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Color name
HEX #CD9250

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD9250 it is the complementary color #326DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD9250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD9250 shade: #D2924B, #E3A45E, #F4B671, #FFC884 and #FFDA97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD9250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD9250 shade: #CD9250, #BC803D, #AB6E2A, #9A5C17 and #894A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD9250 shade: #CD924F, #CD704F and #CD4F4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD9250 shade: #CD924F, #CDB44F, #C5CD4F, #A3CD4F and #81CD4F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD9250 shade matches the following richer shades: #CD924F, #DF933D and #F1942B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD9250 shade: #CD924F, #BB9162, #A99074, #978F86 and #858E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD9250 shade: #CD4F52, #CD6F4F, #CD904F, #CDB24F and #C7CD4F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD9250 shade: #9E682C, #BE7E35, #CD924F, #D6A670 and #DFBA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD9250 shade: #CD9250, #73CD4F and #5E4FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD9250 shade: #CD9250, #4FCD90 and #904FCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD9250 shade: #CD9250, #73CD4F, #4F8CCD and #AA4FCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD9250 shade: #CD9250, #4FCD52, #4F8CCD and #CD4FCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 61 / 20

HEX #CD9250

RGB 205 146 80

HSL 31.68, 0.56%, 0.56%

LAB 65.05, 15.39, 43.25

 

Complementary color

CMYK 71 / 38 / 0 / 31

HEX #326DAF

RGB 50 109 175

HSL 211.68, 0.56%, 0.44%

LAB 45.24, 3.35, -40.74

 

CMYK 0 / 30 / 64 / 18

HEX #D2924B

RGB 210 146 75

HSL 31.56, 0.6%, 0.56%

LAB 65.57, 17.17, 46.49

 

CMYK 0 / 28 / 59 / 11

HEX #E3A45E

RGB 227 164 94

HSL 31.58, 0.7%, 0.63%

LAB 72.02, 15.92, 45.03

 

CMYK 0 / 25 / 54 / 4

HEX #F4B671

RGB 244 182 113

HSL 31.6, 0.86%, 0.7%

LAB 78.39, 14.82, 43.6

 

CMYK 0 / 22 / 48 / 0

HEX #FFC884

RGB 255 200 132

HSL 33.17, 1%, 0.76%

LAB 84.09, 11.48, 41.35

 

CMYK 0 / 15 / 41 / 0

HEX #FFDA97

RGB 255 218 151

HSL 38.65, 1%, 0.8%

LAB 88.75, 4.06, 37.72

 

CMYK 0 / 29 / 61 / 20

HEX #CD9250

RGB 205 146 80

HSL 31.68, 0.56%, 0.56%

LAB 65.05, 15.39, 43.25

 

CMYK 0 / 32 / 68 / 26

HEX #BC803D

RGB 188 128 61

HSL 31.65, 0.51%, 0.49%

LAB 58.48, 16.74, 44.72

 

CMYK 0 / 36 / 75 / 33

HEX #AB6E2A

RGB 171 110 42

HSL 31.63, 0.61%, 0.42%

LAB 51.81, 18.33, 46.04

 

CMYK 0 / 40 / 85 / 40

HEX #9A5C17

RGB 154 92 23

HSL 31.6, 0.74%, 0.35%

LAB 45.06, 20.21, 46.86

 

CMYK 0 / 46 / 97 / 46

HEX #894A04

RGB 137 74 4

HSL 31.58, 0.94%, 0.28%

LAB 38.24, 22.4, 46.51

 

CMYK 0 / 29 / 61 / 20

HEX #CD924F

RGB 205 146 79

HSL 31.9, 0.56%, 0.56%

LAB 65.04, 15.32, 43.74

 

CMYK 0 / 45 / 61 / 20

HEX #CD704F

RGB 205 112 79

HSL 15.71, 0.56%, 0.56%

LAB 57.2, 33.68, 34.38

 

CMYK 0 / 61 / 61 / 20

HEX #CD4F4F

RGB 205 79 79

HSL 0, 0.56%, 0.56%

LAB 50.85, 49.96, 26.41

 

CMYK 0 / 29 / 61 / 20

HEX #CD924F

RGB 205 146 79

HSL 31.9, 0.56%, 0.56%

LAB 65.04, 15.32, 43.74

 

CMYK 0 / 12 / 61 / 20

HEX #CDB44F

RGB 205 180 79

HSL 48.1, 0.56%, 0.56%

LAB 73.67, -2.93, 53.53

 

CMYK 4 / 0 / 61 / 20

HEX #C5CD4F

RGB 197 205 79

HSL 63.81, 0.56%, 0.56%

LAB 79.67, -19.04, 59.88

 

CMYK 20 / 0 / 61 / 20

HEX #A3CD4F

RGB 163 205 79

HSL 80, 0.56%, 0.56%

LAB 77.29, -32.65, 56.6

 

CMYK 37 / 0 / 61 / 20

HEX #81CD4F

RGB 129 205 79

HSL 96.19, 0.56%, 0.56%

LAB 75.39, -45, 53.96

 

CMYK 0 / 29 / 61 / 20

HEX #CD924F

RGB 205 146 79

HSL 31.9, 0.56%, 0.56%

LAB 65.04, 15.32, 43.74

 

CMYK 0 / 34 / 73 / 13

HEX #DF933D

RGB 223 147 61

HSL 31.85, 0.72%, 0.56%

LAB 67.2, 21.35, 55.24

 

CMYK 0 / 39 / 82 / 5

HEX #F1942B

RGB 241 148 43

HSL 31.82, 0.88%, 0.56%

LAB 69.51, 27.66, 65.36

 

CMYK 0 / 29 / 61 / 20

HEX #CD924F

RGB 205 146 79

HSL 31.9, 0.56%, 0.56%

LAB 65.04, 15.32, 43.74

 

CMYK 0 / 22 / 48 / 27

HEX #BB9162

RGB 187 145 98

HSL 31.69, 0.4%, 0.56%

LAB 63.09, 9.88, 30.95

 

CMYK 0 / 15 / 31 / 34

HEX #A99074

RGB 169 144 116

HSL 31.7, 0.24%, 0.56%

LAB 61.34, 5.1, 18.37

 

CMYK 0 / 5 / 11 / 41

HEX #978F86

RGB 151 143 134

HSL 31.76, 0.08%, 0.56%

LAB 59.84, 1.33, 5.84

 

CMYK 13 / 7 / 0 / 40

HEX #858E98

RGB 133 142 152

HSL 211.58, 0.08%, 0.56%

LAB 58.6, -1.14, -6.42

 

CMYK 0 / 61 / 60 / 20

HEX #CD4F52

RGB 205 79 82

HSL 358.57, 0.56%, 0.56%

LAB 50.9, 50.16, 24.72

 

CMYK 0 / 46 / 61 / 20

HEX #CD6F4F

RGB 205 111 79

HSL 15.24, 0.56%, 0.56%

LAB 56.99, 34.21, 34.12

 

CMYK 0 / 30 / 61 / 20

HEX #CD904F

RGB 205 144 79

HSL 30.95, 0.56%, 0.56%

LAB 64.56, 16.41, 43.18

 

CMYK 0 / 13 / 61 / 20

HEX #CDB24F

RGB 205 178 79

HSL 47.14, 0.56%, 0.56%

LAB 73.14, -1.87, 52.95

 

CMYK 3 / 0 / 61 / 20

HEX #C7CD4F

RGB 199 205 79

HSL 62.86, 0.56%, 0.56%

LAB 79.82, -18.22, 60.09

 

CMYK 0 / 34 / 72 / 38

HEX #9E682C

RGB 158 104 44

HSL 31.58, 0.56%, 0.4%

LAB 48.7, 16.04, 41.37

 

CMYK 0 / 34 / 72 / 25

HEX #BE7E35

RGB 190 126 53

HSL 31.97, 0.56%, 0.48%

LAB 58.16, 18.27, 48.26

 

CMYK 0 / 29 / 61 / 20

HEX #CD924F

RGB 205 146 79

HSL 31.9, 0.56%, 0.56%

LAB 65.04, 15.32, 43.74

 

CMYK 0 / 22 / 48 / 16

HEX #D6A670

RGB 214 166 112

HSL 31.76, 0.55%, 0.64%

LAB 71.38, 11.02, 34.65

 

CMYK 0 / 17 / 35 / 13

HEX #DFBA90

RGB 223 186 144

HSL 31.9, 0.55%, 0.72%

LAB 77.77, 7.43, 26.27

 

CMYK 0 / 29 / 61 / 20

HEX #CD9250

RGB 205 146 80

HSL 31.68, 0.56%, 0.56%

LAB 65.05, 15.39, 43.25

 

CMYK 44 / 0 / 61 / 20

HEX #73CD4F

RGB 115 205 79

HSL 102.86, 0.56%, 0.56%

LAB 74.74, -49.53, 53.07

 

CMYK 54 / 61 / 0 / 20

HEX #5E4FCD

RGB 94 79 205

HSL 247.14, 0.56%, 0.56%

LAB 41.81, 40.21, -63.54

 

CMYK 0 / 29 / 61 / 20

HEX #CD9250

RGB 205 146 80

HSL 31.68, 0.56%, 0.56%

LAB 65.05, 15.39, 43.25

 

CMYK 61 / 0 / 30 / 20

HEX #4FCD90

RGB 79 205 144

HSL 150.95, 0.56%, 0.56%

LAB 74.41, -48.91, 20.27

 

CMYK 30 / 61 / 0 / 20

HEX #904FCD

RGB 144 79 205

HSL 270.95, 0.56%, 0.56%

LAB 46.88, 50.67, -55.09

 

CMYK 0 / 29 / 61 / 20

HEX #CD9250

RGB 205 146 80

HSL 31.68, 0.56%, 0.56%

LAB 65.05, 15.39, 43.25

 

CMYK 44 / 0 / 61 / 20

HEX #73CD4F

RGB 115 205 79

HSL 102.86, 0.56%, 0.56%

LAB 74.74, -49.53, 53.07

 

CMYK 61 / 32 / 0 / 20

HEX #4F8CCD

RGB 79 140 205

HSL 210.95, 0.56%, 0.56%

LAB 56.91, 0.11, -39.45

 

CMYK 17 / 61 / 0 / 20

HEX #AA4FCD

RGB 170 79 205

HSL 283.33, 0.56%, 0.56%

LAB 50.15, 56.78, -49.67

 

CMYK 0 / 29 / 61 / 20

HEX #CD9250

RGB 205 146 80

HSL 31.68, 0.56%, 0.56%

LAB 65.05, 15.39, 43.25

 

CMYK 61 / 0 / 60 / 20

HEX #4FCD52

RGB 79 205 82

HSL 121.43, 0.56%, 0.56%

LAB 73.5, -58.82, 50

 

CMYK 61 / 32 / 0 / 20

HEX #4F8CCD

RGB 79 140 205

HSL 210.95, 0.56%, 0.56%

LAB 56.91, 0.11, -39.45

 

CMYK 0 / 61 / 1 / 20

HEX #CD4FCB

RGB 205 79 203

HSL 300.95, 0.56%, 0.56%

LAB 54.95, 64.93, -40.61

 

Description

Color code: HEX #CD9250 | qconv.com Color code: HEX #CD9250 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 146 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 146 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 61 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 61% 20% C M Y K

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Provide designers and agencies with accurate color values.

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