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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD3DF4 it is the complementary color #32C20B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD3DF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD3DF4 shade: #D23DEF, #E34FFF, #F461FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD3DF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD3DF4 shade: #CD3DF4, #BC2BE1, #AB19CE, #9A07BB and #8900A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD3DF4 shade: #CD3EF3, #F33EE9, #F33EB8, #F33E87 and #F33E56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD3DF4 shade: #CD3EF3, #9C3EF3, #6B3EF3 and #3E3EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD3DF4 shade matches the following richer shades: #CD3EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD3DF4 shade: #CD3EF3, #C34EE3, #BA5FD2, #B06FC2 and #A780B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD3DF4 shade: #6B3EF3, #9C3EF3, #CC3EF3, #F33EEA and #F33EBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD3DF4 shade: #A80CD3, #C217F1, #CD3EF3, #D765F6 and #E18CF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD3DF4 shade: #CD3DF4, #F33E41 and #3EF383

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD3DF4 shade: #CD3DF4, #F3CC3E and #3EF3CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD3DF4 shade: #CD3DF4, #F33E41, #65F33E and #3EF3F0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD3DF4 shade: #CD3DF4, #F3713E, #65F33E and #3EC0F3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 75 / 0 / 4

HEX #CD3DF4

RGB 205 61 244

HSL 287.21, 0.89%, 0.6%

LAB 54.92, 78.68, -63.83

 

Complementary color

CMYK 74 / 0 / 94 / 24

HEX #32C20B

RGB 50 194 11

HSL 107.21, 0.89%, 0.4%

LAB 68.96, -65.53, 67.09

 

CMYK 12 / 74 / 0 / 6

HEX #D23DEF

RGB 210 61 239

HSL 290.22, 0.85%, 0.59%

LAB 55.35, 78.74, -60.3

 

CMYK 11 / 69 / 0 / 0

HEX #E34FFF

RGB 227 79 255

HSL 290.45, 1%, 0.65%

LAB 60.91, 78.81, -60.15

 

CMYK 4 / 62 / 0 / 0

HEX #F461FF

RGB 244 97 255

HSL 295.82, 1%, 0.69%

LAB 65.75, 75.67, -52.3

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 16 / 75 / 0 / 4

HEX #CD3DF4

RGB 205 61 244

HSL 287.21, 0.89%, 0.6%

LAB 54.92, 78.68, -63.83

 

CMYK 16 / 81 / 0 / 12

HEX #BC2BE1

RGB 188 43 225

HSL 287.8, 0.75%, 0.53%

LAB 49.32, 77.49, -62.29

 

CMYK 17 / 88 / 0 / 19

HEX #AB19CE

RGB 171 25 206

HSL 288.4, 0.78%, 0.45%

LAB 43.96, 75.37, -60.2

 

CMYK 18 / 96 / 0 / 27

HEX #9A07BB

RGB 154 7 187

HSL 289, 0.93%, 0.38%

LAB 38.92, 72.01, -57.41

 

CMYK 18 / 100 / 0 / 34

HEX #8900A8

RGB 137 0 168

HSL 288.93, 1%, 0.33%

LAB 34.28, 67.08, -53.75

 

CMYK 16 / 74 / 0 / 5

HEX #CD3EF3

RGB 205 62 243

HSL 287.4, 0.88%, 0.6%

LAB 54.96, 78.18, -63.19

 

CMYK 0 / 74 / 4 / 5

HEX #F33EE9

RGB 243 62 233

HSL 303.31, 0.88%, 0.6%

LAB 60.23, 83.97, -48.85

 

CMYK 0 / 74 / 24 / 5

HEX #F33EB8

RGB 243 62 184

HSL 319.56, 0.88%, 0.6%

LAB 58, 77.37, -24.48

 

CMYK 0 / 74 / 44 / 5

HEX #F33E87

RGB 243 62 135

HSL 335.8, 0.88%, 0.6%

LAB 56.34, 72.21, 1.71

 

CMYK 0 / 74 / 65 / 5

HEX #F33E56

RGB 243 62 86

HSL 352.04, 0.88%, 0.6%

LAB 55.25, 68.72, 29.28

 

CMYK 16 / 74 / 0 / 5

HEX #CD3EF3

RGB 205 62 243

HSL 287.4, 0.88%, 0.6%

LAB 54.96, 78.18, -63.19

 

CMYK 36 / 74 / 0 / 5

HEX #9C3EF3

RGB 156 62 243

HSL 271.16, 0.88%, 0.6%

LAB 48.24, 69.52, -74.41

 

CMYK 56 / 74 / 0 / 5

HEX #6B3EF3

RGB 107 62 243

HSL 254.92, 0.88%, 0.6%

LAB 42.83, 62.31, -83.48

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 16 / 74 / 0 / 5

HEX #CD3EF3

RGB 205 62 243

HSL 287.4, 0.88%, 0.6%

LAB 54.96, 78.18, -63.19

 

CMYK 16 / 74 / 0 / 5

HEX #CD3EF3

RGB 205 62 243

HSL 287.4, 0.88%, 0.6%

LAB 54.96, 78.18, -63.19

 

CMYK 14 / 66 / 0 / 11

HEX #C34EE3

RGB 195 78 227

HSL 287.11, 0.73%, 0.6%

LAB 54.65, 67.3, -54.79

 

CMYK 11 / 55 / 0 / 18

HEX #BA5FD2

RGB 186 95 210

HSL 287.48, 0.56%, 0.6%

LAB 55.36, 54.11, -44.13

 

CMYK 9 / 43 / 0 / 24

HEX #B06FC2

RGB 176 111 194

HSL 286.99, 0.4%, 0.6%

LAB 56.58, 39.74, -33.18

 

CMYK 6 / 28 / 0 / 31

HEX #A780B1

RGB 167 128 177

HSL 287.76, 0.24%, 0.6%

LAB 58.81, 23.87, -20.1

 

CMYK 56 / 74 / 0 / 5

HEX #6B3EF3

RGB 107 62 243

HSL 254.92, 0.88%, 0.6%

LAB 42.83, 62.31, -83.48

 

CMYK 36 / 74 / 0 / 5

HEX #9C3EF3

RGB 156 62 243

HSL 271.16, 0.88%, 0.6%

LAB 48.24, 69.52, -74.41

 

CMYK 16 / 74 / 0 / 5

HEX #CC3EF3

RGB 204 62 243

HSL 287.07, 0.88%, 0.6%

LAB 54.82, 78, -63.44

 

CMYK 0 / 74 / 4 / 5

HEX #F33EEA

RGB 243 62 234

HSL 302.98, 0.88%, 0.6%

LAB 60.28, 84.11, -49.33

 

CMYK 0 / 74 / 23 / 5

HEX #F33EBA

RGB 243 62 186

HSL 318.9, 0.88%, 0.6%

LAB 58.08, 77.61, -25.52

 

CMYK 20 / 94 / 0 / 17

HEX #A80CD3

RGB 168 12 211

HSL 287.04, 0.89%, 0.44%

LAB 43.2, 77.68, -64.34

 

CMYK 20 / 90 / 0 / 5

HEX #C217F1

RGB 194 23 241

HSL 287.06, 0.89%, 0.52%

LAB 50.02, 85.18, -70.15

 

CMYK 16 / 74 / 0 / 5

HEX #CD3EF3

RGB 205 62 243

HSL 287.4, 0.88%, 0.6%

LAB 54.96, 78.18, -63.19

 

CMYK 13 / 59 / 0 / 4

HEX #D765F6

RGB 215 101 246

HSL 287.17, 0.89%, 0.68%

LAB 62, 65.54, -53.52

 

CMYK 9 / 44 / 0 / 3

HEX #E18CF8

RGB 225 140 248

HSL 287.22, 0.89%, 0.76%

LAB 70.55, 49.49, -41.07

 

CMYK 16 / 75 / 0 / 4

HEX #CD3DF4

RGB 205 61 244

HSL 287.21, 0.89%, 0.6%

LAB 54.92, 78.68, -63.83

 

CMYK 0 / 74 / 73 / 5

HEX #F33E41

RGB 243 62 65

HSL 359.01, 0.88%, 0.6%

LAB 54.95, 67.74, 40.97

 

CMYK 74 / 0 / 46 / 5

HEX #3EF383

RGB 62 243 131

HSL 142.87, 0.88%, 0.6%

LAB 85.38, -68.23, 41.35

 

CMYK 16 / 75 / 0 / 4

HEX #CD3DF4

RGB 205 61 244

HSL 287.21, 0.89%, 0.6%

LAB 54.92, 78.68, -63.83

 

CMYK 0 / 16 / 74 / 5

HEX #F3CC3E

RGB 243 204 62

HSL 47.07, 0.88%, 0.6%

LAB 83.23, -0.15, 71.33

 

CMYK 74 / 0 / 16 / 5

HEX #3EF3CC

RGB 62 243 204

HSL 167.07, 0.88%, 0.6%

LAB 86.74, -53.35, 6.05

 

CMYK 16 / 75 / 0 / 4

HEX #CD3DF4

RGB 205 61 244

HSL 287.21, 0.89%, 0.6%

LAB 54.92, 78.68, -63.83

 

CMYK 0 / 74 / 73 / 5

HEX #F33E41

RGB 243 62 65

HSL 359.01, 0.88%, 0.6%

LAB 54.95, 67.74, 40.97

 

CMYK 58 / 0 / 74 / 5

HEX #65F33E

RGB 101 243 62

HSL 107.07, 0.88%, 0.6%

LAB 85.61, -68.72, 70.74

 

CMYK 74 / 0 / 1 / 5

HEX #3EF3F0

RGB 62 243 240

HSL 179.01, 0.88%, 0.6%

LAB 87.69, -43.93, -11.4

 

CMYK 16 / 75 / 0 / 4

HEX #CD3DF4

RGB 205 61 244

HSL 287.21, 0.89%, 0.6%

LAB 54.92, 78.68, -63.83

 

CMYK 0 / 53 / 74 / 5

HEX #F3713E

RGB 243 113 62

HSL 16.91, 0.88%, 0.6%

LAB 62.69, 46.85, 50.94

 

CMYK 58 / 0 / 74 / 5

HEX #65F33E

RGB 101 243 62

HSL 107.07, 0.88%, 0.6%

LAB 85.61, -68.72, 70.74

 

CMYK 74 / 21 / 0 / 5

HEX #3EC0F3

RGB 62 192 243

HSL 196.91, 0.88%, 0.6%

LAB 73.02, -18.58, -35.3

 

Description

Color code: HEX #CD3DF4 | qconv.com Color code: HEX #CD3DF4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 61 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 61 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 75 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 75% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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