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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC6F9A it is the complementary color #339065. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC6F9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC6F9A shade: #D16F95, #E281A8, #F393BB, #FFA5CE and #FFB7E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC6F9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC6F9A shade: #CC6F9A, #BB5D87, #AA4B74, #993961 and #88274E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC6F9A shade: #CC6F9A, #CC6F81 and #CC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC6F9A shade: #CC6F9A, #CC6FB3, #CC6FCC, #B36FCC and #9A6FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC6F9A shade matches the following richer shades: #CC6F9A, #DC5F99, #EB5098 and #FB4097

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC6F9A shade: #CC6F9A, #BC7F9B, #AD8E9C, #9D9E9E and #8DAE9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC6F9A shade: #CC6FCC, #CC6FB3, #CC6F9A, #CC6F82 and #CC756F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC6F9A shade: #AC3C70, #C15185, #CC6F9A, #D78EAF and #E2ACC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC6F9A shade: #CC6F9A, #CCB36F and #6FC0CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC6F9A shade: #CC6F9A, #9ACC6F and #6F9ACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC6F9A shade: #CC6F9A, #CCB36F, #6FCCA1 and #6F88CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC6F9A shade: #CC6F9A, #C9CC6F, #6FCCA1 and #726FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

Complementary color

CMYK 65 / 0 / 30 / 44

HEX #339065

RGB 51 144 101

HSL 152.26, 0.48%, 0.38%

LAB 53.59, -37.87, 14.98

 

CMYK 0 / 47 / 29 / 18

HEX #D16F95

RGB 209 111 149

HSL 336.73, 0.52%, 0.63%

LAB 59.06, 42.87, -3.13

 

CMYK 0 / 43 / 26 / 11

HEX #E281A8

RGB 226 129 168

HSL 335.88, 0.63%, 0.7%

LAB 65.51, 42.02, -4.24

 

CMYK 0 / 40 / 23 / 5

HEX #F393BB

RGB 243 147 187

HSL 335, 0.8%, 0.76%

LAB 71.9, 41.2, -5.22

 

CMYK 0 / 35 / 19 / 0

HEX #FFA5CE

RGB 255 165 206

HSL 332.67, 1%, 0.82%

LAB 77.65, 38.71, -7

 

CMYK 0 / 28 / 12 / 0

HEX #FFB7E1

RGB 255 183 225

HSL 325, 1%, 0.86%

LAB 82.14, 32.26, -10.61

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 50 / 28 / 27

HEX #BB5D87

RGB 187 93 135

HSL 333.19, 0.41%, 0.55%

LAB 52, 42.66, -5.71

 

CMYK 0 / 56 / 32 / 33

HEX #AA4B74

RGB 170 75 116

HSL 334.11, 0.39%, 0.48%

LAB 45.41, 43.42, -4.32

 

CMYK 0 / 63 / 37 / 40

HEX #993961

RGB 153 57 97

HSL 335, 0.46%, 0.41%

LAB 38.83, 44.02, -2.57

 

CMYK 0 / 71 / 43 / 47

HEX #88274E

RGB 136 39 78

HSL 335.88, 0.55%, 0.34%

LAB 32.34, 44.24, -0.28

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 46 / 37 / 20

HEX #CC6F81

RGB 204 111 129

HSL 348.39, 0.48%, 0.62%

LAB 57.84, 38.57, 6.62

 

CMYK 0 / 46 / 46 / 20

HEX #CC6F6F

RGB 204 111 111

HSL 0, 0.48%, 0.62%

LAB 57.42, 36.57, 16.47

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 46 / 12 / 20

HEX #CC6FB3

RGB 204 111 179

HSL 316.13, 0.48%, 0.62%

LAB 59.4, 45.67, -19.97

 

CMYK 0 / 46 / 0 / 20

HEX #CC6FCC

RGB 204 111 204

HSL 300, 0.48%, 0.62%

LAB 60.4, 49.98, -32.66

 

CMYK 12 / 46 / 0 / 20

HEX #B36FCC

RGB 179 111 204

HSL 283.87, 0.48%, 0.62%

LAB 57.38, 42.69, -37.6

 

CMYK 25 / 46 / 0 / 20

HEX #9A6FCC

RGB 154 111 204

HSL 267.74, 0.48%, 0.62%

LAB 54.66, 35.54, -42.07

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 57 / 30 / 14

HEX #DC5F99

RGB 220 95 153

HSL 332.16, 0.64%, 0.62%

LAB 57.75, 54.78, -7.22

 

CMYK 0 / 66 / 35 / 8

HEX #EB5098

RGB 235 80 152

HSL 332.13, 0.79%, 0.62%

LAB 57.72, 65.48, -6.43

 

CMYK 0 / 75 / 40 / 2

HEX #FB4097

RGB 251 64 151

HSL 332.09, 0.96%, 0.62%

LAB 58.42, 75.16, -4.5

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 32 / 18 / 26

HEX #BC7F9B

RGB 188 127 155

HSL 332.46, 0.31%, 0.62%

LAB 60.1, 27.76, -5.34

 

CMYK 0 / 18 / 10 / 32

HEX #AD8E9C

RGB 173 142 156

HSL 332.9, 0.16%, 0.62%

LAB 62.19, 14.05, -3

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 19 / 0 / 9 / 32

HEX #8DAE9F

RGB 141 174 159

HSL 152.73, 0.17%, 0.62%

LAB 68.34, -14.34, 3.97

 

CMYK 0 / 46 / 0 / 20

HEX #CC6FCC

RGB 204 111 204

HSL 300, 0.48%, 0.62%

LAB 60.4, 49.98, -32.66

 

CMYK 0 / 46 / 12 / 20

HEX #CC6FB3

RGB 204 111 179

HSL 316.13, 0.48%, 0.62%

LAB 59.4, 45.67, -19.97

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 46 / 36 / 20

HEX #CC6F82

RGB 204 111 130

HSL 347.74, 0.48%, 0.62%

LAB 57.86, 38.69, 6.07

 

CMYK 0 / 43 / 46 / 20

HEX #CC756F

RGB 204 117 111

HSL 3.87, 0.48%, 0.62%

LAB 58.7, 33.4, 18.23

 

CMYK 0 / 65 / 35 / 33

HEX #AC3C70

RGB 172 60 112

HSL 332.14, 0.48%, 0.45%

LAB 43.02, 50.5, -5.37

 

CMYK 0 / 58 / 31 / 24

HEX #C15185

RGB 193 81 133

HSL 332.14, 0.47%, 0.54%

LAB 50.59, 50.24, -6.51

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 34 / 19 / 16

HEX #D78EAF

RGB 215 142 175

HSL 332.88, 0.48%, 0.7%

LAB 67.19, 32.36, -5.85

 

CMYK 0 / 24 / 13 / 11

HEX #E2ACC5

RGB 226 172 197

HSL 332.22, 0.48%, 0.78%

LAB 75.89, 23.58, -5.04

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 12 / 46 / 20

HEX #CCB36F

RGB 204 179 111

HSL 43.87, 0.48%, 0.62%

LAB 73.69, -0.13, 37.91

 

CMYK 46 / 6 / 0 / 20

HEX #6FC0CC

RGB 111 192 204

HSL 187.74, 0.48%, 0.62%

LAB 73.18, -21.62, -13.76

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 25 / 0 / 46 / 20

HEX #9ACC6F

RGB 154 204 111

HSL 92.26, 0.48%, 0.62%

LAB 76.8, -32.35, 41.01

 

CMYK 46 / 25 / 0 / 20

HEX #6F9ACC

RGB 111 154 204

HSL 212.26, 0.48%, 0.62%

LAB 62.38, -1.2, -30.23

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 0 / 12 / 46 / 20

HEX #CCB36F

RGB 204 179 111

HSL 43.87, 0.48%, 0.62%

LAB 73.69, -0.13, 37.91

 

CMYK 46 / 0 / 21 / 20

HEX #6FCCA1

RGB 111 204 161

HSL 152.26, 0.48%, 0.62%

LAB 75.54, -37.61, 12.95

 

CMYK 46 / 33 / 0 / 20

HEX #6F88CC

RGB 111 136 204

HSL 223.87, 0.48%, 0.62%

LAB 57.41, 9.22, -37.97

 

CMYK 0 / 46 / 25 / 20

HEX #CC6F9A

RGB 204 111 154

HSL 332.26, 0.48%, 0.62%

LAB 58.55, 41.84, -6.86

 

CMYK 1 / 0 / 46 / 20

HEX #C9CC6F

RGB 201 204 111

HSL 61.94, 0.48%, 0.62%

LAB 80.04, -14.28, 45.73

 

CMYK 46 / 0 / 21 / 20

HEX #6FCCA1

RGB 111 204 161

HSL 152.26, 0.48%, 0.62%

LAB 75.54, -37.61, 12.95

 

CMYK 44 / 46 / 0 / 20

HEX #726FCC

RGB 114 111 204

HSL 241.94, 0.48%, 0.62%

LAB 51.04, 24.94, -48.02

 

Description

Color code: HEX #CC6F9A | qconv.com Color code: HEX #CC6F9A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 111 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 111 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 25 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 25% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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