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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC891E it is the complementary color #3376E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC891E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC891E shade: #D18919, #E29B2C, #F3AD3F, #FFBF52 and #FFD165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC891E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC891E shade: #CC891E, #BB770B, #AA6500, #995300 and #884100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC891E shade: #CC891E, #CC5A1E, #CC2B1E and #CC1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC891E shade: #CC891E, #CCB81E, #B1CC1E, #82CC1E and #53CC1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC891E shade matches the following richer shades: #CC891E and #DF8D0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC891E shade: #CC891E, #B98431, #A68044, #937C57 and #80776A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC891E shade: #CC2A1E, #CC581E, #CC861E, #CCB41E and #B4CC1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC891E shade: #845813, #A87119, #CC891E, #E09D33 and #E5AE57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC891E shade: #CC891E, #41CC1E and #411ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC891E shade: #CC891E, #1ECC86 and #861ECC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC891E shade: #CC891E, #41CC1E, #1E63CC and #A91ECC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC891E shade: #CC891E, #1ECC2F, #1E63CC and #CC1EBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

Complementary color

CMYK 77 / 48 / 0 / 12

HEX #3376E1

RGB 51 118 225

HSL 216.9, 0.74%, 0.54%

LAB 50.8, 16.41, -60.5

 

CMYK 0 / 34 / 88 / 18

HEX #D18919

RGB 209 137 25

HSL 36.52, 0.79%, 0.46%

LAB 62.94, 19.53, 63.84

 

CMYK 0 / 31 / 81 / 11

HEX #E29B2C

RGB 226 155 44

HSL 36.59, 0.76%, 0.53%

LAB 69.32, 17.67, 64.15

 

CMYK 0 / 29 / 74 / 5

HEX #F3AD3F

RGB 243 173 63

HSL 36.67, 0.88%, 0.6%

LAB 75.64, 16.04, 63.63

 

CMYK 0 / 25 / 68 / 0

HEX #FFBF52

RGB 255 191 82

HSL 37.8, 1%, 0.66%

LAB 81.36, 12.54, 61.98

 

CMYK 0 / 18 / 60 / 0

HEX #FFD165

RGB 255 209 101

HSL 42.08, 1%, 0.7%

LAB 85.91, 4.38, 58.52

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 36 / 94 / 27

HEX #BB770B

RGB 187 119 11

HSL 36.82, 0.89%, 0.39%

LAB 55.87, 19.51, 60.47

 

CMYK 0 / 41 / 100 / 33

HEX #AA6500

RGB 170 101 0

HSL 35.65, 1%, 0.33%

LAB 49.32, 21.83, 57.11

 

CMYK 0 / 46 / 100 / 40

HEX #995300

RGB 153 83 0

HSL 32.55, 1%, 0.3%

LAB 42.7, 24.37, 51.76

 

CMYK 0 / 52 / 100 / 47

HEX #884100

RGB 136 65 0

HSL 28.68, 1%, 0.27%

LAB 36.01, 26.94, 46.37

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 56 / 85 / 20

HEX #CC5A1E

RGB 204 90 30

HSL 20.69, 0.74%, 0.46%

LAB 52.11, 42.22, 53.13

 

CMYK 0 / 79 / 85 / 20

HEX #CC2B1E

RGB 204 43 30

HSL 4.48, 0.74%, 0.46%

LAB 45.16, 60.94, 47.22

 

CMYK 0 / 85 / 85 / 20

HEX #CC1E1E

RGB 204 30 30

HSL 0, 0.74%, 0.46%

LAB 44.03, 64.15, 46.25

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 10 / 85 / 20

HEX #CCB81E

RGB 204 184 30

HSL 53.1, 0.74%, 0.46%

LAB 74.33, -7.66, 71.57

 

CMYK 13 / 0 / 85 / 20

HEX #B1CC1E

RGB 177 204 30

HSL 69.31, 0.74%, 0.46%

LAB 77.65, -29.12, 73.46

 

CMYK 36 / 0 / 85 / 20

HEX #82CC1E

RGB 130 204 30

HSL 85.52, 0.74%, 0.46%

LAB 74.84, -47.26, 69.95

 

CMYK 59 / 0 / 85 / 20

HEX #53CC1E

RGB 83 204 30

HSL 101.72, 0.74%, 0.46%

LAB 72.97, -61.46, 67.59

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 37 / 95 / 13

HEX #DF8D0B

RGB 223 141 11

HSL 36.79, 0.91%, 0.46%

LAB 65.56, 23.18, 69.4

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 29 / 74 / 27

HEX #B98431

RGB 185 132 49

HSL 36.62, 0.58%, 0.46%

LAB 59.01, 12.56, 50.74

 

CMYK 0 / 23 / 59 / 35

HEX #A68044

RGB 166 128 68

HSL 36.73, 0.42%, 0.46%

LAB 56.05, 7.6, 37.74

 

CMYK 0 / 16 / 41 / 42

HEX #937C57

RGB 147 124 87

HSL 37, 0.26%, 0.46%

LAB 53.28, 3.45, 23.5

 

CMYK 0 / 7 / 17 / 50

HEX #80776A

RGB 128 119 106

HSL 35.45, 0.09%, 0.46%

LAB 50.48, 1.11, 8.39

 

CMYK 0 / 79 / 85 / 20

HEX #CC2A1E

RGB 204 42 30

HSL 4.14, 0.74%, 0.46%

LAB 45.06, 61.22, 47.14

 

CMYK 0 / 57 / 85 / 20

HEX #CC581E

RGB 204 88 30

HSL 20, 0.74%, 0.46%

LAB 51.74, 43.19, 52.82

 

CMYK 0 / 34 / 85 / 20

HEX #CC861E

RGB 204 134 30

HSL 35.86, 0.74%, 0.46%

LAB 61.64, 19.11, 61.11

 

CMYK 0 / 12 / 85 / 20

HEX #CCB41E

RGB 204 180 30

HSL 51.72, 0.74%, 0.46%

LAB 73.27, -5.58, 70.71

 

CMYK 12 / 0 / 85 / 20

HEX #B4CC1E

RGB 180 204 30

HSL 68.28, 0.74%, 0.46%

LAB 77.86, -27.88, 73.72

 

CMYK 0 / 33 / 86 / 48

HEX #845813

RGB 132 88 19

HSL 36.64, 0.75%, 0.3%

LAB 41.11, 12.27, 43.76

 

CMYK 0 / 33 / 85 / 34

HEX #A87119

RGB 168 113 25

HSL 36.92, 0.74%, 0.38%

LAB 52.07, 14.66, 52.88

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 0 / 30 / 77 / 12

HEX #E09D33

RGB 224 157 51

HSL 36.76, 0.74%, 0.54%

LAB 69.61, 15.99, 61.78

 

CMYK 0 / 24 / 62 / 10

HEX #E5AE57

RGB 229 174 87

HSL 36.76, 0.73%, 0.62%

LAB 74.58, 10.93, 51.49

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 68 / 0 / 85 / 20

HEX #41CC1E

RGB 65 204 30

HSL 107.93, 0.74%, 0.46%

LAB 72.5, -65.39, 66.99

 

CMYK 68 / 85 / 0 / 20

HEX #411ECC

RGB 65 30 204

HSL 252.07, 0.74%, 0.46%

LAB 30.43, 61.03, -81.75

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 85 / 0 / 34 / 20

HEX #1ECC86

RGB 30 204 134

HSL 155.86, 0.74%, 0.46%

LAB 73.01, -57.31, 23.5

 

CMYK 34 / 85 / 0 / 20

HEX #861ECC

RGB 134 30 204

HSL 275.86, 0.74%, 0.46%

LAB 38.47, 68.4, -68.21

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 68 / 0 / 85 / 20

HEX #41CC1E

RGB 65 204 30

HSL 107.93, 0.74%, 0.46%

LAB 72.5, -65.39, 66.99

 

CMYK 85 / 51 / 0 / 20

HEX #1E63CC

RGB 30 99 204

HSL 216.21, 0.74%, 0.46%

LAB 43.59, 18.61, -60.22

 

CMYK 17 / 85 / 0 / 20

HEX #A91ECC

RGB 169 30 204

HSL 287.93, 0.74%, 0.46%

LAB 43.83, 73.7, -59.26

 

CMYK 0 / 33 / 85 / 20

HEX #CC891E

RGB 204 137 30

HSL 36.9, 0.74%, 0.46%

LAB 62.36, 17.47, 61.7

 

CMYK 85 / 0 / 77 / 20

HEX #1ECC2F

RGB 30 204 47

HSL 125.86, 0.74%, 0.46%

LAB 72.01, -69.38, 61.73

 

CMYK 85 / 51 / 0 / 20

HEX #1E63CC

RGB 30 99 204

HSL 216.21, 0.74%, 0.46%

LAB 43.59, 18.61, -60.22

 

CMYK 0 / 85 / 9 / 20

HEX #CC1EBA

RGB 204 30 186

HSL 306.21, 0.74%, 0.46%

LAB 48.65, 77.07, -40.74

 

Description

Color code: HEX #CC891E | qconv.com Color code: HEX #CC891E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 137 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 137 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 85 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 85% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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