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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD0E96 it is the complementary color #32F169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD0E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD0E96 shade: #D20E91, #E320A4, #F432B7, #FF44CA and #FF56DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD0E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD0E96 shade: #CD0E96, #BC0083, #AB0070, #9A005D and #89004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD0E96 shade: #CD0E96, #CD0E62, #CD0E2F and #CD0E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD0E96 shade: #CD0E96, #CD0EC9, #9D0ECD, #690ECD and #360ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD0E96 shade matches the following richer shades: #CD0E96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD0E96 shade: #CD0E96, #BB1F8E, #A93187, #97437F and #865578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD0E96 shade: #9D0ECD, #CD0EC9, #CD0E96, #CD0E64 and #CD0E31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD0E96 shade: #7F085D, #A60B79, #CD0E96, #EE15B0 and #F13CBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD0E96 shade: #CD0E96, #CD6A0E and #0ECDB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD0E96 shade: #CD0E96, #96CD0E and #0E96CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD0E96 shade: #CD0E96, #CD6A0E, #0ECD44 and #0E70CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD0E96 shade: #CD0E96, #CDA30E, #0ECD44 and #0E37CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

Complementary color

CMYK 79 / 0 / 56 / 5

HEX #32F169

RGB 50 241 105

HSL 137.28, 0.87%, 0.57%

LAB 84.28, -72.78, 52.13

 

CMYK 0 / 93 / 31 / 18

HEX #D20E91

RGB 210 14 145

HSL 319.9, 0.88%, 0.44%

LAB 47.05, 75.5, -18.79

 

CMYK 0 / 86 / 28 / 11

HEX #E320A4

RGB 227 32 164

HSL 319.38, 0.78%, 0.51%

LAB 51.89, 78.6, -22.44

 

CMYK 0 / 80 / 25 / 4

HEX #F432B7

RGB 244 50 183

HSL 318.87, 0.9%, 0.58%

LAB 57.01, 80.68, -25.42

 

CMYK 0 / 73 / 21 / 0

HEX #FF44CA

RGB 255 68 202

HSL 317.01, 1%, 0.63%

LAB 61.36, 80.59, -29.45

 

CMYK 0 / 66 / 13 / 0

HEX #FF56DD

RGB 255 86 221

HSL 312.07, 1%, 0.67%

LAB 64.27, 77.17, -35.66

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 100 / 30 / 26

HEX #BC0083

RGB 188 0 131

HSL 318.19, 1%, 0.37%

LAB 41.74, 70.79, -18.77

 

CMYK 0 / 100 / 35 / 33

HEX #AB0070

RGB 171 0 112

HSL 320.7, 1%, 0.34%

LAB 37.53, 65.26, -13.65

 

CMYK 0 / 100 / 40 / 40

HEX #9A005D

RGB 154 0 93

HSL 323.77, 1%, 0.3%

LAB 33.27, 59.65, -8.29

 

CMYK 0 / 100 / 46 / 46

HEX #89004A

RGB 137 0 74

HSL 327.59, 1%, 0.27%

LAB 28.94, 53.99, -2.61

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 93 / 52 / 20

HEX #CD0E62

RGB 205 14 98

HSL 333.61, 0.87%, 0.43%

LAB 44.48, 70.15, 6.2

 

CMYK 0 / 93 / 77 / 20

HEX #CD0E2F

RGB 205 14 47

HSL 349.63, 0.87%, 0.43%

LAB 43.5, 67.45, 36.48

 

CMYK 0 / 93 / 93 / 20

HEX #CD0E0E

RGB 205 14 14

HSL 0, 0.87%, 0.43%

LAB 43.25, 66.73, 52.68

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 93 / 2 / 20

HEX #CD0EC9

RGB 205 14 201

HSL 301.26, 0.87%, 0.43%

LAB 48.9, 81.62, -49.06

 

CMYK 23 / 93 / 0 / 20

HEX #9D0ECD

RGB 157 14 205

HSL 284.92, 0.87%, 0.43%

LAB 41.04, 74.84, -64.46

 

CMYK 49 / 93 / 0 / 20

HEX #690ECD

RGB 105 14 205

HSL 268.59, 0.87%, 0.43%

LAB 33.4, 68.78, -77.28

 

CMYK 74 / 93 / 0 / 20

HEX #360ECD

RGB 54 14 205

HSL 252.57, 0.87%, 0.43%

LAB 28.13, 65.39, -86.18

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 83 / 24 / 27

HEX #BB1F8E

RGB 187 31 142

HSL 317.31, 0.72%, 0.43%

LAB 43.5, 67.53, -22.8

 

CMYK 0 / 71 / 20 / 34

HEX #A93187

RGB 169 49 135

HSL 317, 0.55%, 0.43%

LAB 41.82, 57.02, -21.4

 

CMYK 0 / 56 / 16 / 41

HEX #97437F

RGB 151 67 127

HSL 317.14, 0.39%, 0.43%

LAB 41.42, 42.81, -17.36

 

CMYK 0 / 37 / 10 / 47

HEX #865578

RGB 134 85 120

HSL 317.14, 0.22%, 0.43%

LAB 42.64, 25.98, -11.42

 

CMYK 23 / 93 / 0 / 20

HEX #9D0ECD

RGB 157 14 205

HSL 284.92, 0.87%, 0.43%

LAB 41.04, 74.84, -64.46

 

CMYK 0 / 93 / 2 / 20

HEX #CD0EC9

RGB 205 14 201

HSL 301.26, 0.87%, 0.43%

LAB 48.9, 81.62, -49.06

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 93 / 51 / 20

HEX #CD0E64

RGB 205 14 100

HSL 332.98, 0.87%, 0.43%

LAB 44.54, 70.3, 5.03

 

CMYK 0 / 93 / 76 / 20

HEX #CD0E31

RGB 205 14 49

HSL 349.01, 0.87%, 0.43%

LAB 43.53, 67.52, 35.33

 

CMYK 0 / 94 / 27 / 50

HEX #7F085D

RGB 127 8 93

HSL 317.14, 0.88%, 0.26%

LAB 28.05, 52.42, -16.75

 

CMYK 0 / 93 / 27 / 35

HEX #A60B79

RGB 166 11 121

HSL 317.42, 0.88%, 0.35%

LAB 37.35, 63.92, -19.68

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 91 / 26 / 7

HEX #EE15B0

RGB 238 21 176

HSL 317.14, 0.86%, 0.51%

LAB 53.87, 83.77, -26.28

 

CMYK 0 / 75 / 22 / 5

HEX #F13CBD

RGB 241 60 189

HSL 317.24, 0.87%, 0.59%

LAB 57.66, 78.1, -27.92

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 48 / 93 / 20

HEX #CD6A0E

RGB 205 106 14

HSL 28.9, 0.87%, 0.43%

LAB 55.4, 34.22, 60.66

 

CMYK 93 / 0 / 11 / 20

HEX #0ECDB6

RGB 14 205 182

HSL 172.77, 0.87%, 0.43%

LAB 74.28, -46.97, -0.43

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 27 / 0 / 93 / 20

HEX #96CD0E

RGB 150 205 14

HSL 77.28, 0.87%, 0.43%

LAB 76.18, -40.69, 74.18

 

CMYK 93 / 27 / 0 / 20

HEX #0E96CD

RGB 14 150 205

HSL 197.28, 0.87%, 0.43%

LAB 58.33, -12.91, -37.32

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 48 / 93 / 20

HEX #CD6A0E

RGB 205 106 14

HSL 28.9, 0.87%, 0.43%

LAB 55.4, 34.22, 60.66

 

CMYK 93 / 0 / 67 / 20

HEX #0ECD44

RGB 14 205 68

HSL 136.96, 0.87%, 0.43%

LAB 72.34, -68.96, 54.39

 

CMYK 93 / 45 / 0 / 20

HEX #0E70CD

RGB 14 112 205

HSL 209.21, 0.87%, 0.43%

LAB 47.09, 9.74, -55.16

 

CMYK 0 / 93 / 27 / 20

HEX #CD0E96

RGB 205 14 150

HSL 317.28, 0.87%, 0.43%

LAB 46.31, 75.02, -23.04

 

CMYK 0 / 20 / 93 / 20

HEX #CDA30E

RGB 205 163 14

HSL 46.81, 0.87%, 0.43%

LAB 68.9, 3.53, 70.43

 

CMYK 93 / 0 / 67 / 20

HEX #0ECD44

RGB 14 205 68

HSL 136.96, 0.87%, 0.43%

LAB 72.34, -68.96, 54.39

 

CMYK 93 / 73 / 0 / 20

HEX #0E37CD

RGB 14 55 205

HSL 227.12, 0.87%, 0.43%

LAB 32.33, 46.39, -79.25

 

Description

Color code: HEX #CD0E96 | qconv.com Color code: HEX #CD0E96 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 14 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 14 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 27 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 27% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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