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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC966F it is the complementary color #336990. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC966F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC966F shade: #D1966A, #E2A87D, #F3BA90, #FFCCA3 and #FFDEB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC966F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC966F shade: #CC966F, #BB845C, #AA7249, #996036 and #884E23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC966F shade: #CC966F, #CC7D6F and #CC6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC966F shade: #CC966F, #CCAF6F, #CCC86F, #B7CC6F and #9ECC6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC966F shade matches the following richer shades: #CC966F, #DC945F, #EB9150 and #FB8F40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC966F shade: #CC966F, #BC997F, #AD9B8E, #9D9E9E and #8DA0AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC966F shade: #CC6F7A, #CC7D6F, #CC966F, #CCAF6F and #CCC76F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC966F shade: #AC6B3C, #C18051, #CC966F, #D7AC8E and #E2C3AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC966F shade: #CC966F, #93CC6F and #716FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC966F shade: #CC966F, #6FCC96 and #966FCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC966F shade: #CC966F, #93CC6F, #6FA5CC and #A86FCC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC966F shade: #CC966F, #77CC6F, #6FA5CC and #C46FCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

Complementary color

CMYK 65 / 27 / 0 / 44

HEX #336990

RGB 51 105 144

HSL 205.16, 0.48%, 0.38%

LAB 42.49, -5.17, -26.72

 

CMYK 0 / 28 / 49 / 18

HEX #D1966A

RGB 209 150 106

HSL 25.63, 0.53%, 0.62%

LAB 66.83, 17.05, 31.91

 

CMYK 0 / 26 / 45 / 11

HEX #E2A87D

RGB 226 168 125

HSL 25.54, 0.64%, 0.69%

LAB 73.32, 16.1, 30.52

 

CMYK 0 / 23 / 41 / 5

HEX #F3BA90

RGB 243 186 144

HSL 25.45, 0.8%, 0.76%

LAB 79.72, 15.27, 29.23

 

CMYK 0 / 20 / 36 / 0

HEX #FFCCA3

RGB 255 204 163

HSL 26.74, 1%, 0.82%

LAB 85.55, 12.62, 27.29

 

CMYK 0 / 13 / 29 / 0

HEX #FFDEB6

RGB 255 222 182

HSL 32.88, 1%, 0.86%

LAB 90.27, 5.64, 23.84

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 29 / 51 / 27

HEX #BB845C

RGB 187 132 92

HSL 25.26, 0.41%, 0.55%

LAB 59.74, 16.49, 29.93

 

CMYK 0 / 33 / 57 / 33

HEX #AA7249

RGB 170 114 73

HSL 25.36, 0.4%, 0.48%

LAB 53.02, 17.65, 31.51

 

CMYK 0 / 37 / 65 / 40

HEX #996036

RGB 153 96 54

HSL 25.45, 0.48%, 0.41%

LAB 46.18, 19.02, 33.21

 

CMYK 0 / 43 / 74 / 47

HEX #884E23

RGB 136 78 35

HSL 25.54, 0.59%, 0.34%

LAB 39.25, 20.66, 34.98

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 39 / 46 / 20

HEX #CC7D6F

RGB 204 125 111

HSL 9.03, 0.48%, 0.62%

LAB 60.47, 29.11, 20.64

 

CMYK 0 / 46 / 46 / 20

HEX #CC6F6F

RGB 204 111 111

HSL 0, 0.48%, 0.62%

LAB 57.42, 36.57, 16.47

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 14 / 46 / 20

HEX #CCAF6F

RGB 204 175 111

HSL 41.29, 0.48%, 0.62%

LAB 72.66, 1.99, 36.6

 

CMYK 0 / 2 / 46 / 20

HEX #CCC86F

RGB 204 200 111

HSL 57.42, 0.48%, 0.62%

LAB 79.21, -11.04, 44.77

 

CMYK 10 / 0 / 46 / 20

HEX #B7CC6F

RGB 183 204 111

HSL 73.55, 0.48%, 0.62%

LAB 78.69, -21.41, 43.78

 

CMYK 23 / 0 / 46 / 20

HEX #9ECC6F

RGB 158 204 111

HSL 89.68, 0.48%, 0.62%

LAB 77.04, -30.89, 41.36

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 33 / 57 / 14

HEX #DC945F

RGB 220 148 95

HSL 25.44, 0.64%, 0.62%

LAB 67.44, 21.69, 38.79

 

CMYK 0 / 38 / 66 / 8

HEX #EB9150

RGB 235 145 80

HSL 25.16, 0.79%, 0.62%

LAB 68.38, 28.38, 48.02

 

CMYK 0 / 43 / 75 / 2

HEX #FB8F40

RGB 251 143 64

HSL 25.35, 0.96%, 0.62%

LAB 69.84, 35.05, 57.74

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 19 / 32 / 26

HEX #BC997F

RGB 188 153 127

HSL 25.57, 0.31%, 0.62%

LAB 65.75, 9.25, 18.58

 

CMYK 0 / 10 / 18 / 32

HEX #AD9B8E

RGB 173 155 142

HSL 25.16, 0.16%, 0.62%

LAB 65.18, 4.44, 9.22

 

CMYK 1 / 0 / 0 / 38

HEX #9D9E9E

RGB 157 158 158

HSL 180, 0.01%, 0.62%

LAB 65.03, -0.36, -0.13

 

CMYK 19 / 8 / 0 / 32

HEX #8DA0AE

RGB 141 160 174

HSL 205.45, 0.17%, 0.62%

LAB 64.85, -3.6, -9.51

 

CMYK 0 / 46 / 40 / 20

HEX #CC6F7A

RGB 204 111 122

HSL 352.9, 0.48%, 0.62%

LAB 57.67, 37.75, 10.44

 

CMYK 0 / 39 / 46 / 20

HEX #CC7D6F

RGB 204 125 111

HSL 9.03, 0.48%, 0.62%

LAB 60.47, 29.11, 20.64

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 14 / 46 / 20

HEX #CCAF6F

RGB 204 175 111

HSL 41.29, 0.48%, 0.62%

LAB 72.66, 1.99, 36.6

 

CMYK 0 / 2 / 46 / 20

HEX #CCC76F

RGB 204 199 111

HSL 56.77, 0.48%, 0.62%

LAB 78.94, -10.53, 44.44

 

CMYK 0 / 38 / 65 / 33

HEX #AC6B3C

RGB 172 107 60

HSL 25.18, 0.48%, 0.45%

LAB 51.4, 21.47, 36.68

 

CMYK 0 / 34 / 58 / 24

HEX #C18051

RGB 193 128 81

HSL 25.18, 0.47%, 0.54%

LAB 59.32, 20.27, 35.53

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 0 / 20 / 34 / 16

HEX #D7AC8E

RGB 215 172 142

HSL 24.66, 0.48%, 0.7%

LAB 73.48, 11.52, 21.39

 

CMYK 0 / 14 / 24 / 11

HEX #E2C3AC

RGB 226 195 172

HSL 25.56, 0.48%, 0.78%

LAB 80.84, 7.49, 15.61

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 28 / 0 / 46 / 20

HEX #93CC6F

RGB 147 204 111

HSL 96.77, 0.48%, 0.62%

LAB 76.4, -34.85, 40.42

 

CMYK 45 / 46 / 0 / 20

HEX #716FCC

RGB 113 111 204

HSL 241.29, 0.48%, 0.62%

LAB 50.97, 24.7, -48.15

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 46 / 0 / 26 / 20

HEX #6FCC96

RGB 111 204 150

HSL 145.16, 0.48%, 0.62%

LAB 75.31, -39.84, 18.5

 

CMYK 26 / 46 / 0 / 20

HEX #966FCC

RGB 150 111 204

HSL 265.16, 0.48%, 0.62%

LAB 54.25, 34.42, -42.73

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 28 / 0 / 46 / 20

HEX #93CC6F

RGB 147 204 111

HSL 96.77, 0.48%, 0.62%

LAB 76.4, -34.85, 40.42

 

CMYK 46 / 19 / 0 / 20

HEX #6FA5CC

RGB 111 165 204

HSL 205.16, 0.48%, 0.62%

LAB 65.47, -7.34, -25.46

 

CMYK 18 / 46 / 0 / 20

HEX #A86FCC

RGB 168 111 204

HSL 276.77, 0.48%, 0.62%

LAB 56.14, 39.51, -39.63

 

CMYK 0 / 26 / 46 / 20

HEX #CC966F

RGB 204 150 111

HSL 25.16, 0.48%, 0.62%

LAB 66.37, 15.5, 28.49

 

CMYK 42 / 0 / 46 / 20

HEX #77CC6F

RGB 119 204 111

HSL 114.84, 0.48%, 0.62%

LAB 74.99, -44.09, 38.35

 

CMYK 46 / 19 / 0 / 20

HEX #6FA5CC

RGB 111 165 204

HSL 205.16, 0.48%, 0.62%

LAB 65.47, -7.34, -25.46

 

CMYK 4 / 46 / 0 / 20

HEX #C46FCC

RGB 196 111 204

HSL 294.84, 0.48%, 0.62%

LAB 59.4, 47.64, -34.29

 

Description

Color code: HEX #CC966F | qconv.com Color code: HEX #CC966F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 150 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 150 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 46 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 46% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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