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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6E45 it is the complementary color #3291BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6E45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6E45 shade: #D26E40, #E38053, #F49266, #FFA479 and #FFB68C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6E45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6E45 shade: #CD6E45, #BC5C32, #AB4A1F, #9A380C and #892600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6E45 shade: #CD6E45, #CD4945 and #CD4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6E45 shade: #CD6E45, #CD9345, #CDB845, #BECD45 and #9ACD45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6E45 shade matches the following richer shades: #CD6E45, #E06732 and #F35F1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6E45 shade: #CD6E45, #BA7658, #A77D6B, #94857E and #818C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6E45 shade: #CD4565, #CD4A45, #CD6E45, #CD9245 and #CDB745

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6E45 shade: #984A28, #B85A31, #CD6E45, #D68866 and #DFA186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6E45 shade: #CD6E45, #89CD45 and #4553CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6E45 shade: #CD6E45, #45CD6E and #6E45CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6E45 shade: #CD6E45, #89CD45, #45A4CD and #8945CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6E45 shade: #CD6E45, #60CD45, #45A4CD and #B245CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

Complementary color

CMYK 73 / 22 / 0 / 27

HEX #3291BA

RGB 50 145 186

HSL 198.09, 0.58%, 0.46%

LAB 56.56, -13.86, -29.31

 

CMYK 0 / 48 / 70 / 18

HEX #D26E40

RGB 210 110 64

HSL 18.9, 0.62%, 0.54%

LAB 57.29, 35.79, 42.68

 

CMYK 0 / 44 / 63 / 11

HEX #E38053

RGB 227 128 83

HSL 18.75, 0.72%, 0.61%

LAB 63.67, 34.27, 40.73

 

CMYK 0 / 40 / 58 / 4

HEX #F49266

RGB 244 146 102

HSL 18.59, 0.87%, 0.68%

LAB 70, 32.9, 38.92

 

CMYK 0 / 36 / 53 / 0

HEX #FFA479

RGB 255 164 121

HSL 19.25, 1%, 0.74%

LAB 75.57, 29.32, 36.19

 

CMYK 0 / 29 / 45 / 0

HEX #FFB68C

RGB 255 182 140

HSL 21.91, 1%, 0.77%

LAB 79.96, 21.64, 31.88

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 51 / 73 / 26

HEX #BC5C32

RGB 188 92 50

HSL 18.26, 0.58%, 0.47%

LAB 50.19, 35.67, 41.19

 

CMYK 0 / 57 / 82 / 33

HEX #AB4A1F

RGB 171 74 31

HSL 18.43, 0.69%, 0.4%

LAB 43.73, 37.38, 43.23

 

CMYK 0 / 64 / 92 / 40

HEX #9A380C

RGB 154 56 12

HSL 18.59, 0.86%, 0.33%

LAB 37.34, 39.11, 44.63

 

CMYK 0 / 72 / 100 / 46

HEX #892600

RGB 137 38 0

HSL 16.64, 1%, 0.27%

LAB 31.12, 40.61, 43.45

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 64 / 66 / 20

HEX #CD4945

RGB 205 73 69

HSL 1.76, 0.58%, 0.54%

LAB 49.71, 51.97, 30.84

 

CMYK 0 / 66 / 66 / 20

HEX #CD4545

RGB 205 69 69

HSL 0, 0.58%, 0.54%

LAB 49.09, 53.64, 30.07

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 28 / 66 / 20

HEX #CD9345

RGB 205 147 69

HSL 34.41, 0.58%, 0.54%

LAB 65.18, 14.12, 48.8

 

CMYK 0 / 10 / 66 / 20

HEX #CDB845

RGB 205 184 69

HSL 50.74, 0.58%, 0.54%

LAB 74.63, -5.64, 58.93

 

CMYK 7 / 0 / 66 / 20

HEX #BECD45

RGB 190 205 69

HSL 66.62, 0.58%, 0.54%

LAB 79.06, -22.56, 63.13

 

CMYK 25 / 0 / 66 / 20

HEX #9ACD45

RGB 154 205 69

HSL 82.5, 0.58%, 0.54%

LAB 76.66, -36.84, 59.88

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 54 / 78 / 12

HEX #E06732

RGB 224 103 50

HSL 18.28, 0.74%, 0.54%

LAB 57.83, 44.11, 50.81

 

CMYK 0 / 61 / 87 / 5

HEX #F35F1F

RGB 243 95 31

HSL 18.11, 0.9%, 0.54%

LAB 59.29, 54.21, 61.19

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 37 / 53 / 27

HEX #BA7658

RGB 186 118 88

HSL 18.37, 0.42%, 0.54%

LAB 56.19, 23.46, 27.56

 

CMYK 0 / 25 / 36 / 35

HEX #A77D6B

RGB 167 125 107

HSL 18, 0.25%, 0.54%

LAB 56.03, 13.78, 16.15

 

CMYK 0 / 10 / 15 / 42

HEX #94857E

RGB 148 133 126

HSL 19.09, 0.09%, 0.54%

LAB 56.66, 4.43, 5.83

 

CMYK 11 / 3 / 0 / 43

HEX #818C91

RGB 129 140 145

HSL 198.75, 0.07%, 0.54%

LAB 57.53, -2.92, -4.04

 

CMYK 0 / 66 / 51 / 20

HEX #CD4565

RGB 205 69 101

HSL 345.88, 0.58%, 0.54%

LAB 49.71, 55.9, 11.73

 

CMYK 0 / 64 / 66 / 20

HEX #CD4A45

RGB 205 74 69

HSL 2.21, 0.58%, 0.54%

LAB 49.87, 51.54, 31.03

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 29 / 66 / 20

HEX #CD9245

RGB 205 146 69

HSL 33.97, 0.58%, 0.54%

LAB 64.94, 14.67, 48.53

 

CMYK 0 / 11 / 66 / 20

HEX #CDB745

RGB 205 183 69

HSL 50.29, 0.58%, 0.54%

LAB 74.37, -5.12, 58.65

 

CMYK 0 / 51 / 74 / 40

HEX #984A28

RGB 152 74 40

HSL 18.21, 0.58%, 0.38%

LAB 40.78, 30.08, 34.67

 

CMYK 0 / 51 / 73 / 28

HEX #B85A31

RGB 184 90 49

HSL 18.22, 0.58%, 0.46%

LAB 49.16, 35.07, 40.43

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 0 / 36 / 52 / 16

HEX #D68866

RGB 214 136 102

HSL 18.21, 0.58%, 0.62%

LAB 64.05, 26.29, 30.62

 

CMYK 0 / 28 / 40 / 13

HEX #DFA186

RGB 223 161 134

HSL 18.2, 0.58%, 0.7%

LAB 71.49, 19.63, 23.15

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 33 / 0 / 66 / 20

HEX #89CD45

RGB 137 205 69

HSL 90, 0.58%, 0.54%

LAB 75.71, -43.08, 58.59

 

CMYK 66 / 60 / 0 / 20

HEX #4553CD

RGB 69 83 205

HSL 233.82, 0.58%, 0.54%

LAB 40.99, 33.65, -64.95

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 66 / 0 / 46 / 20

HEX #45CD6E

RGB 69 205 110

HSL 138.09, 0.58%, 0.54%

LAB 73.58, -57.03, 36.71

 

CMYK 46 / 66 / 0 / 20

HEX #6E45CD

RGB 110 69 205

HSL 258.09, 0.58%, 0.54%

LAB 41.18, 48.81, -64.5

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 33 / 0 / 66 / 20

HEX #89CD45

RGB 137 205 69

HSL 90, 0.58%, 0.54%

LAB 75.71, -43.08, 58.59

 

CMYK 66 / 20 / 0 / 20

HEX #45A4CD

RGB 69 164 205

HSL 198.09, 0.58%, 0.54%

LAB 63.53, -15.13, -29.16

 

CMYK 33 / 66 / 0 / 20

HEX #8945CD

RGB 137 69 205

HSL 270, 0.58%, 0.54%

LAB 44.21, 54.14, -59.45

 

CMYK 0 / 46 / 66 / 20

HEX #CD6E45

RGB 205 110 69

HSL 18.09, 0.58%, 0.54%

LAB 56.64, 34.08, 39.13

 

CMYK 53 / 0 / 66 / 20

HEX #60CD45

RGB 96 205 69

HSL 108.09, 0.58%, 0.54%

LAB 73.92, -55.97, 56.15

 

CMYK 66 / 20 / 0 / 20

HEX #45A4CD

RGB 69 164 205

HSL 198.09, 0.58%, 0.54%

LAB 63.53, -15.13, -29.16

 

CMYK 13 / 66 / 0 / 20

HEX #B245CD

RGB 178 69 205

HSL 288.09, 0.58%, 0.54%

LAB 49.65, 63.06, -50.41

 

Description

Color code: HEX #CD6E45 | qconv.com Color code: HEX #CD6E45 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 110 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 110 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 66 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 66% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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