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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD9460 it is the complementary color #326B9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD9460. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD9460 shade: #D2945B, #E3A66E, #F4B881, #FFCA94 and #FFDCA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD9460. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD9460 shade: #CD9460, #BC824D, #AB703A, #9A5E27 and #894C14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD9460 shade: #CC9360, #CC7660 and #CC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD9460 shade: #CC9360, #CCB160, #CBCC60, #ADCC60 and #90CC60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD9460 shade matches the following richer shades: #CC9360, #DD934F and #EE923E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD9460 shade: #CC9360, #BB9471, #AA9581, #9A9692 and #8997A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD9460 shade: #CC6067, #CC7560, #CC9260, #CCAF60 and #CCCC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD9460 shade: #A56A34, #C27E40, #CC9360, #D6A97F and #E0BE9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD9460 shade: #CD9460, #84CC60 and #6760CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD9460 shade: #CD9460, #60CC92 and #9260CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD9460 shade: #CD9460, #84CC60, #609ACC and #A860CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD9460 shade: #CD9460, #63CC60, #609ACC and #C960CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 53 / 20

HEX #CD9460

RGB 205 148 96

HSL 28.62, 0.52%, 0.59%

LAB 65.75, 15.57, 35.79

 

Complementary color

CMYK 69 / 33 / 0 / 38

HEX #326B9F

RGB 50 107 159

HSL 208.62, 0.52%, 0.41%

LAB 43.79, -1.24, -33.61

 

CMYK 0 / 30 / 57 / 18

HEX #D2945B

RGB 210 148 91

HSL 28.74, 0.57%, 0.59%

LAB 66.24, 17.24, 39.15

 

CMYK 0 / 27 / 52 / 11

HEX #E3A66E

RGB 227 166 110

HSL 28.72, 0.68%, 0.66%

LAB 72.71, 16.14, 37.68

 

CMYK 0 / 25 / 47 / 4

HEX #F4B881

RGB 244 184 129

HSL 28.7, 0.84%, 0.73%

LAB 79.1, 15.19, 36.29

 

CMYK 0 / 21 / 42 / 0

HEX #FFCA94

RGB 255 202 148

HSL 30.28, 1%, 0.79%

LAB 84.81, 12.01, 34.1

 

CMYK 0 / 14 / 35 / 0

HEX #FFDCA7

RGB 255 220 167

HSL 36.14, 1%, 0.83%

LAB 89.5, 4.82, 30.55

 

CMYK 0 / 28 / 53 / 20

HEX #CD9460

RGB 205 148 96

HSL 28.62, 0.52%, 0.59%

LAB 65.75, 15.57, 35.79

 

CMYK 0 / 31 / 59 / 26

HEX #BC824D

RGB 188 130 77

HSL 28.65, 0.45%, 0.52%

LAB 59.15, 16.73, 37.32

 

CMYK 0 / 35 / 66 / 33

HEX #AB703A

RGB 171 112 58

HSL 28.67, 0.49%, 0.45%

LAB 52.46, 18.1, 38.91

 

CMYK 0 / 39 / 75 / 40

HEX #9A5E27

RGB 154 94 39

HSL 28.7, 0.6%, 0.38%

LAB 45.66, 19.71, 40.47

 

CMYK 0 / 45 / 85 / 46

HEX #894C14

RGB 137 76 20

HSL 28.72, 0.75%, 0.31%

LAB 38.79, 21.63, 41.62

 

CMYK 0 / 28 / 53 / 20

HEX #CC9360

RGB 204 147 96

HSL 28.33, 0.51%, 0.59%

LAB 65.4, 15.7, 35.33

 

CMYK 0 / 42 / 53 / 20

HEX #CC7660

RGB 204 118 96

HSL 12.22, 0.51%, 0.59%

LAB 58.64, 31.44, 26.69

 

CMYK 0 / 53 / 53 / 20

HEX #CC6060

RGB 204 96 96

HSL 0, 0.51%, 0.59%

LAB 54.08, 42.84, 20.66

 

CMYK 0 / 28 / 53 / 20

HEX #CC9360

RGB 204 147 96

HSL 28.33, 0.51%, 0.59%

LAB 65.4, 15.7, 35.33

 

CMYK 0 / 13 / 53 / 20

HEX #CCB160

RGB 204 177 96

HSL 45, 0.51%, 0.59%

LAB 72.97, -0.46, 44.61

 

CMYK 0 / 0 / 53 / 20

HEX #CBCC60

RGB 203 204 96

HSL 60.56, 0.51%, 0.59%

LAB 80.03, -14.81, 52.89

 

CMYK 15 / 0 / 53 / 20

HEX #ADCC60

RGB 173 204 96

HSL 77.22, 0.51%, 0.59%

LAB 77.82, -26.82, 49.77

 

CMYK 29 / 0 / 53 / 20

HEX #90CC60

RGB 144 204 96

HSL 93.33, 0.51%, 0.59%

LAB 76.04, -37.66, 47.22

 

CMYK 0 / 28 / 53 / 20

HEX #CC9360

RGB 204 147 96

HSL 28.33, 0.51%, 0.59%

LAB 65.4, 15.7, 35.33

 

CMYK 0 / 33 / 64 / 13

HEX #DD934F

RGB 221 147 79

HSL 28.73, 0.68%, 0.59%

LAB 67.13, 21.5, 46.63

 

CMYK 0 / 39 / 74 / 7

HEX #EE923E

RGB 238 146 62

HSL 28.64, 0.84%, 0.59%

LAB 68.81, 28.16, 57.04

 

CMYK 0 / 28 / 53 / 20

HEX #CC9360

RGB 204 147 96

HSL 28.33, 0.51%, 0.59%

LAB 65.4, 15.7, 35.33

 

CMYK 0 / 21 / 40 / 27

HEX #BB9471

RGB 187 148 113

HSL 28.38, 0.35%, 0.59%

LAB 64.11, 9.86, 24.08

 

CMYK 0 / 12 / 24 / 33

HEX #AA9581

RGB 170 149 129

HSL 29.27, 0.19%, 0.59%

LAB 63.03, 4.58, 13.43

 

CMYK 0 / 3 / 5 / 40

HEX #9A9692

RGB 154 150 146

HSL 30, 0.04%, 0.59%

LAB 62.3, 0.72, 2.62

 

CMYK 16 / 7 / 0 / 36

HEX #8997A3

RGB 137 151 163

HSL 207.69, 0.12%, 0.59%

LAB 61.74, -2.4, -7.99

 

CMYK 0 / 53 / 50 / 20

HEX #CC6067

RGB 204 96 103

HSL 356.11, 0.51%, 0.59%

LAB 54.22, 43.46, 16.75

 

CMYK 0 / 43 / 53 / 20

HEX #CC7560

RGB 204 117 96

HSL 11.67, 0.51%, 0.59%

LAB 58.42, 31.97, 26.4

 

CMYK 0 / 28 / 53 / 20

HEX #CC9260

RGB 204 146 96

HSL 27.78, 0.51%, 0.59%

LAB 65.15, 16.25, 35.02

 

CMYK 0 / 14 / 53 / 20

HEX #CCAF60

RGB 204 175 96

HSL 43.89, 0.51%, 0.59%

LAB 72.46, 0.59, 43.99

 

CMYK 0 / 0 / 53 / 20

HEX #CCCC60

RGB 204 204 96

HSL 60, 0.51%, 0.59%

LAB 80.11, -14.41, 53

 

CMYK 0 / 36 / 68 / 35

HEX #A56A34

RGB 165 106 52

HSL 28.67, 0.52%, 0.43%

LAB 50.16, 18.48, 39.22

 

CMYK 0 / 35 / 67 / 24

HEX #C27E40

RGB 194 126 64

HSL 28.62, 0.52%, 0.51%

LAB 58.75, 20.61, 43.74

 

CMYK 0 / 28 / 53 / 20

HEX #CC9360

RGB 204 147 96

HSL 28.33, 0.51%, 0.59%

LAB 65.4, 15.7, 35.33

 

CMYK 0 / 21 / 41 / 16

HEX #D6A97F

RGB 214 169 127

HSL 28.97, 0.51%, 0.67%

LAB 72.36, 10.97, 27.96

 

CMYK 0 / 15 / 29 / 12

HEX #E0BE9E

RGB 224 190 158

HSL 29.09, 0.52%, 0.75%

LAB 79.12, 7.46, 20.68

 

CMYK 0 / 28 / 53 / 20

HEX #CD9460

RGB 205 148 96

HSL 28.62, 0.52%, 0.59%

LAB 65.75, 15.57, 35.79

 

CMYK 35 / 0 / 53 / 20

HEX #84CC60

RGB 132 204 96

HSL 100, 0.51%, 0.59%

LAB 75.41, -41.81, 46.31

 

CMYK 50 / 53 / 0 / 20

HEX #6760CC

RGB 103 96 204

HSL 243.89, 0.51%, 0.59%

LAB 46.46, 31.49, -55.41

 

CMYK 0 / 28 / 53 / 20

HEX #CD9460

RGB 205 148 96

HSL 28.62, 0.52%, 0.59%

LAB 65.75, 15.57, 35.79

 

CMYK 53 / 0 / 28 / 20

HEX #60CC92

RGB 96 204 146

HSL 147.78, 0.51%, 0.59%

LAB 74.67, -44.4, 19.65

 

CMYK 28 / 53 / 0 / 20

HEX #9260CC

RGB 146 96 204

HSL 267.78, 0.51%, 0.59%

LAB 50.5, 41.81, -48.72

 

CMYK 0 / 28 / 53 / 20

HEX #CD9460

RGB 205 148 96

HSL 28.62, 0.52%, 0.59%

LAB 65.75, 15.57, 35.79

 

CMYK 35 / 0 / 53 / 20

HEX #84CC60

RGB 132 204 96

HSL 100, 0.51%, 0.59%

LAB 75.41, -41.81, 46.31

 

CMYK 53 / 25 / 0 / 20

HEX #609ACC

RGB 96 154 204

HSL 207.78, 0.51%, 0.59%

LAB 61.62, -4.75, -31.47

 

CMYK 18 / 53 / 0 / 20

HEX #A860CC

RGB 168 96 204

HSL 280, 0.51%, 0.59%

LAB 53, 47.59, -44.58

 

CMYK 0 / 28 / 53 / 20

HEX #CD9460

RGB 205 148 96

HSL 28.62, 0.52%, 0.59%

LAB 65.75, 15.57, 35.79

 

CMYK 51 / 0 / 53 / 20

HEX #63CC60

RGB 99 204 96

HSL 118.33, 0.51%, 0.59%

LAB 73.99, -51.85, 44.26

 

CMYK 53 / 25 / 0 / 20

HEX #609ACC

RGB 96 154 204

HSL 207.78, 0.51%, 0.59%

LAB 61.62, -4.75, -31.47

 

CMYK 1 / 53 / 0 / 20

HEX #C960CC

RGB 201 96 204

HSL 298.33, 0.51%, 0.59%

LAB 57.21, 56.5, -37.66

 

Description

Color code: HEX #CD9460 | qconv.com Color code: HEX #CD9460 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 148 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 148 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 53 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 53% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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