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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD78BF it is the complementary color #328740. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD78BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD78BF shade: #D278BA, #E38ACD, #F49CE0, #FFAEF3 and #FFC0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD78BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD78BF shade: #CD78BF, #BC66AC, #AB5499, #9A4286 and #893073

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD78BF shade: #CD78BF, #CD78A8, #CD7891, #CD787B and #CD7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD78BF shade: #CD78BF, #C478CD, #AD78CD, #9778CD and #8078CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD78BF shade matches the following richer shades: #CD78BF, #DC6AC9, #EB5BD3 and #F94CDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD78BF shade: #CD78BF, #BE87B5, #AF96AB, #A0A5A1 and #92B497

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD78BF shade: #AD78CD, #C378CD, #CD78C0, #CD78AA and #CD7893

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD78BF shade: #B2419F, #C25AB1, #CD78BF, #D897CD and #E3B5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD78BF shade: #CD78BF, #CD9678 and #78CDB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD78BF shade: #CD78BF, #C0CD78 and #78C0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD78BF shade: #CD78BF, #CD9678, #78CD85 and #78AFCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD78BF shade: #CD78BF, #CDAF78, #78CD85 and #7896CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

Complementary color

CMYK 63 / 0 / 53 / 47

HEX #328740

RGB 50 135 64

HSL 129.88, 0.46%, 0.36%

LAB 49.95, -41.31, 30.56

 

CMYK 0 / 43 / 11 / 18

HEX #D278BA

RGB 210 120 186

HSL 316, 0.5%, 0.65%

LAB 62.24, 44.09, -19.57

 

CMYK 0 / 39 / 10 / 11

HEX #E38ACD

RGB 227 138 205

HSL 314.83, 0.61%, 0.72%

LAB 68.69, 43.33, -20.23

 

CMYK 0 / 36 / 8 / 4

HEX #F49CE0

RGB 244 156 224

HSL 313.64, 0.8%, 0.78%

LAB 75.07, 42.6, -20.83

 

CMYK 0 / 32 / 5 / 0

HEX #FFAEF3

RGB 255 174 243

HSL 308.89, 1%, 0.84%

LAB 80.74, 39.97, -22.4

 

CMYK 0 / 25 / 0 / 0

HEX #FFC0FF

RGB 255 192 255

HSL 300, 1%, 0.88%

LAB 85.09, 32.67, -22.21

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 46 / 9 / 26

HEX #BC66AC

RGB 188 102 172

HSL 311.16, 0.39%, 0.57%

LAB 55.25, 44.09, -22.47

 

CMYK 0 / 51 / 11 / 33

HEX #AB5499

RGB 171 84 153

HSL 312.41, 0.34%, 0.5%

LAB 48.63, 44.79, -21.7

 

CMYK 0 / 57 / 13 / 40

HEX #9A4286

RGB 154 66 134

HSL 313.64, 0.4%, 0.43%

LAB 41.98, 45.37, -20.73

 

CMYK 0 / 65 / 16 / 46

HEX #893073

RGB 137 48 115

HSL 314.83, 0.48%, 0.36%

LAB 35.34, 45.67, -19.45

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 41 / 18 / 20

HEX #CD78A8

RGB 205 120 168

HSL 326.12, 0.46%, 0.64%

LAB 60.99, 39.56, -11.25

 

CMYK 0 / 41 / 29 / 20

HEX #CD7891

RGB 205 120 145

HSL 342.35, 0.46%, 0.64%

LAB 60.3, 36.22, 0.93

 

CMYK 0 / 41 / 40 / 20

HEX #CD787B

RGB 205 120 123

HSL 357.88, 0.46%, 0.64%

LAB 59.75, 33.48, 12.81

 

CMYK 0 / 41 / 41 / 20

HEX #CD7878

RGB 205 120 120

HSL 0, 0.46%, 0.64%

LAB 59.68, 33.15, 14.43

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 4 / 41 / 0 / 20

HEX #C478CD

RGB 196 120 205

HSL 293.65, 0.46%, 0.64%

LAB 61.29, 43.12, -31.92

 

CMYK 16 / 41 / 0 / 20

HEX #AD78CD

RGB 173 120 205

HSL 277.41, 0.46%, 0.64%

LAB 58.72, 36.21, -36.11

 

CMYK 26 / 41 / 0 / 20

HEX #9778CD

RGB 151 120 205

HSL 261.88, 0.46%, 0.64%

LAB 56.51, 29.78, -39.74

 

CMYK 38 / 41 / 0 / 20

HEX #8078CD

RGB 128 120 205

HSL 245.65, 0.46%, 0.64%

LAB 54.48, 23.41, -43.07

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 52 / 9 / 14

HEX #DC6AC9

RGB 220 106 201

HSL 310, 0.62%, 0.64%

LAB 61.43, 56.56, -29.2

 

CMYK 0 / 61 / 10 / 8

HEX #EB5BD3

RGB 235 91 211

HSL 310, 0.78%, 0.64%

LAB 61.52, 68.83, -34.54

 

CMYK 0 / 69 / 11 / 2

HEX #F94CDD

RGB 249 76 221

HSL 309.71, 0.94%, 0.64%

LAB 62.11, 79.23, -39.1

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 29 / 5 / 25

HEX #BE87B5

RGB 190 135 181

HSL 309.82, 0.3%, 0.64%

LAB 63.02, 28.51, -15.76

 

CMYK 0 / 14 / 2 / 31

HEX #AF96AB

RGB 175 150 171

HSL 309.6, 0.14%, 0.64%

LAB 64.86, 13.03, -7.52

 

CMYK 3 / 0 / 2 / 35

HEX #A0A5A1

RGB 160 165 161

HSL 132, 0.03%, 0.64%

LAB 67.24, -2.54, 1.44

 

CMYK 19 / 0 / 16 / 29

HEX #92B497

RGB 146 180 151

HSL 128.82, 0.18%, 0.64%

LAB 70.17, -17.31, 11.03

 

CMYK 16 / 41 / 0 / 20

HEX #AD78CD

RGB 173 120 205

HSL 277.41, 0.46%, 0.64%

LAB 58.72, 36.21, -36.11

 

CMYK 5 / 41 / 0 / 20

HEX #C378CD

RGB 195 120 205

HSL 292.94, 0.46%, 0.64%

LAB 61.17, 42.82, -32.11

 

CMYK 0 / 41 / 6 / 20

HEX #CD78C0

RGB 205 120 192

HSL 309.18, 0.46%, 0.64%

LAB 61.84, 43.51, -23.63

 

CMYK 0 / 41 / 17 / 20

HEX #CD78AA

RGB 205 120 170

HSL 324.71, 0.46%, 0.64%

LAB 61.06, 39.87, -12.3

 

CMYK 0 / 41 / 28 / 20

HEX #CD7893

RGB 205 120 147

HSL 340.94, 0.46%, 0.64%

LAB 60.35, 36.49, -0.14

 

CMYK 0 / 63 / 11 / 30

HEX #B2419F

RGB 178 65 159

HSL 310.09, 0.47%, 0.48%

LAB 46.64, 56.66, -28.27

 

CMYK 0 / 54 / 9 / 24

HEX #C25AB1

RGB 194 90 177

HSL 309.81, 0.46%, 0.56%

LAB 53.98, 52.74, -27.26

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 30 / 5 / 15

HEX #D897CD

RGB 216 151 205

HSL 310.15, 0.45%, 0.72%

LAB 70.27, 32.84, -17.95

 

CMYK 0 / 20 / 3 / 11

HEX #E3B5DC

RGB 227 181 220

HSL 309.13, 0.45%, 0.8%

LAB 78.78, 23.04, -13.23

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 27 / 41 / 20

HEX #CD9678

RGB 205 150 120

HSL 21.18, 0.46%, 0.64%

LAB 66.63, 16.87, 23.94

 

CMYK 41 / 0 / 10 / 20

HEX #78CDB8

RGB 120 205 184

HSL 165.18, 0.46%, 0.64%

LAB 76.75, -30.7, 2.39

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 6 / 0 / 41 / 20

HEX #C0CD78

RGB 192 205 120

HSL 69.18, 0.46%, 0.64%

LAB 79.74, -17.41, 40.76

 

CMYK 41 / 6 / 0 / 20

HEX #78C0CD

RGB 120 192 205

HSL 189.18, 0.46%, 0.64%

LAB 73.61, -19.16, -13.62

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 27 / 41 / 20

HEX #CD9678

RGB 205 150 120

HSL 21.18, 0.46%, 0.64%

LAB 66.63, 16.87, 23.94

 

CMYK 41 / 0 / 35 / 20

HEX #78CD85

RGB 120 205 133

HSL 129.18, 0.46%, 0.64%

LAB 75.67, -40.84, 28

 

CMYK 41 / 15 / 0 / 20

HEX #78AFCD

RGB 120 175 205

HSL 201.18, 0.46%, 0.64%

LAB 68.8, -10.23, -20.9

 

CMYK 0 / 41 / 7 / 20

HEX #CD78BF

RGB 205 120 191

HSL 309.88, 0.46%, 0.64%

LAB 61.8, 43.34, -23.12

 

CMYK 0 / 15 / 41 / 20

HEX #CDAF78

RGB 205 175 120

HSL 38.82, 0.46%, 0.64%

LAB 72.89, 3.35, 32.21

 

CMYK 41 / 0 / 35 / 20

HEX #78CD85

RGB 120 205 133

HSL 129.18, 0.46%, 0.64%

LAB 75.67, -40.84, 28

 

CMYK 41 / 27 / 0 / 20

HEX #7896CD

RGB 120 150 205

HSL 218.82, 0.46%, 0.64%

LAB 61.84, 3.68, -31.59

 

Description

Color code: HEX #CD78BF | qconv.com Color code: HEX #CD78BF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 120 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 120 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 7 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 7% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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