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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD47F0 it is the complementary color #32B80F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD47F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD47F0 shade: #D247EB, #E359FE, #F46BFF, #FF7DFF and #FF8FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD47F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD47F0 shade: #CD47F0, #BC35DD, #AB23CA, #9A11B7 and #8900A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD47F0 shade: #CD47F0, #F047E5, #F047B7, #F0478A and #F0475C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD47F0 shade: #CD47F0, #9F47F0, #7147F0 and #4747F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD47F0 shade matches the following richer shades: #CD47F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD47F0 shade: #CD47F0, #C357DF, #BA67CF, #B077BF and #A787AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD47F0 shade: #7147F0, #9E47F0, #CB47F0, #F047E7 and #F047BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD47F0 shade: #AB11D3, #C220EC, #CD47F0, #D76DF3 and #E193F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD47F0 shade: #CD47F0, #F04749 and #47F087

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD47F0 shade: #CD47F0, #F0CB47 and #47F0CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD47F0 shade: #CD47F0, #F04749, #6BF047 and #47F0ED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD47F0 shade: #CD47F0, #F07647, #6BF047 and #47C0F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

Complementary color

CMYK 73 / 0 / 92 / 28

HEX #32B80F

RGB 50 184 15

HSL 107.57, 0.85%, 0.39%

LAB 65.74, -62.36, 63.87

 

CMYK 11 / 70 / 0 / 8

HEX #D247EB

RGB 210 71 235

HSL 290.85, 0.8%, 0.6%

LAB 56.29, 74.67, -56.55

 

CMYK 11 / 65 / 0 / 0

HEX #E359FE

RGB 227 89 254

HSL 290.18, 0.99%, 0.67%

LAB 62.2, 74.86, -57.54

 

CMYK 4 / 58 / 0 / 0

HEX #F46BFF

RGB 244 107 255

HSL 295.54, 1%, 0.71%

LAB 67.25, 71.53, -49.92

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 44 / 0 / 0

HEX #FF8FFF

RGB 255 143 255

HSL 300, 1%, 0.78%

LAB 74.9, 57.79, -37.84

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 15 / 76 / 0 / 13

HEX #BC35DD

RGB 188 53 221

HSL 288.21, 0.71%, 0.54%

LAB 50.05, 73.91, -58.84

 

CMYK 15 / 83 / 0 / 21

HEX #AB23CA

RGB 171 35 202

HSL 288.86, 0.7%, 0.46%

LAB 44.41, 72.52, -57.15

 

CMYK 16 / 91 / 0 / 28

HEX #9A11B7

RGB 154 17 183

HSL 289.52, 0.83%, 0.39%

LAB 39.05, 70.04, -54.82

 

CMYK 16 / 100 / 0 / 36

HEX #8900A4

RGB 137 0 164

HSL 290.12, 1%, 0.32%

LAB 33.98, 66.38, -51.83

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 0 / 70 / 5 / 6

HEX #F047E5

RGB 240 71 229

HSL 303.91, 0.85%, 0.61%

LAB 60.51, 80.04, -46.21

 

CMYK 0 / 70 / 24 / 6

HEX #F047B7

RGB 240 71 183

HSL 320.24, 0.85%, 0.61%

LAB 58.46, 73.69, -23.24

 

CMYK 0 / 70 / 43 / 6

HEX #F0478A

RGB 240 71 138

HSL 336.21, 0.85%, 0.61%

LAB 56.95, 68.75, 0.76

 

CMYK 0 / 70 / 62 / 6

HEX #F0475C

RGB 240 71 92

HSL 352.54, 0.85%, 0.61%

LAB 55.89, 65.19, 26.48

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 34 / 70 / 0 / 6

HEX #9F47F0

RGB 159 71 240

HSL 271.24, 0.85%, 0.61%

LAB 49.7, 65.66, -70.33

 

CMYK 53 / 70 / 0 / 6

HEX #7147F0

RGB 113 71 240

HSL 254.91, 0.85%, 0.61%

LAB 44.67, 57.95, -78.74

 

CMYK 70 / 70 / 0 / 6

HEX #4747F0

RGB 71 71 240

HSL 240, 0.85%, 0.61%

LAB 41.43, 52.68, -84.18

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 13 / 61 / 0 / 13

HEX #C357DF

RGB 195 87 223

HSL 287.65, 0.68%, 0.61%

LAB 55.83, 62.66, -50.66

 

CMYK 10 / 50 / 0 / 19

HEX #BA67CF

RGB 186 103 207

HSL 287.88, 0.52%, 0.61%

LAB 56.73, 49.49, -40.26

 

CMYK 8 / 38 / 0 / 25

HEX #B077BF

RGB 176 119 191

HSL 287.5, 0.36%, 0.61%

LAB 58.21, 34.72, -28.93

 

CMYK 5 / 23 / 0 / 31

HEX #A787AF

RGB 167 135 175

HSL 288, 0.2%, 0.61%

LAB 60.46, 19.48, -16.46

 

CMYK 53 / 70 / 0 / 6

HEX #7147F0

RGB 113 71 240

HSL 254.91, 0.85%, 0.61%

LAB 44.67, 57.95, -78.74

 

CMYK 34 / 70 / 0 / 6

HEX #9E47F0

RGB 158 71 240

HSL 270.89, 0.85%, 0.61%

LAB 49.58, 65.47, -70.54

 

CMYK 15 / 70 / 0 / 6

HEX #CB47F0

RGB 203 71 240

HSL 286.86, 0.85%, 0.61%

LAB 55.58, 74.15, -60.55

 

CMYK 0 / 70 / 4 / 6

HEX #F047E7

RGB 240 71 231

HSL 303.2, 0.85%, 0.61%

LAB 60.61, 80.34, -47.17

 

CMYK 0 / 70 / 23 / 6

HEX #F047BA

RGB 240 71 186

HSL 319.17, 0.85%, 0.61%

LAB 58.58, 74.06, -24.79

 

CMYK 19 / 92 / 0 / 17

HEX #AB11D3

RGB 171 17 211

HSL 287.63, 0.85%, 0.45%

LAB 43.89, 77.5, -63.19

 

CMYK 18 / 86 / 0 / 7

HEX #C220EC

RGB 194 32 236

HSL 287.65, 0.84%, 0.53%

LAB 50.17, 82.83, -67.1

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 12 / 55 / 0 / 5

HEX #D76DF3

RGB 215 109 243

HSL 287.46, 0.85%, 0.69%

LAB 63.22, 61.26, -49.93

 

CMYK 9 / 40 / 0 / 4

HEX #E193F6

RGB 225 147 246

HSL 287.27, 0.85%, 0.77%

LAB 71.91, 45.46, -37.86

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 0 / 70 / 70 / 6

HEX #F04749

RGB 240 71 73

HSL 359.29, 0.85%, 0.61%

LAB 55.6, 64.18, 37.08

 

CMYK 70 / 0 / 44 / 6

HEX #47F087

RGB 71 240 135

HSL 142.72, 0.85%, 0.61%

LAB 84.69, -65.26, 38.54

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 0 / 15 / 70 / 6

HEX #F0CB47

RGB 240 203 71

HSL 46.86, 0.85%, 0.61%

LAB 82.75, -0.5, 67.45

 

CMYK 70 / 0 / 15 / 6

HEX #47F0CB

RGB 71 240 203

HSL 166.86, 0.85%, 0.61%

LAB 85.99, -51.26, 5.51

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 0 / 70 / 70 / 6

HEX #F04749

RGB 240 71 73

HSL 359.29, 0.85%, 0.61%

LAB 55.6, 64.18, 37.08

 

CMYK 55 / 0 / 70 / 6

HEX #6BF047

RGB 107 240 71

HSL 107.22, 0.85%, 0.61%

LAB 84.95, -65.61, 67.07

 

CMYK 70 / 0 / 1 / 6

HEX #47F0ED

RGB 71 240 237

HSL 178.93, 0.85%, 0.61%

LAB 86.89, -42.43, -11

 

CMYK 15 / 70 / 0 / 6

HEX #CD47F0

RGB 205 71 240

HSL 287.57, 0.85%, 0.61%

LAB 55.86, 74.55, -60.07

 

CMYK 0 / 51 / 70 / 6

HEX #F07647

RGB 240 118 71

HSL 16.69, 0.85%, 0.61%

LAB 63.29, 43.7, 46.99

 

CMYK 55 / 0 / 70 / 6

HEX #6BF047

RGB 107 240 71

HSL 107.22, 0.85%, 0.61%

LAB 84.95, -65.61, 67.07

 

CMYK 70 / 20 / 0 / 6

HEX #47C0F0

RGB 71 192 240

HSL 197.04, 0.85%, 0.61%

LAB 73.11, -18.43, -33.52

 

Description

Color code: HEX #CD47F0 | qconv.com Color code: HEX #CD47F0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 71 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 71 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 70 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 70% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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