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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC8BAD it is the complementary color #337452. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC8BAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC8BAD shade: #D18BA8, #E29DBB, #F3AFCE, #FFC1E1 and #FFD3F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC8BAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC8BAD shade: #CC8BAD, #BB799A, #AA6787, #995574 and #884361

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC8BAD shade: #CB8AAC, #CB8A9A and #CB8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC8BAD shade: #CB8AAC, #CB8ABE, #C78ACB, #B58ACB and #A48ACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC8BAD shade matches the following richer shades: #CB8AAC, #D97CAC, #E66EAD and #F461AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC8BAD shade: #CB8AAC, #BE97AB, #B0A5AB, #A2B2AA and #95C0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC8BAD shade: #C78ACB, #CB8ABE, #CB8AAD, #CB8A9B and #CB8A8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC8BAD shade: #B25083, #BF6D98, #CB8AAC, #D8A6C0 and #E4C3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC8BAD shade: #CC8BAD, #CBB58A and #8AC7CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC8BAD shade: #CC8BAD, #ADCB8A and #8AADCB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC8BAD shade: #CC8BAD, #CBB58A, #8ACBA8 and #8A9FCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC8BAD shade: #CC8BAD, #CBC98A, #8ACBA8 and #8A8CCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 15 / 20

HEX #CC8BAD

RGB 204 139 173

HSL 328.62, 0.39%, 0.67%

LAB 65.22, 29.79, -7.8

 

Complementary color

CMYK 56 / 0 / 29 / 55

HEX #337452

RGB 51 116 82

HSL 148.62, 0.39%, 0.33%

LAB 43.95, -29.39, 12.63

 

CMYK 0 / 33 / 20 / 18

HEX #D18BA8

RGB 209 139 168

HSL 335.14, 0.43%, 0.68%

LAB 65.63, 30.77, -4.3

 

CMYK 0 / 31 / 17 / 11

HEX #E29DBB

RGB 226 157 187

HSL 333.91, 0.54%, 0.75%

LAB 72.14, 30.04, -5.08

 

CMYK 0 / 28 / 15 / 5

HEX #F3AFCE

RGB 243 175 206

HSL 332.65, 0.74%, 0.82%

LAB 78.56, 29.35, -5.8

 

CMYK 0 / 24 / 12 / 0

HEX #FFC1E1

RGB 255 193 225

HSL 329.03, 1%, 0.88%

LAB 84.4, 27.01, -7.26

 

CMYK 0 / 17 / 4 / 0

HEX #FFD3F4

RGB 255 211 244

HSL 315, 1%, 0.91%

LAB 89.1, 20.75, -10.36

 

CMYK 0 / 32 / 15 / 20

HEX #CC8BAD

RGB 204 139 173

HSL 328.62, 0.39%, 0.67%

LAB 65.22, 29.79, -7.8

 

CMYK 0 / 35 / 18 / 27

HEX #BB799A

RGB 187 121 154

HSL 330, 0.33%, 0.6%

LAB 58.58, 30.55, -7.04

 

CMYK 0 / 39 / 21 / 33

HEX #AA6787

RGB 170 103 135

HSL 331.34, 0.28%, 0.54%

LAB 51.83, 31.36, -6.2

 

CMYK 0 / 44 / 24 / 40

HEX #995574

RGB 153 85 116

HSL 332.65, 0.29%, 0.47%

LAB 44.98, 32.22, -5.22

 

CMYK 0 / 51 / 29 / 47

HEX #884361

RGB 136 67 97

HSL 333.91, 0.34%, 0.4%

LAB 38.04, 33.1, -4.04

 

CMYK 0 / 32 / 15 / 20

HEX #CB8AAC

RGB 203 138 172

HSL 328.62, 0.38%, 0.67%

LAB 64.84, 29.82, -7.79

 

CMYK 0 / 32 / 24 / 20

HEX #CB8A9A

RGB 203 138 154

HSL 345.23, 0.38%, 0.67%

LAB 64.33, 27.04, 1.63

 

CMYK 0 / 32 / 32 / 20

HEX #CB8A8A

RGB 203 138 138

HSL 0, 0.38%, 0.67%

LAB 63.92, 24.82, 10.11

 

CMYK 0 / 32 / 15 / 20

HEX #CB8AAC

RGB 203 138 172

HSL 328.62, 0.38%, 0.67%

LAB 64.84, 29.82, -7.79

 

CMYK 0 / 32 / 6 / 20

HEX #CB8ABE

RGB 203 138 190

HSL 312, 0.38%, 0.67%

LAB 65.43, 32.88, -17.06

 

CMYK 2 / 32 / 0 / 20

HEX #C78ACB

RGB 199 138 203

HSL 296.31, 0.38%, 0.67%

LAB 65.46, 33.96, -24.33

 

CMYK 11 / 32 / 0 / 20

HEX #B58ACB

RGB 181 138 203

HSL 279.69, 0.38%, 0.67%

LAB 63.6, 28.2, -27.35

 

CMYK 19 / 32 / 0 / 20

HEX #A48ACB

RGB 164 138 203

HSL 264, 0.38%, 0.67%

LAB 61.98, 22.86, -29.98

 

CMYK 0 / 32 / 15 / 20

HEX #CB8AAC

RGB 203 138 172

HSL 328.62, 0.38%, 0.67%

LAB 64.84, 29.82, -7.79

 

CMYK 0 / 43 / 21 / 15

HEX #D97CAC

RGB 217 124 172

HSL 329.03, 0.55%, 0.67%

LAB 63.46, 42.12, -9.68

 

CMYK 0 / 52 / 25 / 10

HEX #E66EAD

RGB 230 110 173

HSL 328.5, 0.71%, 0.67%

LAB 62.5, 53.49, -11.51

 

CMYK 0 / 60 / 29 / 4

HEX #F461AE

RGB 244 97 174

HSL 328.57, 0.87%, 0.67%

LAB 62.37, 63.72, -12.07

 

CMYK 0 / 32 / 15 / 20

HEX #CB8AAC

RGB 203 138 172

HSL 328.62, 0.38%, 0.67%

LAB 64.84, 29.82, -7.79

 

CMYK 0 / 21 / 10 / 25

HEX #BE97AB

RGB 190 151 171

HSL 329.23, 0.23%, 0.67%

LAB 66.54, 17.85, -4.88

 

CMYK 0 / 6 / 3 / 31

HEX #B0A5AB

RGB 176 165 171

HSL 327.27, 0.07%, 0.67%

LAB 68.81, 5.06, -1.67

 

CMYK 9 / 0 / 4 / 30

HEX #A2B2AA

RGB 162 178 170

HSL 150, 0.09%, 0.67%

LAB 71.16, -7.11, 2.18

 

CMYK 22 / 0 / 12 / 25

HEX #95C0A9

RGB 149 192 169

HSL 147.91, 0.25%, 0.67%

LAB 74.16, -18.97, 6.94

 

CMYK 2 / 32 / 0 / 20

HEX #C78ACB

RGB 199 138 203

HSL 296.31, 0.38%, 0.67%

LAB 65.46, 33.96, -24.33

 

CMYK 0 / 32 / 6 / 20

HEX #CB8ABE

RGB 203 138 190

HSL 312, 0.38%, 0.67%

LAB 65.43, 32.88, -17.06

 

CMYK 0 / 32 / 15 / 20

HEX #CB8AAD

RGB 203 138 173

HSL 327.69, 0.38%, 0.67%

LAB 64.88, 29.99, -8.31

 

CMYK 0 / 32 / 24 / 20

HEX #CB8A9B

RGB 203 138 155

HSL 344.31, 0.38%, 0.67%

LAB 64.35, 27.19, 1.1

 

CMYK 0 / 32 / 32 / 20

HEX #CB8A8A

RGB 203 138 138

HSL 0, 0.38%, 0.67%

LAB 63.92, 24.82, 10.11

 

CMYK 0 / 55 / 26 / 30

HEX #B25083

RGB 178 80 131

HSL 328.78, 0.39%, 0.51%

LAB 48.06, 45.63, -9.33

 

CMYK 0 / 43 / 20 / 25

HEX #BF6D98

RGB 191 109 152

HSL 328.54, 0.39%, 0.59%

LAB 56.37, 38.14, -9.13

 

CMYK 0 / 32 / 15 / 20

HEX #CB8AAC

RGB 203 138 172

HSL 328.62, 0.38%, 0.67%

LAB 64.84, 29.82, -7.79

 

CMYK 0 / 23 / 11 / 15

HEX #D8A6C0

RGB 216 166 192

HSL 328.8, 0.39%, 0.75%

LAB 73.34, 22.48, -6.19

 

CMYK 0 / 14 / 7 / 11

HEX #E4C3D4

RGB 228 195 212

HSL 329.09, 0.38%, 0.83%

LAB 81.99, 14.49, -4.14

 

CMYK 0 / 32 / 15 / 20

HEX #CC8BAD

RGB 204 139 173

HSL 328.62, 0.39%, 0.67%

LAB 65.22, 29.79, -7.8

 

CMYK 0 / 11 / 32 / 20

HEX #CBB58A

RGB 203 181 138

HSL 39.69, 0.38%, 0.67%

LAB 74.56, 1.48, 24.82

 

CMYK 32 / 2 / 0 / 20

HEX #8AC7CB

RGB 138 199 203

HSL 183.69, 0.38%, 0.67%

LAB 76.41, -18.45, -8.26

 

CMYK 0 / 32 / 15 / 20

HEX #CC8BAD

RGB 204 139 173

HSL 328.62, 0.39%, 0.67%

LAB 65.22, 29.79, -7.8

 

CMYK 15 / 0 / 32 / 20

HEX #ADCB8A

RGB 173 203 138

HSL 87.69, 0.38%, 0.67%

LAB 78.13, -21.37, 29.21

 

CMYK 32 / 15 / 0 / 20

HEX #8AADCB

RGB 138 173 203

HSL 207.69, 0.38%, 0.67%

LAB 69.19, -4.73, -19.11

 

CMYK 0 / 32 / 15 / 20

HEX #CC8BAD

RGB 204 139 173

HSL 328.62, 0.39%, 0.67%

LAB 65.22, 29.79, -7.8

 

CMYK 0 / 11 / 32 / 20

HEX #CBB58A

RGB 203 181 138

HSL 39.69, 0.38%, 0.67%

LAB 74.56, 1.48, 24.82

 

CMYK 32 / 0 / 17 / 20

HEX #8ACBA8

RGB 138 203 168

HSL 147.69, 0.38%, 0.67%

LAB 76.64, -28.08, 10.95

 

CMYK 32 / 22 / 0 / 20

HEX #8A9FCB

RGB 138 159 203

HSL 220.62, 0.38%, 0.67%

LAB 65.37, 3.03, -24.94

 

CMYK 0 / 32 / 15 / 20

HEX #CC8BAD

RGB 204 139 173

HSL 328.62, 0.39%, 0.67%

LAB 65.22, 29.79, -7.8

 

CMYK 0 / 1 / 32 / 20

HEX #CBC98A

RGB 203 201 138

HSL 58.15, 0.38%, 0.67%

LAB 79.79, -8.97, 31.8

 

CMYK 32 / 0 / 17 / 20

HEX #8ACBA8

RGB 138 203 168

HSL 147.69, 0.38%, 0.67%

LAB 76.64, -28.08, 10.95

 

CMYK 32 / 31 / 0 / 20

HEX #8A8CCB

RGB 138 140 203

HSL 238.15, 0.38%, 0.67%

LAB 60.31, 13.9, -32.74

 

Description

Color code: HEX #CC8BAD | qconv.com Color code: HEX #CC8BAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 139 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 139 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 15 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 15% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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