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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6F8F it is the complementary color #339070. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6F8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6F8F shade: #D16F8A, #E2819D, #F393B0, #FFA5C3 and #FFB7D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6F8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6F8F shade: #CC6F8F, #BB5D7C, #AA4B69, #993956 and #882743

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6F8F shade: #CC6F8F, #CC6F76 and #CC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6F8F shade: #CC6F8F, #CC6FA8, #CC6FC1, #BE6FCC and #A56FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6F8F shade matches the following richer shades: #CC6F8F, #DC5F8A, #EB5085 and #FB4080

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6F8F shade: #CC6F8F, #BC7F94, #AD8E99, #9D9E9E and #8DAEA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6F8F shade: #CC6FC1, #CC6FA8, #CC6F90, #CC6F77 and #CC806F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6F8F shade: #AC3C63, #C15177, #CC6F8F, #D78EA7 and #E2ACBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6F8F shade: #CC6F8F, #CCBE6F and #6FB5CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6F8F shade: #CC6F8F, #90CC6F and #6F90CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6F8F shade: #CC6F8F, #CCBE6F, #6FCCAC and #6F7DCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6F8F shade: #CC6F8F, #BECC6F, #6FCCAC and #7D6FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

Complementary color

CMYK 65 / 0 / 22 / 44

HEX #339070

RGB 51 144 112

HSL 159.35, 0.48%, 0.38%

LAB 53.84, -35.31, 9.06

 

CMYK 0 / 47 / 34 / 18

HEX #D16F8A

RGB 209 111 138

HSL 343.47, 0.52%, 0.63%

LAB 58.75, 41.45, 2.79

 

CMYK 0 / 43 / 31 / 11

HEX #E2819D

RGB 226 129 157

HSL 342.68, 0.63%, 0.7%

LAB 65.2, 40.55, 1.54

 

CMYK 0 / 40 / 28 / 5

HEX #F393B0

RGB 243 147 176

HSL 341.88, 0.8%, 0.76%

LAB 71.59, 39.68, 0.44

 

CMYK 0 / 35 / 24 / 0

HEX #FFA5C3

RGB 255 165 195

HSL 340, 1%, 0.82%

LAB 77.35, 37.13, -1.45

 

CMYK 0 / 28 / 16 / 0

HEX #FFB7D6

RGB 255 183 214

HSL 334.17, 1%, 0.86%

LAB 81.83, 30.53, -5.16

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 50 / 34 / 27

HEX #BB5D7C

RGB 187 93 124

HSL 340.21, 0.41%, 0.55%

LAB 51.67, 41.21, 0.34

 

CMYK 0 / 56 / 38 / 33

HEX #AA4B69

RGB 170 75 105

HSL 341.05, 0.39%, 0.48%

LAB 45.08, 42.06, 1.92

 

CMYK 0 / 63 / 44 / 40

HEX #993956

RGB 153 57 86

HSL 341.88, 0.46%, 0.41%

LAB 38.5, 42.77, 3.89

 

CMYK 0 / 71 / 51 / 47

HEX #882743

RGB 136 39 67

HSL 342.68, 0.55%, 0.34%

LAB 32.01, 43.13, 6.45

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 46 / 42 / 20

HEX #CC6F76

RGB 204 111 118

HSL 355.48, 0.48%, 0.62%

LAB 57.57, 37.31, 12.63

 

CMYK 0 / 46 / 46 / 20

HEX #CC6F6F

RGB 204 111 111

HSL 0, 0.48%, 0.62%

LAB 57.42, 36.57, 16.47

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 46 / 18 / 20

HEX #CC6FA8

RGB 204 111 168

HSL 323.23, 0.48%, 0.62%

LAB 59.01, 43.92, -14.25

 

CMYK 0 / 46 / 5 / 20

HEX #CC6FC1

RGB 204 111 193

HSL 307.1, 0.48%, 0.62%

LAB 59.94, 48.03, -27.13

 

CMYK 7 / 46 / 0 / 20

HEX #BE6FCC

RGB 190 111 204

HSL 290.97, 0.48%, 0.62%

LAB 58.67, 45.89, -35.48

 

CMYK 19 / 46 / 0 / 20

HEX #A56FCC

RGB 165 111 204

HSL 274.84, 0.48%, 0.62%

LAB 55.81, 38.66, -40.16

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 57 / 37 / 14

HEX #DC5F8A

RGB 220 95 138

HSL 339.36, 0.64%, 0.62%

LAB 57.3, 53.01, 0.89

 

CMYK 0 / 66 / 43 / 8

HEX #EB5085

RGB 235 80 133

HSL 339.48, 0.79%, 0.62%

LAB 57.17, 63.53, 3.92

 

CMYK 0 / 75 / 49 / 2

HEX #FB4080

RGB 251 64 128

HSL 339.47, 0.96%, 0.62%

LAB 57.78, 73.14, 8.12

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 32 / 21 / 26

HEX #BC7F94

RGB 188 127 148

HSL 339.34, 0.31%, 0.62%

LAB 59.9, 26.66, -1.63

 

CMYK 0 / 18 / 12 / 32

HEX #AD8E99

RGB 173 142 153

HSL 338.71, 0.16%, 0.62%

LAB 62.11, 13.52, -1.43

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 19 / 0 / 6 / 32

HEX #8DAEA3

RGB 141 174 163

HSL 160, 0.17%, 0.62%

LAB 68.45, -13.52, 1.91

 

CMYK 0 / 46 / 5 / 20

HEX #CC6FC1

RGB 204 111 193

HSL 307.1, 0.48%, 0.62%

LAB 59.94, 48.03, -27.13

 

CMYK 0 / 46 / 18 / 20

HEX #CC6FA8

RGB 204 111 168

HSL 323.23, 0.48%, 0.62%

LAB 59.01, 43.92, -14.25

 

CMYK 0 / 46 / 29 / 20

HEX #CC6F90

RGB 204 111 144

HSL 338.71, 0.48%, 0.62%

LAB 58.25, 40.46, -1.51

 

CMYK 0 / 46 / 42 / 20

HEX #CC6F77

RGB 204 111 119

HSL 354.84, 0.48%, 0.62%

LAB 57.6, 37.42, 12.08

 

CMYK 0 / 37 / 46 / 20

HEX #CC806F

RGB 204 128 111

HSL 10.97, 0.48%, 0.62%

LAB 61.15, 27.49, 21.56

 

CMYK 0 / 65 / 42 / 33

HEX #AC3C63

RGB 172 60 99

HSL 339.11, 0.48%, 0.45%

LAB 42.62, 49.04, 2.09

 

CMYK 0 / 58 / 38 / 24

HEX #C15177

RGB 193 81 119

HSL 339.64, 0.47%, 0.54%

LAB 50.16, 48.56, 1.25

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 34 / 22 / 16

HEX #D78EA7

RGB 215 142 167

HSL 339.45, 0.48%, 0.7%

LAB 66.96, 31.15, -1.7

 

CMYK 0 / 24 / 15 / 11

HEX #E2ACBF

RGB 226 172 191

HSL 338.89, 0.48%, 0.78%

LAB 75.72, 22.62, -2.01

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 7 / 46 / 20

HEX #CCBE6F

RGB 204 190 111

HSL 50.97, 0.48%, 0.62%

LAB 76.56, -5.9, 41.51

 

CMYK 46 / 11 / 0 / 20

HEX #6FB5CC

RGB 111 181 204

HSL 194.84, 0.48%, 0.62%

LAB 70.03, -15.94, -18.52

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 29 / 0 / 46 / 20

HEX #90CC6F

RGB 144 204 111

HSL 98.71, 0.48%, 0.62%

LAB 76.23, -35.9, 40.17

 

CMYK 46 / 29 / 0 / 20

HEX #6F90CC

RGB 111 144 204

HSL 218.71, 0.48%, 0.62%

LAB 59.6, 4.53, -34.55

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 0 / 7 / 46 / 20

HEX #CCBE6F

RGB 204 190 111

HSL 50.97, 0.48%, 0.62%

LAB 76.56, -5.9, 41.51

 

CMYK 46 / 0 / 16 / 20

HEX #6FCCAC

RGB 111 204 172

HSL 159.35, 0.48%, 0.62%

LAB 75.79, -35.24, 7.41

 

CMYK 46 / 39 / 0 / 20

HEX #6F7DCC

RGB 111 125 204

HSL 230.97, 0.48%, 0.62%

LAB 54.46, 15.76, -42.63

 

CMYK 0 / 46 / 30 / 20

HEX #CC6F8F

RGB 204 111 143

HSL 339.35, 0.48%, 0.62%

LAB 58.22, 40.33, -0.97

 

CMYK 7 / 0 / 46 / 20

HEX #BECC6F

RGB 190 204 111

HSL 69.03, 0.48%, 0.62%

LAB 79.2, -18.66, 44.51

 

CMYK 46 / 0 / 16 / 20

HEX #6FCCAC

RGB 111 204 172

HSL 159.35, 0.48%, 0.62%

LAB 75.79, -35.24, 7.41

 

CMYK 39 / 46 / 0 / 20

HEX #7D6FCC

RGB 125 111 204

HSL 249.03, 0.48%, 0.62%

LAB 51.94, 27.7, -46.55

 

Description

Color code: HEX #CC6F8F | qconv.com Color code: HEX #CC6F8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 111 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 111 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 30 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 30% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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