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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD080 it is the complementary color #322F7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD080. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD080 shade: #D2D07B, #E3E28E, #F4F4A1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD080. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD080 shade: #CDD080, #BCBE6D, #ABAC5A, #9A9A47 and #898834

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD080 shade: #CDD080, #D0BD80, #D0A880, #D09280 and #D08080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD080 shade: #CDD080, #B7D080, #A2D080, #8CD080 and #80D089

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD080 shade matches the following richer shades: #CDD080, #DADE72, #E7EC64 and #F4FA56

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD080 shade: #CDD080, #C0C28E, #B3B49C, #A6A6AA and #9998B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD080 shade: #D0A880, #D0BD80, #CDD080, #B8D080 and #A2D080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD080 shade: #B5B944, #C1C562, #CDD080, #D9DB9E and #E4E6BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD080 shade: #CDD080, #80D093 and #B280D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD080 shade: #CDD080, #80CDD0 and #D080CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD080 shade: #CDD080, #80D093, #8380D0 and #D080BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD080 shade: #CDD080, #80D0AA, #8380D0 and #D080A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

Complementary color

CMYK 61 / 63 / 0 / 50

HEX #322F7F

RGB 50 47 127

HSL 242.25, 0.46%, 0.34%

LAB 24.46, 26.47, -45.01

 

CMYK 0 / 1 / 41 / 18

HEX #D2D07B

RGB 210 208 123

HSL 58.62, 0.49%, 0.65%

LAB 81.97, -11.5, 42.36

 

CMYK 0 / 0 / 37 / 11

HEX #E3E28E

RGB 227 226 142

HSL 59.29, 0.6%, 0.72%

LAB 88.29, -11.85, 41.19

 

CMYK 0 / 0 / 34 / 4

HEX #F4F4A1

RGB 244 244 161

HSL 60, 0.79%, 0.79%

LAB 94.53, -12.15, 40.06

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 1 / 0 / 43 / 25

HEX #BCBE6D

RGB 188 190 109

HSL 61.48, 0.38%, 0.59%

LAB 75.22, -12.6, 40.55

 

CMYK 1 / 0 / 48 / 33

HEX #ABAC5A

RGB 171 172 90

HSL 60.73, 0.33%, 0.51%

LAB 68.68, -12.19, 41.75

 

CMYK 0 / 0 / 54 / 40

HEX #9A9A47

RGB 154 154 71

HSL 60, 0.37%, 0.44%

LAB 62.03, -11.68, 42.92

 

CMYK 0 / 1 / 62 / 46

HEX #898834

RGB 137 136 52

HSL 59.29, 0.45%, 0.37%

LAB 55.25, -11.02, 43.96

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 0 / 9 / 38 / 18

HEX #D0BD80

RGB 208 189 128

HSL 45.75, 0.46%, 0.66%

LAB 76.9, -1.96, 33.29

 

CMYK 0 / 19 / 38 / 18

HEX #D0A880

RGB 208 168 128

HSL 30, 0.46%, 0.66%

LAB 71.54, 9.21, 26.21

 

CMYK 0 / 30 / 38 / 18

HEX #D09280

RGB 208 146 128

HSL 13.5, 0.46%, 0.66%

LAB 66.16, 21.16, 18.92

 

CMYK 0 / 38 / 38 / 18

HEX #D08080

RGB 208 128 128

HSL 0, 0.46%, 0.66%

LAB 62, 30.91, 13.16

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 12 / 0 / 38 / 18

HEX #B7D080

RGB 183 208 128

HSL 78.75, 0.46%, 0.66%

LAB 80.03, -21.42, 36.97

 

CMYK 22 / 0 / 38 / 18

HEX #A2D080

RGB 162 208 128

HSL 94.5, 0.46%, 0.66%

LAB 78.67, -29.17, 34.93

 

CMYK 33 / 0 / 38 / 18

HEX #8CD080

RGB 140 208 128

HSL 111, 0.46%, 0.66%

LAB 77.43, -36.75, 33.08

 

CMYK 38 / 0 / 34 / 18

HEX #80D089

RGB 128 208 137

HSL 126.75, 0.46%, 0.66%

LAB 76.99, -39.12, 27.75

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 2 / 0 / 49 / 13

HEX #DADE72

RGB 218 222 114

HSL 62.22, 0.62%, 0.66%

LAB 86.19, -16.19, 52.02

 

CMYK 2 / 0 / 58 / 7

HEX #E7EC64

RGB 231 236 100

HSL 62.21, 0.78%, 0.66%

LAB 90.73, -18.98, 63.8

 

CMYK 2 / 0 / 66 / 2

HEX #F4FA56

RGB 244 250 86

HSL 62.2, 0.94%, 0.66%

LAB 95.28, -21.39, 74.52

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 1 / 0 / 27 / 24

HEX #C0C28E

RGB 192 194 142

HSL 62.31, 0.3%, 0.66%

LAB 77.13, -9.09, 26.01

 

CMYK 1 / 0 / 13 / 29

HEX #B3B49C

RGB 179 180 156

HSL 62.5, 0.14%, 0.66%

LAB 72.65, -4.57, 12.14

 

CMYK 2 / 2 / 0 / 33

HEX #A6A6AA

RGB 166 166 170

HSL 240, 0.02%, 0.66%

LAB 68.23, 0.77, -2.07

 

CMYK 17 / 17 / 0 / 28

HEX #9998B8

RGB 153 152 184

HSL 241.88, 0.18%, 0.66%

LAB 63.91, 7.05, -16.44

 

CMYK 0 / 19 / 38 / 18

HEX #D0A880

RGB 208 168 128

HSL 30, 0.46%, 0.66%

LAB 71.54, 9.21, 26.21

 

CMYK 0 / 9 / 38 / 18

HEX #D0BD80

RGB 208 189 128

HSL 45.75, 0.46%, 0.66%

LAB 76.9, -1.96, 33.29

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 12 / 0 / 38 / 18

HEX #B8D080

RGB 184 208 128

HSL 78, 0.46%, 0.66%

LAB 80.1, -21.04, 37.07

 

CMYK 22 / 0 / 38 / 18

HEX #A2D080

RGB 162 208 128

HSL 94.5, 0.46%, 0.66%

LAB 78.67, -29.17, 34.93

 

CMYK 2 / 0 / 63 / 27

HEX #B5B944

RGB 181 185 68

HSL 62.05, 0.46%, 0.5%

LAB 72.85, -16.43, 56.85

 

CMYK 2 / 0 / 50 / 23

HEX #C1C562

RGB 193 197 98

HSL 62.42, 0.46%, 0.58%

LAB 77.37, -15.2, 48.65

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 1 / 0 / 28 / 14

HEX #D9DB9E

RGB 217 219 158

HSL 61.97, 0.46%, 0.74%

LAB 85.95, -10.23, 29.86

 

CMYK 1 / 0 / 18 / 10

HEX #E4E6BC

RGB 228 230 188

HSL 62.86, 0.46%, 0.82%

LAB 90.19, -7.55, 20.29

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 38 / 0 / 29 / 18

HEX #80D093

RGB 128 208 147

HSL 134.25, 0.46%, 0.66%

LAB 77.17, -37.4, 22.76

 

CMYK 14 / 38 / 0 / 18

HEX #B280D0

RGB 178 128 208

HSL 277.5, 0.46%, 0.66%

LAB 61.18, 33.92, -33.92

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 38 / 1 / 0 / 18

HEX #80CDD0

RGB 128 205 208

HSL 182.25, 0.46%, 0.66%

LAB 77.76, -22.94, -9

 

CMYK 0 / 38 / 1 / 18

HEX #D080CD

RGB 208 128 205

HSL 302.25, 0.46%, 0.66%

LAB 64.37, 42.57, -27.04

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 38 / 0 / 29 / 18

HEX #80D093

RGB 128 208 147

HSL 134.25, 0.46%, 0.66%

LAB 77.17, -37.4, 22.76

 

CMYK 37 / 38 / 0 / 18

HEX #8380D0

RGB 131 128 208

HSL 242.25, 0.46%, 0.66%

LAB 56.9, 20.31, -40.94

 

CMYK 0 / 38 / 9 / 18

HEX #D080BD

RGB 208 128 189

HSL 314.25, 0.46%, 0.66%

LAB 63.77, 39.74, -18.95

 

CMYK 1 / 0 / 38 / 18

HEX #CDD080

RGB 205 208 128

HSL 62.25, 0.46%, 0.66%

LAB 81.65, -12.93, 39.36

 

CMYK 38 / 0 / 18 / 18

HEX #80D0AA

RGB 128 208 170

HSL 151.5, 0.46%, 0.66%

LAB 77.64, -32.99, 11.22

 

CMYK 37 / 38 / 0 / 18

HEX #8380D0

RGB 131 128 208

HSL 242.25, 0.46%, 0.66%

LAB 56.9, 20.31, -40.94

 

CMYK 0 / 38 / 21 / 18

HEX #D080A5

RGB 208 128 165

HSL 332.25, 0.46%, 0.66%

LAB 62.98, 35.88, -6.53

 

Description

Color code: HEX #CDD080 | qconv.com Color code: HEX #CDD080 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 208 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 208 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 38 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 38% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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