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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDC678 it is the complementary color #323987. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDC678. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDC678 shade: #D2C673, #E3D886, #F4EA99, #FFFCAC and #FFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDC678. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDC678 shade: #CDC678, #BCB465, #ABA252, #9A903F and #897E2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDC678 shade: #CDC678, #CDAF78, #CD9878, #CD8278 and #CD7878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDC678 shade: #CDC678, #BDCD78, #A6CD78, #90CD78 and #79CD78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDC678 shade matches the following richer shades: #CDC678, #DCD26A, #EBDF5B and #F9EB4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDC678 shade: #CDC678, #BEBA87, #AFAD96, #A0A1A5 and #9294B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDC678 shade: #CD9978, #CDAF78, #CDC678, #BDCD78 and #A7CD78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDC678 shade: #B2A841, #C2B95A, #CDC678, #D8D397 and #E3DFB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDC678 shade: #CDC678, #78CD82 and #A478CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDC678 shade: #CDC678, #78CDC6 and #C678CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDC678 shade: #CDC678, #78CD82, #7880CD and #CD78C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDC678 shade: #CDC678, #78CD9C, #7880CD and #CD78AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

Complementary color

CMYK 63 / 58 / 0 / 47

HEX #323987

RGB 50 57 135

HSL 235.06, 0.46%, 0.36%

LAB 27.72, 22.64, -44.72

 

CMYK 0 / 6 / 45 / 18

HEX #D2C673

RGB 210 198 115

HSL 52.42, 0.51%, 0.64%

LAB 79.23, -7.2, 42.92

 

CMYK 0 / 5 / 41 / 11

HEX #E3D886

RGB 227 216 134

HSL 52.9, 0.62%, 0.71%

LAB 85.59, -7.68, 41.73

 

CMYK 0 / 4 / 37 / 4

HEX #F4EA99

RGB 244 234 153

HSL 53.41, 0.81%, 0.78%

LAB 91.85, -8.08, 40.56

 

CMYK 0 / 1 / 33 / 0

HEX #FFFCAC

RGB 255 252 172

HSL 57.83, 1%, 0.84%

LAB 97.58, -10.68, 38.75

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBF

RGB 255 255 191

HSL 60, 1%, 0.87%

LAB 98.65, -9.81, 30.68

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 0 / 4 / 46 / 26

HEX #BCB465

RGB 188 180 101

HSL 54.48, 0.39%, 0.57%

LAB 72.41, -8.24, 41.1

 

CMYK 0 / 5 / 52 / 33

HEX #ABA252

RGB 171 162 82

HSL 53.93, 0.35%, 0.5%

LAB 65.83, -7.67, 42.32

 

CMYK 0 / 6 / 59 / 40

HEX #9A903F

RGB 154 144 63

HSL 53.41, 0.42%, 0.43%

LAB 59.14, -6.97, 43.49

 

CMYK 0 / 8 / 68 / 46

HEX #897E2C

RGB 137 126 44

HSL 52.9, 0.51%, 0.35%

LAB 52.31, -6.08, 44.46

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 0 / 15 / 41 / 20

HEX #CDAF78

RGB 205 175 120

HSL 38.82, 0.46%, 0.64%

LAB 72.89, 3.35, 32.21

 

CMYK 0 / 26 / 41 / 20

HEX #CD9878

RGB 205 152 120

HSL 22.59, 0.46%, 0.64%

LAB 67.12, 15.78, 24.59

 

CMYK 0 / 37 / 41 / 20

HEX #CD8278

RGB 205 130 120

HSL 7.06, 0.46%, 0.64%

LAB 61.91, 27.77, 17.52

 

CMYK 0 / 41 / 41 / 20

HEX #CD7878

RGB 205 120 120

HSL 0, 0.46%, 0.64%

LAB 59.68, 33.15, 14.43

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 8 / 0 / 41 / 20

HEX #BDCD78

RGB 189 205 120

HSL 71.29, 0.46%, 0.64%

LAB 79.52, -18.58, 40.43

 

CMYK 19 / 0 / 41 / 20

HEX #A6CD78

RGB 166 205 120

HSL 87.53, 0.46%, 0.64%

LAB 77.95, -27.32, 38.12

 

CMYK 30 / 0 / 41 / 20

HEX #90CD78

RGB 144 205 120

HSL 103.06, 0.46%, 0.64%

LAB 76.65, -35.17, 36.19

 

CMYK 41 / 0 / 41 / 20

HEX #79CD78

RGB 121 205 120

HSL 119.29, 0.46%, 0.64%

LAB 75.5, -42.61, 34.49

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 0 / 5 / 52 / 14

HEX #DCD26A

RGB 220 210 106

HSL 54.74, 0.62%, 0.64%

LAB 83.1, -10.08, 52.16

 

CMYK 0 / 5 / 61 / 8

HEX #EBDF5B

RGB 235 223 91

HSL 55, 0.78%, 0.64%

LAB 87.58, -11.58, 64.25

 

CMYK 0 / 6 / 69 / 2

HEX #F9EB4C

RGB 249 235 76

HSL 55.14, 0.94%, 0.64%

LAB 91.72, -12.61, 74.75

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 0 / 2 / 29 / 25

HEX #BEBA87

RGB 190 186 135

HSL 55.64, 0.3%, 0.64%

LAB 74.71, -6.65, 26.43

 

CMYK 0 / 1 / 14 / 31

HEX #AFAD96

RGB 175 173 150

HSL 55.2, 0.14%, 0.64%

LAB 70.32, -3.31, 12.08

 

CMYK 3 / 2 / 0 / 35

HEX #A0A1A5

RGB 160 161 165

HSL 228, 0.03%, 0.64%

LAB 66.27, 0.42, -2.21

 

CMYK 19 / 18 / 0 / 29

HEX #9294B4

RGB 146 148 180

HSL 236.47, 0.18%, 0.64%

LAB 62.16, 6.11, -16.9

 

CMYK 0 / 25 / 41 / 20

HEX #CD9978

RGB 205 153 120

HSL 23.29, 0.46%, 0.64%

LAB 67.37, 15.23, 24.92

 

CMYK 0 / 15 / 41 / 20

HEX #CDAF78

RGB 205 175 120

HSL 38.82, 0.46%, 0.64%

LAB 72.89, 3.35, 32.21

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 8 / 0 / 41 / 20

HEX #BDCD78

RGB 189 205 120

HSL 71.29, 0.46%, 0.64%

LAB 79.52, -18.58, 40.43

 

CMYK 19 / 0 / 41 / 20

HEX #A7CD78

RGB 167 205 120

HSL 86.82, 0.46%, 0.64%

LAB 78.01, -26.95, 38.21

 

CMYK 0 / 6 / 63 / 30

HEX #B2A841

RGB 178 168 65

HSL 54.69, 0.47%, 0.48%

LAB 67.91, -9.14, 52.81

 

CMYK 0 / 5 / 54 / 24

HEX #C2B95A

RGB 194 185 90

HSL 54.81, 0.46%, 0.56%

LAB 74.13, -9.34, 48.68

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 0 / 2 / 30 / 15

HEX #D8D397

RGB 216 211 151

HSL 55.38, 0.45%, 0.72%

LAB 83.66, -7.45, 30.4

 

CMYK 0 / 2 / 20 / 11

HEX #E3DFB5

RGB 227 223 181

HSL 54.78, 0.45%, 0.8%

LAB 88.18, -5.39, 21.12

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 41 / 0 / 37 / 20

HEX #78CD82

RGB 120 205 130

HSL 127.06, 0.46%, 0.64%

LAB 75.62, -41.34, 29.49

 

CMYK 20 / 41 / 0 / 20

HEX #A478CD

RGB 164 120 205

HSL 271.06, 0.46%, 0.64%

LAB 57.78, 33.55, -37.65

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 41 / 0 / 3 / 20

HEX #78CDC6

RGB 120 205 198

HSL 175.06, 0.46%, 0.64%

LAB 77.12, -27.41, -4.6

 

CMYK 3 / 41 / 0 / 20

HEX #C678CD

RGB 198 120 205

HSL 295.06, 0.46%, 0.64%

LAB 61.52, 43.72, -31.54

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 41 / 0 / 37 / 20

HEX #78CD82

RGB 120 205 130

HSL 127.06, 0.46%, 0.64%

LAB 75.62, -41.34, 29.49

 

CMYK 41 / 38 / 0 / 20

HEX #7880CD

RGB 120 128 205

HSL 234.35, 0.46%, 0.64%

LAB 55.93, 16.55, -40.83

 

CMYK 0 / 41 / 5 / 20

HEX #CD78C3

RGB 205 120 195

HSL 307.06, 0.46%, 0.64%

LAB 61.96, 44.04, -25.15

 

CMYK 0 / 3 / 41 / 20

HEX #CDC678

RGB 205 198 120

HSL 55.06, 0.46%, 0.64%

LAB 78.88, -8.71, 39.89

 

CMYK 41 / 0 / 24 / 20

HEX #78CD9C

RGB 120 205 156

HSL 145.41, 0.46%, 0.64%

LAB 76.1, -36.65, 16.47

 

CMYK 41 / 38 / 0 / 20

HEX #7880CD

RGB 120 128 205

HSL 234.35, 0.46%, 0.64%

LAB 55.93, 16.55, -40.83

 

CMYK 0 / 41 / 17 / 20

HEX #CD78AA

RGB 205 120 170

HSL 324.71, 0.46%, 0.64%

LAB 61.06, 39.87, -12.3

 

Description

Color code: HEX #CDC678 | qconv.com Color code: HEX #CDC678 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 198 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 198 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 41 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 41% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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