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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDE5CA it is the complementary color #321A35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDE5CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDE5CA shade: #D2E5C5, #E3F7D8, #F4FFEB and #FFFFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDE5CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDE5CA shade: #CDE5CA, #BCD3B7, #ABC1A4, #9AAF91 and #899D7E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDE5CA shade: #CEE5CB, #D5E5CB, #DCE5CB, #E3E5CB and #E5E0CB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDE5CA shade: #CEE5CB, #CBE5CF, #CBE5D6, #CBE5DD and #CBE5E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDE5CA shade matches the following richer shades: #CEE5CB, #C9EBC5, #C5F2BF, #C0F8B9 and #BBFEB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDE5CA shade: #CEE5CB, #D3DFD1, #D8D9D8, #DDD3DE and #E1CCE4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDE5CA shade: #DCE5CB, #D5E5CB, #CEE5CB, #CBE5CF and #CBE5D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDE5CA shade: #9ACA94, #B4D8B0, #CEE5CB and #E8F3E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDE5CA shade: #CDE5CA, #CBE3E5 and #E5CBD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDE5CA shade: #CDE5CA, #CBCEE5 and #E5CBCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDE5CA shade: #CDE5CA, #CBE3E5, #E2CBE5 and #E5CDCB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDE5CA shade: #CDE5CA, #CBDBE5, #E2CBE5 and #E5D5CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 12 / 10

HEX #CDE5CA

RGB 205 229 202

HSL 113.33, 0.34%, 0.85%

LAB 88.58, -12.87, 10.49

 

Complementary color

CMYK 6 / 51 / 0 / 79

HEX #321A35

RGB 50 26 53

HSL 293.33, 0.34%, 0.15%

LAB 13.67, 17.29, -12.84

 

CMYK 8 / 0 / 14 / 10

HEX #D2E5C5

RGB 210 229 197

HSL 95.63, 0.38%, 0.84%

LAB 88.81, -12, 13.48

 

CMYK 8 / 0 / 13 / 3

HEX #E3F7D8

RGB 227 247 216

HSL 98.71, 0.66%, 0.91%

LAB 95.08, -12.02, 12.69

 

CMYK 4 / 0 / 8 / 0

HEX #F4FFEB

RGB 244 255 235

HSL 93, 1%, 0.96%

LAB 98.73, -7.08, 8.3

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFE

RGB 255 255 254

HSL 60, 1%, 1%

LAB 99.98, -0.17, 0.47

 

CMYK 10 / 0 / 12 / 10

HEX #CDE5CA

RGB 205 229 202

HSL 113.33, 0.34%, 0.85%

LAB 88.58, -12.87, 10.49

 

CMYK 11 / 0 / 13 / 17

HEX #BCD3B7

RGB 188 211 183

HSL 109.29, 0.24%, 0.77%

LAB 82.22, -12.89, 11.28

 

CMYK 11 / 0 / 15 / 24

HEX #ABC1A4

RGB 171 193 164

HSL 105.52, 0.19%, 0.7%

LAB 75.75, -12.93, 12.1

 

CMYK 12 / 0 / 17 / 31

HEX #9AAF91

RGB 154 175 145

HSL 102, 0.16%, 0.63%

LAB 69.17, -12.97, 12.97

 

CMYK 13 / 0 / 20 / 38

HEX #899D7E

RGB 137 157 126

HSL 98.71, 0.14%, 0.55%

LAB 62.46, -13.02, 13.9

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CB

RGB 206 229 203

HSL 113.08, 0.33%, 0.85%

LAB 88.67, -12.35, 10.11

 

CMYK 7 / 0 / 11 / 10

HEX #D5E5CB

RGB 213 229 203

HSL 96.92, 0.33%, 0.85%

LAB 89.16, -9.96, 10.86

 

CMYK 4 / 0 / 11 / 10

HEX #DCE5CB

RGB 220 229 203

HSL 80.77, 0.33%, 0.85%

LAB 89.66, -7.54, 11.65

 

CMYK 1 / 0 / 11 / 10

HEX #E3E5CB

RGB 227 229 203

HSL 64.62, 0.33%, 0.85%

LAB 90.17, -5.09, 12.45

 

CMYK 0 / 2 / 11 / 10

HEX #E5E0CB

RGB 229 224 203

HSL 48.46, 0.33%, 0.85%

LAB 89.06, -1.83, 10.88

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CB

RGB 206 229 203

HSL 113.08, 0.33%, 0.85%

LAB 88.67, -12.35, 10.11

 

CMYK 11 / 0 / 10 / 10

HEX #CBE5CF

RGB 203 229 207

HSL 129.23, 0.33%, 0.85%

LAB 88.56, -12.66, 7.83

 

CMYK 11 / 0 / 7 / 10

HEX #CBE5D6

RGB 203 229 214

HSL 145.38, 0.33%, 0.85%

LAB 88.73, -11.38, 4.4

 

CMYK 11 / 0 / 3 / 10

HEX #CBE5DD

RGB 203 229 221

HSL 161.54, 0.33%, 0.85%

LAB 88.9, -10.07, 0.98

 

CMYK 11 / 0 / 0 / 10

HEX #CBE5E4

RGB 203 229 228

HSL 177.69, 0.33%, 0.85%

LAB 89.08, -8.72, -2.43

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CB

RGB 206 229 203

HSL 113.08, 0.33%, 0.85%

LAB 88.67, -12.35, 10.11

 

CMYK 14 / 0 / 16 / 8

HEX #C9EBC5

RGB 201 235 197

HSL 113.68, 0.49%, 0.85%

LAB 89.8, -18.06, 14.79

 

CMYK 19 / 0 / 21 / 5

HEX #C5F2BF

RGB 197 242 191

HSL 112.94, 0.66%, 0.85%

LAB 91.3, -23.82, 19.95

 

CMYK 23 / 0 / 25 / 3

HEX #C0F8B9

RGB 192 248 185

HSL 113.33, 0.82%, 0.85%

LAB 92.51, -29.31, 24.66

 

CMYK 26 / 0 / 30 / 0

HEX #BBFEB2

RGB 187 254 178

HSL 112.89, 0.97%, 0.85%

LAB 93.74, -34.83, 29.84

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CB

RGB 206 229 203

HSL 113.08, 0.33%, 0.85%

LAB 88.67, -12.35, 10.11

 

CMYK 5 / 0 / 6 / 13

HEX #D3DFD1

RGB 211 223 209

HSL 111.43, 0.18%, 0.85%

LAB 87.6, -6.56, 5.46

 

CMYK 0 / 0 / 0 / 15

HEX #D8D9D8

RGB 216 217 216

HSL 120, 0.01%, 0.85%

LAB 86.59, -0.52, 0.36

 

CMYK 0 / 5 / 0 / 13

HEX #DDD3DE

RGB 221 211 222

HSL 294.55, 0.14%, 0.85%

LAB 85.62, 5.4, -4.19

 

CMYK 1 / 11 / 0 / 11

HEX #E1CCE4

RGB 225 204 228

HSL 292.5, 0.31%, 0.85%

LAB 84.38, 11.54, -9.19

 

CMYK 4 / 0 / 11 / 10

HEX #DCE5CB

RGB 220 229 203

HSL 80.77, 0.33%, 0.85%

LAB 89.66, -7.54, 11.65

 

CMYK 7 / 0 / 11 / 10

HEX #D5E5CB

RGB 213 229 203

HSL 96.92, 0.33%, 0.85%

LAB 89.16, -9.96, 10.86

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CB

RGB 206 229 203

HSL 113.08, 0.33%, 0.85%

LAB 88.67, -12.35, 10.11

 

CMYK 11 / 0 / 10 / 10

HEX #CBE5CF

RGB 203 229 207

HSL 129.23, 0.33%, 0.85%

LAB 88.56, -12.66, 7.83

 

CMYK 11 / 0 / 7 / 10

HEX #CBE5D6

RGB 203 229 214

HSL 145.38, 0.33%, 0.85%

LAB 88.73, -11.38, 4.4

 

CMYK 24 / 0 / 27 / 21

HEX #9ACA94

RGB 154 202 148

HSL 113.33, 0.34%, 0.69%

LAB 76.83, -26.08, 22

 

CMYK 17 / 0 / 19 / 15

HEX #B4D8B0

RGB 180 216 176

HSL 114, 0.34%, 0.77%

LAB 82.89, -19.37, 15.85

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CB

RGB 206 229 203

HSL 113.08, 0.33%, 0.85%

LAB 88.67, -12.35, 10.11

 

CMYK 5 / 0 / 5 / 5

HEX #E8F3E7

RGB 232 243 231

HSL 115, 0.33%, 0.93%

LAB 94.75, -5.77, 4.51

 

CMYK 10 / 0 / 12 / 10

HEX #CDE5CA

RGB 205 229 202

HSL 113.33, 0.34%, 0.85%

LAB 88.58, -12.87, 10.49

 

CMYK 11 / 1 / 0 / 10

HEX #CBE3E5

RGB 203 227 229

HSL 184.62, 0.33%, 0.85%

LAB 88.59, -7.5, -3.68

 

CMYK 0 / 11 / 5 / 10

HEX #E5CBD9

RGB 229 203 217

HSL 327.69, 0.33%, 0.85%

LAB 84.16, 11.46, -3.61

 

CMYK 10 / 0 / 12 / 10

HEX #CDE5CA

RGB 205 229 202

HSL 113.33, 0.34%, 0.85%

LAB 88.58, -12.87, 10.49

 

CMYK 11 / 10 / 0 / 10

HEX #CBCEE5

RGB 203 206 229

HSL 233.08, 0.33%, 0.85%

LAB 83.18, 3.43, -11.69

 

CMYK 0 / 11 / 10 / 10

HEX #E5CBCE

RGB 229 203 206

HSL 353.08, 0.33%, 0.85%

LAB 83.88, 9.59, 1.84

 

CMYK 10 / 0 / 12 / 10

HEX #CDE5CA

RGB 205 229 202

HSL 113.33, 0.34%, 0.85%

LAB 88.58, -12.87, 10.49

 

CMYK 11 / 1 / 0 / 10

HEX #CBE3E5

RGB 203 227 229

HSL 184.62, 0.33%, 0.85%

LAB 88.59, -7.5, -3.68

 

CMYK 1 / 11 / 0 / 10

HEX #E2CBE5

RGB 226 203 229

HSL 293.08, 0.33%, 0.85%

LAB 84.24, 12.59, -9.91

 

CMYK 0 / 10 / 11 / 10

HEX #E5CDCB

RGB 229 205 203

HSL 4.62, 0.33%, 0.85%

LAB 84.29, 8.04, 4.04

 

CMYK 10 / 0 / 12 / 10

HEX #CDE5CA

RGB 205 229 202

HSL 113.33, 0.34%, 0.85%

LAB 88.58, -12.87, 10.49

 

CMYK 11 / 4 / 0 / 10

HEX #CBDBE5

RGB 203 219 229

HSL 203.08, 0.33%, 0.85%

LAB 86.51, -3.38, -6.74

 

CMYK 1 / 11 / 0 / 10

HEX #E2CBE5

RGB 226 203 229

HSL 293.08, 0.33%, 0.85%

LAB 84.24, 12.59, -9.91

 

CMYK 0 / 7 / 11 / 10

HEX #E5D5CB

RGB 229 213 203

HSL 23.08, 0.33%, 0.85%

LAB 86.28, 3.85, 6.91

 

Description

Color code: HEX #CDE5CA | qconv.com Color code: HEX #CDE5CA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 229 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 229 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 12 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 12% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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