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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9E67 it is the complementary color #336198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9E67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9E67 shade: #D19E62, #E2B075, #F3C288, #FFD49B and #FFE6AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9E67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9E67 shade: #CC9E67, #BB8C54, #AA7A41, #99682E and #88561B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9E67 shade: #CC9D65, #CC8265, #CC6665 and #CC6565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9E67 shade: #CC9D65, #CCB965, #C3CC65, #A7CC65 and #8CCC65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9E67 shade matches the following richer shades: #CC9D65, #DC9F55, #EDA044 and #FDA134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9E67 shade: #CC9D65, #BB9C76, #AA9A87, #9A9997 and #8997A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9E67 shade: #CC6565, #CC8165, #CC9C65, #CCB765 and #C5CC65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9E67 shade: #A77437, #C18947, #CC9D65, #D6B184 and #E0C4A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9E67 shade: #CC9E67, #81CC65 and #7365CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9E67 shade: #CC9E67, #65CC9C and #9C65CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9E67 shade: #CC9E67, #81CC65, #6595CC and #B065CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9E67 shade: #CC9E67, #65CC69, #6595CC and #CC65C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 50 / 20

HEX #CC9E67

RGB 204 158 103

HSL 32.67, 0.5%, 0.6%

LAB 68.22, 10.35, 35.17

 

Complementary color

CMYK 66 / 36 / 0 / 40

HEX #336198

RGB 51 97 152

HSL 212.67, 0.5%, 0.4%

LAB 40.44, 2.62, -34.73

 

CMYK 0 / 24 / 53 / 18

HEX #D19E62

RGB 209 158 98

HSL 32.43, 0.55%, 0.6%

LAB 68.67, 11.98, 38.47

 

CMYK 0 / 22 / 48 / 11

HEX #E2B075

RGB 226 176 117

HSL 32.48, 0.65%, 0.67%

LAB 75.14, 11.05, 37.09

 

CMYK 0 / 20 / 44 / 5

HEX #F3C288

RGB 243 194 136

HSL 32.52, 0.82%, 0.74%

LAB 81.52, 10.23, 35.78

 

CMYK 0 / 17 / 39 / 0

HEX #FFD49B

RGB 255 212 155

HSL 34.2, 1%, 0.8%

LAB 87.35, 7.58, 33.84

 

CMYK 0 / 10 / 32 / 0

HEX #FFE6AE

RGB 255 230 174

HSL 41.48, 1%, 0.84%

LAB 92.09, 0.55, 30.44

 

CMYK 0 / 23 / 50 / 20

HEX #CC9E67

RGB 204 158 103

HSL 32.67, 0.5%, 0.6%

LAB 68.22, 10.35, 35.17

 

CMYK 0 / 25 / 55 / 27

HEX #BB8C54

RGB 187 140 84

HSL 32.62, 0.43%, 0.53%

LAB 61.62, 11.34, 36.59

 

CMYK 0 / 28 / 62 / 33

HEX #AA7A41

RGB 170 122 65

HSL 32.57, 0.45%, 0.46%

LAB 54.91, 12.51, 38.08

 

CMYK 0 / 32 / 70 / 40

HEX #99682E

RGB 153 104 46

HSL 32.52, 0.54%, 0.39%

LAB 48.1, 13.91, 39.56

 

CMYK 0 / 37 / 80 / 47

HEX #88561B

RGB 136 86 27

HSL 32.48, 0.67%, 0.32%

LAB 41.17, 15.62, 40.78

 

CMYK 0 / 23 / 50 / 20

HEX #CC9D65

RGB 204 157 101

HSL 32.62, 0.5%, 0.6%

LAB 67.94, 10.71, 35.87

 

CMYK 0 / 36 / 50 / 20

HEX #CC8265

RGB 204 130 101

HSL 16.89, 0.5%, 0.6%

LAB 61.43, 25.42, 27.53

 

CMYK 0 / 50 / 50 / 20

HEX #CC6665

RGB 204 102 101

HSL 0.58, 0.5%, 0.6%

LAB 55.36, 40.26, 19.47

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 23 / 50 / 20

HEX #CC9D65

RGB 204 157 101

HSL 32.62, 0.5%, 0.6%

LAB 67.94, 10.71, 35.87

 

CMYK 0 / 9 / 50 / 20

HEX #CCB965

RGB 204 185 101

HSL 48.93, 0.5%, 0.6%

LAB 75.12, -4.23, 44.73

 

CMYK 4 / 0 / 50 / 20

HEX #C3CC65

RGB 195 204 101

HSL 65.24, 0.5%, 0.6%

LAB 79.46, -17.63, 49.73

 

CMYK 18 / 0 / 50 / 20

HEX #A7CC65

RGB 167 204 101

HSL 81.55, 0.5%, 0.6%

LAB 77.48, -28.64, 46.9

 

CMYK 31 / 0 / 50 / 20

HEX #8CCC65

RGB 140 204 101

HSL 97.28, 0.5%, 0.6%

LAB 75.89, -38.51, 44.59

 

CMYK 0 / 23 / 50 / 20

HEX #CC9D65

RGB 204 157 101

HSL 32.62, 0.5%, 0.6%

LAB 67.94, 10.71, 35.87

 

CMYK 0 / 28 / 61 / 14

HEX #DC9F55

RGB 220 159 85

HSL 32.89, 0.66%, 0.6%

LAB 69.94, 15.03, 46.88

 

CMYK 0 / 32 / 71 / 7

HEX #EDA044

RGB 237 160 68

HSL 32.66, 0.82%, 0.6%

LAB 71.94, 20.62, 57.57

 

CMYK 0 / 36 / 79 / 1

HEX #FDA134

RGB 253 161 52

HSL 32.54, 0.98%, 0.6%

LAB 73.95, 26.09, 66.66

 

CMYK 0 / 23 / 50 / 20

HEX #CC9D65

RGB 204 157 101

HSL 32.62, 0.5%, 0.6%

LAB 67.94, 10.71, 35.87

 

CMYK 0 / 17 / 37 / 27

HEX #BB9C76

RGB 187 156 118

HSL 33.04, 0.34%, 0.6%

LAB 66.25, 6.06, 24.2

 

CMYK 0 / 9 / 21 / 33

HEX #AA9A87

RGB 170 154 135

HSL 32.57, 0.17%, 0.6%

LAB 64.49, 2.73, 12.11

 

CMYK 0 / 1 / 2 / 40

HEX #9A9997

RGB 154 153 151

HSL 40, 0.01%, 0.6%

LAB 63.25, -0.01, 1.17

 

CMYK 18 / 10 / 0 / 34

HEX #8997A8

RGB 137 151 168

HSL 212.9, 0.15%, 0.6%

LAB 61.89, -1.28, -10.58

 

CMYK 0 / 50 / 50 / 20

HEX #CC6565

RGB 204 101 101

HSL 0, 0.5%, 0.6%

LAB 55.16, 40.77, 19.2

 

CMYK 0 / 37 / 50 / 20

HEX #CC8165

RGB 204 129 101

HSL 16.31, 0.5%, 0.6%

LAB 61.2, 25.97, 27.23

 

CMYK 0 / 24 / 50 / 20

HEX #CC9C65

RGB 204 156 101

HSL 32.04, 0.5%, 0.6%

LAB 67.69, 11.25, 35.56

 

CMYK 0 / 10 / 50 / 20

HEX #CCB765

RGB 204 183 101

HSL 47.77, 0.5%, 0.6%

LAB 74.6, -3.19, 44.09

 

CMYK 3 / 0 / 50 / 20

HEX #C5CC65

RGB 197 204 101

HSL 64.08, 0.5%, 0.6%

LAB 79.61, -16.82, 49.95

 

CMYK 0 / 31 / 67 / 35

HEX #A77437

RGB 167 116 55

HSL 32.68, 0.5%, 0.44%

LAB 52.93, 13.88, 40.84

 

CMYK 0 / 29 / 63 / 24

HEX #C18947

RGB 193 137 71

HSL 32.46, 0.5%, 0.52%

LAB 61.38, 14.57, 43.18

 

CMYK 0 / 23 / 50 / 20

HEX #CC9D65

RGB 204 157 101

HSL 32.62, 0.5%, 0.6%

LAB 67.94, 10.71, 35.87

 

CMYK 0 / 17 / 38 / 16

HEX #D6B184

RGB 214 177 132

HSL 32.93, 0.5%, 0.68%

LAB 74.45, 7.25, 28.06

 

CMYK 0 / 13 / 27 / 12

HEX #E0C4A3

RGB 224 196 163

HSL 32.46, 0.5%, 0.76%

LAB 80.72, 4.96, 20.22

 

CMYK 0 / 23 / 50 / 20

HEX #CC9E67

RGB 204 158 103

HSL 32.67, 0.5%, 0.6%

LAB 68.22, 10.35, 35.17

 

CMYK 37 / 0 / 50 / 20

HEX #81CC65

RGB 129 204 101

HSL 103.69, 0.5%, 0.6%

LAB 75.32, -42.23, 43.78

 

CMYK 44 / 50 / 0 / 20

HEX #7365CC

RGB 115 101 204

HSL 248.16, 0.5%, 0.6%

LAB 48.65, 31.2, -51.84

 

CMYK 0 / 23 / 50 / 20

HEX #CC9E67

RGB 204 158 103

HSL 32.67, 0.5%, 0.6%

LAB 68.22, 10.35, 35.17

 

CMYK 50 / 0 / 24 / 20

HEX #65CC9C

RGB 101 204 156

HSL 152.04, 0.5%, 0.6%

LAB 75.05, -41.16, 14.88

 

CMYK 24 / 50 / 0 / 20

HEX #9C65CC

RGB 156 101 204

HSL 272.04, 0.5%, 0.6%

LAB 52.66, 41.68, -45.21

 

CMYK 0 / 23 / 50 / 20

HEX #CC9E67

RGB 204 158 103

HSL 32.67, 0.5%, 0.6%

LAB 68.22, 10.35, 35.17

 

CMYK 37 / 0 / 50 / 20

HEX #81CC65

RGB 129 204 101

HSL 103.69, 0.5%, 0.6%

LAB 75.32, -42.23, 43.78

 

CMYK 50 / 27 / 0 / 20

HEX #6595CC

RGB 101 149 204

HSL 212.04, 0.5%, 0.6%

LAB 60.45, -0.77, -33.28

 

CMYK 14 / 50 / 0 / 20

HEX #B065CC

RGB 176 101 204

HSL 283.69, 0.5%, 0.6%

LAB 54.97, 47.15, -41.42

 

CMYK 0 / 23 / 50 / 20

HEX #CC9E67

RGB 204 158 103

HSL 32.67, 0.5%, 0.6%

LAB 68.22, 10.35, 35.17

 

CMYK 50 / 0 / 49 / 20

HEX #65CC69

RGB 101 204 105

HSL 122.33, 0.5%, 0.6%

LAB 74.17, -50.11, 40.14

 

CMYK 50 / 27 / 0 / 20

HEX #6595CC

RGB 101 149 204

HSL 212.04, 0.5%, 0.6%

LAB 60.45, -0.77, -33.28

 

CMYK 0 / 50 / 2 / 20

HEX #CC65C8

RGB 204 101 200

HSL 302.33, 0.5%, 0.6%

LAB 58.33, 54.23, -33.6

 

Description

Color code: HEX #CC9E67 | qconv.com Color code: HEX #CC9E67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 158 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 158 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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