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Color name
HEX #CD6D40

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6D40 it is the complementary color #3292BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6D40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6D40 shade: #D26D3B, #E37F4E, #F49161, #FFA374 and #FFB587

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6D40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6D40 shade: #CD6D40, #BC5B2D, #AB491A, #9A3707 and #892500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6D40 shade: #CD6D40, #CD4740 and #CD4040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6D40 shade: #CD6D40, #CD9340, #CDB940, #BBCD40 and #95CD40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6D40 shade matches the following richer shades: #CD6D40, #E1662D and #F45F19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6D40 shade: #CD6D40, #BA7453, #A77B67, #93827A and #80898E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6D40 shade: #CD405F, #CD4740, #CD6D40, #CD9240 and #CDB840

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6D40 shade: #954926, #B65A2E, #CD6D40, #D68661 and #DE9F82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6D40 shade: #CD6D40, #84CD40 and #404CCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6D40 shade: #CD6D40, #40CD6D and #6D40CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6D40 shade: #CD6D40, #84CD40, #40A1CD and #8940CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6D40 shade: #CD6D40, #5ACD40, #40A1CD and #B340CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

Complementary color

CMYK 74 / 24 / 0 / 25

HEX #3292BF

RGB 50 146 191

HSL 199.15, 0.59%, 0.47%

LAB 57.07, -12.71, -31.35

 

CMYK 0 / 48 / 72 / 18

HEX #D26D3B

RGB 210 109 59

HSL 19.87, 0.63%, 0.53%

LAB 57.03, 36.05, 44.95

 

CMYK 0 / 44 / 66 / 11

HEX #E37F4E

RGB 227 127 78

HSL 19.73, 0.73%, 0.6%

LAB 63.39, 34.48, 43.02

 

CMYK 0 / 41 / 60 / 4

HEX #F49161

RGB 244 145 97

HSL 19.59, 0.87%, 0.67%

LAB 69.72, 33.06, 41.19

 

CMYK 0 / 36 / 55 / 0

HEX #FFA374

RGB 255 163 116

HSL 20.29, 1%, 0.73%

LAB 75.27, 29.43, 38.44

 

CMYK 0 / 29 / 47 / 0

HEX #FFB587

RGB 255 181 135

HSL 23, 1%, 0.76%

LAB 79.65, 21.68, 34.09

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 52 / 76 / 26

HEX #BC5B2D

RGB 188 91 45

HSL 19.3, 0.61%, 0.46%

LAB 49.93, 35.97, 43.46

 

CMYK 0 / 57 / 85 / 33

HEX #AB491A

RGB 171 73 26

HSL 19.45, 0.74%, 0.39%

LAB 43.5, 37.73, 45.28

 

CMYK 0 / 64 / 95 / 40

HEX #9A3707

RGB 154 55 7

HSL 19.59, 0.91%, 0.32%

LAB 37.15, 39.49, 46.15

 

CMYK 0 / 73 / 100 / 46

HEX #892500

RGB 137 37 0

HSL 16.2, 1%, 0.27%

LAB 30.98, 41.02, 43.35

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 65 / 69 / 20

HEX #CD4740

RGB 205 71 64

HSL 2.98, 0.59%, 0.53%

LAB 49.32, 52.54, 33.26

 

CMYK 0 / 69 / 69 / 20

HEX #CD4040

RGB 205 64 64

HSL 0, 0.59%, 0.53%

LAB 48.28, 55.37, 32.02

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 28 / 69 / 20

HEX #CD9340

RGB 205 147 64

HSL 35.32, 0.59%, 0.53%

LAB 65.13, 13.83, 51.09

 

CMYK 0 / 10 / 69 / 20

HEX #CDB940

RGB 205 185 64

HSL 51.49, 0.59%, 0.53%

LAB 74.85, -6.44, 61.2

 

CMYK 9 / 0 / 69 / 20

HEX #BBCD40

RGB 187 205 64

HSL 67.66, 0.59%, 0.53%

LAB 78.81, -24.08, 64.71

 

CMYK 27 / 0 / 69 / 20

HEX #95CD40

RGB 149 205 64

HSL 83.83, 0.59%, 0.53%

LAB 76.33, -39.07, 61.39

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 55 / 80 / 12

HEX #E1662D

RGB 225 102 45

HSL 19, 0.75%, 0.53%

LAB 57.75, 44.79, 53.09

 

CMYK 0 / 61 / 90 / 4

HEX #F45F19

RGB 244 95 25

HSL 19.18, 0.91%, 0.53%

LAB 59.42, 54.45, 63.37

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 38 / 55 / 27

HEX #BA7453

RGB 186 116 83

HSL 19.22, 0.43%, 0.53%

LAB 55.64, 24.13, 29.66

 

CMYK 0 / 26 / 38 / 35

HEX #A77B67

RGB 167 123 103

HSL 18.75, 0.27%, 0.53%

LAB 55.44, 14.4, 17.64

 

CMYK 0 / 12 / 17 / 42

HEX #93827A

RGB 147 130 122

HSL 19.2, 0.1%, 0.53%

LAB 55.66, 5.07, 6.68

 

CMYK 10 / 4 / 0 / 44

HEX #80898E

RGB 128 137 142

HSL 201.43, 0.06%, 0.53%

LAB 56.52, -2.23, -3.81

 

CMYK 0 / 69 / 54 / 20

HEX #CD405F

RGB 205 64 95

HSL 346.81, 0.59%, 0.53%

LAB 48.85, 57.38, 14.18

 

CMYK 0 / 65 / 69 / 20

HEX #CD4740

RGB 205 71 64

HSL 2.98, 0.59%, 0.53%

LAB 49.32, 52.54, 33.26

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 29 / 69 / 20

HEX #CD9240

RGB 205 146 64

HSL 34.89, 0.59%, 0.53%

LAB 64.89, 14.38, 50.83

 

CMYK 0 / 10 / 69 / 20

HEX #CDB840

RGB 205 184 64

HSL 51.06, 0.59%, 0.53%

LAB 74.59, -5.92, 60.93

 

CMYK 0 / 51 / 74 / 42

HEX #954926

RGB 149 73 38

HSL 18.92, 0.59%, 0.37%

LAB 40.07, 29.27, 34.85

 

CMYK 0 / 51 / 75 / 29

HEX #B65A2E

RGB 182 90 46

HSL 19.41, 0.6%, 0.45%

LAB 48.83, 34.12, 41.52

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 0 / 37 / 55 / 16

HEX #D68661

RGB 214 134 97

HSL 18.97, 0.59%, 0.61%

LAB 63.52, 26.94, 32.66

 

CMYK 0 / 28 / 41 / 13

HEX #DE9F82

RGB 222 159 130

HSL 18.91, 0.58%, 0.69%

LAB 70.83, 19.87, 24.43

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 36 / 0 / 69 / 20

HEX #84CD40

RGB 132 205 64

HSL 91.06, 0.59%, 0.53%

LAB 75.41, -45.2, 60.16

 

CMYK 69 / 63 / 0 / 20

HEX #404CCD

RGB 64 76 205

HSL 234.89, 0.59%, 0.53%

LAB 39.01, 37.32, -68.19

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 69 / 0 / 47 / 20

HEX #40CD6D

RGB 64 205 109

HSL 139.15, 0.59%, 0.53%

LAB 73.45, -58.08, 37.03

 

CMYK 47 / 69 / 0 / 20

HEX #6D40CD

RGB 109 64 205

HSL 259.15, 0.59%, 0.53%

LAB 40.12, 51.26, -66.23

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 36 / 0 / 69 / 20

HEX #84CD40

RGB 132 205 64

HSL 91.06, 0.59%, 0.53%

LAB 75.41, -45.2, 60.16

 

CMYK 69 / 21 / 0 / 20

HEX #40A1CD

RGB 64 161 205

HSL 198.72, 0.59%, 0.53%

LAB 62.5, -14.28, -30.76

 

CMYK 33 / 69 / 0 / 20

HEX #8940CD

RGB 137 64 205

HSL 271.06, 0.59%, 0.53%

LAB 43.35, 56.52, -60.84

 

CMYK 0 / 47 / 69 / 20

HEX #CD6D40

RGB 205 109 64

HSL 19.15, 0.59%, 0.53%

LAB 56.37, 34.32, 41.46

 

CMYK 56 / 0 / 69 / 20

HEX #5ACD40

RGB 90 205 64

HSL 108.94, 0.59%, 0.53%

LAB 73.68, -57.97, 57.81

 

CMYK 69 / 21 / 0 / 20

HEX #40A1CD

RGB 64 161 205

HSL 198.72, 0.59%, 0.53%

LAB 62.5, -14.28, -30.76

 

CMYK 13 / 69 / 0 / 20

HEX #B340CD

RGB 179 64 205

HSL 288.94, 0.59%, 0.53%

LAB 49.08, 65.29, -51.31

 

Description

Color code: HEX #CD6D40 | qconv.com Color code: HEX #CD6D40 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 109 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 109 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 69% 20% C M Y K

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Provide designers and agencies with accurate color values.

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