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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDEB7E it is the complementary color #321481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDEB7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDEB7E shade: #D2EB79, #E3FD8C, #F4FF9F, #FFFFB2 and #FFFFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDEB7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDEB7E shade: #CDEB7E, #BCD96B, #ABC758, #9AB545 and #89A332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDEB7E shade: #CDEB7F, #EAEB7F, #EBCE7F, #EBB17F and #EB947F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDEB7E shade: #CDEB7F, #B0EB7F, #93EB7F, #7FEB88 and #7FEBA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDEB7E shade matches the following richer shades: #CDEB7F and #D2F673

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDEB7E shade: #CDEB7F, #C7DF8B, #C2D396, #BDC7A2 and #B7BBAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDEB7E shade: #EBCE7F, #EBEB7F, #CEEB7F, #B1EB7F and #94EB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDEB7E shade: #B1DF37, #BFE55B, #CDEB7F, #DBF0A2 and #E9F6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDEB7E shade: #CDEB7E, #7FEBB1 and #DC7FEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDEB7E shade: #CDEB7E, #7FCEEB and #EB7FCE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDEB7E shade: #CDEB7E, #7FEBB1, #9B7FEB and #EB7FB8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDEB7E shade: #CDEB7E, #7FEBD1, #9B7FEB and #EB7F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 46 / 8

HEX #CDEB7E

RGB 205 235 126

HSL 76.51, 0.73%, 0.71%

LAB 88.88, -26.37, 49.37

 

Complementary color

CMYK 61 / 84 / 0 / 49

HEX #321481

RGB 50 20 129

HSL 256.51, 0.73%, 0.29%

LAB 19.07, 42.56, -55.11

 

CMYK 11 / 0 / 49 / 8

HEX #D2EB79

RGB 210 235 121

HSL 73.16, 0.74%, 0.7%

LAB 89.16, -24.97, 52.15

 

CMYK 10 / 0 / 45 / 1

HEX #E3FD8C

RGB 227 253 140

HSL 73.81, 0.97%, 0.77%

LAB 95.36, -25.19, 51.04

 

CMYK 4 / 0 / 38 / 0

HEX #F4FF9F

RGB 244 255 159

HSL 66.88, 1%, 0.81%

LAB 97.33, -17.74, 44.66

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB2

RGB 255 255 178

HSL 60, 1%, 0.85%

LAB 98.43, -11.44, 36.89

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC5

RGB 255 255 197

HSL 60, 1%, 0.89%

LAB 98.75, -9.01, 27.81

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7E

RGB 205 235 126

HSL 76.51, 0.73%, 0.71%

LAB 88.88, -26.37, 49.37

 

CMYK 13 / 0 / 51 / 15

HEX #BCD96B

RGB 188 217 107

HSL 75.82, 0.59%, 0.64%

LAB 82.58, -26.18, 50.49

 

CMYK 14 / 0 / 56 / 22

HEX #ABC758

RGB 171 199 88

HSL 75.14, 0.5%, 0.56%

LAB 76.2, -25.92, 51.54

 

CMYK 15 / 0 / 62 / 29

HEX #9AB545

RGB 154 181 69

HSL 74.46, 0.45%, 0.49%

LAB 69.72, -25.57, 52.46

 

CMYK 16 / 0 / 69 / 36

HEX #89A332

RGB 137 163 50

HSL 73.81, 0.53%, 0.42%

LAB 63.13, -25.09, 53.08

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7F

RGB 205 235 127

HSL 76.67, 0.73%, 0.71%

LAB 88.89, -26.27, 48.91

 

CMYK 0 / 0 / 46 / 8

HEX #EAEB7F

RGB 234 235 127

HSL 60.56, 0.73%, 0.71%

LAB 90.98, -15.1, 51.95

 

CMYK 0 / 12 / 46 / 8

HEX #EBCE7F

RGB 235 206 127

HSL 43.89, 0.73%, 0.71%

LAB 83.62, -0.09, 42.88

 

CMYK 0 / 25 / 46 / 8

HEX #EBB17F

RGB 235 177 127

HSL 27.78, 0.73%, 0.71%

LAB 76.46, 15.11, 33.74

 

CMYK 0 / 37 / 46 / 8

HEX #EB947F

RGB 235 148 127

HSL 11.67, 0.73%, 0.71%

LAB 69.74, 30.5, 24.85

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7F

RGB 205 235 127

HSL 76.67, 0.73%, 0.71%

LAB 88.89, -26.27, 48.91

 

CMYK 25 / 0 / 46 / 8

HEX #B0EB7F

RGB 176 235 127

HSL 92.78, 0.73%, 0.71%

LAB 87.08, -36.86, 46.28

 

CMYK 37 / 0 / 46 / 8

HEX #93EB7F

RGB 147 235 127

HSL 108.89, 0.73%, 0.71%

LAB 85.58, -46.51, 44.08

 

CMYK 46 / 0 / 42 / 8

HEX #7FEB88

RGB 127 235 136

HSL 125, 0.73%, 0.71%

LAB 84.85, -51.13, 38.57

 

CMYK 46 / 0 / 30 / 8

HEX #7FEBA5

RGB 127 235 165

HSL 141.11, 0.73%, 0.71%

LAB 85.32, -46.32, 24.54

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7F

RGB 205 235 127

HSL 76.67, 0.73%, 0.71%

LAB 88.89, -26.27, 48.91

 

CMYK 15 / 0 / 53 / 4

HEX #D2F673

RGB 210 246 115

HSL 76.49, 0.88%, 0.71%

LAB 92.07, -30.71, 58.35

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7F

RGB 205 235 127

HSL 76.67, 0.73%, 0.71%

LAB 88.89, -26.27, 48.91

 

CMYK 11 / 0 / 38 / 13

HEX #C7DF8B

RGB 199 223 139

HSL 77.14, 0.57%, 0.71%

LAB 85.39, -21.39, 38.55

 

CMYK 8 / 0 / 29 / 17

HEX #C2D396

RGB 194 211 150

HSL 76.72, 0.41%, 0.71%

LAB 81.98, -15.9, 28.37

 

CMYK 5 / 0 / 19 / 22

HEX #BDC7A2

RGB 189 199 162

HSL 76.22, 0.25%, 0.71%

LAB 78.62, -9.87, 17.4

 

CMYK 2 / 0 / 7 / 27

HEX #B7BBAE

RGB 183 187 174

HSL 78.46, 0.09%, 0.71%

LAB 75.24, -3.76, 6.09

 

CMYK 0 / 12 / 46 / 8

HEX #EBCE7F

RGB 235 206 127

HSL 43.89, 0.73%, 0.71%

LAB 83.62, -0.09, 42.88

 

CMYK 0 / 0 / 46 / 8

HEX #EBEB7F

RGB 235 235 127

HSL 60, 0.73%, 0.71%

LAB 91.06, -14.7, 52.06

 

CMYK 12 / 0 / 46 / 8

HEX #CEEB7F

RGB 206 235 127

HSL 76.11, 0.73%, 0.71%

LAB 88.96, -25.89, 49.01

 

CMYK 25 / 0 / 46 / 8

HEX #B1EB7F

RGB 177 235 127

HSL 92.22, 0.73%, 0.71%

LAB 87.14, -36.5, 46.37

 

CMYK 37 / 0 / 46 / 8

HEX #94EB7F

RGB 148 235 127

HSL 108.33, 0.73%, 0.71%

LAB 85.63, -46.19, 44.15

 

CMYK 21 / 0 / 75 / 13

HEX #B1DF37

RGB 177 223 55

HSL 76.43, 0.72%, 0.55%

LAB 83.12, -36.96, 71.73

 

CMYK 17 / 0 / 60 / 10

HEX #BFE55B

RGB 191 229 91

HSL 76.52, 0.73%, 0.63%

LAB 85.94, -32.06, 61.53

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7F

RGB 205 235 127

HSL 76.67, 0.73%, 0.71%

LAB 88.89, -26.27, 48.91

 

CMYK 9 / 0 / 33 / 6

HEX #DBF0A2

RGB 219 240 162

HSL 76.15, 0.72%, 0.79%

LAB 91.68, -19.38, 35.48

 

CMYK 5 / 0 / 20 / 4

HEX #E9F6C6

RGB 233 246 198

HSL 76.25, 0.73%, 0.87%

LAB 94.87, -12.28, 21.7

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7E

RGB 205 235 126

HSL 76.51, 0.73%, 0.71%

LAB 88.88, -26.37, 49.37

 

CMYK 46 / 0 / 25 / 8

HEX #7FEBB1

RGB 127 235 177

HSL 147.78, 0.73%, 0.71%

LAB 85.56, -44.05, 18.66

 

CMYK 6 / 46 / 0 / 8

HEX #DC7FEB

RGB 220 127 235

HSL 291.67, 0.73%, 0.71%

LAB 66.82, 52.22, -39.82

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7E

RGB 205 235 126

HSL 76.51, 0.73%, 0.71%

LAB 88.88, -26.37, 49.37

 

CMYK 46 / 12 / 0 / 8

HEX #7FCEEB

RGB 127 206 235

HSL 196.11, 0.73%, 0.71%

LAB 78.84, -16.75, -21.88

 

CMYK 0 / 46 / 12 / 8

HEX #EB7FCE

RGB 235 127 206

HSL 316.11, 0.73%, 0.71%

LAB 67.5, 51.61, -22.51

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7E

RGB 205 235 126

HSL 76.51, 0.73%, 0.71%

LAB 88.88, -26.37, 49.37

 

CMYK 46 / 0 / 25 / 8

HEX #7FEBB1

RGB 127 235 177

HSL 147.78, 0.73%, 0.71%

LAB 85.56, -44.05, 18.66

 

CMYK 34 / 46 / 0 / 8

HEX #9B7FEB

RGB 155 127 235

HSL 255.56, 0.73%, 0.71%

LAB 60.02, 34.43, -50.99

 

CMYK 0 / 46 / 22 / 8

HEX #EB7FB8

RGB 235 127 184

HSL 328.33, 0.73%, 0.71%

LAB 66.75, 48.29, -11.31

 

CMYK 13 / 0 / 46 / 8

HEX #CDEB7E

RGB 205 235 126

HSL 76.51, 0.73%, 0.71%

LAB 88.88, -26.37, 49.37

 

CMYK 46 / 0 / 11 / 8

HEX #7FEBD1

RGB 127 235 209

HSL 165.56, 0.73%, 0.71%

LAB 86.27, -37.28, 2.97

 

CMYK 34 / 46 / 0 / 8

HEX #9B7FEB

RGB 155 127 235

HSL 255.56, 0.73%, 0.71%

LAB 60.02, 34.43, -50.99

 

CMYK 0 / 46 / 35 / 8

HEX #EB7F98

RGB 235 127 152

HSL 346.11, 0.73%, 0.71%

LAB 65.83, 44.11, 5.43

 

Description

Color code: HEX #CDEB7E | qconv.com Color code: HEX #CDEB7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 235 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 235 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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