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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDA98E it is the complementary color #325671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDA98E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDA98E shade: #D2A989, #E3BB9C, #F4CDAF, #FFDFC2 and #FFF1D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDA98E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDA98E shade: #CDA98E, #BC977B, #AB8568, #9A7355 and #896142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDA98E shade: #CDA88D, #CD978D and #CD8D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDA98E shade: #CDA88D, #CDBA8D, #CDCB8D, #BECD8D and #ACCD8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDA98E shade matches the following richer shades: #CDA88D, #DAA680, #E7A573 and #F4A365

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDA98E shade: #CDA88D, #C0AA9A, #B2ACA7, #A5AEB5 and #98B0C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDA98E shade: #CD8D95, #CD978D, #CDA88D, #CDB98D and #CDCA8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDA98E shade: #B47D54, #C09370, #CDA88D, #D9BEAA and #E6D4C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDA98E shade: #CDA98E, #A5CD8D and #8E8DCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDA98E shade: #CDA98E, #8DCDA8 and #A88DCD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDA98E shade: #CDA98E, #A5CD8D, #8DB2CD and #B48DCD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDA98E shade: #CDA98E, #92CD8D, #8DB2CD and #C78DCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

Complementary color

CMYK 56 / 24 / 0 / 56

HEX #325671

RGB 50 86 113

HSL 205.71, 0.39%, 0.32%

LAB 35.06, -4.43, -19.39

 

CMYK 0 / 20 / 35 / 18

HEX #D2A989

RGB 210 169 137

HSL 26.3, 0.45%, 0.68%

LAB 72.15, 10.55, 22.2

 

CMYK 0 / 18 / 31 / 11

HEX #E3BB9C

RGB 227 187 156

HSL 26.2, 0.56%, 0.75%

LAB 78.62, 9.94, 21.1

 

CMYK 0 / 16 / 28 / 4

HEX #F4CDAF

RGB 244 205 175

HSL 26.09, 0.76%, 0.82%

LAB 84.99, 9.41, 20.06

 

CMYK 0 / 13 / 24 / 0

HEX #FFDFC2

RGB 255 223 194

HSL 28.52, 1%, 0.88%

LAB 90.75, 6.72, 18.27

 

CMYK 0 / 5 / 16 / 0

HEX #FFF1D5

RGB 255 241 213

HSL 40, 1%, 0.92%

LAB 95.57, 0.26, 15.22

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 0 / 20 / 35 / 26

HEX #BC977B

RGB 188 151 123

HSL 25.85, 0.33%, 0.61%

LAB 65.16, 9.83, 19.99

 

CMYK 0 / 22 / 39 / 33

HEX #AB8568

RGB 171 133 104

HSL 25.97, 0.29%, 0.54%

LAB 58.45, 10.54, 21.21

 

CMYK 0 / 25 / 45 / 40

HEX #9A7355

RGB 154 115 85

HSL 26.09, 0.29%, 0.47%

LAB 51.6, 11.37, 22.55

 

CMYK 0 / 29 / 52 / 46

HEX #896142

RGB 137 97 66

HSL 26.2, 0.35%, 0.4%

LAB 44.61, 12.38, 24.04

 

CMYK 0 / 18 / 31 / 20

HEX #CDA88D

RGB 205 168 141

HSL 25.31, 0.39%, 0.68%

LAB 71.49, 9.63, 19.05

 

CMYK 0 / 26 / 31 / 20

HEX #CD978D

RGB 205 151 141

HSL 9.37, 0.39%, 0.68%

LAB 67.3, 18.88, 13.22

 

CMYK 0 / 31 / 31 / 20

HEX #CD8D8D

RGB 205 141 141

HSL 0, 0.39%, 0.68%

LAB 64.92, 24.34, 9.86

 

CMYK 0 / 18 / 31 / 20

HEX #CDA88D

RGB 205 168 141

HSL 25.31, 0.39%, 0.68%

LAB 71.49, 9.63, 19.05

 

CMYK 0 / 9 / 31 / 20

HEX #CDBA8D

RGB 205 186 141

HSL 42.19, 0.39%, 0.68%

LAB 76.08, 0, 25.31

 

CMYK 0 / 1 / 31 / 20

HEX #CDCB8D

RGB 205 203 141

HSL 58.13, 0.39%, 0.68%

LAB 80.52, -8.85, 31.25

 

CMYK 7 / 0 / 31 / 20

HEX #BECD8D

RGB 190 205 141

HSL 74.06, 0.39%, 0.68%

LAB 79.92, -15.61, 30.24

 

CMYK 16 / 0 / 31 / 20

HEX #ACCD8D

RGB 172 205 141

HSL 90.94, 0.39%, 0.68%

LAB 78.67, -22.29, 28.35

 

CMYK 0 / 18 / 31 / 20

HEX #CDA88D

RGB 205 168 141

HSL 25.31, 0.39%, 0.68%

LAB 71.49, 9.63, 19.05

 

CMYK 0 / 24 / 41 / 15

HEX #DAA680

RGB 218 166 128

HSL 25.33, 0.55%, 0.68%

LAB 72.05, 14.29, 27.08

 

CMYK 0 / 29 / 50 / 9

HEX #E7A573

RGB 231 165 115

HSL 25.86, 0.71%, 0.68%

LAB 72.98, 18.75, 35.49

 

CMYK 0 / 33 / 59 / 4

HEX #F4A365

RGB 244 163 101

HSL 26.01, 0.87%, 0.68%

LAB 73.78, 23.91, 44.06

 

CMYK 0 / 18 / 31 / 20

HEX #CDA88D

RGB 205 168 141

HSL 25.31, 0.39%, 0.68%

LAB 71.49, 9.63, 19.05

 

CMYK 0 / 11 / 20 / 25

HEX #C0AA9A

RGB 192 170 154

HSL 25.26, 0.23%, 0.68%

LAB 71.07, 5.37, 11.16

 

CMYK 0 / 3 / 6 / 30

HEX #B2ACA7

RGB 178 172 167

HSL 27.27, 0.07%, 0.68%

LAB 70.71, 1.24, 3.32

 

CMYK 9 / 4 / 0 / 29

HEX #A5AEB5

RGB 165 174 181

HSL 206.25, 0.1%, 0.68%

LAB 70.6, -1.75, -4.67

 

CMYK 22 / 9 / 0 / 24

HEX #98B0C2

RGB 152 176 194

HSL 205.71, 0.26%, 0.68%

LAB 70.61, -4.29, -11.92

 

CMYK 0 / 31 / 27 / 20

HEX #CD8D95

RGB 205 141 149

HSL 352.5, 0.39%, 0.68%

LAB 65.12, 25.43, 5.63

 

CMYK 0 / 26 / 31 / 20

HEX #CD978D

RGB 205 151 141

HSL 9.37, 0.39%, 0.68%

LAB 67.3, 18.88, 13.22

 

CMYK 0 / 18 / 31 / 20

HEX #CDA88D

RGB 205 168 141

HSL 25.31, 0.39%, 0.68%

LAB 71.49, 9.63, 19.05

 

CMYK 0 / 10 / 31 / 20

HEX #CDB98D

RGB 205 185 141

HSL 41.25, 0.39%, 0.68%

LAB 75.82, 0.53, 24.96

 

CMYK 0 / 1 / 31 / 20

HEX #CDCA8D

RGB 205 202 141

HSL 57.19, 0.39%, 0.68%

LAB 80.26, -8.34, 30.9

 

CMYK 0 / 31 / 53 / 29

HEX #B47D54

RGB 180 125 84

HSL 25.63, 0.39%, 0.52%

LAB 57.09, 16.7, 30.79

 

CMYK 0 / 23 / 42 / 25

HEX #C09370

RGB 192 147 112

HSL 26.25, 0.39%, 0.6%

LAB 64.36, 12.34, 25.06

 

CMYK 0 / 18 / 31 / 20

HEX #CDA88D

RGB 205 168 141

HSL 25.31, 0.39%, 0.68%

LAB 71.49, 9.63, 19.05

 

CMYK 0 / 12 / 22 / 15

HEX #D9BEAA

RGB 217 190 170

HSL 25.53, 0.38%, 0.76%

LAB 78.74, 6.47, 13.62

 

CMYK 0 / 8 / 14 / 10

HEX #E6D4C6

RGB 230 212 198

HSL 26.25, 0.39%, 0.84%

LAB 86, 3.93, 9.16

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 20 / 0 / 31 / 20

HEX #A5CD8D

RGB 165 205 141

HSL 97.5, 0.39%, 0.68%

LAB 78.22, -24.81, 27.67

 

CMYK 31 / 31 / 0 / 20

HEX #8E8DCD

RGB 142 141 205

HSL 240.94, 0.39%, 0.68%

LAB 60.97, 15, -32.83

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 31 / 0 / 18 / 20

HEX #8DCDA8

RGB 141 205 168

HSL 145.31, 0.39%, 0.68%

LAB 77.37, -28.13, 12

 

CMYK 18 / 31 / 0 / 20

HEX #A88DCD

RGB 168 141 205

HSL 265.31, 0.39%, 0.68%

LAB 63.16, 22.85, -29.25

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 20 / 0 / 31 / 20

HEX #A5CD8D

RGB 165 205 141

HSL 97.5, 0.39%, 0.68%

LAB 78.22, -24.81, 27.67

 

CMYK 31 / 13 / 0 / 20

HEX #8DB2CD

RGB 141 178 205

HSL 205.31, 0.39%, 0.68%

LAB 70.81, -6.08, -17.73

 

CMYK 12 / 31 / 0 / 20

HEX #B48DCD

RGB 180 141 205

HSL 276.56, 0.39%, 0.68%

LAB 64.29, 26.62, -27.41

 

CMYK 0 / 18 / 31 / 20

HEX #CDA98E

RGB 205 169 142

HSL 25.71, 0.39%, 0.68%

LAB 71.76, 9.22, 18.88

 

CMYK 29 / 0 / 31 / 20

HEX #92CD8D

RGB 146 205 141

HSL 115.31, 0.39%, 0.68%

LAB 77.1, -31.36, 25.97

 

CMYK 31 / 13 / 0 / 20

HEX #8DB2CD

RGB 141 178 205

HSL 205.31, 0.39%, 0.68%

LAB 70.81, -6.08, -17.73

 

CMYK 3 / 31 / 0 / 20

HEX #C78DCD

RGB 199 141 205

HSL 294.38, 0.39%, 0.68%

LAB 66.21, 32.71, -24.3

 

Description

Color code: HEX #CDA98E | qconv.com Color code: HEX #CDA98E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 169 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 169 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 31 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 31% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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