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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD039B it is the complementary color #32FC64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD039B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD039B shade: #D20396, #E315A9, #F427BC, #FF39CF and #FF4BE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD039B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD039B shade: #CD039B, #BC0088, #AB0075, #9A0062 and #89004F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD039B shade: #CD039B, #CD0365, #CD032E and #CD0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD039B shade: #CD039B, #C903CD, #9203CD, #5C03CD and #2503CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD039B shade matches the following richer shades: #CD039B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD039B shade: #CD039B, #BD1493, #AC248A, #9B3582 and #8A4679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD039B shade: #9103CD, #C703CD, #CD039E, #CD0368 and #CD0332

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD039B shade: #7C015E, #A5027D, #CD039B, #F603BA and #FB27C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD039B shade: #CD039B, #CD5B03 and #03CDAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD039B shade: #CD039B, #9ECD03 and #039ECD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD039B shade: #CD039B, #CD5B03, #03CD32 and #0376CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD039B shade: #CD039B, #CD9703, #03CD32 and #0339CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

Complementary color

CMYK 80 / 0 / 60 / 1

HEX #32FC64

RGB 50 252 100

HSL 134.85, 0.97%, 0.59%

LAB 87.59, -76.8, 58.17

 

CMYK 0 / 99 / 29 / 18

HEX #D20396

RGB 210 3 150

HSL 317.39, 0.97%, 0.42%

LAB 46.93, 76.99, -21.99

 

CMYK 0 / 91 / 26 / 11

HEX #E315A9

RGB 227 21 169

HSL 316.89, 0.83%, 0.49%

LAB 51.53, 80.8, -25.94

 

CMYK 0 / 84 / 23 / 4

HEX #F427BC

RGB 244 39 188

HSL 316.39, 0.9%, 0.55%

LAB 56.4, 83.62, -29.25

 

CMYK 0 / 78 / 19 / 0

HEX #FF39CF

RGB 255 57 207

HSL 314.55, 1%, 0.61%

LAB 60.51, 84.25, -33.61

 

CMYK 0 / 71 / 11 / 0

HEX #FF4BE2

RGB 255 75 226

HSL 309.67, 1%, 0.65%

LAB 63.16, 81.61, -40.19

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 100 / 28 / 26

HEX #BC0088

RGB 188 0 136

HSL 316.6, 1%, 0.37%

LAB 41.95, 71.35, -21.52

 

CMYK 0 / 100 / 32 / 33

HEX #AB0075

RGB 171 0 117

HSL 318.95, 1%, 0.34%

LAB 37.74, 65.79, -16.49

 

CMYK 0 / 100 / 36 / 40

HEX #9A0062

RGB 154 0 98

HSL 321.82, 1%, 0.3%

LAB 33.46, 60.16, -11.23

 

CMYK 0 / 100 / 42 / 46

HEX #89004F

RGB 137 0 79

HSL 325.4, 1%, 0.27%

LAB 29.12, 54.46, -5.68

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 99 / 51 / 20

HEX #CD0365

RGB 205 3 101

HSL 330.89, 0.97%, 0.41%

LAB 44.21, 71.41, 3.94

 

CMYK 0 / 99 / 78 / 20

HEX #CD032E

RGB 205 3 46

HSL 347.23, 0.97%, 0.41%

LAB 43.12, 68.48, 36.66

 

CMYK 0 / 99 / 99 / 20

HEX #CD0303

RGB 205 3 3

HSL 0, 0.97%, 0.41%

LAB 42.84, 67.7, 56.02

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 2 / 99 / 0 / 20

HEX #C903CD

RGB 201 3 205

HSL 298.81, 0.97%, 0.41%

LAB 48.12, 82.47, -52.65

 

CMYK 29 / 99 / 0 / 20

HEX #9203CD

RGB 146 3 205

HSL 282.48, 0.97%, 0.41%

LAB 38.87, 74.64, -68.07

 

CMYK 55 / 99 / 0 / 20

HEX #5C03CD

RGB 92 3 205

HSL 266.44, 0.97%, 0.41%

LAB 31.23, 69.41, -80.93

 

CMYK 82 / 99 / 0 / 20

HEX #2503CD

RGB 37 3 205

HSL 250.1, 0.97%, 0.41%

LAB 26.35, 66.99, -89.18

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 89 / 22 / 26

HEX #BD1493

RGB 189 20 147

HSL 314.91, 0.81%, 0.41%

LAB 43.4, 70.63, -25.97

 

CMYK 0 / 79 / 20 / 33

HEX #AC248A

RGB 172 36 138

HSL 315, 0.65%, 0.41%

LAB 41, 62.36, -24.45

 

CMYK 0 / 66 / 16 / 39

HEX #9B3582

RGB 155 53 130

HSL 314.71, 0.49%, 0.41%

LAB 39.79, 50.94, -21.65

 

CMYK 0 / 49 / 12 / 46

HEX #8A4679

RGB 138 70 121

HSL 315, 0.33%, 0.41%

LAB 39.86, 36.02, -16.23

 

CMYK 29 / 99 / 0 / 20

HEX #9103CD

RGB 145 3 205

HSL 282.18, 0.97%, 0.41%

LAB 38.71, 74.52, -68.34

 

CMYK 3 / 99 / 0 / 20

HEX #C703CD

RGB 199 3 205

HSL 298.22, 0.97%, 0.41%

LAB 47.77, 82.15, -53.23

 

CMYK 0 / 99 / 23 / 20

HEX #CD039E

RGB 205 3 158

HSL 313.96, 0.97%, 0.41%

LAB 46.33, 76.92, -27.81

 

CMYK 0 / 99 / 49 / 20

HEX #CD0368

RGB 205 3 104

HSL 330, 0.97%, 0.41%

LAB 44.3, 71.64, 2.19

 

CMYK 0 / 99 / 76 / 20

HEX #CD0332

RGB 205 3 50

HSL 346.04, 0.97%, 0.41%

LAB 43.17, 68.62, 34.34

 

CMYK 0 / 99 / 24 / 51

HEX #7C015E

RGB 124 1 94

HSL 314.63, 0.98%, 0.25%

LAB 27.06, 53.11, -19

 

CMYK 0 / 99 / 24 / 35

HEX #A5027D

RGB 165 2 125

HSL 314.72, 0.98%, 0.33%

LAB 36.97, 65.25, -22.78

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 99 / 24 / 4

HEX #F603BA

RGB 246 3 186

HSL 314.81, 0.98%, 0.49%

LAB 55.28, 87.87, -29.8

 

CMYK 0 / 84 / 21 / 2

HEX #FB27C7

RGB 251 39 199

HSL 314.72, 0.96%, 0.57%

LAB 58.12, 86.35, -32.82

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 56 / 99 / 20

HEX #CD5B03

RGB 205 91 3

HSL 26.14, 0.97%, 0.41%

LAB 52.36, 41.69, 60.93

 

CMYK 99 / 0 / 16 / 20

HEX #03CDAC

RGB 3 205 172

HSL 170.2, 0.97%, 0.41%

LAB 73.97, -49.99, 4.52

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 23 / 0 / 99 / 20

HEX #9ECD03

RGB 158 205 3

HSL 73.96, 0.97%, 0.41%

LAB 76.64, -37.73, 75.88

 

CMYK 99 / 23 / 0 / 20

HEX #039ECD

RGB 3 158 205

HSL 193.96, 0.97%, 0.41%

LAB 60.68, -17.65, -33.66

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 56 / 99 / 20

HEX #CD5B03

RGB 205 91 3

HSL 26.14, 0.97%, 0.41%

LAB 52.36, 41.69, 60.93

 

CMYK 99 / 0 / 76 / 20

HEX #03CD32

RGB 3 205 50

HSL 133.96, 0.97%, 0.41%

LAB 72.17, -70.99, 60.86

 

CMYK 99 / 42 / 0 / 20

HEX #0376CD

RGB 3 118 205

HSL 205.84, 0.97%, 0.41%

LAB 48.74, 5.59, -52.52

 

CMYK 0 / 99 / 24 / 20

HEX #CD039B

RGB 205 3 155

HSL 314.85, 0.97%, 0.41%

LAB 46.19, 76.57, -26.22

 

CMYK 0 / 26 / 99 / 20

HEX #CD9703

RGB 205 151 3

HSL 43.96, 0.97%, 0.41%

LAB 65.84, 9.87, 69.71

 

CMYK 99 / 0 / 76 / 20

HEX #03CD32

RGB 3 205 50

HSL 133.96, 0.97%, 0.41%

LAB 72.17, -70.99, 60.86

 

CMYK 99 / 72 / 0 / 20

HEX #0339CD

RGB 3 57 205

HSL 223.96, 0.97%, 0.41%

LAB 32.6, 44.93, -78.82

 

Description

Color code: HEX #CD039B | qconv.com Color code: HEX #CD039B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 3 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 3 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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