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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9EA1 it is the complementary color #33615E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9EA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9EA1 shade: #D19E9C, #E2B0AF, #F3C2C2, #FFD4D5 and #FFE6E8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9EA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9EA1 shade: #CC9EA1, #BB8C8E, #AA7A7B, #996868 and #885655

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9EA1 shade: #CB9EA1 and #CB9E9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9EA1 shade: #CB9EA1, #CB9EAD, #CB9EB9, #CB9EC6 and #C59ECB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9EA1 shade matches the following richer shades: #CB9EA1, #D79296, #E3868C, #EF7A81 and #FB6E77

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9EA1 shade: #CB9EA1, #C0AAAB, #B4B6B5, #A8C2C0 and #9CCDCA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9EA1 shade: #CB9EB9, #CB9EAD, #CB9EA1, #CBA79E and #CBB39E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9EA1 shade: #AF686C, #BD8386, #CB9EA1, #DAB9BB and #E8D4D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9EA1 shade: #CC9EA1, #C5CB9E and #9EB3CB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9EA1 shade: #CC9EA1, #A1CB9E and #9EA1CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9EA1 shade: #CC9EA1, #C5CB9E, #9ECBC8 and #A49ECB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9EA1 shade: #CC9EA1, #B8CB9E, #9ECBC8 and #B19ECB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 21 / 20

HEX #CC9EA1

RGB 204 158 161

HSL 356.09, 0.31%, 0.71%

LAB 69.37, 17.51, 5.02

 

Complementary color

CMYK 47 / 0 / 3 / 62

HEX #33615E

RGB 51 97 94

HSL 176.09, 0.31%, 0.29%

LAB 37.95, -16.58, -3.21

 

CMYK 0 / 24 / 25 / 18

HEX #D19E9C

RGB 209 158 156

HSL 2.26, 0.37%, 0.72%

LAB 69.76, 18.66, 8.42

 

CMYK 0 / 22 / 23 / 11

HEX #E2B0AF

RGB 226 176 175

HSL 1.18, 0.47%, 0.79%

LAB 76.26, 18.03, 7.51

 

CMYK 0 / 20 / 20 / 5

HEX #F3C2C2

RGB 243 194 194

HSL 0, 0.67%, 0.86%

LAB 82.66, 17.47, 6.66

HEX #F3C2C2

CMYK 0 / 17 / 16 / 0

HEX #FFD4D5

RGB 255 212 213

HSL 358.6, 1%, 0.92%

LAB 88.52, 15.18, 5.14

HEX #FFD4D5

CMYK 0 / 10 / 9 / 0

HEX #FFE6E8

RGB 255 230 232

HSL 355.2, 1%, 0.95%

LAB 93.31, 8.85, 2.13

HEX #FFE6E8

CMYK 0 / 23 / 21 / 20

HEX #CC9EA1

RGB 204 158 161

HSL 356.09, 0.31%, 0.71%

LAB 69.37, 17.51, 5.02

 

CMYK 0 / 25 / 24 / 27

HEX #BB8C8E

RGB 187 140 142

HSL 357.45, 0.26%, 0.64%

LAB 62.74, 18.15, 5.91

 

CMYK 0 / 28 / 28 / 33

HEX #AA7A7B

RGB 170 122 123

HSL 358.75, 0.22%, 0.57%

LAB 55.98, 18.87, 6.89

 

CMYK 0 / 32 / 32 / 40

HEX #996868

RGB 153 104 104

HSL 0, 0.19%, 0.5%

LAB 49.1, 19.68, 7.98

 

CMYK 0 / 37 / 38 / 47

HEX #885655

RGB 136 86 85

HSL 1.18, 0.23%, 0.43%

LAB 42.07, 20.62, 9.23

 

CMYK 0 / 22 / 21 / 20

HEX #CB9EA1

RGB 203 158 161

HSL 356, 0.3%, 0.71%

LAB 69.27, 17.14, 4.86

 

CMYK 0 / 22 / 22 / 20

HEX #CB9E9E

RGB 203 158 158

HSL 0, 0.3%, 0.71%

LAB 69.2, 16.69, 6.42

 

CMYK 0 / 22 / 21 / 20

HEX #CB9EA1

RGB 203 158 161

HSL 356, 0.3%, 0.71%

LAB 69.27, 17.14, 4.86

 

CMYK 0 / 22 / 15 / 20

HEX #CB9EAD

RGB 203 158 173

HSL 340, 0.3%, 0.71%

LAB 69.59, 19.04, -1.35

 

CMYK 0 / 22 / 9 / 20

HEX #CB9EB9

RGB 203 158 185

HSL 324, 0.3%, 0.71%

LAB 69.93, 21.06, -7.51

 

CMYK 0 / 22 / 2 / 20

HEX #CB9EC6

RGB 203 158 198

HSL 306.67, 0.3%, 0.71%

LAB 70.33, 23.39, -14.11

 

CMYK 3 / 22 / 0 / 20

HEX #C59ECB

RGB 197 158 203

HSL 292, 0.3%, 0.71%

LAB 69.92, 22.31, -17.56

 

CMYK 0 / 22 / 21 / 20

HEX #CB9EA1

RGB 203 158 161

HSL 356, 0.3%, 0.71%

LAB 69.27, 17.14, 4.86

 

CMYK 0 / 32 / 30 / 16

HEX #D79296

RGB 215 146 150

HSL 356.52, 0.46%, 0.71%

LAB 67.43, 26.61, 8.53

 

CMYK 0 / 41 / 38 / 11

HEX #E3868C

RGB 227 134 140

HSL 356.13, 0.62%, 0.71%

LAB 65.96, 36.23, 12.26

 

CMYK 0 / 49 / 46 / 6

HEX #EF7A81

RGB 239 122 129

HSL 356.41, 0.79%, 0.71%

LAB 64.85, 45.55, 17.17

 

CMYK 0 / 56 / 53 / 2

HEX #FB6E77

RGB 251 110 119

HSL 356.17, 0.95%, 0.71%

LAB 64.16, 54.57, 22.18

 

CMYK 0 / 22 / 21 / 20

HEX #CB9EA1

RGB 203 158 161

HSL 356, 0.3%, 0.71%

LAB 69.27, 17.14, 4.86

 

CMYK 0 / 11 / 11 / 25

HEX #C0AAAB

RGB 192 170 171

HSL 357.27, 0.15%, 0.71%

LAB 71.48, 8.12, 2.39

 

CMYK 1 / 0 / 1 / 29

HEX #B4B6B5

RGB 180 182 181

HSL 150, 0.01%, 0.71%

LAB 73.87, -0.88, 0.25

 

CMYK 13 / 0 / 1 / 24

HEX #A8C2C0

RGB 168 194 192

HSL 175.38, 0.18%, 0.71%

LAB 76.51, -9.16, -1.97

 

CMYK 24 / 0 / 1 / 20

HEX #9CCDCA

RGB 156 205 202

HSL 176.33, 0.33%, 0.71%

LAB 79.04, -16.51, -3.72

 

CMYK 0 / 22 / 9 / 20

HEX #CB9EB9

RGB 203 158 185

HSL 324, 0.3%, 0.71%

LAB 69.93, 21.06, -7.51

 

CMYK 0 / 22 / 15 / 20

HEX #CB9EAD

RGB 203 158 173

HSL 340, 0.3%, 0.71%

LAB 69.59, 19.04, -1.35

 

CMYK 0 / 22 / 21 / 20

HEX #CB9EA1

RGB 203 158 161

HSL 356, 0.3%, 0.71%

LAB 69.27, 17.14, 4.86

 

CMYK 0 / 18 / 22 / 20

HEX #CBA79E

RGB 203 167 158

HSL 12, 0.3%, 0.71%

LAB 71.42, 11.78, 9.6

 

CMYK 0 / 12 / 22 / 20

HEX #CBB39E

RGB 203 179 158

HSL 28, 0.3%, 0.71%

LAB 74.45, 5.3, 13.88

 

CMYK 0 / 41 / 38 / 31

HEX #AF686C

RGB 175 104 108

HSL 356.62, 0.31%, 0.55%

LAB 51.95, 28.91, 10.03

 

CMYK 0 / 31 / 29 / 26

HEX #BD8386

RGB 189 131 134

HSL 356.9, 0.31%, 0.63%

LAB 60.58, 22.77, 7.41

 

CMYK 0 / 22 / 21 / 20

HEX #CB9EA1

RGB 203 158 161

HSL 356, 0.3%, 0.71%

LAB 69.27, 17.14, 4.86

 

CMYK 0 / 15 / 14 / 15

HEX #DAB9BB

RGB 218 185 187

HSL 356.36, 0.31%, 0.79%

LAB 77.99, 12.12, 3.38

 

CMYK 0 / 9 / 8 / 9

HEX #E8D4D5

RGB 232 212 213

HSL 357, 0.3%, 0.87%

LAB 86.53, 7.08, 2.01

HEX #E8D4D5

CMYK 0 / 23 / 21 / 20

HEX #CC9EA1

RGB 204 158 161

HSL 356.09, 0.31%, 0.71%

LAB 69.37, 17.51, 5.02

 

CMYK 3 / 0 / 22 / 20

HEX #C5CB9E

RGB 197 203 158

HSL 68, 0.3%, 0.71%

LAB 80.21, -9.58, 21.81

 

CMYK 22 / 12 / 0 / 20

HEX #9EB3CB

RGB 158 179 203

HSL 212, 0.3%, 0.71%

LAB 72.11, -1.99, -14.57

 

CMYK 0 / 23 / 21 / 20

HEX #CC9EA1

RGB 204 158 161

HSL 356.09, 0.31%, 0.71%

LAB 69.37, 17.51, 5.02

 

CMYK 21 / 0 / 22 / 20

HEX #A1CB9E

RGB 161 203 158

HSL 116, 0.3%, 0.71%

LAB 77.73, -22.5, 18

 

CMYK 22 / 21 / 0 / 20

HEX #9EA1CB

RGB 158 161 203

HSL 236, 0.3%, 0.71%

LAB 67.33, 7.95, -21.81

 

CMYK 0 / 23 / 21 / 20

HEX #CC9EA1

RGB 204 158 161

HSL 356.09, 0.31%, 0.71%

LAB 69.37, 17.51, 5.02

 

CMYK 3 / 0 / 22 / 20

HEX #C5CB9E

RGB 197 203 158

HSL 68, 0.3%, 0.71%

LAB 80.21, -9.58, 21.81

 

CMYK 22 / 0 / 1 / 20

HEX #9ECBC8

RGB 158 203 200

HSL 176, 0.3%, 0.71%

LAB 78.55, -15.32, -3.36

 

CMYK 19 / 22 / 0 / 20

HEX #A49ECB

RGB 164 158 203

HSL 248, 0.3%, 0.71%

LAB 67.02, 11.52, -22.24

 

CMYK 0 / 23 / 21 / 20

HEX #CC9EA1

RGB 204 158 161

HSL 356.09, 0.31%, 0.71%

LAB 69.37, 17.51, 5.02

 

CMYK 9 / 0 / 22 / 20

HEX #B8CB9E

RGB 184 203 158

HSL 85.33, 0.3%, 0.71%

LAB 79.25, -14.37, 20.35

 

CMYK 22 / 0 / 1 / 20

HEX #9ECBC8

RGB 158 203 200

HSL 176, 0.3%, 0.71%

LAB 78.55, -15.32, -3.36

 

CMYK 13 / 22 / 0 / 20

HEX #B19ECB

RGB 177 158 203

HSL 265.33, 0.3%, 0.71%

LAB 68.1, 15.7, -20.49

 

Description

Color code: HEX #CC9EA1 | qconv.com Color code: HEX #CC9EA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 158 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 158 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 21 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 21% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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