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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC8C4B it is the complementary color #3373B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC8C4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC8C4B shade: #D18C46, #E29E59, #F3B06C, #FFC27F and #FFD492

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC8C4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC8C4B shade: #CC8C4B, #BB7A38, #AA6825, #995612 and #884400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC8C4B shade: #CC8C4B, #CC6A4B and #CC4B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC8C4B shade: #CC8C4B, #CCAF4B, #C6CC4B, #A4CC4B and #81CC4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC8C4B shade matches the following richer shades: #CC8C4B, #DF8C39 and #F18D26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC8C4B shade: #CC8C4B, #B98C5E, #A78C71, #948C83 and #828C96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC8C4B shade: #CC4B50, #CC694B, #CC8C4B, #CCAE4B and #C8CC4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC8C4B shade: #9A632B, #BA7834, #CC8C4B, #D5A16C and #DEB58C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC8C4B shade: #CC8C4B, #72CC4B and #584BCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC8C4B shade: #CC8C4B, #4BCC8C and #8C4BCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC8C4B shade: #CC8C4B, #72CC4B, #4B8CCC and #A54BCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC8C4B shade: #CC8C4B, #4BCC4B, #4B8CCC and #CC4BCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

Complementary color

CMYK 72 / 36 / 0 / 29

HEX #3373B4

RGB 51 115 180

HSL 210.23, 0.56%, 0.45%

LAB 47.31, 1.63, -40.35

 

CMYK 0 / 33 / 67 / 18

HEX #D18C46

RGB 209 140 70

HSL 30.22, 0.6%, 0.55%

LAB 63.96, 19.69, 47.1

 

CMYK 0 / 30 / 61 / 11

HEX #E29E59

RGB 226 158 89

HSL 30.22, 0.7%, 0.62%

LAB 70.42, 18.35, 45.61

 

CMYK 0 / 28 / 56 / 5

HEX #F3B06C

RGB 243 176 108

HSL 30.22, 0.85%, 0.69%

LAB 76.79, 17.18, 44.14

 

CMYK 0 / 24 / 50 / 0

HEX #FFC27F

RGB 255 194 127

HSL 31.41, 1%, 0.75%

LAB 82.58, 14.16, 41.98

 

CMYK 0 / 17 / 43 / 0

HEX #FFD492

RGB 255 212 146

HSL 36.33, 1%, 0.79%

LAB 87.2, 6.63, 38.25

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 35 / 70 / 27

HEX #BB7A38

RGB 187 122 56

HSL 30.23, 0.54%, 0.48%

LAB 56.85, 19.34, 45.34

 

CMYK 0 / 39 / 78 / 33

HEX #AA6825

RGB 170 104 37

HSL 30.23, 0.64%, 0.41%

LAB 50.19, 21.04, 46.63

 

CMYK 0 / 44 / 88 / 40

HEX #995612

RGB 153 86 18

HSL 30.22, 0.79%, 0.34%

LAB 43.47, 23.02, 47.25

 

CMYK 0 / 50 / 100 / 47

HEX #884400

RGB 136 68 0

HSL 30, 1%, 0.27%

LAB 36.68, 25.27, 46.77

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 48 / 63 / 20

HEX #CC6A4B

RGB 204 106 75

HSL 14.42, 0.56%, 0.55%

LAB 55.74, 36.16, 34.76

 

CMYK 0 / 63 / 63 / 20

HEX #CC4B4B

RGB 204 75 75

HSL 0, 0.56%, 0.55%

LAB 49.95, 51.12, 27.59

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 14 / 63 / 20

HEX #CCAF4B

RGB 204 175 75

HSL 46.51, 0.56%, 0.55%

LAB 72.23, -0.98, 53.74

 

CMYK 3 / 0 / 63 / 20

HEX #C6CC4B

RGB 198 204 75

HSL 62.79, 0.56%, 0.55%

LAB 79.44, -18.4, 61.32

 

CMYK 20 / 0 / 63 / 20

HEX #A4CC4B

RGB 164 204 75

HSL 78.6, 0.56%, 0.55%

LAB 77.03, -32.1, 58.03

 

CMYK 37 / 0 / 63 / 20

HEX #81CC4B

RGB 129 204 75

HSL 94.88, 0.56%, 0.55%

LAB 75.05, -44.93, 55.3

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 37 / 74 / 13

HEX #DF8C39

RGB 223 140 57

HSL 30, 0.72%, 0.55%

LAB 65.55, 24.91, 55.32

 

CMYK 0 / 41 / 84 / 5

HEX #F18D26

RGB 241 141 38

HSL 30.44, 0.88%, 0.55%

LAB 67.94, 31.18, 65.71

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 24 / 49 / 27

HEX #B98C5E

RGB 185 140 94

HSL 30.33, 0.39%, 0.55%

LAB 61.55, 11.41, 31.1

 

CMYK 0 / 16 / 32 / 35

HEX #A78C71

RGB 167 140 113

HSL 30, 0.23%, 0.55%

LAB 60.04, 6.11, 18.23

HEX #A78C71

CMYK 0 / 5 / 11 / 42

HEX #948C83

RGB 148 140 131

HSL 31.76, 0.07%, 0.55%

LAB 58.69, 1.34, 5.86

HEX #948C83

CMYK 13 / 7 / 0 / 41

HEX #828C96

RGB 130 140 150

HSL 210, 0.09%, 0.55%

LAB 57.76, -1.49, -6.56

HEX #828C96

CMYK 0 / 63 / 61 / 20

HEX #CC4B50

RGB 204 75 80

HSL 357.67, 0.56%, 0.55%

LAB 50.04, 51.45, 24.75

 

CMYK 0 / 49 / 63 / 20

HEX #CC694B

RGB 204 105 75

HSL 13.95, 0.56%, 0.55%

LAB 55.53, 36.67, 34.51

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 15 / 63 / 20

HEX #CCAE4B

RGB 204 174 75

HSL 46.05, 0.56%, 0.55%

LAB 71.97, -0.46, 53.45

 

CMYK 2 / 0 / 63 / 20

HEX #C8CC4B

RGB 200 204 75

HSL 61.86, 0.56%, 0.55%

LAB 79.6, -17.57, 61.53

 

CMYK 0 / 36 / 72 / 40

HEX #9A632B

RGB 154 99 43

HSL 30.27, 0.56%, 0.39%

LAB 46.93, 17.06, 39.84

 

CMYK 0 / 35 / 72 / 27

HEX #BA7834

RGB 186 120 52

HSL 30.45, 0.56%, 0.47%

LAB 56.21, 19.8, 46.53

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 0 / 24 / 49 / 16

HEX #D5A16C

RGB 213 161 108

HSL 30.29, 0.56%, 0.63%

LAB 69.98, 12.92, 34.96

 

CMYK 0 / 18 / 37 / 13

HEX #DEB58C

RGB 222 181 140

HSL 30, 0.55%, 0.71%

LAB 76.36, 9.22, 26.48

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 44 / 0 / 63 / 20

HEX #72CC4B

RGB 114 204 75

HSL 101.86, 0.56%, 0.55%

LAB 74.36, -49.81, 54.35

 

CMYK 57 / 63 / 0 / 20

HEX #584BCC

RGB 88 75 204

HSL 246.05, 0.56%, 0.55%

LAB 40.36, 41.21, -65.35

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 63 / 0 / 31 / 20

HEX #4BCC8C

RGB 75 204 140

HSL 150.23, 0.56%, 0.55%

LAB 73.92, -50.09, 21.7

 

CMYK 31 / 63 / 0 / 20

HEX #8C4BCC

RGB 140 75 204

HSL 270.23, 0.56%, 0.55%

LAB 45.59, 51.57, -56.62

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 44 / 0 / 63 / 20

HEX #72CC4B

RGB 114 204 75

HSL 101.86, 0.56%, 0.55%

LAB 74.36, -49.81, 54.35

 

CMYK 63 / 31 / 0 / 20

HEX #4B8CCC

RGB 75 140 204

HSL 209.77, 0.56%, 0.55%

LAB 56.7, -0.96, -39.23

 

CMYK 19 / 63 / 0 / 20

HEX #A54BCC

RGB 165 75 204

HSL 281.86, 0.56%, 0.55%

LAB 48.75, 57.25, -51.38

 

CMYK 0 / 31 / 63 / 20

HEX #CC8C4B

RGB 204 140 75

HSL 30.23, 0.56%, 0.55%

LAB 63.43, 17.89, 43.85

 

CMYK 63 / 0 / 63 / 20

HEX #4BCC4B

RGB 75 204 75

HSL 120, 0.56%, 0.55%

LAB 73.02, -60.1, 52.48

 

CMYK 63 / 31 / 0 / 20

HEX #4B8CCC

RGB 75 140 204

HSL 209.77, 0.56%, 0.55%

LAB 56.7, -0.96, -39.23

 

CMYK 0 / 63 / 0 / 20

HEX #CC4BCC

RGB 204 75 204

HSL 300, 0.56%, 0.55%

LAB 54.27, 66.48, -42.26

 

Description

Color code: HEX #CC8C4B | qconv.com Color code: HEX #CC8C4B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 140 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 140 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 63 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 63% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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