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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDD089 it is the complementary color #322F76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDD089. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDD089 shade: #D2D084, #E3E297, #F4F4AA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDD089. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDD089 shade: #CDD089, #BCBE76, #ABAC63, #9A9A50 and #89883D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDD089 shade: #CDD08A, #D0C08A, #D0AD8A, #D09A8A and #D08A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDD089 shade: #CDD08A, #BAD08A, #A7D08A, #94D08A and #8AD092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDD089 shade matches the following richer shades: #CDD08A, #D9DD7D, #E5EA6F and #F1F862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDD089 shade: #CDD08A, #C1C397, #B5B6A4, #A9A8B1 and #9D9BBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDD089 shade: #D0AD8A, #D0C08A, #CED08A, #BBD08A and #A8D08A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDD089 shade: #B4B84F, #C1C46C, #CDD08A, #DADCA7 and #E6E8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDD089 shade: #CDD089, #8AD09A and #B68AD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDD089 shade: #CDD089, #8ACED0 and #D08ACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDD089 shade: #CDD089, #8AD09A, #8C8AD0 and #D08AC0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDD089 shade: #CDD089, #8AD0AF, #8C8AD0 and #D08AAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 34 / 18

HEX #CDD089

RGB 205 208 137

HSL 62.54, 0.43%, 0.68%

LAB 81.78, -11.89, 34.96

 

Complementary color

CMYK 58 / 60 / 0 / 54

HEX #322F76

RGB 50 47 118

HSL 242.54, 0.43%, 0.32%

LAB 23.73, 23.31, -40.48

 

CMYK 0 / 1 / 37 / 18

HEX #D2D084

RGB 210 208 132

HSL 58.46, 0.46%, 0.67%

LAB 82.1, -10.52, 38

 

CMYK 0 / 0 / 33 / 11

HEX #E3E297

RGB 227 226 151

HSL 59.21, 0.58%, 0.74%

LAB 88.43, -10.82, 36.85

 

CMYK 0 / 0 / 30 / 4

HEX #F4F4AA

RGB 244 244 170

HSL 60, 0.77%, 0.81%

LAB 94.67, -11.08, 35.75

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 1 / 0 / 34 / 18

HEX #CDD089

RGB 205 208 137

HSL 62.54, 0.43%, 0.68%

LAB 81.78, -11.89, 34.96

 

CMYK 1 / 0 / 38 / 25

HEX #BCBE76

RGB 188 190 118

HSL 61.67, 0.36%, 0.6%

LAB 75.34, -11.61, 36.13

 

CMYK 1 / 0 / 42 / 33

HEX #ABAC63

RGB 171 172 99

HSL 60.82, 0.31%, 0.53%

LAB 68.8, -11.27, 37.33

 

CMYK 0 / 0 / 48 / 40

HEX #9A9A50

RGB 154 154 80

HSL 60, 0.32%, 0.46%

LAB 62.13, -10.85, 38.56

 

CMYK 0 / 1 / 55 / 46

HEX #89883D

RGB 137 136 61

HSL 59.21, 0.38%, 0.39%

LAB 55.34, -10.3, 39.75

 

CMYK 1 / 0 / 34 / 18

HEX #CDD08A

RGB 205 208 138

HSL 62.57, 0.43%, 0.68%

LAB 81.8, -11.77, 34.47

 

CMYK 0 / 8 / 34 / 18

HEX #D0C08A

RGB 208 192 138

HSL 46.29, 0.43%, 0.68%

LAB 77.84, -2.35, 29.3

 

CMYK 0 / 17 / 34 / 18

HEX #D0AD8A

RGB 208 173 138

HSL 30, 0.43%, 0.68%

LAB 72.98, 7.73, 22.76

 

CMYK 0 / 26 / 34 / 18

HEX #D09A8A

RGB 208 154 138

HSL 13.71, 0.43%, 0.68%

LAB 68.28, 18.02, 16.3

 

CMYK 0 / 34 / 34 / 18

HEX #D08A8A

RGB 208 138 138

HSL 0, 0.43%, 0.68%

LAB 64.5, 26.73, 11

 

CMYK 1 / 0 / 34 / 18

HEX #CDD08A

RGB 205 208 138

HSL 62.57, 0.43%, 0.68%

LAB 81.8, -11.77, 34.47

 

CMYK 11 / 0 / 34 / 18

HEX #BAD08A

RGB 186 208 138

HSL 78.86, 0.43%, 0.68%

LAB 80.4, -19.01, 32.37

 

CMYK 20 / 0 / 34 / 18

HEX #A7D08A

RGB 167 208 138

HSL 95.14, 0.43%, 0.68%

LAB 79.13, -25.99, 30.47

 

CMYK 29 / 0 / 34 / 18

HEX #94D08A

RGB 148 208 138

HSL 111.43, 0.43%, 0.68%

LAB 78.02, -32.58, 28.79

 

CMYK 34 / 0 / 30 / 18

HEX #8AD092

RGB 138 208 146

HSL 126.86, 0.43%, 0.68%

LAB 77.63, -34.52, 24

 

CMYK 1 / 0 / 34 / 18

HEX #CDD08A

RGB 205 208 138

HSL 62.57, 0.43%, 0.68%

LAB 81.8, -11.77, 34.47

 

CMYK 2 / 0 / 43 / 13

HEX #D9DD7D

RGB 217 221 125

HSL 62.5, 0.59%, 0.68%

LAB 85.98, -15.04, 46.48

 

CMYK 2 / 0 / 53 / 8

HEX #E5EA6F

RGB 229 234 111

HSL 62.44, 0.75%, 0.68%

LAB 90.16, -17.97, 58.28

 

CMYK 3 / 0 / 60 / 3

HEX #F1F862

RGB 241 248 98

HSL 62.8, 0.91%, 0.68%

LAB 94.62, -20.91, 69.08

 

CMYK 1 / 0 / 34 / 18

HEX #CDD08A

RGB 205 208 138

HSL 62.57, 0.43%, 0.68%

LAB 81.8, -11.77, 34.47

 

CMYK 1 / 0 / 23 / 24

HEX #C1C397

RGB 193 195 151

HSL 62.73, 0.27%, 0.68%

LAB 77.64, -7.97, 21.95

 

CMYK 1 / 0 / 10 / 29

HEX #B5B6A4

RGB 181 182 164

HSL 63.33, 0.11%, 0.68%

LAB 73.52, -3.56, 9.04

 

CMYK 5 / 5 / 0 / 31

HEX #A9A8B1

RGB 169 168 177

HSL 246.67, 0.05%, 0.68%

LAB 69.19, 2.1, -4.5

 

CMYK 18 / 19 / 0 / 25

HEX #9D9BBF

RGB 157 155 191

HSL 243.33, 0.22%, 0.68%

LAB 65.26, 8.24, -18.29

 

CMYK 0 / 17 / 34 / 18

HEX #D0AD8A

RGB 208 173 138

HSL 30, 0.43%, 0.68%

LAB 72.98, 7.73, 22.76

 

CMYK 0 / 8 / 34 / 18

HEX #D0C08A

RGB 208 192 138

HSL 46.29, 0.43%, 0.68%

LAB 77.84, -2.35, 29.3

 

CMYK 1 / 0 / 34 / 18

HEX #CED08A

RGB 206 208 138

HSL 61.71, 0.43%, 0.68%

LAB 81.88, -11.38, 34.59

 

CMYK 10 / 0 / 34 / 18

HEX #BBD08A

RGB 187 208 138

HSL 78, 0.43%, 0.68%

LAB 80.47, -18.64, 32.48

 

CMYK 19 / 0 / 34 / 18

HEX #A8D08A

RGB 168 208 138

HSL 94.29, 0.43%, 0.68%

LAB 79.2, -25.63, 30.57

 

CMYK 2 / 0 / 57 / 28

HEX #B4B84F

RGB 180 184 79

HSL 62.29, 0.43%, 0.52%

LAB 72.59, -15.56, 51.74

 

CMYK 2 / 0 / 45 / 23

HEX #C1C46C

RGB 193 196 108

HSL 62.05, 0.43%, 0.6%

LAB 77.22, -13.74, 43.61

 

CMYK 1 / 0 / 34 / 18

HEX #CDD08A

RGB 205 208 138

HSL 62.57, 0.43%, 0.68%

LAB 81.8, -11.77, 34.47

 

CMYK 1 / 0 / 24 / 14

HEX #DADCA7

RGB 218 220 167

HSL 62.26, 0.43%, 0.76%

LAB 86.45, -9.16, 25.89

 

CMYK 1 / 0 / 15 / 9

HEX #E6E8C5

RGB 230 232 197

HSL 63.43, 0.43%, 0.84%

LAB 91.04, -6.49, 16.83

 

CMYK 1 / 0 / 34 / 18

HEX #CDD089

RGB 205 208 137

HSL 62.54, 0.43%, 0.68%

LAB 81.78, -11.89, 34.96

 

CMYK 34 / 0 / 26 / 18

HEX #8AD09A

RGB 138 208 154

HSL 133.71, 0.43%, 0.68%

LAB 77.79, -33.11, 20

 

CMYK 13 / 34 / 0 / 18

HEX #B68AD0

RGB 182 138 208

HSL 277.71, 0.43%, 0.68%

LAB 63.9, 29.57, -29.68

 

CMYK 1 / 0 / 34 / 18

HEX #CDD089

RGB 205 208 137

HSL 62.54, 0.43%, 0.68%

LAB 81.78, -11.89, 34.96

 

CMYK 34 / 1 / 0 / 18

HEX #8ACED0

RGB 138 206 208

HSL 181.71, 0.43%, 0.68%

LAB 78.52, -20.81, -7.82

 

CMYK 0 / 34 / 1 / 18

HEX #D08ACE

RGB 208 138 206

HSL 301.71, 0.43%, 0.68%

LAB 66.55, 37.42, -24.25

 

CMYK 1 / 0 / 34 / 18

HEX #CDD089

RGB 205 208 137

HSL 62.54, 0.43%, 0.68%

LAB 81.78, -11.89, 34.96

 

CMYK 34 / 0 / 26 / 18

HEX #8AD09A

RGB 138 208 154

HSL 133.71, 0.43%, 0.68%

LAB 77.79, -33.11, 20

 

CMYK 33 / 34 / 0 / 18

HEX #8C8AD0

RGB 140 138 208

HSL 241.71, 0.43%, 0.68%

LAB 60.16, 16.94, -35.77

 

CMYK 0 / 34 / 8 / 18

HEX #D08AC0

RGB 208 138 192

HSL 313.71, 0.43%, 0.68%

LAB 66.05, 34.91, -17.18

 

CMYK 1 / 0 / 34 / 18

HEX #CDD089

RGB 205 208 137

HSL 62.54, 0.43%, 0.68%

LAB 81.78, -11.89, 34.96

 

CMYK 34 / 0 / 16 / 18

HEX #8AD0AF

RGB 138 208 175

HSL 151.71, 0.43%, 0.68%

LAB 78.23, -29.08, 9.46

 

CMYK 33 / 34 / 0 / 18

HEX #8C8AD0

RGB 140 138 208

HSL 241.71, 0.43%, 0.68%

LAB 60.16, 16.94, -35.77

 

CMYK 0 / 34 / 18 / 18

HEX #D08AAB

RGB 208 138 171

HSL 331.71, 0.43%, 0.68%

LAB 65.38, 31.43, -6.38

 

Description

Color code: HEX #CDD089 | qconv.com Color code: HEX #CDD089 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 208 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 208 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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