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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CDEB89 it is the complementary color #321476. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CDEB89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CDEB89 shade: #D2EB84, #E3FD97, #F4FFAA, #FFFFBD and #FFFFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CDEB89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CDEB89 shade: #CDEB89, #BCD976, #ABC763, #9AB550 and #89A33D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CDEB89 shade: #CDEB89, #E7EB89, #EBD489, #EBB989 and #EB9F89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CDEB89 shade: #CDEB89, #B2EB89, #98EB89, #89EB94 and #89EBAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CDEB89 shade matches the following richer shades: #CDEB89 and #D1F67E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CDEB89 shade: #CDEB89, #C8DF94, #C4D49F, #C0C9AA and #BBBEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CDEB89 shade: #EBD489, #E7EB89, #CDEB89, #B3EB89 and #99EB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CDEB89 shade: #AFDF42, #BEE565, #CDEB89, #DCF1AC and #EBF6CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CDEB89 shade: #CDEB89, #89EBBA and #E189EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CDEB89 shade: #CDEB89, #89CDEB and #EB89CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CDEB89 shade: #CDEB89, #89EBBA, #A689EB and #EB89BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CDEB89 shade: #CDEB89, #89EBD7, #A689EB and #EB899C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

Complementary color

CMYK 58 / 83 / 0 / 54

HEX #321476

RGB 50 20 118

HSL 258.37, 0.71%, 0.27%

LAB 17.86, 39.33, -50.08

 

CMYK 11 / 0 / 44 / 8

HEX #D2EB84

RGB 210 235 132

HSL 74.56, 0.72%, 0.72%

LAB 89.29, -23.85, 47.09

 

CMYK 10 / 0 / 40 / 1

HEX #E3FD97

RGB 227 253 151

HSL 75.29, 0.96%, 0.79%

LAB 95.5, -24, 45.96

 

CMYK 4 / 0 / 33 / 0

HEX #F4FFAA

RGB 244 255 170

HSL 67.76, 1%, 0.83%

LAB 97.49, -16.47, 39.47

 

CMYK 0 / 0 / 26 / 0

HEX #FFFFBD

RGB 255 255 189

HSL 60, 1%, 0.87%

LAB 98.61, -10.07, 31.64

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 13 / 0 / 46 / 15

HEX #BCD976

RGB 188 217 118

HSL 77.58, 0.57%, 0.66%

LAB 82.71, -25.06, 45.39

 

CMYK 14 / 0 / 50 / 22

HEX #ABC763

RGB 171 199 99

HSL 76.8, 0.47%, 0.58%

LAB 76.32, -24.89, 46.52

 

CMYK 15 / 0 / 56 / 29

HEX #9AB550

RGB 154 181 80

HSL 76.04, 0.41%, 0.51%

LAB 69.82, -24.65, 47.61

 

CMYK 16 / 0 / 63 / 36

HEX #89A33D

RGB 137 163 61

HSL 75.29, 0.46%, 0.44%

LAB 63.22, -24.31, 48.56

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 2 / 0 / 42 / 8

HEX #E7EB89

RGB 231 235 137

HSL 62.45, 0.71%, 0.73%

LAB 90.88, -15.29, 46.98

 

CMYK 0 / 10 / 42 / 8

HEX #EBD489

RGB 235 212 137

HSL 45.92, 0.71%, 0.73%

LAB 85.28, -2.17, 39.97

 

CMYK 0 / 21 / 42 / 8

HEX #EBB989

RGB 235 185 137

HSL 29.39, 0.71%, 0.73%

LAB 78.56, 11.9, 31.23

 

CMYK 0 / 32 / 42 / 8

HEX #EB9F89

RGB 235 159 137

HSL 13.47, 0.71%, 0.73%

LAB 72.4, 25.71, 22.99

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 24 / 0 / 42 / 8

HEX #B2EB89

RGB 178 235 137

HSL 94.9, 0.71%, 0.73%

LAB 87.33, -34.94, 41.76

 

CMYK 35 / 0 / 42 / 8

HEX #98EB89

RGB 152 235 137

HSL 110.82, 0.71%, 0.73%

LAB 85.96, -43.59, 39.72

 

CMYK 42 / 0 / 37 / 8

HEX #89EB94

RGB 137 235 148

HSL 126.73, 0.71%, 0.73%

LAB 85.44, -46.48, 33.43

 

CMYK 42 / 0 / 26 / 8

HEX #89EBAE

RGB 137 235 174

HSL 142.65, 0.71%, 0.73%

LAB 85.9, -41.99, 20.76

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 15 / 0 / 49 / 4

HEX #D1F67E

RGB 209 246 126

HSL 78.5, 0.87%, 0.73%

LAB 92.12, -30.05, 53.38

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 10 / 0 / 34 / 13

HEX #C8DF94

RGB 200 223 148

HSL 78.4, 0.54%, 0.73%

LAB 85.6, -19.89, 34.29

 

CMYK 8 / 0 / 25 / 17

HEX #C4D49F

RGB 196 212 159

HSL 78.11, 0.38%, 0.73%

LAB 82.55, -14.38, 24.49

 

CMYK 4 / 0 / 15 / 21

HEX #C0C9AA

RGB 192 201 170

HSL 77.42, 0.22%, 0.73%

LAB 79.55, -8.53, 14.46

 

CMYK 2 / 0 / 5 / 25

HEX #BBBEB5

RGB 187 190 181

HSL 80, 0.06%, 0.73%

LAB 76.51, -2.69, 4.17

 

CMYK 0 / 10 / 42 / 8

HEX #EBD489

RGB 235 212 137

HSL 45.92, 0.71%, 0.73%

LAB 85.28, -2.17, 39.97

 

CMYK 2 / 0 / 42 / 8

HEX #E7EB89

RGB 231 235 137

HSL 62.45, 0.71%, 0.73%

LAB 90.88, -15.29, 46.98

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 24 / 0 / 42 / 8

HEX #B3EB89

RGB 179 235 137

HSL 94.29, 0.71%, 0.73%

LAB 87.39, -34.59, 41.85

 

CMYK 35 / 0 / 42 / 8

HEX #99EB89

RGB 153 235 137

HSL 110.2, 0.71%, 0.73%

LAB 86, -43.28, 39.79

 

CMYK 22 / 0 / 70 / 13

HEX #AFDF42

RGB 175 223 66

HSL 78.34, 0.71%, 0.57%

LAB 83.06, -37.16, 67.96

 

CMYK 17 / 0 / 56 / 10

HEX #BEE565

RGB 190 229 101

HSL 78.28, 0.71%, 0.65%

LAB 85.97, -31.63, 57.21

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 9 / 0 / 29 / 5

HEX #DCF1AC

RGB 220 241 172

HSL 78.26, 0.71%, 0.81%

LAB 92.18, -18.18, 31.11

 

CMYK 4 / 0 / 16 / 4

HEX #EBF6CF

RGB 235 246 207

HSL 76.92, 0.68%, 0.89%

LAB 95.19, -10.21, 17.56

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 42 / 0 / 21 / 8

HEX #89EBBA

RGB 137 235 186

HSL 150, 0.71%, 0.73%

LAB 86.15, -39.67, 14.87

 

CMYK 4 / 42 / 0 / 8

HEX #E189EB

RGB 225 137 235

HSL 293.88, 0.71%, 0.73%

LAB 69.4, 48.55, -35.76

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 42 / 13 / 0 / 8

HEX #89CDEB

RGB 137 205 235

HSL 198.37, 0.71%, 0.73%

LAB 79.03, -13.82, -21.55

 

CMYK 0 / 42 / 13 / 8

HEX #EB89CD

RGB 235 137 205

HSL 318.37, 0.71%, 0.73%

LAB 69.44, 46.41, -19

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 42 / 0 / 21 / 8

HEX #89EBBA

RGB 137 235 186

HSL 150, 0.71%, 0.73%

LAB 86.15, -39.67, 14.87

 

CMYK 29 / 42 / 0 / 8

HEX #A689EB

RGB 166 137 235

HSL 257.76, 0.71%, 0.73%

LAB 63.34, 31.67, -45.67

 

CMYK 0 / 42 / 21 / 8

HEX #EB89BA

RGB 235 137 186

HSL 330, 0.71%, 0.73%

LAB 68.82, 43.51, -9.34

 

CMYK 13 / 0 / 42 / 8

HEX #CDEB89

RGB 205 235 137

HSL 78.37, 0.71%, 0.73%

LAB 89.02, -25.18, 44.25

 

CMYK 42 / 0 / 9 / 8

HEX #89EBD7

RGB 137 235 215

HSL 167.76, 0.71%, 0.73%

LAB 86.82, -33.49, 0.67

 

CMYK 29 / 42 / 0 / 8

HEX #A689EB

RGB 166 137 235

HSL 257.76, 0.71%, 0.73%

LAB 63.34, 31.67, -45.67

 

CMYK 0 / 42 / 34 / 8

HEX #EB899C

RGB 235 137 156

HSL 348.37, 0.71%, 0.73%

LAB 67.99, 39.47, 6.27

 

Description

Color code: HEX #CDEB89 | qconv.com Color code: HEX #CDEB89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 235 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 235 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 42 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 42% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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