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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7D85 it is the complementary color #32827A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7D85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7D85 shade: #D27D80, #E38F93, #F4A1A6, #FFB3B9 and #FFC5CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7D85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7D85 shade: #CD7D85, #BC6B72, #AB595F, #9A474C and #893539

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7D85 shade: #CD7E86 and #CD7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7D85 shade: #CD7E86, #CD7E9B, #CD7EB0, #CD7EC5 and #BE7ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7D85 shade matches the following richer shades: #CD7E86, #DB707A, #E9616F and #F85363

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7D85 shade: #CD7E86, #BE8C91, #B09B9D, #A1A9A8 and #93B8B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7D85 shade: #CD7EB0, #CD7E9B, #CD7E86, #CD8B7E and #CDA07E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7D85 shade: #B34550, #C1606A, #CD7E86, #D89CA2 and #E4B9BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7D85 shade: #CD7D85, #C5CD7E and #7EA5CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7D85 shade: #CD7D85, #86CD7E and #7E86CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7D85 shade: #CD7D85, #C5CD7E, #7ECDC5 and #867ECD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7D85 shade: #CD7D85, #ADCD7E, #7ECDC5 and #9D7ECD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

Complementary color

CMYK 62 / 0 / 6 / 49

HEX #32827A

RGB 50 130 122

HSL 174, 0.44%, 0.35%

LAB 49.55, -26.2, -2.93

 

CMYK 0 / 40 / 39 / 18

HEX #D27D80

RGB 210 125 128

HSL 357.88, 0.49%, 0.66%

LAB 61.59, 33.28, 12.62

 

CMYK 0 / 37 / 35 / 11

HEX #E38F93

RGB 227 143 147

HSL 357.14, 0.6%, 0.73%

LAB 68.08, 32.32, 11.32

 

CMYK 0 / 34 / 32 / 4

HEX #F4A1A6

RGB 244 161 166

HSL 356.39, 0.79%, 0.79%

LAB 74.49, 31.43, 10.16

 

CMYK 0 / 30 / 27 / 0

HEX #FFB3B9

RGB 255 179 185

HSL 355.26, 1%, 0.85%

LAB 80.18, 28.45, 8.09

 

CMYK 0 / 23 / 20 / 0

HEX #FFC5CC

RGB 255 197 204

HSL 352.76, 1%, 0.89%

LAB 84.77, 21.67, 4.49

 

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

CMYK 0 / 43 / 39 / 26

HEX #BC6B72

RGB 188 107 114

HSL 354.81, 0.38%, 0.58%

LAB 54.47, 32.98, 10.3

 

CMYK 0 / 48 / 44 / 33

HEX #AB595F

RGB 171 89 95

HSL 355.61, 0.33%, 0.51%

LAB 47.79, 34.04, 11.87

 

CMYK 0 / 54 / 51 / 40

HEX #9A474C

RGB 154 71 76

HSL 356.39, 0.37%, 0.44%

LAB 41.05, 35.15, 13.76

 

CMYK 0 / 61 / 58 / 46

HEX #893539

RGB 137 53 57

HSL 357.14, 0.44%, 0.37%

LAB 34.31, 36.23, 16.11

 

CMYK 0 / 39 / 35 / 20

HEX #CD7E86

RGB 205 126 134

HSL 353.92, 0.44%, 0.65%

LAB 61.33, 31.58, 8.73

 

CMYK 0 / 39 / 39 / 20

HEX #CD7E7E

RGB 205 126 126

HSL 0, 0.44%, 0.65%

LAB 61.14, 30.61, 13.04

 

CMYK 0 / 39 / 35 / 20

HEX #CD7E86

RGB 205 126 134

HSL 353.92, 0.44%, 0.65%

LAB 61.33, 31.58, 8.73

 

CMYK 0 / 39 / 24 / 20

HEX #CD7E9B

RGB 205 126 155

HSL 337.97, 0.44%, 0.65%

LAB 61.88, 34.42, -2.49

 

CMYK 0 / 39 / 14 / 20

HEX #CD7EB0

RGB 205 126 176

HSL 322.03, 0.44%, 0.65%

LAB 62.54, 37.65, -13.49

 

CMYK 0 / 39 / 4 / 20

HEX #CD7EC5

RGB 205 126 197

HSL 306.08, 0.44%, 0.65%

LAB 63.29, 41.24, -24.24

 

CMYK 7 / 39 / 0 / 20

HEX #BE7ECD

RGB 190 126 205

HSL 288.61, 0.44%, 0.65%

LAB 61.89, 38.06, -31.03

 

CMYK 0 / 39 / 35 / 20

HEX #CD7E86

RGB 205 126 134

HSL 353.92, 0.44%, 0.65%

LAB 61.33, 31.58, 8.73

 

CMYK 0 / 49 / 44 / 14

HEX #DB707A

RGB 219 112 122

HSL 354.39, 0.6%, 0.65%

LAB 59.94, 42.7, 13.93

 

CMYK 0 / 58 / 52 / 9

HEX #E9616F

RGB 233 97 111

HSL 353.82, 0.76%, 0.65%

LAB 58.99, 53.77, 19.32

 

CMYK 0 / 67 / 60 / 3

HEX #F85363

RGB 248 83 99

HSL 354.18, 0.92%, 0.65%

LAB 59.01, 63.62, 26.73

 

CMYK 0 / 39 / 35 / 20

HEX #CD7E86

RGB 205 126 134

HSL 353.92, 0.44%, 0.65%

LAB 61.33, 31.58, 8.73

 

CMYK 0 / 26 / 24 / 25

HEX #BE8C91

RGB 190 140 145

HSL 354, 0.28%, 0.65%

LAB 63.13, 19.74, 4.82

 

CMYK 0 / 12 / 11 / 31

HEX #B09B9D

RGB 176 155 157

HSL 354.29, 0.12%, 0.65%

LAB 65.83, 8.07, 1.79

 

CMYK 5 / 0 / 1 / 34

HEX #A1A9A8

RGB 161 169 168

HSL 172.5, 0.04%, 0.65%

LAB 68.59, -3.01, -0.47

 

CMYK 20 / 0 / 2 / 28

HEX #93B8B4

RGB 147 184 180

HSL 173.51, 0.21%, 0.65%

LAB 72.08, -13.23, -2.08

 

CMYK 0 / 39 / 14 / 20

HEX #CD7EB0

RGB 205 126 176

HSL 322.03, 0.44%, 0.65%

LAB 62.54, 37.65, -13.49

 

CMYK 0 / 39 / 24 / 20

HEX #CD7E9B

RGB 205 126 155

HSL 337.97, 0.44%, 0.65%

LAB 61.88, 34.42, -2.49

 

CMYK 0 / 39 / 35 / 20

HEX #CD7E86

RGB 205 126 134

HSL 353.92, 0.44%, 0.65%

LAB 61.33, 31.58, 8.73

 

CMYK 0 / 32 / 39 / 20

HEX #CD8B7E

RGB 205 139 126

HSL 9.87, 0.44%, 0.65%

LAB 64.12, 23.56, 17.18

 

CMYK 0 / 22 / 39 / 20

HEX #CDA07E

RGB 205 160 126

HSL 25.82, 0.44%, 0.65%

LAB 69.2, 12.11, 24.11

 

CMYK 0 / 61 / 55 / 30

HEX #B34550

RGB 179 69 80

HSL 354, 0.44%, 0.49%

LAB 44.83, 45.58, 17.1

 

CMYK 0 / 50 / 45 / 24

HEX #C1606A

RGB 193 96 106

HSL 353.81, 0.44%, 0.57%

LAB 52.67, 39.76, 12.58

 

CMYK 0 / 39 / 35 / 20

HEX #CD7E86

RGB 205 126 134

HSL 353.92, 0.44%, 0.65%

LAB 61.33, 31.58, 8.73

 

CMYK 0 / 28 / 25 / 15

HEX #D89CA2

RGB 216 156 162

HSL 354, 0.43%, 0.73%

LAB 70.17, 23.23, 5.76

 

CMYK 0 / 19 / 17 / 11

HEX #E4B9BE

RGB 228 185 190

HSL 353.02, 0.44%, 0.81%

LAB 78.99, 16.21, 3.32

 

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

CMYK 4 / 0 / 39 / 20

HEX #C5CD7E

RGB 197 205 126

HSL 66.08, 0.44%, 0.65%

LAB 80.2, -14.77, 38.4

 

CMYK 39 / 20 / 0 / 20

HEX #7EA5CD

RGB 126 165 205

HSL 210.38, 0.44%, 0.65%

LAB 66.33, -3.18, -24.63

 

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

CMYK 35 / 0 / 39 / 20

HEX #86CD7E

RGB 134 205 126

HSL 113.92, 0.44%, 0.65%

LAB 76.21, -37.64, 32.47

 

CMYK 39 / 35 / 0 / 20

HEX #7E86CD

RGB 126 134 205

HSL 233.92, 0.44%, 0.65%

LAB 57.94, 14.59, -37.64

 

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

CMYK 4 / 0 / 39 / 20

HEX #C5CD7E

RGB 197 205 126

HSL 66.08, 0.44%, 0.65%

LAB 80.2, -14.77, 38.4

 

CMYK 39 / 0 / 4 / 20

HEX #7ECDC5

RGB 126 205 197

HSL 173.92, 0.44%, 0.65%

LAB 77.36, -26.11, -3.69

 

CMYK 35 / 39 / 0 / 20

HEX #867ECD

RGB 134 126 205

HSL 246.08, 0.44%, 0.65%

LAB 56.48, 21.49, -39.88

 

CMYK 0 / 39 / 35 / 20

HEX #CD7D85

RGB 205 125 133

HSL 354, 0.44%, 0.65%

LAB 61.08, 32, 8.95

 

CMYK 16 / 0 / 39 / 20

HEX #ADCD7E

RGB 173 205 126

HSL 84.3, 0.44%, 0.65%

LAB 78.49, -23.96, 35.86

 

CMYK 39 / 0 / 4 / 20

HEX #7ECDC5

RGB 126 205 197

HSL 173.92, 0.44%, 0.65%

LAB 77.36, -26.11, -3.69

 

CMYK 23 / 39 / 0 / 20

HEX #9D7ECD

RGB 157 126 205

HSL 263.54, 0.44%, 0.65%

LAB 58.51, 28.08, -36.56

 

Description

Color code: HEX #CD7D85 | qconv.com Color code: HEX #CD7D85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 125 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 125 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 35 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 35% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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