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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDC121 it is the complementary color #323EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDC121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDC121 shade: #D2C11C, #E3D32F, #F4E542, #FFF755 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDC121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDC121 shade: #CDC121, #BCAF0E, #AB9D00, #9A8B00 and #897900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDC121 shade: #CEC221, #CE9321, #CE6521, #CE3621 and #CE2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDC121 shade: #CEC221, #ABCE21, #7DCE21, #4ECE21 and #21CE23

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDC121 shade matches the following richer shades: #CEC221 and #E1D20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDC121 shade: #CEC221, #BAB134, #A7A048, #93905B and #807F6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDC121 shade: #CE6321, #CE9121, #CEBF21, #AECE21 and #80CE21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDC121 shade: #877F16, #AAA01B, #CEC221, #DED33A and #E4DB5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDC121 shade: #CDC121, #21CE35 and #7A21CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDC121 shade: #CDC121, #21CEBF and #BF21CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDC121 shade: #CDC121, #21CE35, #212FCE and #CE21BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDC121 shade: #CDC121, #21CE69, #212FCE and #CE2186

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 84 / 20

HEX #CDC121

RGB 205 193 33

HSL 55.81, 0.72%, 0.47%

LAB 76.82, -11.76, 72.97

 

Complementary color

CMYK 77 / 72 / 0 / 13

HEX #323EDE

RGB 50 62 222

HSL 235.81, 0.72%, 0.53%

LAB 36.74, 50.03, -81.74

 

CMYK 0 / 8 / 87 / 18

HEX #D2C11C

RGB 210 193 28

HSL 54.4, 0.76%, 0.47%

LAB 77.24, -9.72, 74.6

 

CMYK 0 / 7 / 79 / 11

HEX #E3D32F

RGB 227 211 47

HSL 54.67, 0.76%, 0.54%

LAB 83.51, -11.03, 75.81

 

CMYK 0 / 6 / 73 / 4

HEX #F4E542

RGB 244 229 66

HSL 54.94, 0.89%, 0.61%

LAB 89.7, -12.16, 76.13

 

CMYK 0 / 3 / 67 / 0

HEX #FFF755

RGB 255 247 85

HSL 57.18, 1%, 0.67%

LAB 95.34, -15.57, 75.24

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 0 / 6 / 84 / 20

HEX #CDC121

RGB 205 193 33

HSL 55.81, 0.72%, 0.47%

LAB 76.82, -11.76, 72.97

 

CMYK 0 / 7 / 93 / 26

HEX #BCAF0E

RGB 188 175 14

HSL 55.52, 0.86%, 0.4%

LAB 70.44, -10.34, 70.88

 

CMYK 0 / 8 / 100 / 33

HEX #AB9D00

RGB 171 157 0

HSL 55.09, 1%, 0.34%

LAB 63.98, -8.69, 67.21

 

CMYK 0 / 10 / 100 / 40

HEX #9A8B00

RGB 154 139 0

HSL 54.16, 1%, 0.3%

LAB 57.4, -6.81, 61.77

 

CMYK 0 / 12 / 100 / 46

HEX #897900

RGB 137 121 0

HSL 52.99, 1%, 0.27%

LAB 50.68, -4.85, 56.2

 

CMYK 0 / 6 / 84 / 19

HEX #CEC221

RGB 206 194 33

HSL 55.84, 0.72%, 0.47%

LAB 77.17, -11.84, 73.3

 

CMYK 0 / 29 / 84 / 19

HEX #CE9321

RGB 206 147 33

HSL 39.54, 0.72%, 0.47%

LAB 65.04, 12.99, 63.14

 

CMYK 0 / 51 / 84 / 19

HEX #CE6521

RGB 206 101 33

HSL 23.58, 0.72%, 0.47%

LAB 54.59, 37.58, 54.2

 

CMYK 0 / 74 / 84 / 19

HEX #CE3621

RGB 206 54 33

HSL 7.28, 0.72%, 0.47%

LAB 46.8, 58.17, 47.37

 

CMYK 0 / 84 / 84 / 19

HEX #CE2121

RGB 206 33 33

HSL 0, 0.72%, 0.47%

LAB 44.69, 64.12, 45.47

 

CMYK 0 / 6 / 84 / 19

HEX #CEC221

RGB 206 194 33

HSL 55.84, 0.72%, 0.47%

LAB 77.17, -11.84, 73.3

 

CMYK 17 / 0 / 84 / 19

HEX #ABCE21

RGB 171 206 33

HSL 72.14, 0.72%, 0.47%

LAB 77.82, -32.41, 72.78

 

CMYK 39 / 0 / 84 / 19

HEX #7DCE21

RGB 125 206 33

HSL 88.09, 0.72%, 0.47%

LAB 75.21, -49.7, 69.5

 

CMYK 62 / 0 / 84 / 19

HEX #4ECE21

RGB 78 206 33

HSL 104.39, 0.72%, 0.47%

LAB 73.46, -63.19, 67.29

 

CMYK 84 / 0 / 83 / 19

HEX #21CE23

RGB 33 206 35

HSL 120.69, 0.72%, 0.47%

LAB 72.62, -70.39, 65.72

 

CMYK 0 / 6 / 84 / 19

HEX #CEC221

RGB 206 194 33

HSL 55.84, 0.72%, 0.47%

LAB 77.17, -11.84, 73.3

 

CMYK 0 / 7 / 94 / 12

HEX #E1D20E

RGB 225 210 14

HSL 55.73, 0.88%, 0.47%

LAB 82.98, -12.09, 81.79

 

CMYK 0 / 6 / 84 / 19

HEX #CEC221

RGB 206 194 33

HSL 55.84, 0.72%, 0.47%

LAB 77.17, -11.84, 73.3

 

CMYK 0 / 5 / 72 / 27

HEX #BAB134

RGB 186 177 52

HSL 55.97, 0.56%, 0.47%

LAB 70.96, -11.1, 61.38

 

CMYK 0 / 4 / 57 / 35

HEX #A7A048

RGB 167 160 72

HSL 55.58, 0.4%, 0.47%

LAB 64.82, -9.17, 45.93

 

CMYK 0 / 2 / 38 / 42

HEX #93905B

RGB 147 144 91

HSL 56.79, 0.24%, 0.47%

LAB 58.89, -7.22, 28.58

 

CMYK 0 / 1 / 13 / 50

HEX #807F6F

RGB 128 127 111

HSL 56.47, 0.07%, 0.47%

LAB 52.86, -2.61, 8.84

 

CMYK 0 / 52 / 84 / 19

HEX #CE6321

RGB 206 99 33

HSL 22.89, 0.72%, 0.47%

LAB 54.19, 38.6, 53.85

 

CMYK 0 / 30 / 84 / 19

HEX #CE9121

RGB 206 145 33

HSL 38.84, 0.72%, 0.47%

LAB 64.55, 14.08, 62.72

 

CMYK 0 / 7 / 84 / 19

HEX #CEBF21

RGB 206 191 33

HSL 54.8, 0.72%, 0.47%

LAB 76.37, -10.31, 72.64

 

CMYK 16 / 0 / 84 / 19

HEX #AECE21

RGB 174 206 33

HSL 71.1, 0.72%, 0.47%

LAB 78.02, -31.2, 73.03

 

CMYK 38 / 0 / 84 / 19

HEX #80CE21

RGB 128 206 33

HSL 87.05, 0.72%, 0.47%

LAB 75.35, -48.67, 69.68

 

CMYK 0 / 6 / 84 / 47

HEX #877F16

RGB 135 127 22

HSL 55.75, 0.72%, 0.31%

LAB 52.27, -8.61, 52.58

 

CMYK 0 / 6 / 84 / 33

HEX #AAA01B

RGB 170 160 27

HSL 55.8, 0.73%, 0.39%

LAB 64.78, -10.24, 63.13

 

CMYK 0 / 6 / 84 / 19

HEX #CEC221

RGB 206 194 33

HSL 55.84, 0.72%, 0.47%

LAB 77.17, -11.84, 73.3

 

CMYK 0 / 5 / 74 / 13

HEX #DED33A

RGB 222 211 58

HSL 55.98, 0.71%, 0.55%

LAB 83.14, -12.74, 71.95

 

CMYK 0 / 4 / 59 / 11

HEX #E4DB5D

RGB 228 219 93

HSL 56, 0.71%, 0.63%

LAB 85.98, -12.32, 61.49

 

CMYK 0 / 6 / 84 / 20

HEX #CDC121

RGB 205 193 33

HSL 55.81, 0.72%, 0.47%

LAB 76.82, -11.76, 72.97

 

CMYK 84 / 0 / 74 / 19

HEX #21CE35

RGB 33 206 53

HSL 126.94, 0.72%, 0.47%

LAB 72.71, -69.26, 60.45

 

CMYK 41 / 84 / 0 / 19

HEX #7A21CE

RGB 122 33 206

HSL 270.87, 0.72%, 0.47%

LAB 37.26, 66.36, -71.42

 

CMYK 0 / 6 / 84 / 20

HEX #CDC121

RGB 205 193 33

HSL 55.81, 0.72%, 0.47%

LAB 76.82, -11.76, 72.97

 

CMYK 84 / 0 / 7 / 19

HEX #21CEBF

RGB 33 206 191

HSL 174.8, 0.72%, 0.47%

LAB 74.97, -43.9, -4.26

 

CMYK 7 / 84 / 0 / 19

HEX #BF21CE

RGB 191 33 206

HSL 294.8, 0.72%, 0.47%

LAB 47.78, 77.12, -53.87

 

CMYK 0 / 6 / 84 / 20

HEX #CDC121

RGB 205 193 33

HSL 55.81, 0.72%, 0.47%

LAB 76.82, -11.76, 72.97

 

CMYK 84 / 0 / 74 / 19

HEX #21CE35

RGB 33 206 53

HSL 126.94, 0.72%, 0.47%

LAB 72.71, -69.26, 60.45

 

CMYK 84 / 77 / 0 / 19

HEX #212FCE

RGB 33 47 206

HSL 235.14, 0.72%, 0.47%

LAB 31.38, 51.97, -81.4

 

CMYK 0 / 84 / 10 / 19

HEX #CE21BA

RGB 206 33 186

HSL 306.94, 0.72%, 0.47%

LAB 49.2, 76.88, -39.85

 

CMYK 0 / 6 / 84 / 20

HEX #CDC121

RGB 205 193 33

HSL 55.81, 0.72%, 0.47%

LAB 76.82, -11.76, 72.97

 

CMYK 84 / 0 / 49 / 19

HEX #21CE69

RGB 33 206 105

HSL 144.97, 0.72%, 0.47%

LAB 73.21, -63.11, 38.6

 

CMYK 84 / 77 / 0 / 19

HEX #212FCE

RGB 33 47 206

HSL 235.14, 0.72%, 0.47%

LAB 31.38, 51.97, -81.4

 

CMYK 0 / 84 / 35 / 19

HEX #CE2186

RGB 206 33 134

HSL 324.97, 0.72%, 0.47%

LAB 46.88, 70.52, -12.45

 

Description

Color code: HEX #CDC121 | qconv.com Color code: HEX #CDC121 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 193 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 193 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 84 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 84% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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