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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDE3DA it is the complementary color #321C25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDE3DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDE3DA shade: #D2E3D5, #E3F5E8 and #F4FFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDE3DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDE3DA shade: #CDE3DA, #BCD1C7, #ABBFB4, #9AADA1 and #899B8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDE3DA shade: #CEE3DA, #CEE3D4, #CEE3CF, #D2E3CE and #D8E3CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDE3DA shade: #CEE3DA, #CEE3E0, #CEE0E3, #CEDAE3 and #CED5E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDE3DA shade matches the following richer shades: #CEE3DA, #C7E9DB, #C1EFDC, #BBF6DE and #B5FCDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDE3DA shade: #CEE3DA, #D4DDD9, #DAD7D8, #E0D0D7 and #E6CAD6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDE3DA shade: #CEE3CF, #CEE3D4, #CEE3DA, #CEE3E0 and #CEE0E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDE3DA shade: #99C5B3, #B3D4C7, #CEE3DA and #E8F2EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDE3DA shade: #CDE3DA, #CED2E3 and #E3D1CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDE3DA shade: #CDE3DA, #DACEE3 and #E3DACE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDE3DA shade: #CDE3DA, #CED2E3, #E3CED6 and #E3DECE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDE3DA shade: #CDE3DA, #CFCEE3, #E3CED6 and #E1E3CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 4 / 11

HEX #CDE3DA

RGB 205 227 218

HSL 155.45, 0.28%, 0.85%

LAB 88.44, -8.97, 1.9

 

Complementary color

CMYK 0 / 44 / 26 / 80

HEX #321C25

RGB 50 28 37

HSL 335.45, 0.28%, 0.15%

LAB 13.48, 12.42, -1.57

 

CMYK 7 / 0 / 6 / 11

HEX #D2E3D5

RGB 210 227 213

HSL 130.59, 0.23%, 0.86%

LAB 88.66, -8.22, 4.89

 

CMYK 7 / 0 / 5 / 4

HEX #E3F5E8

RGB 227 245 232

HSL 136.67, 0.47%, 0.93%

LAB 94.93, -8.26, 4.22

 

CMYK 4 / 0 / 2 / 0

HEX #F4FFFB

RGB 244 255 251

HSL 158.18, 1%, 0.98%

LAB 99.11, -4.31, 0.65

 

CMYK 10 / 0 / 4 / 11

HEX #CDE3DA

RGB 205 227 218

HSL 155.45, 0.28%, 0.85%

LAB 88.44, -8.97, 1.9

 

CMYK 10 / 0 / 5 / 18

HEX #BCD1C7

RGB 188 209 199

HSL 151.43, 0.19%, 0.78%

LAB 82.06, -8.96, 2.55

 

CMYK 10 / 0 / 6 / 25

HEX #ABBFB4

RGB 171 191 180

HSL 147, 0.14%, 0.71%

LAB 75.58, -8.96, 3.22

 

CMYK 11 / 0 / 7 / 32

HEX #9AADA1

RGB 154 173 161

HSL 142.11, 0.1%, 0.64%

LAB 68.99, -8.97, 3.92

 

CMYK 12 / 0 / 8 / 39

HEX #899B8E

RGB 137 155 142

HSL 136.67, 0.08%, 0.57%

LAB 62.27, -8.99, 4.65

 

CMYK 9 / 0 / 4 / 11

HEX #CEE3DA

RGB 206 227 218

HSL 154.29, 0.27%, 0.85%

LAB 88.51, -8.64, 2.01

 

CMYK 9 / 0 / 7 / 11

HEX #CEE3D4

RGB 206 227 212

HSL 137.14, 0.27%, 0.85%

LAB 88.36, -9.74, 4.94

 

CMYK 9 / 0 / 9 / 11

HEX #CEE3CF

RGB 206 227 207

HSL 122.86, 0.27%, 0.85%

LAB 88.24, -10.64, 7.39

 

CMYK 7 / 0 / 9 / 11

HEX #D2E3CE

RGB 210 227 206

HSL 108.57, 0.27%, 0.85%

LAB 88.49, -9.46, 8.32

 

CMYK 5 / 0 / 9 / 11

HEX #D8E3CE

RGB 216 227 206

HSL 91.43, 0.27%, 0.85%

LAB 88.92, -7.41, 8.99

 

CMYK 9 / 0 / 4 / 11

HEX #CEE3DA

RGB 206 227 218

HSL 154.29, 0.27%, 0.85%

LAB 88.51, -8.64, 2.01

 

CMYK 9 / 0 / 1 / 11

HEX #CEE3E0

RGB 206 227 224

HSL 171.43, 0.27%, 0.85%

LAB 88.66, -7.51, -0.92

 

CMYK 9 / 1 / 0 / 11

HEX #CEE0E3

RGB 206 224 227

HSL 188.57, 0.27%, 0.85%

LAB 87.96, -5.39, -3.53

 

CMYK 9 / 4 / 0 / 11

HEX #CEDAE3

RGB 206 218 227

HSL 205.71, 0.27%, 0.85%

LAB 86.41, -2.29, -5.81

 

CMYK 9 / 6 / 0 / 11

HEX #CED5E3

RGB 206 213 227

HSL 220, 0.27%, 0.85%

LAB 85.13, 0.32, -7.71

 

CMYK 9 / 0 / 4 / 11

HEX #CEE3DA

RGB 206 227 218

HSL 154.29, 0.27%, 0.85%

LAB 88.51, -8.64, 2.01

 

CMYK 15 / 0 / 6 / 9

HEX #C7E9DB

RGB 199 233 219

HSL 155.29, 0.44%, 0.85%

LAB 89.64, -13.76, 3.08

 

CMYK 19 / 0 / 8 / 6

HEX #C1EFDC

RGB 193 239 220

HSL 155.22, 0.59%, 0.85%

LAB 90.89, -18.46, 4.31

 

CMYK 24 / 0 / 10 / 4

HEX #BBF6DE

RGB 187 246 222

HSL 155.59, 0.77%, 0.85%

LAB 92.46, -23.34, 5.51

 

CMYK 28 / 0 / 12 / 1

HEX #B5FCDF

RGB 181 252 223

HSL 155.49, 0.92%, 0.85%

LAB 93.78, -27.81, 6.85

 

CMYK 9 / 0 / 4 / 11

HEX #CEE3DA

RGB 206 227 218

HSL 154.29, 0.27%, 0.85%

LAB 88.51, -8.64, 2.01

 

CMYK 4 / 0 / 2 / 13

HEX #D4DDD9

RGB 212 221 217

HSL 153.33, 0.12%, 0.85%

LAB 87.35, -3.75, 0.9

 

CMYK 0 / 1 / 1 / 15

HEX #DAD7D8

RGB 218 215 216

HSL 340, 0.04%, 0.85%

LAB 86.24, 1.21, -0.14

 

CMYK 0 / 7 / 4 / 12

HEX #E0D0D7

RGB 224 208 215

HSL 333.75, 0.21%, 0.85%

LAB 84.93, 6.75, -1.47

 

CMYK 0 / 12 / 7 / 10

HEX #E6CAD6

RGB 230 202 214

HSL 334.29, 0.36%, 0.85%

LAB 83.92, 11.81, -2.35

 

CMYK 9 / 0 / 9 / 11

HEX #CEE3CF

RGB 206 227 207

HSL 122.86, 0.27%, 0.85%

LAB 88.24, -10.64, 7.39

 

CMYK 9 / 0 / 7 / 11

HEX #CEE3D4

RGB 206 227 212

HSL 137.14, 0.27%, 0.85%

LAB 88.36, -9.74, 4.94

 

CMYK 9 / 0 / 4 / 11

HEX #CEE3DA

RGB 206 227 218

HSL 154.29, 0.27%, 0.85%

LAB 88.51, -8.64, 2.01

 

CMYK 9 / 0 / 1 / 11

HEX #CEE3E0

RGB 206 227 224

HSL 171.43, 0.27%, 0.85%

LAB 88.66, -7.51, -0.92

 

CMYK 9 / 1 / 0 / 11

HEX #CEE0E3

RGB 206 224 227

HSL 188.57, 0.27%, 0.85%

LAB 87.96, -5.39, -3.53

 

CMYK 22 / 0 / 9 / 23

HEX #99C5B3

RGB 153 197 179

HSL 155.45, 0.28%, 0.69%

LAB 76.04, -18.22, 4.28

 

CMYK 16 / 0 / 6 / 17

HEX #B3D4C7

RGB 179 212 199

HSL 156.36, 0.28%, 0.77%

LAB 82.27, -13.47, 2.77

 

CMYK 9 / 0 / 4 / 11

HEX #CEE3DA

RGB 206 227 218

HSL 154.29, 0.27%, 0.85%

LAB 88.51, -8.64, 2.01

 

CMYK 4 / 0 / 2 / 5

HEX #E8F2EE

RGB 232 242 238

HSL 156, 0.28%, 0.93%

LAB 94.67, -4.02, 0.77

 

CMYK 10 / 0 / 4 / 11

HEX #CDE3DA

RGB 205 227 218

HSL 155.45, 0.28%, 0.85%

LAB 88.44, -8.97, 1.9

 

CMYK 9 / 7 / 0 / 11

HEX #CED2E3

RGB 206 210 227

HSL 228.57, 0.27%, 0.85%

LAB 84.36, 1.89, -8.84

 

CMYK 0 / 8 / 9 / 11

HEX #E3D1CE

RGB 227 209 206

HSL 8.57, 0.27%, 0.85%

LAB 85.19, 5.73, 3.73

 

CMYK 10 / 0 / 4 / 11

HEX #CDE3DA

RGB 205 227 218

HSL 155.45, 0.28%, 0.85%

LAB 88.44, -8.97, 1.9

 

CMYK 4 / 9 / 0 / 11

HEX #DACEE3

RGB 218 206 227

HSL 274.29, 0.27%, 0.85%

LAB 84.27, 7.96, -8.87

 

CMYK 0 / 4 / 9 / 11

HEX #E3DACE

RGB 227 218 206

HSL 34.29, 0.27%, 0.85%

LAB 87.45, 1.04, 6.99

 

CMYK 10 / 0 / 4 / 11

HEX #CDE3DA

RGB 205 227 218

HSL 155.45, 0.28%, 0.85%

LAB 88.44, -8.97, 1.9

 

CMYK 9 / 7 / 0 / 11

HEX #CED2E3

RGB 206 210 227

HSL 228.57, 0.27%, 0.85%

LAB 84.36, 1.89, -8.84

 

CMYK 0 / 9 / 6 / 11

HEX #E3CED6

RGB 227 206 214

HSL 337.14, 0.27%, 0.85%

LAB 84.65, 8.66, -1.31

 

CMYK 0 / 2 / 9 / 11

HEX #E3DECE

RGB 227 222 206

HSL 45.71, 0.27%, 0.85%

LAB 88.46, -1.02, 8.44

 

CMYK 10 / 0 / 4 / 11

HEX #CDE3DA

RGB 205 227 218

HSL 155.45, 0.28%, 0.85%

LAB 88.44, -8.97, 1.9

 

CMYK 9 / 9 / 0 / 11

HEX #CFCEE3

RGB 207 206 227

HSL 242.86, 0.27%, 0.85%

LAB 83.42, 4.33, -10.24

 

CMYK 0 / 9 / 6 / 11

HEX #E3CED6

RGB 227 206 214

HSL 337.14, 0.27%, 0.85%

LAB 84.65, 8.66, -1.31

 

CMYK 1 / 0 / 9 / 11

HEX #E1E3CE

RGB 225 227 206

HSL 65.71, 0.27%, 0.85%

LAB 89.58, -4.29, 10.02

 

Description

Color code: HEX #CDE3DA | qconv.com Color code: HEX #CDE3DA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 227 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 227 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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