54.36, -30.09, -1.68

 

CMYK 0 / 47 / 44 / 18

HEX #D16F76

RGB 209 111 118

HSL 355.71, 0.52%, 0.63%

LAB 58.26, 39.16, 13.69

 

CMYK 0 / 43 / 39 / 11

HEX #E28189

RGB 226 129 137

HSL 355.05, 0.63%, 0.7%

LAB 64.7, 38.13, 12.17

 

CMYK 0 / 40 / 36 / 5

HEX #F3939C

RGB 243 147 156

HSL 354.38, 0.8%, 0.76%

LAB 71.09, 37.17, 10.84

 

CMYK 0 / 35 / 31 / 0

HEX #FFA5AF

RGB 255 165 175

HSL 353.33, 1%, 0.82%

LAB 76.84, 34.47, 8.74

 

CMYK 0 / 28 / 24 / 0

HEX #FFB7C2

RGB 255 183 194

HSL 350.83, 1%, 0.86%

LAB 81.3, 27.58, 4.85

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 50 / 44 / 27

HEX #BB5D68

RGB 187 93 104

HSL 352.98, 0.41%, 0.55%

LAB 51.14, 38.89, 11.51

 

CMYK 0 / 56 / 50 / 33

HEX #AA4B55

RGB 170 75 85

HSL 353.68, 0.39%, 0.48%

LAB 44.57, 39.92, 13.45

 

CMYK 0 / 63 / 57 / 40

HEX #993942

RGB 153 57 66

HSL 354.38, 0.46%, 0.41%

LAB 38.01, 40.87, 15.84

 

CMYK 0 / 71 / 65 / 47

HEX #88272F

RGB 136 39 47

HSL 355.05, 0.55%, 0.34%

LAB 31.56, 41.54, 18.9

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 46 / 46 / 20

HEX #CC6F6F

RGB 204 111 111

HSL 0, 0.48%, 0.62%

LAB 57.42, 36.57, 16.47

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 46 / 27 / 20

HEX #CC6F94

RGB 204 111 148

HSL 336.13, 0.48%, 0.62%

LAB 58.36, 41.01, -3.65

 

CMYK 0 / 46 / 15 / 20

HEX #CC6FAD

RGB 204 111 173

HSL 320, 0.48%, 0.62%

LAB 59.18, 44.71, -16.86

 

CMYK 0 / 46 / 3 / 20

HEX #CC6FC6

RGB 204 111 198

HSL 303.87, 0.48%, 0.62%

LAB 60.14, 48.91, -29.66

 

CMYK 9 / 46 / 0 / 20

HEX #B96FCC

RGB 185 111 204

HSL 287.74, 0.48%, 0.62%

LAB 58.08, 44.43, -36.45

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 57 / 50 / 14

HEX #DC5F6F

RGB 220 95 111

HSL 352.32, 0.64%, 0.62%

LAB 56.63, 50.28, 15.76

 

CMYK 0 / 66 / 57 / 8

HEX #EB5064

RGB 235 80 100

HSL 352.26, 0.79%, 0.62%

LAB 56.41, 60.81, 22.3

 

CMYK 0 / 75 / 65 / 2

HEX #FB4058

RGB 251 64 88

HSL 352.3, 0.96%, 0.62%

LAB 56.96, 70.48, 30.58

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 32 / 28 / 26

HEX #BC7F87

RGB 188 127 135

HSL 352.13, 0.31%, 0.62%

LAB 59.54, 24.74, 5.33

 

CMYK 0 / 18 / 16 / 32

HEX #AD8E92

RGB 173 142 146

HSL 352.26, 0.16%, 0.62%

LAB 61.92, 12.33, 2.27

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 19 / 0 / 2 / 32

HEX #8DAEAA

RGB 141 174 170

HSL 172.73, 0.17%, 0.62%

LAB 68.63, -12.05, -1.68

 

CMYK 0 / 46 / 15 / 20

HEX #CC6FAD

RGB 204 111 173

HSL 320, 0.48%, 0.62%

LAB 59.18, 44.71, -16.86

 

CMYK 0 / 46 / 27 / 20

HEX #CC6F94

RGB 204 111 148

HSL 336.13, 0.48%, 0.62%

LAB 58.36, 41.01, -3.65

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 40 / 46 / 20

HEX #CC7B6F

RGB 204 123 111

HSL 7.74, 0.48%, 0.62%

LAB 60.02, 30.19, 20.03

 

CMYK 0 / 27 / 46 / 20

HEX #CC946F

RGB 204 148 111

HSL 23.87, 0.48%, 0.62%

LAB 65.88, 16.59, 27.85

 

CMYK 0 / 65 / 56 / 33

HEX #AC3C4B

RGB 172 60 75

HSL 351.96, 0.48%, 0.45%

LAB 42.02, 46.83, 16.18

 

CMYK 0 / 58 / 51 / 24

HEX #C1515F

RGB 193 81 95

HSL 352.5, 0.47%, 0.54%

LAB 49.55, 46.12, 14.83

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 0 / 34 / 30 / 16

HEX #D78E97

RGB 215 142 151

HSL 352.6, 0.48%, 0.7%

LAB 66.54, 28.9, 6.69

 

CMYK 0 / 24 / 21 / 11

HEX #E2ACB3

RGB 226 172 179

HSL 352.22, 0.48%, 0.78%

LAB 75.41, 20.77, 4.09

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 3 / 0 / 46 / 20

HEX #C6CC6F

RGB 198 204 111

HSL 63.87, 0.48%, 0.62%

LAB 79.81, -15.48, 45.39

 

CMYK 46 / 21 / 0 / 20

HEX #6FA1CC

RGB 111 161 204

HSL 207.74, 0.48%, 0.62%

LAB 64.35, -5.13, -27.2

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 40 / 0 / 46 / 20

HEX #7BCC6F

RGB 123 204 111

HSL 112.26, 0.48%, 0.62%

LAB 75.17, -42.86, 38.61

 

CMYK 46 / 40 / 0 / 20

HEX #6F7BCC

RGB 111 123 204

HSL 232.26, 0.48%, 0.62%

LAB 53.93, 16.97, -43.46

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 3 / 0 / 46 / 20

HEX #C6CC6F

RGB 198 204 111

HSL 63.87, 0.48%, 0.62%

LAB 79.81, -15.48, 45.39

 

CMYK 46 / 0 / 6 / 20

HEX #6FCCC0

RGB 111 204 192

HSL 172.26, 0.48%, 0.62%

LAB 76.3, -30.58, -2.63

 

CMYK 43 / 46 / 0 / 20

HEX #756FCC

RGB 117 111 204

HSL 243.87, 0.48%, 0.62%

LAB 51.28, 25.68, -47.63

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7B

RGB 204 111 123

HSL 352.26, 0.48%, 0.62%

LAB 57.69, 37.87, 9.89

 

CMYK 17 / 0 / 46 / 20

HEX #AACC6F

RGB 170 204 111

HSL 81.94, 0.48%, 0.62%

LAB 77.8, -26.41, 42.48

 

CMYK 46 / 0 / 6 / 20

HEX #6FCCC0

RGB 111 204 192

HSL 172.26, 0.48%, 0.62%

LAB 76.3, -30.58, -2.63

 

CMYK 29 / 46 / 0 / 20

HEX #916FCC

RGB 145 111 204

HSL 261.94, 0.48%, 0.62%

LAB 53.76, 33.04, -43.54

 

Description

Color code: HEX #CC6F7B | qconv.com Color code: HEX #CC6F7B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 111 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 111 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 40 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 40% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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