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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDE48A it is the complementary color #321B75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDE48A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDE48A shade: #D2E485, #E3F698, #F4FFAB, #FFFFBE and #FFFFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDE48A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDE48A shade: #CDE48A, #BCD277, #ABC064, #9AAE51 and #899C3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDE48A shade: #CDE48A, #E4E38A, #E4CB8A, #E4B28A and #E49A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDE48A shade: #CDE48A, #B5E48A, #9DE48A, #8AE490 and #8AE4A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDE48A shade matches the following richer shades: #CDE48A, #D3F07F and #D8FB73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDE48A shade: #CDE48A, #C7D996, #C2CDA1, #BCC1AD and #B6B6B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDE48A shade: #E4CB8A, #E4E38A, #CEE48A, #B6E48A and #9EE48A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDE48A shade: #B1D547, #BFDC68, #CDE48A, #DBECAC and #EAF3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDE48A shade: #CDE48A, #8AE4B3 and #D78AE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDE48A shade: #CDE48A, #8ACEE4 and #E48ACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDE48A shade: #CDE48A, #8AE4B3, #A18AE4 and #E48ABC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDE48A shade: #CDE48A, #8AE4CE, #A18AE4 and #E48AA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

Complementary color

CMYK 57 / 77 / 0 / 54

HEX #321B75

RGB 50 27 117

HSL 255.33, 0.63%, 0.28%

LAB 19, 35.47, -47.56

 

CMYK 8 / 0 / 42 / 11

HEX #D2E485

RGB 210 228 133

HSL 71.37, 0.64%, 0.71%

LAB 87.43, -20.36, 44.27

 

CMYK 8 / 0 / 38 / 4

HEX #E3F698

RGB 227 246 152

HSL 72.13, 0.84%, 0.78%

LAB 93.67, -20.54, 43.14

 

CMYK 4 / 0 / 33 / 0

HEX #F4FFAB

RGB 244 255 171

HSL 67.86, 1%, 0.84%

LAB 97.51, -16.35, 39

 

CMYK 0 / 0 / 25 / 0

HEX #FFFFBE

RGB 255 255 190

HSL 60, 1%, 0.87%

LAB 98.63, -9.94, 31.16

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD1

RGB 255 255 209

HSL 60, 1%, 0.91%

LAB 98.98, -7.34, 22.04

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 10 / 0 / 43 / 18

HEX #BCD277

RGB 188 210 119

HSL 74.51, 0.5%, 0.65%

LAB 80.8, -21.55, 42.53

 

CMYK 11 / 0 / 48 / 25

HEX #ABC064

RGB 171 192 100

HSL 73.7, 0.42%, 0.57%

LAB 74.37, -21.35, 43.69

 

CMYK 11 / 0 / 53 / 32

HEX #9AAE51

RGB 154 174 81

HSL 72.9, 0.36%, 0.5%

LAB 67.83, -21.08, 44.82

 

CMYK 12 / 0 / 60 / 39

HEX #899C3E

RGB 137 156 62

HSL 72.13, 0.43%, 0.43%

LAB 61.17, -20.72, 45.85

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 0 / 0 / 39 / 11

HEX #E4E38A

RGB 228 227 138

HSL 59.33, 0.63%, 0.72%

LAB 88.57, -12.39, 43.55

 

CMYK 0 / 11 / 39 / 11

HEX #E4CB8A

RGB 228 203 138

HSL 43.33, 0.63%, 0.72%

LAB 82.4, -0.19, 35.62

 

CMYK 0 / 22 / 39 / 11

HEX #E4B28A

RGB 228 178 138

HSL 26.67, 0.63%, 0.72%

LAB 76.17, 12.95, 27.4

 

CMYK 0 / 32 / 39 / 11

HEX #E49A8A

RGB 228 154 138

HSL 10.67, 0.63%, 0.72%

LAB 70.48, 25.78, 19.68

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 21 / 0 / 39 / 11

HEX #B5E48A

RGB 181 228 138

HSL 91.33, 0.63%, 0.72%

LAB 85.58, -30.51, 39.05

 

CMYK 31 / 0 / 39 / 11

HEX #9DE48A

RGB 157 228 138

HSL 107.33, 0.63%, 0.72%

LAB 84.22, -38.75, 37.03

 

CMYK 39 / 0 / 37 / 11

HEX #8AE490

RGB 138 228 144

HSL 124, 0.63%, 0.72%

LAB 83.39, -43.81, 32.75

 

CMYK 39 / 0 / 26 / 11

HEX #8AE4A8

RGB 138 228 168

HSL 140, 0.63%, 0.72%

LAB 83.82, -39.71, 21

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 12 / 0 / 47 / 6

HEX #D3F07F

RGB 211 240 127

HSL 75.4, 0.79%, 0.72%

LAB 90.64, -26.38, 51.15

 

CMYK 14 / 0 / 54 / 2

HEX #D8FB73

RGB 216 251 115

HSL 75.44, 0.94%, 0.72%

LAB 93.81, -30.76, 60.47

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 8 / 0 / 31 / 15

HEX #C7D996

RGB 199 217 150

HSL 76.12, 0.47%, 0.72%

LAB 83.95, -17.03, 31.07

 

CMYK 5 / 0 / 21 / 20

HEX #C2CDA1

RGB 194 205 161

HSL 75, 0.31%, 0.72%

LAB 80.57, -11.27, 20.7

 

CMYK 3 / 0 / 10 / 24

HEX #BCC1AD

RGB 188 193 173

HSL 75, 0.14%, 0.72%

LAB 77.19, -5.31, 9.47

 

CMYK 1 / 1 / 0 / 28

HEX #B6B6B8

RGB 182 182 184

HSL 240, 0.01%, 0.72%

LAB 74.1, 0.38, -1.02

 

CMYK 0 / 11 / 39 / 11

HEX #E4CB8A

RGB 228 203 138

HSL 43.33, 0.63%, 0.72%

LAB 82.4, -0.19, 35.62

 

CMYK 0 / 0 / 39 / 11

HEX #E4E38A

RGB 228 227 138

HSL 59.33, 0.63%, 0.72%

LAB 88.57, -12.39, 43.55

 

CMYK 10 / 0 / 39 / 11

HEX #CEE48A

RGB 206 228 138

HSL 74.67, 0.63%, 0.72%

LAB 87.21, -21.32, 41.48

 

CMYK 20 / 0 / 39 / 11

HEX #B6E48A

RGB 182 228 138

HSL 90.67, 0.63%, 0.72%

LAB 85.64, -30.15, 39.14

 

CMYK 31 / 0 / 39 / 11

HEX #9EE48A

RGB 158 228 138

HSL 106.67, 0.63%, 0.72%

LAB 84.27, -38.42, 37.11

 

CMYK 17 / 0 / 67 / 16

HEX #B1D547

RGB 177 213 71

HSL 75.21, 0.63%, 0.56%

LAB 80.4, -31.49, 63.44

 

CMYK 13 / 0 / 53 / 14

HEX #BFDC68

RGB 191 220 104

HSL 75, 0.62%, 0.64%

LAB 83.58, -26.74, 53.11

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 7 / 0 / 27 / 7

HEX #DBECAC

RGB 219 236 172

HSL 75.94, 0.63%, 0.8%

LAB 90.79, -16.09, 29.23

 

CMYK 4 / 0 / 16 / 5

HEX #EAF3CD

RGB 234 243 205

HSL 74.21, 0.61%, 0.88%

LAB 94.31, -9.37, 17.34

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 39 / 0 / 21 / 11

HEX #8AE4B3

RGB 138 228 179

HSL 147.33, 0.63%, 0.72%

LAB 84.04, -37.62, 15.57

 

CMYK 6 / 39 / 0 / 11

HEX #D78AE4

RGB 215 138 228

HSL 291.33, 0.63%, 0.72%

LAB 68.19, 43.74, -33.87

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 39 / 10 / 0 / 11

HEX #8ACEE4

RGB 138 206 228

HSL 194.67, 0.63%, 0.72%

LAB 79.13, -15.89, -17.65

 

CMYK 0 / 39 / 10 / 11

HEX #E48ACE

RGB 228 138 206

HSL 314.67, 0.63%, 0.72%

LAB 68.84, 43.82, -20.54

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 39 / 0 / 21 / 11

HEX #8AE4B3

RGB 138 228 179

HSL 147.33, 0.63%, 0.72%

LAB 84.04, -37.62, 15.57

 

CMYK 29 / 39 / 0 / 11

HEX #A18AE4

RGB 161 138 228

HSL 255.33, 0.63%, 0.72%

LAB 62.81, 27.98, -42.67

 

CMYK 0 / 39 / 18 / 11

HEX #E48ABC

RGB 228 138 188

HSL 326.67, 0.63%, 0.72%

LAB 68.24, 40.94, -11.41

 

CMYK 10 / 0 / 39 / 11

HEX #CDE48A

RGB 205 228 138

HSL 75.33, 0.63%, 0.72%

LAB 87.14, -21.69, 41.38

 

CMYK 39 / 0 / 10 / 11

HEX #8AE4CE

RGB 138 228 206

HSL 165.33, 0.63%, 0.72%

LAB 84.66, -31.98, 2.26

 

CMYK 29 / 39 / 0 / 11

HEX #A18AE4

RGB 161 138 228

HSL 255.33, 0.63%, 0.72%

LAB 62.81, 27.98, -42.67

 

CMYK 0 / 39 / 29 / 11

HEX #E48AA1

RGB 228 138 161

HSL 344.67, 0.63%, 0.72%

LAB 67.46, 37.09, 2.59

 

Description

Color code: HEX #CDE48A | qconv.com Color code: HEX #CDE48A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 228 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 228 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 39 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 39% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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