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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD02B2 it is the complementary color #32FD4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD02B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD02B2 shade: #D202AD, #E314C0, #F426D3, #FF38E6 and #FF4AF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD02B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD02B2 shade: #CD02B2, #BC009F, #AB008C, #9A0079 and #890066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD02B2 shade: #CF02B3, #CF027C, #CF0245, #CF020D and #CF0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD02B2 shade: #CF02B3, #B302CF, #7B02CF, #4402CF and #0D02CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD02B2 shade matches the following richer shades: #CF02B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD02B2 shade: #CF02B3, #BE13A7, #AD239A, #9C348E and #8B4582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD02B2 shade: #7902CF, #B002CF, #CF02B7, #CF0280 and #CF0249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD02B2 shade: #7D016C, #A60190, #CF02B3, #F702D7 and #FC26E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD02B2 shade: #CD02B2, #CF4202 and #02CF94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD02B2 shade: #CD02B2, #B7CF02 and #02B7CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD02B2 shade: #CD02B2, #CF4202, #02CF19 and #028ECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD02B2 shade: #CD02B2, #CF8002, #02CF19 and #0250CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 13 / 20

HEX #CD02B2

RGB 205 2 178

HSL 307.98, 0.98%, 0.41%

LAB 47.28, 79.48, -38.19

 

Complementary color

CMYK 80 / 0 / 70 / 1

HEX #32FD4D

RGB 50 253 77

HSL 127.98, 0.98%, 0.59%

LAB 87.71, -79.4, 67.39

 

CMYK 0 / 99 / 18 / 18

HEX #D202AD

RGB 210 2 173

HSL 310.67, 0.98%, 0.42%

LAB 47.96, 79.75, -34.12

 

CMYK 0 / 91 / 15 / 11

HEX #E314C0

RGB 227 20 192

HSL 310.14, 0.84%, 0.48%

LAB 52.55, 83.67, -37.81

 

CMYK 0 / 84 / 14 / 4

HEX #F426D3

RGB 244 38 211

HSL 309.61, 0.9%, 0.55%

LAB 57.39, 86.65, -40.91

 

CMYK 0 / 78 / 10 / 0

HEX #FF38E6

RGB 255 56 230

HSL 307.54, 1%, 0.61%

LAB 61.48, 87.51, -45.07

 

CMYK 0 / 71 / 2 / 0

HEX #FF4AF9

RGB 255 74 249

HSL 301.99, 1%, 0.65%

LAB 64.16, 85.28, -51.41

 

CMYK 0 / 99 / 13 / 20

HEX #CD02B2

RGB 205 2 178

HSL 307.98, 0.98%, 0.41%

LAB 47.28, 79.48, -38.19

 

CMYK 0 / 100 / 15 / 26

HEX #BC009F

RGB 188 0 159

HSL 309.26, 1%, 0.37%

LAB 43.05, 74.12, -33.77

 

CMYK 0 / 100 / 18 / 33

HEX #AB008C

RGB 171 0 140

HSL 310.88, 1%, 0.34%

LAB 38.81, 68.52, -29.11

 

CMYK 0 / 100 / 21 / 40

HEX #9A0079

RGB 154 0 121

HSL 312.86, 1%, 0.3%

LAB 34.5, 62.81, -24.3

 

CMYK 0 / 100 / 26 / 46

HEX #890066

RGB 137 0 102

HSL 315.33, 1%, 0.27%

LAB 30.1, 57, -19.28

 

CMYK 0 / 99 / 14 / 19

HEX #CF02B3

RGB 207 2 179

HSL 308.2, 0.98%, 0.41%

LAB 47.71, 79.96, -38.09

 

CMYK 0 / 99 / 40 / 19

HEX #CF027C

RGB 207 2 124

HSL 324.29, 0.98%, 0.41%

LAB 45.31, 73.85, -8.68

 

CMYK 0 / 99 / 67 / 19

HEX #CF0245

RGB 207 2 69

HSL 340.39, 0.98%, 0.41%

LAB 43.86, 69.99, 23.59

 

CMYK 0 / 99 / 94 / 19

HEX #CF020D

RGB 207 2 13

HSL 356.78, 0.98%, 0.41%

LAB 43.27, 68.39, 53.26

 

CMYK 0 / 99 / 99 / 19

HEX #CF0202

RGB 207 2 2

HSL 0, 0.98%, 0.41%

LAB 43.23, 68.29, 56.78

 

CMYK 0 / 99 / 14 / 19

HEX #CF02B3

RGB 207 2 179

HSL 308.2, 0.98%, 0.41%

LAB 47.71, 79.96, -38.09

 

CMYK 14 / 99 / 0 / 19

HEX #B302CF

RGB 179 2 207

HSL 291.8, 0.98%, 0.41%

LAB 44.42, 79.52, -59.96

 

CMYK 41 / 99 / 0 / 19

HEX #7B02CF

RGB 123 2 207

HSL 275.41, 0.98%, 0.41%

LAB 35.52, 72.6, -74.87

 

CMYK 67 / 99 / 0 / 19

HEX #4402CF

RGB 68 2 207

HSL 259.32, 0.98%, 0.41%

LAB 28.84, 68.66, -86.13

 

CMYK 94 / 99 / 0 / 19

HEX #0D02CF

RGB 13 2 207

HSL 243.22, 0.98%, 0.41%

LAB 25.67, 67.35, -91.51

 

CMYK 0 / 99 / 14 / 19

HEX #CF02B3

RGB 207 2 179

HSL 308.2, 0.98%, 0.41%

LAB 47.71, 79.96, -38.09

 

CMYK 0 / 99 / 14 / 19

HEX #CF02B3

RGB 207 2 179

HSL 308.2, 0.98%, 0.41%

LAB 47.71, 79.96, -38.09

 

CMYK 0 / 90 / 12 / 25

HEX #BE13A7

RGB 190 19 167

HSL 308.07, 0.82%, 0.41%

LAB 44.52, 73.57, -36.22

 

CMYK 0 / 80 / 11 / 32

HEX #AD239A

RGB 173 35 154

HSL 308.26, 0.66%, 0.41%

LAB 41.88, 65.1, -32.8

 

CMYK 0 / 67 / 9 / 39

HEX #9C348E

RGB 156 52 142

HSL 308.08, 0.5%, 0.41%

LAB 40.37, 53.52, -28.09

 

CMYK 0 / 50 / 6 / 45

HEX #8B4582

RGB 139 69 130

HSL 307.71, 0.34%, 0.41%

LAB 40.18, 38.5, -21.26

 

CMYK 42 / 99 / 0 / 19

HEX #7902CF

RGB 121 2 207

HSL 274.83, 0.98%, 0.41%

LAB 35.23, 72.41, -75.35

 

CMYK 15 / 99 / 0 / 19

HEX #B002CF

RGB 176 2 207

HSL 290.93, 0.98%, 0.41%

LAB 43.91, 79.09, -60.81

 

CMYK 0 / 99 / 12 / 19

HEX #CF02B7

RGB 207 2 183

HSL 307.02, 0.98%, 0.41%

LAB 47.92, 80.48, -40.11

 

CMYK 0 / 99 / 38 / 19

HEX #CF0280

RGB 207 2 128

HSL 323.12, 0.98%, 0.41%

LAB 45.45, 74.22, -10.92

 

CMYK 0 / 99 / 65 / 19

HEX #CF0249

RGB 207 2 73

HSL 339.22, 0.98%, 0.41%

LAB 43.93, 70.19, 21.18

 

CMYK 0 / 99 / 14 / 51

HEX #7D016C

RGB 125 1 108

HSL 308.23, 0.98%, 0.25%

LAB 28.02, 55.21, -26.6

 

CMYK 0 / 99 / 13 / 35

HEX #A60190

RGB 166 1 144

HSL 308, 0.99%, 0.33%

LAB 38.1, 67.99, -32.76

 

CMYK 0 / 99 / 14 / 19

HEX #CF02B3

RGB 207 2 179

HSL 308.2, 0.98%, 0.41%

LAB 47.71, 79.96, -38.09

 

CMYK 0 / 99 / 13 / 3

HEX #F702D7

RGB 247 2 215

HSL 307.84, 0.98%, 0.49%

LAB 56.81, 91.54, -44.07

 

CMYK 0 / 85 / 11 / 1

HEX #FC26E0

RGB 252 38 224

HSL 307.85, 0.97%, 0.57%

LAB 59.4, 89.86, -45.01

 

CMYK 0 / 99 / 13 / 20

HEX #CD02B2

RGB 205 2 178

HSL 307.98, 0.98%, 0.41%

LAB 47.28, 79.48, -38.19

 

CMYK 0 / 68 / 99 / 19

HEX #CF4202

RGB 207 66 2

HSL 18.73, 0.98%, 0.41%

LAB 48.47, 53.58, 59.17

 

CMYK 99 / 0 / 29 / 19

HEX #02CF94

RGB 2 207 148

HSL 162.73, 0.98%, 0.41%

LAB 74.05, -56.7, 17.49

 

CMYK 0 / 99 / 13 / 20

HEX #CD02B2

RGB 205 2 178

HSL 307.98, 0.98%, 0.41%

LAB 47.28, 79.48, -38.19

 

CMYK 12 / 0 / 99 / 19

HEX #B7CF02

RGB 183 207 2

HSL 67.02, 0.98%, 0.41%

LAB 78.87, -28.52, 78.39

 

CMYK 99 / 12 / 0 / 19

HEX #02B7CF

RGB 2 183 207

HSL 187.02, 0.98%, 0.41%

LAB 68.3, -29.81, -23.01

 

CMYK 0 / 99 / 13 / 20

HEX #CD02B2

RGB 205 2 178

HSL 307.98, 0.98%, 0.41%

LAB 47.28, 79.48, -38.19

 

CMYK 0 / 68 / 99 / 19

HEX #CF4202

RGB 207 66 2

HSL 18.73, 0.98%, 0.41%

LAB 48.47, 53.58, 59.17

 

CMYK 99 / 0 / 88 / 19

HEX #02CF19

RGB 2 207 25

HSL 126.73, 0.98%, 0.41%

LAB 72.7, -72.96, 67.92

 

CMYK 99 / 31 / 0 / 19

HEX #028ECF

RGB 2 142 207

HSL 199.02, 0.98%, 0.41%

LAB 55.95, -8.05, -42.19

 

CMYK 0 / 99 / 13 / 20

HEX #CD02B2

RGB 205 2 178

HSL 307.98, 0.98%, 0.41%

LAB 47.28, 79.48, -38.19

 

CMYK 0 / 38 / 99 / 19

HEX #CF8002

RGB 207 128 2

HSL 36.88, 0.98%, 0.41%

LAB 60.52, 23.21, 66.38

 

CMYK 99 / 0 / 88 / 19

HEX #02CF19

RGB 2 207 25

HSL 126.73, 0.98%, 0.41%

LAB 72.7, -72.96, 67.92

 

CMYK 99 / 61 / 0 / 19

HEX #0250CF

RGB 2 80 207

HSL 217.17, 0.98%, 0.41%

LAB 38.3, 31, -70.59

 

Description

Color code: HEX #CD02B2 | qconv.com Color code: HEX #CD02B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 2 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 2 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 13 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 13% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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