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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD729F it is the complementary color #328D60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD729F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD729F shade: #D2729A, #E384AD, #F496C0, #FFA8D3 and #FFBAE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD729F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD729F shade: #CD729F, #BC608C, #AB4E79, #9A3C66 and #892A53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD729F shade: #CD73A0, #CD7387 and #CD7373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD729F shade: #CD73A0, #CD73B8, #CA73CD, #B273CD and #9A73CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD729F shade matches the following richer shades: #CD73A0, #DD649F, #EC549F and #FB459F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD729F shade: #CD73A0, #BE82A0, #AF91A0, #A0A1A0 and #90B0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD729F shade: #CA73CD, #CD73B8, #CD73A0, #CD7388 and #CD7673

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD729F shade: #B03E76, #C3548B, #CD73A0, #D891B4 and #E3B0C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD729F shade: #CD729F, #CDB273 and #73C4CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD729F shade: #CD729F, #A0CD73 and #73A0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD729F shade: #CD729F, #CDB273, #73CDA0 and #738ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD729F shade: #CD729F, #CDCD73, #73CDA0 and #7373CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 22 / 20

HEX #CD729F

RGB 205 114 159

HSL 330.33, 0.48%, 0.63%

LAB 59.45, 41.35, -8.39

 

Complementary color

CMYK 65 / 0 / 32 / 45

HEX #328D60

RGB 50 141 96

HSL 150.33, 0.48%, 0.37%

LAB 52.48, -37.87, 16.28

 

CMYK 0 / 46 / 27 / 18

HEX #D2729A

RGB 210 114 154

HSL 335, 0.52%, 0.64%

LAB 59.95, 42.34, -4.69

 

CMYK 0 / 42 / 24 / 11

HEX #E384AD

RGB 227 132 173

HSL 334.11, 0.63%, 0.7%

LAB 66.41, 41.51, -5.73

 

CMYK 0 / 39 / 21 / 4

HEX #F496C0

RGB 244 150 192

HSL 333.19, 0.81%, 0.77%

LAB 72.79, 40.7, -6.65

 

CMYK 0 / 34 / 17 / 0

HEX #FFA8D3

RGB 255 168 211

HSL 330.34, 1%, 0.83%

LAB 78.44, 37.91, -8.55

 

CMYK 0 / 27 / 10 / 0

HEX #FFBAE6

RGB 255 186 230

HSL 321.74, 1%, 0.86%

LAB 82.96, 31.51, -12.07

 

CMYK 0 / 44 / 22 / 20

HEX #CD729F

RGB 205 114 159

HSL 330.33, 0.48%, 0.63%

LAB 59.45, 41.35, -8.39

 

CMYK 0 / 49 / 26 / 26

HEX #BC608C

RGB 188 96 140

HSL 331.3, 0.41%, 0.56%

LAB 52.9, 42.16, -7.32

 

CMYK 0 / 54 / 29 / 33

HEX #AB4E79

RGB 171 78 121

HSL 332.26, 0.37%, 0.49%

LAB 46.29, 42.93, -6.03

 

CMYK 0 / 61 / 34 / 40

HEX #9A3C66

RGB 154 60 102

HSL 333.19, 0.44%, 0.42%

LAB 39.68, 43.57, -4.44

 

CMYK 0 / 69 / 39 / 46

HEX #892A53

RGB 137 42 83

HSL 334.11, 0.53%, 0.35%

LAB 33.13, 43.88, -2.35

 

CMYK 0 / 44 / 22 / 20

HEX #CD73A0

RGB 205 115 160

HSL 330, 0.47%, 0.63%

LAB 59.69, 40.97, -8.61

 

CMYK 0 / 44 / 34 / 20

HEX #CD7387

RGB 205 115 135

HSL 346.67, 0.47%, 0.63%

LAB 58.96, 37.57, 4.77

 

CMYK 0 / 44 / 44 / 20

HEX #CD7373

RGB 205 115 115

HSL 0, 0.47%, 0.63%

LAB 58.49, 35.26, 15.66

 

CMYK 0 / 44 / 22 / 20

HEX #CD73A0

RGB 205 115 160

HSL 330, 0.47%, 0.63%

LAB 59.69, 40.97, -8.61

 

CMYK 0 / 44 / 10 / 20

HEX #CD73B8

RGB 205 115 184

HSL 314, 0.47%, 0.63%

LAB 60.52, 44.75, -21.11

 

CMYK 1 / 44 / 0 / 20

HEX #CA73CD

RGB 202 115 205

HSL 298, 0.47%, 0.63%

LAB 60.98, 47.53, -32.34

 

CMYK 13 / 44 / 0 / 20

HEX #B273CD

RGB 178 115 205

HSL 282, 0.47%, 0.63%

LAB 58.16, 40.44, -36.94

 

CMYK 25 / 44 / 0 / 20

HEX #9A73CD

RGB 154 115 205

HSL 266, 0.47%, 0.63%

LAB 55.62, 33.5, -41.11

 

CMYK 0 / 44 / 22 / 20

HEX #CD73A0

RGB 205 115 160

HSL 330, 0.47%, 0.63%

LAB 59.69, 40.97, -8.61

 

CMYK 0 / 55 / 28 / 13

HEX #DD649F

RGB 221 100 159

HSL 330.74, 0.64%, 0.63%

LAB 58.96, 53.54, -8.88

 

CMYK 0 / 64 / 33 / 7

HEX #EC549F

RGB 236 84 159

HSL 330.39, 0.8%, 0.63%

LAB 58.67, 64.98, -9.07

 

CMYK 0 / 73 / 37 / 2

HEX #FB459F

RGB 251 69 159

HSL 330.33, 0.96%, 0.63%

LAB 59.22, 74.41, -7.99

 

CMYK 0 / 44 / 22 / 20

HEX #CD73A0

RGB 205 115 160

HSL 330, 0.47%, 0.63%

LAB 59.69, 40.97, -8.61

 

CMYK 0 / 32 / 16 / 25

HEX #BE82A0

RGB 190 130 160

HSL 330, 0.32%, 0.63%

LAB 61.18, 27.63, -6.59

 

CMYK 0 / 17 / 9 / 31

HEX #AF91A0

RGB 175 145 160

HSL 330, 0.16%, 0.63%

LAB 63.26, 13.81, -3.68

 

CMYK 1 / 0 / 1 / 37

HEX #A0A1A0

RGB 160 161 160

HSL 120, 0.01%, 0.63%

LAB 66.14, -0.55, 0.39

 

CMYK 18 / 0 / 9 / 31

HEX #90B0A0

RGB 144 176 160

HSL 150, 0.17%, 0.63%

LAB 69.12, -14.18, 4.58

 

CMYK 1 / 44 / 0 / 20

HEX #CA73CD

RGB 202 115 205

HSL 298, 0.47%, 0.63%

LAB 60.98, 47.53, -32.34

 

CMYK 0 / 44 / 10 / 20

HEX #CD73B8

RGB 205 115 184

HSL 314, 0.47%, 0.63%

LAB 60.52, 44.75, -21.11

 

CMYK 0 / 44 / 22 / 20

HEX #CD73A0

RGB 205 115 160

HSL 330, 0.47%, 0.63%

LAB 59.69, 40.97, -8.61

 

CMYK 0 / 44 / 34 / 20

HEX #CD7388

RGB 205 115 136

HSL 346, 0.47%, 0.63%

LAB 58.99, 37.69, 4.23

 

CMYK 0 / 42 / 44 / 20

HEX #CD7673

RGB 205 118 115

HSL 2, 0.47%, 0.63%

LAB 59.13, 33.67, 16.55

 

CMYK 0 / 65 / 33 / 31

HEX #B03E76

RGB 176 62 118

HSL 330.53, 0.48%, 0.47%

LAB 44.21, 51.59, -7.23

 

CMYK 0 / 57 / 29 / 24

HEX #C3548B

RGB 195 84 139

HSL 330.27, 0.48%, 0.55%

LAB 51.62, 50.24, -8.52

 

CMYK 0 / 44 / 22 / 20

HEX #CD73A0

RGB 205 115 160

HSL 330, 0.47%, 0.63%

LAB 59.69, 40.97, -8.61

 

CMYK 0 / 33 / 17 / 15

HEX #D891B4

RGB 216 145 180

HSL 330.42, 0.48%, 0.71%

LAB 68.13, 31.88, -7.25

 

CMYK 0 / 22 / 11 / 11

HEX #E3B0C9

RGB 227 176 201

HSL 330.59, 0.48%, 0.79%

LAB 77.04, 22.44, -5.51

 

CMYK 0 / 44 / 22 / 20

HEX #CD729F

RGB 205 114 159

HSL 330.33, 0.48%, 0.63%

LAB 59.45, 41.35, -8.39

 

CMYK 0 / 13 / 44 / 20

HEX #CDB273

RGB 205 178 115

HSL 42, 0.47%, 0.63%

LAB 73.58, 1.22, 35.72

 

CMYK 44 / 4 / 0 / 20

HEX #73C4CD

RGB 115 196 205

HSL 186, 0.47%, 0.63%

LAB 74.53, -22.42, -12.26

 

CMYK 0 / 44 / 22 / 20

HEX #CD729F

RGB 205 114 159

HSL 330.33, 0.48%, 0.63%

LAB 59.45, 41.35, -8.39

 

CMYK 22 / 0 / 44 / 20

HEX #A0CD73

RGB 160 205 115

HSL 90, 0.47%, 0.63%

LAB 77.5, -30.15, 39.98

 

CMYK 44 / 22 / 0 / 20

HEX #73A0CD

RGB 115 160 205

HSL 210, 0.47%, 0.63%

LAB 64.32, -3.29, -27.78

 

CMYK 0 / 44 / 22 / 20

HEX #CD729F

RGB 205 114 159

HSL 330.33, 0.48%, 0.63%

LAB 59.45, 41.35, -8.39

 

CMYK 0 / 13 / 44 / 20

HEX #CDB273

RGB 205 178 115

HSL 42, 0.47%, 0.63%

LAB 73.58, 1.22, 35.72

 

CMYK 44 / 0 / 22 / 20

HEX #73CDA0

RGB 115 205 160

HSL 150, 0.47%, 0.63%

LAB 75.97, -37.22, 14.13

 

CMYK 44 / 31 / 0 / 20

HEX #738ECD

RGB 115 142 205

HSL 222, 0.47%, 0.63%

LAB 59.34, 7, -35.5

 

CMYK 0 / 44 / 22 / 20

HEX #CD729F

RGB 205 114 159

HSL 330.33, 0.48%, 0.63%

LAB 59.45, 41.35, -8.39

 

CMYK 0 / 0 / 44 / 20

HEX #CDCD73

RGB 205 205 115

HSL 60, 0.47%, 0.63%

LAB 80.67, -12.79, 44.62

 

CMYK 44 / 0 / 22 / 20

HEX #73CDA0

RGB 115 205 160

HSL 150, 0.47%, 0.63%

LAB 75.97, -37.22, 14.13

 

CMYK 44 / 44 / 0 / 20

HEX #7373CD

RGB 115 115 205

HSL 240, 0.47%, 0.63%

LAB 52.19, 23.07, -46.76

 

Description

Color code: HEX #CD729F | qconv.com Color code: HEX #CD729F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 114 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 114 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 22 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 22% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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