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Color name
HEX #CDB35F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDB35F it is the complementary color #324CA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDB35F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDB35F shade: #D2B35A, #E3C56D, #F4D780, #FFE993 and #FFFBA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDB35F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDB35F shade: #CDB35F, #BCA14C, #AB8F39, #9A7D26 and #896B13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDB35F shade: #CCB360, #CC9560, #CC7860 and #CC6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDB35F shade: #CCB360, #C9CC60, #ABCC60, #8ECC60 and #71CC60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDB35F shade matches the following richer shades: #CCB360, #DDBC4F and #EEC43E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDB35F shade: #CCB360, #BBAA71, #AAA181, #9A9892 and #898FA3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDB35F shade: #CC7760, #CC9460, #CCB160, #CBCC60 and #AECC60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDB35F shade: #A58B34, #C2A440, #CCB360, #D6C27F and #E0D19E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDB35F shade: #CDB35F, #65CC60 and #8660CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDB35F shade: #CDB35F, #60CCB1 and #B160CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDB35F shade: #CDB35F, #65CC60, #607BCC and #C760CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDB35F shade: #CDB35F, #60CC7B, #607BCC and #CC60B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

Complementary color

CMYK 69 / 53 / 0 / 37

HEX #324CA0

RGB 50 76 160

HSL 225.82, 0.52%, 0.41%

LAB 34.77, 19.11, -48.59

 

CMYK 0 / 15 / 57 / 18

HEX #D2B35A

RGB 210 179 90

HSL 44.5, 0.57%, 0.59%

LAB 73.98, 0.51, 48.87

 

CMYK 0 / 13 / 52 / 11

HEX #E3C56D

RGB 227 197 109

HSL 44.75, 0.68%, 0.66%

LAB 80.39, -0.31, 47.64

 

CMYK 0 / 12 / 48 / 4

HEX #F4D780

RGB 244 215 128

HSL 45, 0.84%, 0.73%

LAB 86.7, -1.01, 46.4

 

CMYK 0 / 9 / 42 / 0

HEX #FFE993

RGB 255 233 147

HSL 47.78, 1%, 0.79%

LAB 92.42, -3.96, 44.44

 

CMYK 0 / 2 / 35 / 0

HEX #FFFBA6

RGB 255 251 166

HSL 57.3, 1%, 0.83%

LAB 97.23, -10.88, 41.26

 

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

CMYK 0 / 14 / 60 / 26

HEX #BCA14C

RGB 188 161 76

HSL 45.54, 0.46%, 0.52%

LAB 67.05, -0.33, 47.07

 

CMYK 0 / 16 / 67 / 33

HEX #AB8F39

RGB 171 143 57

HSL 45.26, 0.5%, 0.45%

LAB 60.43, 0.7, 48.18

 

CMYK 0 / 19 / 75 / 40

HEX #9A7D26

RGB 154 125 38

HSL 45, 0.6%, 0.38%

LAB 53.68, 1.96, 48.95

 

CMYK 0 / 22 / 86 / 46

HEX #896B13

RGB 137 107 19

HSL 44.75, 0.76%, 0.31%

LAB 46.82, 3.53, 48.89

 

CMYK 0 / 12 / 53 / 20

HEX #CCB360

RGB 204 179 96

HSL 46.11, 0.51%, 0.59%

LAB 73.49, -1.52, 45.24

 

CMYK 0 / 27 / 53 / 20

HEX #CC9560

RGB 204 149 96

HSL 29.44, 0.51%, 0.59%

LAB 65.89, 14.61, 35.94

 

CMYK 0 / 41 / 53 / 20

HEX #CC7860

RGB 204 120 96

HSL 13.33, 0.51%, 0.59%

LAB 59.08, 30.37, 27.26

 

CMYK 0 / 53 / 53 / 20

HEX #CC6060

RGB 204 96 96

HSL 0, 0.51%, 0.59%

LAB 54.08, 42.84, 20.66

 

CMYK 0 / 12 / 53 / 20

HEX #CCB360

RGB 204 179 96

HSL 46.11, 0.51%, 0.59%

LAB 73.49, -1.52, 45.24

 

CMYK 1 / 0 / 53 / 20

HEX #C9CC60

RGB 201 204 96

HSL 61.67, 0.51%, 0.59%

LAB 79.87, -15.63, 52.67

 

CMYK 16 / 0 / 53 / 20

HEX #ABCC60

RGB 171 204 96

HSL 78.33, 0.51%, 0.59%

LAB 77.69, -27.59, 49.57

 

CMYK 30 / 0 / 53 / 20

HEX #8ECC60

RGB 142 204 96

HSL 94.44, 0.51%, 0.59%

LAB 75.93, -38.37, 47.07

 

CMYK 45 / 0 / 53 / 20

HEX #71CC60

RGB 113 204 96

HSL 110.56, 0.51%, 0.59%

LAB 74.53, -47.87, 45.05

 

CMYK 0 / 12 / 53 / 20

HEX #CCB360

RGB 204 179 96

HSL 46.11, 0.51%, 0.59%

LAB 73.49, -1.52, 45.24

 

CMYK 0 / 15 / 64 / 13

HEX #DDBC4F

RGB 221 188 79

HSL 46.06, 0.68%, 0.59%

LAB 77.22, -0.32, 57.85

 

CMYK 0 / 18 / 74 / 7

HEX #EEC43E

RGB 238 196 62

HSL 45.68, 0.84%, 0.59%

LAB 80.74, 1.85, 68.8

 

CMYK 0 / 12 / 53 / 20

HEX #CCB360

RGB 204 179 96

HSL 46.11, 0.51%, 0.59%

LAB 73.49, -1.52, 45.24

 

CMYK 0 / 9 / 40 / 27

HEX #BBAA71

RGB 187 170 113

HSL 46.22, 0.35%, 0.59%

LAB 69.83, -2.1, 31.61

 

CMYK 0 / 5 / 24 / 33

HEX #AAA181

RGB 170 161 129

HSL 46.83, 0.19%, 0.59%

LAB 66.23, -2.01, 17.87

 

CMYK 0 / 1 / 5 / 40

HEX #9A9892

RGB 154 152 146

HSL 45, 0.04%, 0.59%

LAB 62.85, -0.39, 3.4

 

CMYK 16 / 12 / 0 / 36

HEX #898FA3

RGB 137 143 163

HSL 226.15, 0.12%, 0.59%

LAB 59.53, 2.09, -11.28

 

CMYK 0 / 42 / 53 / 20

HEX #CC7760

RGB 204 119 96

HSL 12.78, 0.51%, 0.59%

LAB 58.86, 30.91, 26.98

 

CMYK 0 / 27 / 53 / 20

HEX #CC9460

RGB 204 148 96

HSL 28.89, 0.51%, 0.59%

LAB 65.64, 15.16, 35.63

 

CMYK 0 / 13 / 53 / 20

HEX #CCB160

RGB 204 177 96

HSL 45, 0.51%, 0.59%

LAB 72.97, -0.46, 44.61

 

CMYK 0 / 0 / 53 / 20

HEX #CBCC60

RGB 203 204 96

HSL 60.56, 0.51%, 0.59%

LAB 80.03, -14.81, 52.89

 

CMYK 15 / 0 / 53 / 20

HEX #AECC60

RGB 174 204 96

HSL 76.67, 0.51%, 0.59%

LAB 77.89, -26.43, 49.86

 

CMYK 0 / 16 / 68 / 35

HEX #A58B34

RGB 165 139 52

HSL 46.19, 0.52%, 0.43%

LAB 58.71, -0.08, 48.43

 

CMYK 0 / 15 / 67 / 24

HEX #C2A440

RGB 194 164 64

HSL 46.15, 0.52%, 0.51%

LAB 68.31, -0.13, 54.11

 

CMYK 0 / 12 / 53 / 20

HEX #CCB360

RGB 204 179 96

HSL 46.11, 0.51%, 0.59%

LAB 73.49, -1.52, 45.24

 

CMYK 0 / 9 / 41 / 16

HEX #D6C27F

RGB 214 194 127

HSL 46.21, 0.51%, 0.67%

LAB 78.7, -2.28, 36.25

 

CMYK 0 / 7 / 29 / 12

HEX #E0D19E

RGB 224 209 158

HSL 46.36, 0.52%, 0.75%

LAB 83.92, -2.47, 27.23

 

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

CMYK 50 / 0 / 53 / 20

HEX #65CC60

RGB 101 204 96

HSL 117.22, 0.51%, 0.59%

LAB 74.06, -51.31, 44.37

 

CMYK 34 / 53 / 0 / 20

HEX #8660CC

RGB 134 96 204

HSL 261.11, 0.51%, 0.59%

LAB 49.24, 38.76, -50.79

 

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

CMYK 53 / 0 / 13 / 20

HEX #60CCB1

RGB 96 204 177

HSL 165, 0.51%, 0.59%

LAB 75.36, -37.62, 4.02

 

CMYK 13 / 53 / 0 / 20

HEX #B160CC

RGB 177 96 204

HSL 285, 0.51%, 0.59%

LAB 54.1, 50.01, -42.77

 

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

CMYK 50 / 0 / 53 / 20

HEX #65CC60

RGB 101 204 96

HSL 117.22, 0.51%, 0.59%

LAB 74.06, -51.31, 44.37

 

CMYK 53 / 40 / 0 / 20

HEX #607BCC

RGB 96 123 204

HSL 225, 0.51%, 0.59%

LAB 52.96, 13.44, -45.05

 

CMYK 2 / 53 / 0 / 20

HEX #C760CC

RGB 199 96 204

HSL 297.22, 0.51%, 0.59%

LAB 56.95, 55.96, -38.1

 

CMYK 0 / 13 / 54 / 20

HEX #CDB35F

RGB 205 179 95

HSL 45.82, 0.52%, 0.59%

LAB 73.58, -1.19, 45.85

 

CMYK 53 / 0 / 40 / 20

HEX #60CC7B

RGB 96 204 123

HSL 135, 0.51%, 0.59%

LAB 74.26, -48.63, 31.14

 

CMYK 53 / 40 / 0 / 20

HEX #607BCC

RGB 96 123 204

HSL 225, 0.51%, 0.59%

LAB 52.96, 13.44, -45.05

 

CMYK 0 / 53 / 13 / 20

HEX #CC60B1

RGB 204 96 177

HSL 315, 0.51%, 0.59%

LAB 56.46, 52.81, -23.32

 

Description

Color code: HEX #CDB35F | qconv.com Color code: HEX #CDB35F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 179 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 179 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 54% 20% C M Y K

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Provide designers and agencies with accurate color values.

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