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Color name
HEX #CD3169

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3169 it is the complementary color #32CE96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3169. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3169 shade: #D23164, #E34377, #F4558A, #FF679D and #FF79B0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3169. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3169 shade: #CD3169, #BC1F56, #AB0D43, #9A0030 and #89001D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3169 shade: #CD3169, #CD313F and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3169 shade: #CD3169, #CD3193, #CD31BD, #B331CD and #8931CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3169 shade matches the following richer shades: #CD3169, #E11D63 and #F6085D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3169 shade: #CD3169, #B8466F, #A45A75, #8F6F7B and #7A8480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3169 shade: #CD31BD, #CD3194, #CD316A, #CD3141 and #CD4B31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3169 shade: #8A2147, #AC2958, #CD3169, #D55281 and #DD7499

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3169 shade: #CD3169, #CDB331 and #31A8CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3169 shade: #CD3169, #6ACD31 and #316ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3169 shade: #CD3169, #CDB331, #31CD94 and #314BCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3169 shade: #CD3169, #B8CD31, #31CD94 and #4631CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

Complementary color

CMYK 76 / 0 / 27 / 19

HEX #32CE96

RGB 50 206 150

HSL 158.46, 0.61%, 0.5%

LAB 74.2, -52.62, 16.71

 

CMYK 0 / 77 / 52 / 18

HEX #D23164

RGB 210 49 100

HSL 340.99, 0.64%, 0.51%

LAB 48.03, 64.35, 10.12

 

CMYK 0 / 70 / 48 / 11

HEX #E34377

RGB 227 67 119

HSL 340.5, 0.74%, 0.58%

LAB 53.68, 64.78, 7.05

 

CMYK 0 / 65 / 43 / 4

HEX #F4558A

RGB 244 85 138

HSL 340, 0.88%, 0.65%

LAB 59.49, 64.71, 4.53

 

CMYK 0 / 60 / 38 / 0

HEX #FF679D

RGB 255 103 157

HSL 338.68, 1%, 0.7%

LAB 64.48, 62.51, 0.98

 

CMYK 0 / 53 / 31 / 0

HEX #FF79B0

RGB 255 121 176

HSL 335.37, 1%, 0.74%

LAB 68.07, 56.57, -4.55

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 84 / 54 / 26

HEX #BC1F56

RGB 188 31 86

HSL 338.98, 0.72%, 0.43%

LAB 41.76, 62.21, 9.41

 

CMYK 0 / 92 / 61 / 33

HEX #AB0D43

RGB 171 13 67

HSL 339.49, 0.86%, 0.36%

LAB 36.65, 59.93, 13.96

 

CMYK 0 / 100 / 69 / 40

HEX #9A0030

RGB 154 0 48

HSL 341.3, 1%, 0.3%

LAB 32, 56.3, 19.57

 

CMYK 0 / 100 / 79 / 46

HEX #89001D

RGB 137 0 29

HSL 347.3, 1%, 0.27%

LAB 27.86, 51.13, 26.13

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 76 / 69 / 20

HEX #CD313F

RGB 205 49 63

HSL 354.62, 0.61%, 0.5%

LAB 46.36, 60.6, 30.29

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 76 / 28 / 20

HEX #CD3193

RGB 205 49 147

HSL 322.31, 0.61%, 0.5%

LAB 48.61, 67.66, -17.68

 

CMYK 0 / 76 / 8 / 20

HEX #CD31BD

RGB 205 49 189

HSL 306.15, 0.61%, 0.5%

LAB 50.51, 73.26, -39.54

 

CMYK 13 / 76 / 0 / 20

HEX #B331CD

RGB 179 49 205

HSL 290, 0.61%, 0.5%

LAB 47.22, 70.59, -54.29

 

CMYK 33 / 76 / 0 / 20

HEX #8931CD

RGB 137 49 205

HSL 273.85, 0.61%, 0.5%

LAB 41.09, 62.91, -64.5

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 87 / 56 / 12

HEX #E11D63

RGB 225 29 99

HSL 338.57, 0.77%, 0.5%

LAB 49.24, 72.85, 12.85

 

CMYK 0 / 97 / 62 / 4

HEX #F6085D

RGB 246 8 93

HSL 338.57, 0.94%, 0.5%

LAB 52.46, 79.82, 21.59

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 62 / 40 / 28

HEX #B8466F

RGB 184 70 111

HSL 338.42, 0.45%, 0.5%

LAB 46.6, 49.78, 0.74

 

CMYK 0 / 45 / 29 / 36

HEX #A45A75

RGB 164 90 117

HSL 338.11, 0.29%, 0.5%

LAB 47.61, 33.64, -1.78

 

CMYK 0 / 22 / 14 / 44

HEX #8F6F7B

RGB 143 111 123

HSL 337.5, 0.13%, 0.5%

LAB 50.26, 14.67, -1.77

 

CMYK 8 / 0 / 3 / 48

HEX #7A8480

RGB 122 132 128

HSL 156, 0.04%, 0.5%

LAB 54.24, -4.49, 0.89

 

CMYK 0 / 76 / 8 / 20

HEX #CD31BD

RGB 205 49 189

HSL 306.15, 0.61%, 0.5%

LAB 50.51, 73.26, -39.54

 

CMYK 0 / 76 / 28 / 20

HEX #CD3194

RGB 205 49 148

HSL 321.92, 0.61%, 0.5%

LAB 48.65, 67.78, -18.22

 

CMYK 0 / 76 / 48 / 20

HEX #CD316A

RGB 205 49 106

HSL 338.08, 0.61%, 0.5%

LAB 47.26, 63.47, 5.21

 

CMYK 0 / 76 / 68 / 20

HEX #CD3141

RGB 205 49 65

HSL 353.85, 0.61%, 0.5%

LAB 46.39, 60.7, 29.13

 

CMYK 0 / 63 / 76 / 20

HEX #CD4B31

RGB 205 75 49

HSL 10, 0.61%, 0.5%

LAB 49.78, 50.15, 42.1

 

CMYK 0 / 76 / 49 / 46

HEX #8A2147

RGB 138 33 71

HSL 338.29, 0.61%, 0.34%

LAB 31.68, 46.43, 3.41

 

CMYK 0 / 76 / 49 / 33

HEX #AC2958

RGB 172 41 88

HSL 338.47, 0.62%, 0.42%

LAB 39.68, 55.22, 4.77

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 62 / 39 / 16

HEX #D55281

RGB 213 82 129

HSL 338.47, 0.61%, 0.58%

LAB 53.78, 55.63, 0.93

 

CMYK 0 / 48 / 31 / 13

HEX #DD7499

RGB 221 116 153

HSL 338.86, 0.61%, 0.66%

LAB 61.79, 44.95, -1.23

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 13 / 76 / 20

HEX #CDB331

RGB 205 179 49

HSL 50, 0.61%, 0.5%

LAB 73.18, -4.01, 65.15

 

CMYK 76 / 18 / 0 / 20

HEX #31A8CD

RGB 49 168 205

HSL 194.23, 0.61%, 0.5%

LAB 64.21, -19.98, -28.14

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 48 / 0 / 76 / 20

HEX #6ACD31

RGB 106 205 49

HSL 98.08, 0.61%, 0.5%

LAB 74.16, -54.61, 63.8

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 0 / 13 / 76 / 20

HEX #CDB331

RGB 205 179 49

HSL 50, 0.61%, 0.5%

LAB 73.18, -4.01, 65.15

 

CMYK 76 / 0 / 28 / 20

HEX #31CD94

RGB 49 205 148

HSL 158.08, 0.61%, 0.5%

LAB 73.84, -52.8, 17.26

 

CMYK 76 / 63 / 0 / 20

HEX #314BCD

RGB 49 75 205

HSL 230, 0.61%, 0.5%

LAB 38.01, 36.21, -69.87

 

CMYK 0 / 76 / 49 / 20

HEX #CD3169

RGB 205 49 105

HSL 338.46, 0.61%, 0.5%

LAB 47.23, 63.38, 5.79

 

CMYK 10 / 0 / 76 / 20

HEX #B8CD31

RGB 184 205 49

HSL 68.08, 0.61%, 0.5%

LAB 78.51, -26.05, 69.45

 

CMYK 76 / 0 / 28 / 20

HEX #31CD94

RGB 49 205 148

HSL 158.08, 0.61%, 0.5%

LAB 73.84, -52.8, 17.26

 

CMYK 66 / 76 / 0 / 20

HEX #4631CD

RGB 70 49 205

HSL 248.08, 0.61%, 0.5%

LAB 33.79, 53.44, -76.76

 

Description

Color code: HEX #CD3169 | qconv.com Color code: HEX #CD3169 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 49 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 49 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 49 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 49% 20% C M Y K

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Provide designers and agencies with accurate color values.

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