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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD974A it is the complementary color #3268B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD974A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD974A shade: #D29745, #E3A958, #F4BB6B, #FFCD7E and #FFDF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD974A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD974A shade: #CD974A, #BC8537, #AB7324, #9A6111 and #894F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD974A shade: #CD974A, #CD744A, #CD514A and #CD4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD974A shade: #CD974A, #CDBB4A, #BDCD4A, #99CD4A and #76CD4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD974A shade matches the following richer shades: #CD974A, #E09B38 and #F29E25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD974A shade: #CD974A, #BB945D, #A8916F, #958D82 and #838A95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD974A shade: #CD514A, #CD744A, #CD974A, #CDBA4A and #BECD4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD974A shade: #9B6C2A, #BB8333, #CD974A, #D6AA6B and #DFBC8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD974A shade: #CD974A, #67CD4A and #624ACD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD974A shade: #CD974A, #4ACD97 and #974ACD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD974A shade: #CD974A, #67CD4A, #4A81CD and #B14ACD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD974A shade: #CD974A, #4ACD55, #4A81CD and #CD4AC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

Complementary color

CMYK 72 / 43 / 0 / 29

HEX #3268B5

RGB 50 104 181

HSL 215.27, 0.57%, 0.45%

LAB 44.11, 8.72, -46.03

 

CMYK 0 / 28 / 67 / 18

HEX #D29745

RGB 210 151 69

HSL 34.89, 0.61%, 0.55%

LAB 66.72, 14.09, 50.65

 

CMYK 0 / 26 / 61 / 11

HEX #E3A958

RGB 227 169 88

HSL 34.96, 0.71%, 0.62%

LAB 73.16, 12.82, 49.33

 

CMYK 0 / 23 / 56 / 4

HEX #F4BB6B

RGB 244 187 107

HSL 35.04, 0.86%, 0.69%

LAB 79.52, 11.72, 47.97

 

CMYK 0 / 20 / 51 / 0

HEX #FFCD7E

RGB 255 205 126

HSL 36.74, 1%, 0.75%

LAB 85.21, 8.36, 45.77

 

CMYK 0 / 13 / 43 / 0

HEX #FFDF91

RGB 255 223 145

HSL 42.55, 1%, 0.78%

LAB 89.9, 0.9, 42.22

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 29 / 71 / 26

HEX #BC8537

RGB 188 133 55

HSL 35.19, 0.55%, 0.48%

LAB 59.66, 13.64, 48.83

 

CMYK 0 / 33 / 79 / 33

HEX #AB7324

RGB 171 115 36

HSL 35.11, 0.65%, 0.41%

LAB 53, 15.26, 49.79

 

CMYK 0 / 37 / 89 / 40

HEX #9A6111

RGB 154 97 17

HSL 35.04, 0.8%, 0.34%

LAB 46.26, 17.19, 49.89

 

CMYK 0 / 42 / 100 / 46

HEX #894F00

RGB 137 79 0

HSL 34.6, 1%, 0.27%

LAB 39.43, 19.44, 48.55

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 43 / 64 / 20

HEX #CD744A

RGB 205 116 74

HSL 19.24, 0.57%, 0.55%

LAB 58, 31.23, 38.06

 

CMYK 0 / 60 / 64 / 20

HEX #CD514A

RGB 205 81 74

HSL 3.21, 0.57%, 0.55%

LAB 51.1, 48.74, 29.66

 

CMYK 0 / 64 / 64 / 20

HEX #CD4A4A

RGB 205 74 74

HSL 0, 0.57%, 0.55%

LAB 49.94, 51.83, 28.21

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 9 / 64 / 20

HEX #CDBB4A

RGB 205 187 74

HSL 51.76, 0.57%, 0.55%

LAB 75.46, -6.9, 57.69

 

CMYK 8 / 0 / 64 / 20

HEX #BDCD4A

RGB 189 205 74

HSL 67.33, 0.57%, 0.55%

LAB 79.03, -22.65, 61.08

 

CMYK 25 / 0 / 64 / 20

HEX #99CD4A

RGB 153 205 74

HSL 83.82, 0.57%, 0.55%

LAB 76.64, -36.85, 57.82

 

CMYK 42 / 0 / 64 / 20

HEX #76CD4A

RGB 118 205 74

HSL 99.85, 0.57%, 0.55%

LAB 74.83, -49.05, 55.33

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 31 / 75 / 12

HEX #E09B38

RGB 224 155 56

HSL 35.36, 0.73%, 0.55%

LAB 69.17, 17.26, 59.38

 

CMYK 0 / 35 / 85 / 5

HEX #F29E25

RGB 242 158 37

HSL 35.41, 0.89%, 0.55%

LAB 71.87, 22.66, 69.34

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 21 / 50 / 27

HEX #BB945D

RGB 187 148 93

HSL 35.11, 0.41%, 0.55%

LAB 63.78, 7.74, 34.51

 

CMYK 0 / 14 / 34 / 34

HEX #A8916F

RGB 168 145 111

HSL 35.79, 0.25%, 0.55%

LAB 61.41, 3.48, 21.24

 

CMYK 0 / 5 / 13 / 42

HEX #958D82

RGB 149 141 130

HSL 34.74, 0.08%, 0.55%

LAB 59.02, 0.99, 6.92

 

CMYK 12 / 7 / 0 / 42

HEX #838A95

RGB 131 138 149

HSL 216.67, 0.08%, 0.55%

LAB 57.24, -0.23, -6.74

 

CMYK 0 / 60 / 64 / 20

HEX #CD514A

RGB 205 81 74

HSL 3.21, 0.57%, 0.55%

LAB 51.1, 48.74, 29.66

 

CMYK 0 / 43 / 64 / 20

HEX #CD744A

RGB 205 116 74

HSL 19.24, 0.57%, 0.55%

LAB 58, 31.23, 38.06

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 9 / 64 / 20

HEX #CDBA4A

RGB 205 186 74

HSL 51.3, 0.57%, 0.55%

LAB 75.2, -6.38, 57.41

 

CMYK 7 / 0 / 64 / 20

HEX #BECD4A

RGB 190 205 74

HSL 66.87, 0.57%, 0.55%

LAB 79.1, -22.25, 61.18

 

CMYK 0 / 30 / 73 / 39

HEX #9B6C2A

RGB 155 108 42

HSL 35.04, 0.57%, 0.39%

LAB 49.33, 12.29, 42.87

 

CMYK 0 / 30 / 73 / 27

HEX #BB8333

RGB 187 131 51

HSL 35.29, 0.57%, 0.47%

LAB 59.01, 14.1, 49.93

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 0 / 21 / 50 / 16

HEX #D6AA6B

RGB 214 170 107

HSL 35.33, 0.57%, 0.63%

LAB 72.3, 8.4, 38.43

 

CMYK 0 / 16 / 38 / 13

HEX #DFBC8B

RGB 223 188 139

HSL 35, 0.57%, 0.71%

LAB 78.18, 5.79, 29.46

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 50 / 0 / 64 / 20

HEX #67CD4A

RGB 103 205 74

HSL 106.72, 0.57%, 0.55%

LAB 74.22, -53.57, 54.48

 

CMYK 52 / 64 / 0 / 20

HEX #624ACD

RGB 98 74 205

HSL 250.99, 0.57%, 0.55%

LAB 41.06, 43.85, -64.75

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 64 / 0 / 26 / 20

HEX #4ACD97

RGB 74 205 151

HSL 155.27, 0.57%, 0.55%

LAB 74.41, -48.38, 16.54

 

CMYK 26 / 64 / 0 / 20

HEX #974ACD

RGB 151 74 205

HSL 275.27, 0.57%, 0.55%

LAB 46.82, 54.74, -55.14

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 50 / 0 / 64 / 20

HEX #67CD4A

RGB 103 205 74

HSL 106.72, 0.57%, 0.55%

LAB 74.22, -53.57, 54.48

 

CMYK 64 / 37 / 0 / 20

HEX #4A81CD

RGB 74 129 205

HSL 214.81, 0.57%, 0.55%

LAB 53.56, 5.73, -44.74

 

CMYK 14 / 64 / 0 / 20

HEX #B14ACD

RGB 177 74 205

HSL 287.18, 0.57%, 0.55%

LAB 50.28, 60.7, -49.42

 

CMYK 0 / 26 / 64 / 20

HEX #CD974A

RGB 205 151 74

HSL 35.27, 0.57%, 0.55%

LAB 66.22, 12.26, 47.56

 

CMYK 64 / 0 / 59 / 20

HEX #4ACD55

RGB 74 205 85

HSL 125.04, 0.57%, 0.55%

LAB 73.4, -59.54, 48.5

 

CMYK 64 / 37 / 0 / 20

HEX #4A81CD

RGB 74 129 205

HSL 214.81, 0.57%, 0.55%

LAB 53.56, 5.73, -44.74

 

CMYK 0 / 64 / 5 / 20

HEX #CD4AC2

RGB 205 74 194

HSL 305.04, 0.57%, 0.55%

LAB 53.78, 65.48, -37.28

 

Description

Color code: HEX #CD974A | qconv.com Color code: HEX #CD974A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 151 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 151 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 64 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 64% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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