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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDDB9B it is the complementary color #322464. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDDB9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDDB9B shade: #D2DB96, #E3EDA9, #F4FFBC, #FFFFCF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDDB9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDDB9B shade: #CDDB9B, #BCC988, #ABB775, #9AA562 and #89934F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDDB9B shade: #CCDA99, #DAD799, #DAC599, #DAB499 and #DAA299

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDDB9B shade: #CCDA99, #BADA99, #A9DA99, #99DA9B and #99DAAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDDB9B shade matches the following richer shades: #CCDA99, #D2E58E, #D8F083 and #DFFB78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDDB9B shade: #CCDA99, #C6CFA4, #BFC4B0, #B9B9BB and #B3ADC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDDB9B shade: #DAC699, #DAD799, #CCDA99, #BBDA99 and #A9DA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDDB9B shade: #ADC45D, #BDCF7B, #CCDA99, #DBE5B8 and #EAF0D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDDB9B shade: #CDDB9B, #99DAB4 and #CE99DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDDB9B shade: #CDDB9B, #99CCDA and #DA99CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDDB9B shade: #CDDB9B, #99DAB4, #A799DA and #DA99BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDDB9B shade: #CDDB9B, #99DAC8, #A799DA and #DA99AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 29 / 14

HEX #CDDB9B

RGB 205 219 155

HSL 73.13, 0.47%, 0.73%

LAB 85, -15.13, 29.98

 

Complementary color

CMYK 50 / 64 / 0 / 61

HEX #322464

RGB 50 36 100

HSL 253.13, 0.47%, 0.27%

LAB 19.47, 24.51, -35.74

 

CMYK 4 / 0 / 32 / 14

HEX #D2DB96

RGB 210 219 150

HSL 67.83, 0.49%, 0.72%

LAB 85.28, -13.9, 32.99

 

CMYK 4 / 0 / 29 / 7

HEX #E3EDA9

RGB 227 237 169

HSL 68.82, 0.65%, 0.8%

LAB 91.58, -14.06, 31.92

 

CMYK 4 / 0 / 26 / 0

HEX #F4FFBC

RGB 244 255 188

HSL 69.85, 1%, 0.87%

LAB 97.79, -14.19, 30.89

 

CMYK 0 / 0 / 19 / 0

HEX #FFFFCF

RGB 255 255 207

HSL 60, 1%, 0.91%

LAB 98.94, -7.63, 23

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 6 / 0 / 29 / 14

HEX #CDDB9B

RGB 205 219 155

HSL 73.13, 0.47%, 0.73%

LAB 85, -15.13, 29.98

 

CMYK 6 / 0 / 32 / 21

HEX #BCC988

RGB 188 201 136

HSL 72, 0.38%, 0.66%

LAB 78.6, -15.01, 31.06

 

CMYK 7 / 0 / 36 / 28

HEX #ABB775

RGB 171 183 117

HSL 70.91, 0.31%, 0.59%

LAB 72.1, -14.86, 32.2

 

CMYK 7 / 0 / 41 / 35

HEX #9AA562

RGB 154 165 98

HSL 69.85, 0.27%, 0.52%

LAB 65.48, -14.67, 33.4

 

CMYK 7 / 0 / 46 / 42

HEX #89934F

RGB 137 147 79

HSL 68.82, 0.3%, 0.44%

LAB 58.74, -14.42, 34.62

 

CMYK 6 / 0 / 30 / 15

HEX #CCDA99

RGB 204 218 153

HSL 72.92, 0.47%, 0.73%

LAB 84.63, -15.27, 30.5

 

CMYK 0 / 1 / 30 / 15

HEX #DAD799

RGB 218 215 153

HSL 57.23, 0.47%, 0.73%

LAB 84.9, -8.47, 31.04

 

CMYK 0 / 10 / 30 / 15

HEX #DAC599

RGB 218 197 153

HSL 40.62, 0.47%, 0.73%

LAB 80.26, 0.82, 24.8

 

CMYK 0 / 17 / 30 / 15

HEX #DAB499

RGB 218 180 153

HSL 24.92, 0.47%, 0.73%

LAB 75.98, 9.81, 18.92

 

CMYK 0 / 26 / 30 / 15

HEX #DAA299

RGB 218 162 153

HSL 8.31, 0.47%, 0.73%

LAB 71.59, 19.49, 12.79

 

CMYK 6 / 0 / 30 / 15

HEX #CCDA99

RGB 204 218 153

HSL 72.92, 0.47%, 0.73%

LAB 84.63, -15.27, 30.5

 

CMYK 15 / 0 / 30 / 15

HEX #BADA99

RGB 186 218 153

HSL 89.54, 0.47%, 0.73%

LAB 83.38, -21.87, 28.61

 

CMYK 22 / 0 / 30 / 15

HEX #A9DA99

RGB 169 218 153

HSL 105.23, 0.47%, 0.73%

LAB 82.31, -27.86, 26.98

 

CMYK 30 / 0 / 29 / 15

HEX #99DA9B

RGB 153 218 155

HSL 121.85, 0.47%, 0.73%

LAB 81.45, -32.87, 24.62

 

CMYK 30 / 0 / 21 / 15

HEX #99DAAD

RGB 153 218 173

HSL 138.46, 0.47%, 0.73%

LAB 81.8, -29.7, 15.68

 

CMYK 6 / 0 / 30 / 15

HEX #CCDA99

RGB 204 218 153

HSL 72.92, 0.47%, 0.73%

LAB 84.63, -15.27, 30.5

 

CMYK 8 / 0 / 38 / 10

HEX #D2E58E

RGB 210 229 142

HSL 73.1, 0.63%, 0.73%

LAB 87.82, -19.83, 40.33

 

CMYK 10 / 0 / 45 / 6

HEX #D8F083

RGB 216 240 131

HSL 73.21, 0.78%, 0.73%

LAB 91.03, -24.08, 49.81

 

CMYK 11 / 0 / 52 / 2

HEX #DFFB78

RGB 223 251 120

HSL 72.82, 0.94%, 0.73%

LAB 94.33, -27.67, 58.97

 

CMYK 6 / 0 / 30 / 15

HEX #CCDA99

RGB 204 218 153

HSL 72.92, 0.47%, 0.73%

LAB 84.63, -15.27, 30.5

 

CMYK 4 / 0 / 21 / 19

HEX #C6CFA4

RGB 198 207 164

HSL 72.56, 0.31%, 0.73%

LAB 81.46, -10.37, 20.38

 

CMYK 3 / 0 / 10 / 23

HEX #BFC4B0

RGB 191 196 176

HSL 75, 0.14%, 0.73%

LAB 78.28, -5.3, 9.44

 

CMYK 1 / 1 / 0 / 27

HEX #B9B9BB

RGB 185 185 187

HSL 240, 0.01%, 0.73%

LAB 75.2, 0.38, -1.02

 

CMYK 10 / 13 / 0 / 22

HEX #B3ADC6

RGB 179 173 198

HSL 254.4, 0.18%, 0.73%

LAB 71.93, 7, -11.94

 

CMYK 0 / 9 / 30 / 15

HEX #DAC699

RGB 218 198 153

HSL 41.54, 0.47%, 0.73%

LAB 80.51, 0.29, 25.14

 

CMYK 0 / 1 / 30 / 15

HEX #DAD799

RGB 218 215 153

HSL 57.23, 0.47%, 0.73%

LAB 84.9, -8.47, 31.04

 

CMYK 6 / 0 / 30 / 15

HEX #CCDA99

RGB 204 218 153

HSL 72.92, 0.47%, 0.73%

LAB 84.63, -15.27, 30.5

 

CMYK 14 / 0 / 30 / 15

HEX #BBDA99

RGB 187 218 153

HSL 88.62, 0.47%, 0.73%

LAB 83.45, -21.51, 28.71

 

CMYK 22 / 0 / 30 / 15

HEX #A9DA99

RGB 169 218 153

HSL 105.23, 0.47%, 0.73%

LAB 82.31, -27.86, 26.98

 

CMYK 12 / 0 / 53 / 23

HEX #ADC45D

RGB 173 196 93

HSL 73.4, 0.47%, 0.57%

LAB 75.55, -23.22, 48.5

 

CMYK 9 / 0 / 41 / 19

HEX #BDCF7B

RGB 189 207 123

HSL 72.86, 0.47%, 0.65%

LAB 80.11, -19.23, 39.67

 

CMYK 6 / 0 / 30 / 15

HEX #CCDA99

RGB 204 218 153

HSL 72.92, 0.47%, 0.73%

LAB 84.63, -15.27, 30.5

 

CMYK 4 / 0 / 20 / 10

HEX #DBE5B8

RGB 219 229 184

HSL 73.33, 0.46%, 0.81%

LAB 89.19, -10.88, 20.86

 

CMYK 3 / 0 / 11 / 6

HEX #EAF0D6

RGB 234 240 214

HSL 73.85, 0.46%, 0.89%

LAB 93.74, -6.44, 11.88

 

CMYK 6 / 0 / 29 / 14

HEX #CDDB9B

RGB 205 219 155

HSL 73.13, 0.47%, 0.73%

LAB 85, -15.13, 29.98

 

CMYK 30 / 0 / 17 / 15

HEX #99DAB4

RGB 153 218 180

HSL 144.92, 0.47%, 0.73%

LAB 81.95, -28.38, 12.2

 

CMYK 6 / 30 / 0 / 15

HEX #CE99DA

RGB 206 153 218

HSL 288.92, 0.47%, 0.73%

LAB 70.15, 30.93, -25.4

 

CMYK 6 / 0 / 29 / 14

HEX #CDDB9B

RGB 205 219 155

HSL 73.13, 0.47%, 0.73%

LAB 85, -15.13, 29.98

 

CMYK 30 / 6 / 0 / 15

HEX #99CCDA

RGB 153 204 218

HSL 192.92, 0.47%, 0.73%

LAB 79.05, -13.25, -12.31

 

CMYK 0 / 30 / 6 / 15

HEX #DA99CC

RGB 218 153 204

HSL 312.92, 0.47%, 0.73%

LAB 70.9, 32.26, -16.42

 

CMYK 6 / 0 / 29 / 14

HEX #CDDB9B

RGB 205 219 155

HSL 73.13, 0.47%, 0.73%

LAB 85, -15.13, 29.98

 

CMYK 30 / 0 / 17 / 15

HEX #99DAB4

RGB 153 218 180

HSL 144.92, 0.47%, 0.73%

LAB 81.95, -28.38, 12.2

 

CMYK 23 / 30 / 0 / 15

HEX #A799DA

RGB 167 153 218

HSL 252.92, 0.47%, 0.73%

LAB 66.57, 18.75, -31.23

 

CMYK 0 / 30 / 12 / 15

HEX #DA99BF

RGB 218 153 191

HSL 324.92, 0.47%, 0.73%

LAB 70.49, 30.04, -9.84

 

CMYK 6 / 0 / 29 / 14

HEX #CDDB9B

RGB 205 219 155

HSL 73.13, 0.47%, 0.73%

LAB 85, -15.13, 29.98

 

CMYK 30 / 0 / 8 / 15

HEX #99DAC8

RGB 153 218 200

HSL 163.38, 0.47%, 0.73%

LAB 82.42, -24.33, 2.28

 

CMYK 23 / 30 / 0 / 15

HEX #A799DA

RGB 167 153 218

HSL 252.92, 0.47%, 0.73%

LAB 66.57, 18.75, -31.23

 

CMYK 0 / 30 / 21 / 15

HEX #DA99AC

RGB 218 153 172

HSL 342.46, 0.47%, 0.73%

LAB 69.94, 27.04, -0.09

 

Description

Color code: HEX #CDDB9B | qconv.com Color code: HEX #CDDB9B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 219 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 219 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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