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Color name
HEX #CD4F6D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD4F6D it is the complementary color #32B092. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD4F6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD4F6D shade: #D24F68, #E3617B, #F4738E, #FF85A1 and #FF97B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD4F6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD4F6D shade: #CD4F6D, #BC3D5A, #AB2B47, #9A1934 and #890721

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD4F6D shade: #CD4F6D and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD4F6D shade: #CD4F6D, #CD4F8F, #CD4FB1, #C74FCD and #A54FCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD4F6D shade matches the following richer shades: #CD4F6D, #DF3D64 and #F12B5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD4F6D shade: #CD4F6D, #BB6277, #A97480, #97868A and #859893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD4F6D shade: #CD4FB2, #CD4F90, #CD4F6F, #CD524F and #CD734F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD4F6D shade: #9E2C47, #BE3556, #CD4F6D, #D67088 and #DF90A3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD4F6D shade: #CD4F6D, #CDC74F and #4FA1CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD4F6D shade: #CD4F6D, #6FCD4F and #4F6FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD4F6D shade: #CD4F6D, #CDC74F, #4FCDAE and #4F56CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD4F6D shade: #CD4F6D, #AECD4F, #4FCDAE and #6F4FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

Complementary color

CMYK 72 / 0 / 17 / 31

HEX #32B092

RGB 50 176 146

HSL 165.71, 0.56%, 0.44%

LAB 64.81, -41.17, 5.58

 

CMYK 0 / 62 / 50 / 18

HEX #D24F68

RGB 210 79 104

HSL 348.55, 0.59%, 0.57%

LAB 52.17, 53.55, 13.48

 

CMYK 0 / 57 / 46 / 11

HEX #E3617B

RGB 227 97 123

HSL 348, 0.7%, 0.64%

LAB 58.33, 52.83, 11.27

 

CMYK 0 / 53 / 42 / 4

HEX #F4738E

RGB 244 115 142

HSL 347.44, 0.85%, 0.7%

LAB 64.52, 51.98, 9.42

 

CMYK 0 / 48 / 37 / 0

HEX #FF85A1

RGB 255 133 161

HSL 346.23, 1%, 0.76%

LAB 69.9, 49.06, 6.55

 

CMYK 0 / 41 / 29 / 0

HEX #FF97B4

RGB 255 151 180

HSL 343.27, 1%, 0.8%

LAB 73.99, 42.32, 1.89

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 68 / 52 / 26

HEX #BC3D5A

RGB 188 61 90

HSL 346.3, 0.51%, 0.49%

LAB 45.31, 52.86, 11.88

 

CMYK 0 / 75 / 58 / 33

HEX #AB2B47

RGB 171 43 71

HSL 346.88, 0.6%, 0.42%

LAB 39.31, 52.89, 15

 

CMYK 0 / 84 / 66 / 40

HEX #9A1934

RGB 154 25 52

HSL 347.44, 0.72%, 0.35%

LAB 33.59, 52.14, 19

 

CMYK 0 / 95 / 76 / 46

HEX #890721

RGB 137 7 33

HSL 348, 0.9%, 0.28%

LAB 28.33, 50.11, 24.07

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 61 / 30 / 20

HEX #CD4F8F

RGB 205 79 143

HSL 329.52, 0.56%, 0.56%

LAB 52.46, 56.1, -9.48

 

CMYK 0 / 61 / 14 / 20

HEX #CD4FB1

RGB 205 79 177

HSL 313.33, 0.56%, 0.56%

LAB 53.76, 60.79, -27.48

 

CMYK 3 / 61 / 0 / 20

HEX #C74FCD

RGB 199 79 205

HSL 297.14, 0.56%, 0.56%

LAB 54.18, 63.8, -43.03

 

CMYK 20 / 61 / 0 / 20

HEX #A54FCD

RGB 165 79 205

HSL 280.95, 0.56%, 0.56%

LAB 49.49, 55.58, -50.76

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 73 / 55 / 13

HEX #DF3D64

RGB 223 61 100

HSL 345.56, 0.72%, 0.56%

LAB 51.78, 64.19, 15.69

 

CMYK 0 / 82 / 63 / 5

HEX #F12B5A

RGB 241 43 90

HSL 345.76, 0.88%, 0.56%

LAB 53.13, 73.52, 24.1

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 48 / 36 / 27

HEX #BB6277

RGB 187 98 119

HSL 345.84, 0.4%, 0.56%

LAB 52.54, 38, 4.59

 

CMYK 0 / 31 / 24 / 34

HEX #A97480

RGB 169 116 128

HSL 346.42, 0.24%, 0.56%

LAB 54.54, 22.62, 1.88

 

CMYK 0 / 11 / 9 / 41

HEX #97868A

RGB 151 134 138

HSL 345.88, 0.08%, 0.56%

LAB 57.53, 7.14, 0.2

 

CMYK 13 / 0 / 3 / 40

HEX #859893

RGB 133 152 147

HSL 164.21, 0.08%, 0.56%

LAB 61.26, -7.76, 0.34

 

CMYK 0 / 61 / 13 / 20

HEX #CD4FB2

RGB 205 79 178

HSL 312.86, 0.56%, 0.56%

LAB 53.8, 60.94, -28

 

CMYK 0 / 61 / 30 / 20

HEX #CD4F90

RGB 205 79 144

HSL 329.05, 0.56%, 0.56%

LAB 52.49, 56.22, -10.02

 

CMYK 0 / 61 / 46 / 20

HEX #CD4F6F

RGB 205 79 111

HSL 344.76, 0.56%, 0.56%

LAB 51.52, 52.56, 8.25

 

CMYK 0 / 60 / 61 / 20

HEX #CD524F

RGB 205 82 79

HSL 1.43, 0.56%, 0.56%

LAB 51.36, 48.6, 27.07

 

CMYK 0 / 44 / 61 / 20

HEX #CD734F

RGB 205 115 79

HSL 17.14, 0.56%, 0.56%

LAB 57.85, 32.09, 35.17

 

CMYK 0 / 72 / 55 / 38

HEX #9E2C47

RGB 158 44 71

HSL 345.79, 0.56%, 0.4%

LAB 36.98, 48.52, 11.41

 

CMYK 0 / 72 / 55 / 25

HEX #BE3556

RGB 190 53 86

HSL 345.55, 0.56%, 0.48%

LAB 44.47, 56.21, 13.24

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 48 / 36 / 16

HEX #D67088

RGB 214 112 136

HSL 345.88, 0.55%, 0.64%

LAB 59.58, 42.46, 5.24

 

CMYK 0 / 35 / 27 / 13

HEX #DF90A3

RGB 223 144 163

HSL 345.57, 0.55%, 0.72%

LAB 68.23, 32.39, 2.5

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 3 / 61 / 20

HEX #CDC74F

RGB 205 199 79

HSL 57.14, 0.56%, 0.56%

LAB 78.69, -12.72, 59.01

 

CMYK 61 / 21 / 0 / 20

HEX #4FA1CD

RGB 79 161 205

HSL 200.95, 0.56%, 0.56%

LAB 62.98, -11.78, -29.98

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 46 / 0 / 61 / 20

HEX #6FCD4F

RGB 111 205 79

HSL 104.76, 0.56%, 0.56%

LAB 74.58, -50.75, 52.84

 

CMYK 61 / 46 / 0 / 20

HEX #4F6FCD

RGB 79 111 205

HSL 224.76, 0.56%, 0.56%

LAB 48.81, 17.69, -52.3

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 0 / 3 / 61 / 20

HEX #CDC74F

RGB 205 199 79

HSL 57.14, 0.56%, 0.56%

LAB 78.69, -12.72, 59.01

 

CMYK 61 / 0 / 15 / 20

HEX #4FCDAE

RGB 79 205 174

HSL 165.24, 0.56%, 0.56%

LAB 75.06, -42.18, 5.15

 

CMYK 61 / 58 / 0 / 20

HEX #4F56CD

RGB 79 86 205

HSL 236.67, 0.56%, 0.56%

LAB 42.35, 33.34, -62.72

 

CMYK 0 / 61 / 47 / 20

HEX #CD4F6D

RGB 205 79 109

HSL 345.71, 0.56%, 0.56%

LAB 51.47, 52.37, 9.38

 

CMYK 15 / 0 / 61 / 20

HEX #AECD4F

RGB 174 205 79

HSL 74.76, 0.56%, 0.56%

LAB 78.01, -28.35, 57.6

 

CMYK 61 / 0 / 15 / 20

HEX #4FCDAE

RGB 79 205 174

HSL 165.24, 0.56%, 0.56%

LAB 75.06, -42.18, 5.15

 

CMYK 46 / 61 / 0 / 20

HEX #6F4FCD

RGB 111 79 205

HSL 255.24, 0.56%, 0.56%

LAB 43.33, 43.49, -61.01

 

Description

Color code: HEX #CD4F6D | qconv.com Color code: HEX #CD4F6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 79 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 79 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 47% 20% C M Y K

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