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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD7FA7 it is the complementary color #328058. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD7FA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD7FA7 shade: #D27FA2, #E391B5, #F4A3C8, #FFB5DB and #FFC7EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD7FA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD7FA7 shade: #CD7FA7, #BC6D94, #AB5B81, #9A496E and #89375B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD7FA7 shade: #CD7EA6, #CD7E91 and #CD7E7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD7FA7 shade: #CD7EA6, #CD7EBB, #C87ECD, #B37ECD and #9E7ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD7FA7 shade matches the following richer shades: #CD7EA6, #DB70A7, #E961A7 and #F853A7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD7FA7 shade: #CD7EA6, #BE8CA6, #B09BA6, #A1A9A5 and #93B8A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD7FA7 shade: #C97ECD, #CD7EBC, #CD7EA7, #CD7E92 and #CD7F7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD7FA7 shade: #B3457D, #C16092, #CD7EA6, #D89CBB and #E4B9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD7FA7 shade: #CD7FA7, #CDB47E and #7EC6CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD7FA7 shade: #CD7FA7, #A7CD7E and #7EA7CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD7FA7 shade: #CD7FA7, #CDB47E, #7ECDA4 and #7E97CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD7FA7 shade: #CD7FA7, #CDCB7E, #7ECDA4 and #7E7FCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 19 / 20

HEX #CD7FA7

RGB 205 127 167

HSL 329.23, 0.44%, 0.65%

LAB 62.46, 35.68, -8.48

 

Complementary color

CMYK 61 / 0 / 31 / 50

HEX #328058

RGB 50 128 88

HSL 149.23, 0.44%, 0.35%

LAB 48.03, -33.86, 14.75

 

CMYK 0 / 40 / 23 / 18

HEX #D27FA2

RGB 210 127 162

HSL 334.7, 0.48%, 0.66%

LAB 62.92, 36.67, -4.89

 

CMYK 0 / 36 / 20 / 11

HEX #E391B5

RGB 227 145 181

HSL 333.66, 0.59%, 0.73%

LAB 69.41, 35.86, -5.77

 

CMYK 0 / 33 / 18 / 4

HEX #F4A3C8

RGB 244 163 200

HSL 332.59, 0.79%, 0.8%

LAB 75.82, 35.11, -6.57

 

CMYK 0 / 29 / 14 / 0

HEX #FFB5DB

RGB 255 181 219

HSL 329.19, 1%, 0.85%

LAB 81.52, 32.35, -8.3

 

CMYK 0 / 22 / 7 / 0

HEX #FFC7EE

RGB 255 199 238

HSL 318.21, 1%, 0.89%

LAB 86.15, 26.02, -11.59

 

CMYK 0 / 38 / 19 / 20

HEX #CD7FA7

RGB 205 127 167

HSL 329.23, 0.44%, 0.65%

LAB 62.46, 35.68, -8.48

 

CMYK 0 / 42 / 21 / 26

HEX #BC6D94

RGB 188 109 148

HSL 330.38, 0.37%, 0.58%

LAB 55.85, 36.49, -7.6

 

CMYK 0 / 47 / 25 / 33

HEX #AB5B81

RGB 171 91 129

HSL 331.5, 0.32%, 0.51%

LAB 49.16, 37.33, -6.59

 

CMYK 0 / 53 / 29 / 40

HEX #9A496E

RGB 154 73 110

HSL 332.59, 0.36%, 0.45%

LAB 42.4, 38.16, -5.37

 

CMYK 0 / 60 / 34 / 46

HEX #89375B

RGB 137 55 91

HSL 333.66, 0.43%, 0.38%

LAB 35.61, 38.88, -3.83

 

CMYK 0 / 39 / 19 / 20

HEX #CD7EA6

RGB 205 126 166

HSL 329.62, 0.44%, 0.65%

LAB 62.21, 36.06, -8.28

 

CMYK 0 / 39 / 29 / 20

HEX #CD7E91

RGB 205 126 145

HSL 345.57, 0.44%, 0.65%

LAB 61.61, 33.02, 2.83

 

CMYK 0 / 39 / 39 / 20

HEX #CD7E7E

RGB 205 126 126

HSL 0, 0.44%, 0.65%

LAB 61.14, 30.61, 13.04

 

CMYK 0 / 39 / 19 / 20

HEX #CD7EA6

RGB 205 126 166

HSL 329.62, 0.44%, 0.65%

LAB 62.21, 36.06, -8.28

 

CMYK 0 / 39 / 9 / 20

HEX #CD7EBB

RGB 205 126 187

HSL 313.67, 0.44%, 0.65%

LAB 62.92, 39.48, -19.15

 

CMYK 2 / 39 / 0 / 20

HEX #C87ECD

RGB 200 126 205

HSL 296.2, 0.44%, 0.65%

LAB 63.02, 41.15, -29.2

 

CMYK 13 / 39 / 0 / 20

HEX #B37ECD

RGB 179 126 205

HSL 280.25, 0.44%, 0.65%

LAB 60.7, 34.69, -32.97

 

CMYK 23 / 39 / 0 / 20

HEX #9E7ECD

RGB 158 126 205

HSL 264.3, 0.44%, 0.65%

LAB 58.6, 28.37, -36.41

 

CMYK 0 / 39 / 19 / 20

HEX #CD7EA6

RGB 205 126 166

HSL 329.62, 0.44%, 0.65%

LAB 62.21, 36.06, -8.28

 

CMYK 0 / 49 / 24 / 14

HEX #DB70A7

RGB 219 112 167

HSL 329.16, 0.6%, 0.65%

LAB 61.17, 48.17, -10.23

 

CMYK 0 / 58 / 28 / 9

HEX #E961A7

RGB 233 97 167

HSL 329.12, 0.76%, 0.65%

LAB 60.48, 59.61, -11.05

 

CMYK 0 / 67 / 33 / 3

HEX #F853A7

RGB 248 83 167

HSL 329.45, 0.92%, 0.65%

LAB 60.72, 69.62, -10.45

 

CMYK 0 / 39 / 19 / 20

HEX #CD7EA6

RGB 205 126 166

HSL 329.62, 0.44%, 0.65%

LAB 62.21, 36.06, -8.28

 

CMYK 0 / 26 / 13 / 25

HEX #BE8CA6

RGB 190 140 166

HSL 328.8, 0.28%, 0.65%

LAB 63.72, 23.09, -6.23

 

CMYK 0 / 12 / 6 / 31

HEX #B09BA6

RGB 176 155 166

HSL 328.57, 0.12%, 0.65%

LAB 66.08, 9.67, -2.9

 

CMYK 5 / 0 / 2 / 34

HEX #A1A9A5

RGB 161 169 165

HSL 150, 0.04%, 0.65%

LAB 68.51, -3.59, 1.07

 

CMYK 20 / 0 / 10 / 28

HEX #93B8A5

RGB 147 184 165

HSL 149.19, 0.21%, 0.65%

LAB 71.69, -16.33, 5.56

 

CMYK 2 / 39 / 0 / 20

HEX #C97ECD

RGB 201 126 205

HSL 296.96, 0.44%, 0.65%

LAB 63.13, 41.45, -29.01

 

CMYK 0 / 39 / 8 / 20

HEX #CD7EBC

RGB 205 126 188

HSL 312.91, 0.44%, 0.65%

LAB 62.95, 39.66, -19.66

 

CMYK 0 / 39 / 19 / 20

HEX #CD7EA7

RGB 205 126 167

HSL 328.86, 0.44%, 0.65%

LAB 62.25, 36.21, -8.8

 

CMYK 0 / 39 / 29 / 20

HEX #CD7E92

RGB 205 126 146

HSL 344.81, 0.44%, 0.65%

LAB 61.63, 33.15, 2.3

 

CMYK 0 / 38 / 39 / 20

HEX #CD7F7E

RGB 205 127 126

HSL 0.76, 0.44%, 0.65%

LAB 61.36, 30.07, 13.35

 

CMYK 0 / 61 / 30 / 30

HEX #B3457D

RGB 179 69 125

HSL 329.45, 0.44%, 0.49%

LAB 46.07, 50.32, -8.67

 

CMYK 0 / 50 / 24 / 24

HEX #C16092

RGB 193 96 146

HSL 329.07, 0.44%, 0.57%

LAB 53.79, 44.69, -9.44

 

CMYK 0 / 39 / 19 / 20

HEX #CD7EA6

RGB 205 126 166

HSL 329.62, 0.44%, 0.65%

LAB 62.21, 36.06, -8.28

 

CMYK 0 / 28 / 13 / 15

HEX #D89CBB

RGB 216 156 187

HSL 329, 0.43%, 0.73%

LAB 70.85, 27.06, -7.12

 

CMYK 0 / 19 / 9 / 11

HEX #E4B9CF

RGB 228 185 207

HSL 329.3, 0.44%, 0.81%

LAB 79.44, 18.97, -5.21

 

CMYK 0 / 38 / 19 / 20

HEX #CD7FA7

RGB 205 127 167

HSL 329.23, 0.44%, 0.65%

LAB 62.46, 35.68, -8.48

 

CMYK 0 / 12 / 39 / 20

HEX #CDB47E

RGB 205 180 126

HSL 41.01, 0.44%, 0.65%

LAB 74.27, 1.36, 30.85

 

CMYK 39 / 3 / 0 / 20

HEX #7EC6CD

RGB 126 198 205

HSL 185.32, 0.44%, 0.65%

LAB 75.6, -20.68, -10.62

 

CMYK 0 / 38 / 19 / 20

HEX #CD7FA7

RGB 205 127 167

HSL 329.23, 0.44%, 0.65%

LAB 62.46, 35.68, -8.48

 

CMYK 19 / 0 / 39 / 20

HEX #A7CD7E

RGB 167 205 126

HSL 88.86, 0.44%, 0.65%

LAB 78.1, -26.19, 35.28

 

CMYK 39 / 19 / 0 / 20

HEX #7EA7CD

RGB 126 167 205

HSL 208.86, 0.44%, 0.65%

LAB 66.89, -4.28, -23.78

 

CMYK 0 / 38 / 19 / 20

HEX #CD7FA7

RGB 205 127 167

HSL 329.23, 0.44%, 0.65%

LAB 62.46, 35.68, -8.48

 

CMYK 0 / 12 / 39 / 20

HEX #CDB47E

RGB 205 180 126

HSL 41.01, 0.44%, 0.65%

LAB 74.27, 1.36, 30.85

 

CMYK 39 / 0 / 20 / 20

HEX #7ECDA4

RGB 126 205 164

HSL 148.86, 0.44%, 0.65%

LAB 76.54, -33.37, 12.86

 

CMYK 39 / 26 / 0 / 20

HEX #7E97CD

RGB 126 151 205

HSL 221.01, 0.44%, 0.65%

LAB 62.49, 4.71, -30.55

 

CMYK 0 / 38 / 19 / 20

HEX #CD7FA7

RGB 205 127 167

HSL 329.23, 0.44%, 0.65%

LAB 62.46, 35.68, -8.48

 

CMYK 0 / 1 / 39 / 20

HEX #CDCB7E

RGB 205 203 126

HSL 58.48, 0.44%, 0.65%

LAB 80.29, -10.62, 38.64

 

CMYK 39 / 0 / 20 / 20

HEX #7ECDA4

RGB 126 205 164

HSL 148.86, 0.44%, 0.65%

LAB 76.54, -33.37, 12.86

 

CMYK 39 / 38 / 0 / 20

HEX #7E7FCD

RGB 126 127 205

HSL 239.24, 0.44%, 0.65%

LAB 56.11, 18.73, -40.51

 

Description

Color code: HEX #CD7FA7 | qconv.com Color code: HEX #CD7FA7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 127 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 127 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 19 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 19% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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