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Color name
HEX #CDA278

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDA278 it is the complementary color #325D87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDA278. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDA278 shade: #D2A273, #E3B486, #F4C699, #FFD8AC and #FFEABF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDA278. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDA278 shade: #CDA278, #BC9065, #AB7E52, #9A6C3F and #895A2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDA278 shade: #CDA278, #CD8B78 and #CD7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDA278 shade: #CDA278, #CDB978, #CACD78, #B3CD78 and #9DCD78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDA278 shade matches the following richer shades: #CDA278, #DCA26A, #EBA25B and #F9A24C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDA278 shade: #CDA278, #BEA287, #AFA396, #A0A3A5 and #92A3B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDA278 shade: #CD787D, #CD8B78, #CDA178, #CDB878 and #CCCD78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDA278 shade: #B27941, #C28D5A, #CDA278, #D8B797 and #E3CCB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDA278 shade: #CDA278, #93CD78 and #8078CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDA278 shade: #CDA278, #78CDA1 and #A178CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDA278 shade: #CDA278, #93CD78, #78A4CD and #B278CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDA278 shade: #CDA278, #7ACD78, #78A4CD and #CC78CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

Complementary color

CMYK 63 / 31 / 0 / 47

HEX #325D87

RGB 50 93 135

HSL 209.65, 0.46%, 0.36%

LAB 38.3, -1.17, -27.85

 

CMYK 0 / 23 / 45 / 18

HEX #D2A273

RGB 210 162 115

HSL 29.68, 0.51%, 0.64%

LAB 70.02, 11.84, 31.23

 

CMYK 0 / 21 / 41 / 11

HEX #E3B486

RGB 227 180 134

HSL 29.68, 0.62%, 0.71%

LAB 76.49, 11.05, 29.94

 

CMYK 0 / 19 / 37 / 4

HEX #F4C699

RGB 244 198 153

HSL 29.67, 0.81%, 0.78%

LAB 82.87, 10.36, 28.73

 

CMYK 0 / 15 / 33 / 0

HEX #FFD8AC

RGB 255 216 172

HSL 31.81, 1%, 0.84%

LAB 88.61, 7.48, 26.76

 

CMYK 0 / 8 / 25 / 0

HEX #FFEABF

RGB 255 234 191

HSL 40.31, 1%, 0.87%

LAB 93.39, 0.7, 23.5

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 0 / 23 / 46 / 26

HEX #BC9065

RGB 188 144 101

HSL 29.66, 0.39%, 0.57%

LAB 62.99, 11.16, 29.21

 

CMYK 0 / 26 / 52 / 33

HEX #AB7E52

RGB 171 126 82

HSL 29.66, 0.35%, 0.5%

LAB 56.28, 12.11, 30.65

 

CMYK 0 / 30 / 59 / 40

HEX #9A6C3F

RGB 154 108 63

HSL 29.67, 0.42%, 0.43%

LAB 49.44, 13.26, 32.19

 

CMYK 0 / 34 / 68 / 46

HEX #895A2C

RGB 137 90 44

HSL 29.68, 0.51%, 0.35%

LAB 42.48, 14.65, 33.82

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 0 / 32 / 41 / 20

HEX #CD8B78

RGB 205 139 120

HSL 13.41, 0.46%, 0.64%

LAB 64, 22.87, 20.38

 

CMYK 0 / 41 / 41 / 20

HEX #CD7878

RGB 205 120 120

HSL 0, 0.46%, 0.64%

LAB 59.68, 33.15, 14.43

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 0 / 10 / 41 / 20

HEX #CDB978

RGB 205 185 120

HSL 45.88, 0.46%, 0.64%

LAB 75.47, -1.95, 35.55

 

CMYK 1 / 0 / 41 / 20

HEX #CACD78

RGB 202 205 120

HSL 62.12, 0.46%, 0.64%

LAB 80.5, -13.47, 41.88

 

CMYK 13 / 0 / 41 / 20

HEX #B3CD78

RGB 179 205 120

HSL 78.35, 0.46%, 0.64%

LAB 78.81, -22.43, 39.39

 

CMYK 23 / 0 / 41 / 20

HEX #9DCD78

RGB 157 205 120

HSL 93.88, 0.46%, 0.64%

LAB 77.39, -30.61, 37.29

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 0 / 26 / 52 / 14

HEX #DCA26A

RGB 220 162 106

HSL 29.47, 0.62%, 0.64%

LAB 70.94, 15.07, 37.38

 

CMYK 0 / 31 / 61 / 8

HEX #EBA25B

RGB 235 162 91

HSL 29.58, 0.78%, 0.64%

LAB 72.4, 20.07, 47.2

 

CMYK 0 / 35 / 69 / 2

HEX #F9A24C

RGB 249 162 76

HSL 29.83, 0.94%, 0.64%

LAB 73.87, 24.93, 56.46

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 0 / 15 / 29 / 25

HEX #BEA287

RGB 190 162 135

HSL 29.45, 0.3%, 0.64%

LAB 68.41, 6.19, 17.86

 

CMYK 0 / 7 / 14 / 31

HEX #AFA396

RGB 175 163 150

HSL 31.2, 0.14%, 0.64%

LAB 67.66, 2.11, 8.31

 

CMYK 3 / 1 / 0 / 35

HEX #A0A3A5

RGB 160 163 165

HSL 204, 0.03%, 0.64%

LAB 66.81, -0.68, -1.42

 

CMYK 19 / 9 / 0 / 29

HEX #92A3B4

RGB 146 163 180

HSL 210, 0.18%, 0.64%

LAB 66.21, -2.28, -10.79

 

CMYK 0 / 41 / 39 / 20

HEX #CD787D

RGB 205 120 125

HSL 356.47, 0.46%, 0.64%

LAB 59.79, 33.71, 11.72

 

CMYK 0 / 32 / 41 / 20

HEX #CD8B78

RGB 205 139 120

HSL 13.41, 0.46%, 0.64%

LAB 64, 22.87, 20.38

 

CMYK 0 / 21 / 41 / 20

HEX #CDA178

RGB 205 161 120

HSL 28.94, 0.46%, 0.64%

LAB 69.34, 10.88, 27.56

 

CMYK 0 / 10 / 41 / 20

HEX #CDB878

RGB 205 184 120

HSL 45.18, 0.46%, 0.64%

LAB 75.21, -1.43, 35.21

 

CMYK 0 / 0 / 41 / 20

HEX #CCCD78

RGB 204 205 120

HSL 60.71, 0.46%, 0.64%

LAB 80.66, -12.67, 42.11

 

CMYK 0 / 32 / 63 / 30

HEX #B27941

RGB 178 121 65

HSL 29.73, 0.47%, 0.48%

LAB 55.61, 16.56, 39.13

 

CMYK 0 / 27 / 54 / 24

HEX #C28D5A

RGB 194 141 90

HSL 29.42, 0.46%, 0.56%

LAB 62.72, 14.27, 34.94

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 0 / 15 / 30 / 15

HEX #D8B797

RGB 216 183 151

HSL 29.54, 0.45%, 0.72%

LAB 76.5, 7.18, 20.69

 

CMYK 0 / 10 / 20 / 11

HEX #E3CCB5

RGB 227 204 181

HSL 30, 0.45%, 0.8%

LAB 83.36, 4.43, 14.39

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 28 / 0 / 41 / 20

HEX #93CD78

RGB 147 205 120

HSL 100.94, 0.46%, 0.64%

LAB 76.81, -34.14, 36.43

 

CMYK 38 / 41 / 0 / 20

HEX #8078CD

RGB 128 120 205

HSL 245.65, 0.46%, 0.64%

LAB 54.48, 23.41, -43.07

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 41 / 0 / 21 / 20

HEX #78CDA1

RGB 120 205 161

HSL 148.94, 0.46%, 0.64%

LAB 76.21, -35.66, 13.96

 

CMYK 21 / 41 / 0 / 20

HEX #A178CD

RGB 161 120 205

HSL 268.94, 0.46%, 0.64%

LAB 57.48, 32.68, -38.14

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 28 / 0 / 41 / 20

HEX #93CD78

RGB 147 205 120

HSL 100.94, 0.46%, 0.64%

LAB 76.81, -34.14, 36.43

 

CMYK 41 / 20 / 0 / 20

HEX #78A4CD

RGB 120 164 205

HSL 208.94, 0.46%, 0.64%

LAB 65.71, -4.22, -25.61

 

CMYK 13 / 41 / 0 / 20

HEX #B278CD

RGB 178 120 205

HSL 280.94, 0.46%, 0.64%

LAB 59.26, 37.7, -35.24

 

CMYK 0 / 21 / 41 / 20

HEX #CDA278

RGB 205 162 120

HSL 29.65, 0.46%, 0.64%

LAB 69.59, 10.34, 27.89

 

CMYK 40 / 0 / 41 / 20

HEX #7ACD78

RGB 122 205 120

HSL 118.59, 0.46%, 0.64%

LAB 75.55, -42.31, 34.55

 

CMYK 41 / 20 / 0 / 20

HEX #78A4CD

RGB 120 164 205

HSL 208.94, 0.46%, 0.64%

LAB 65.71, -4.22, -25.61

 

CMYK 0 / 41 / 0 / 20

HEX #CC78CD

RGB 204 120 205

HSL 299.29, 0.46%, 0.64%

LAB 62.23, 45.54, -30.37

 

Description

Color code: HEX #CDA278 | qconv.com Color code: HEX #CDA278 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 162 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 162 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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